Robben is always so amenable to interviewers. He just seems like such a down to earth guy with no star ego. Whether he's in an interview or giving a masterclass it's the same. A phenomenal talent too of course and one of the best guitarists in the blues/jazz genres ever in my view.
Guys, the interviewer is Joe Glaser, one of the greatest luthiers in the world who does work for the greats like Robben, Vince Gill, Keith Urban, JD Simo, Brad Paisley out of Nashville! I'm sure he was doing this as a favor for Premier Guitar. What he lacks in interview skills he makes up for in a master like understanding of the instrument.
Omg! Robben is actually doing his own rig rundown!? Unlike other cool famous guitar players...who don't show up and just send their techs in....you go Robben ! Love your playing and humanity
Robben Ford's main tone piece-His own hands! One of my all time favorite players no matter what guitar or rig he is playing through......Robben and Larry Carlton together is pure joy to listen to!
Absolutely love Robben’s sound. And the simplicity is mind blowing …. Such a GUITAR HERO FOR ME. So humble … Thanks for all the inspiration and great tunes 😀👍🏻
I didn’t even notice the “uh huh’s“. I did notice 3 pro’s talking about stuff they were very knowledgeable about in a very civilized and refined manner. Great interview. Better than any rig rundown done by so-called professional interviewers.
Hey Tone Bro´es This is one of the best interviews with one of the wolrds finest guitarist ever. He has made the link between blues and fusion with a tremendous amount of knowledge and with the best sounding guitar ever. I was so lucky to have the oppurtunity to adress this man, when he was touring i Scandinavia for some years ago - in Horsens as a matter of fact. He and Michael Landau talked to me a little while after the blues concert- and I was just numb.. I hope I will be able to meet those two guys one more time, when my guitar is still running on their smoke.
"... but I do have this Tele" LOL. Only one of the most famous Telecasters in the world, along with Robben's Dumble amp. You have to smile. This dude knows a lot more than he is giving up.
Lay off the "interviewer guys. It's Joe Glazer. He's not normally an interviewer. He's the guitar tech to the stars in Nashville, and a world class guy. He's there because he had inside info about working with Robben. And Keith Urban and Joe Bonamassa and many many others.
I could listen to Robben Ford talk about music all day, his authentic voice and obvious love for the music comes through every time. I could listen to his musice all day too!! Thanks Robben
I want to listen to more of Robben's earlier years when he was first starting out, and his solo output is what I want to check out more and get it on vinyl. Joni Mitchell, Miles Davis among others for his studio and sideman work alone is noteworthy. I first heard him on the album Talk To Your Daughter back in 1989 and have remained an admirer ever since ~ His instrumental Revelation was just that! I was floored by his tone and feeling and the dexterity he displays on the instrument with his knowledge of scales and modes being applied in a soulful way, with deadly effect. He is a perfect combination of blues power, jazz swing with a dose of rock thrown in. Always inspires me with his intuitive playing.
Lot of people commenting here who don't know who Joe Glaser is. Assured: He knows the artist, he knows the gear. He is the mega tech to the mega stars. Whether or not you like his on-camera persona, it's understandable that PG would ask him to do it.
Players like Robben Ford simply don't need a lot of rig or effects. What a great player -- it amazes me that guitarists like him don't fill up giant stadiums.
I remember dumble when he lived in bakersfield...he was making these even back then,,,several local guitarists have dumbles from back in the day...He did a mod on my brown tolex princton..never knowing that he would become this amp guru!..
The difference in this interview and a lot of the PG gig rundowns is that the Joe Glaser knows more about a guitar's workings that most players or techs do. Even though Joe's obviously not a pro on camera guy, he knows his stuff. Coupling that with Robben, who is one of the most soulful guitar players on the planet and a very informed and interested Rick Wheeler makes for a good interview.
Great rig rundown! Great storys about guitars, dumble and robben himself - I don't know why so many are complaining about the interviewer - this guy truly knows what's going on and is also cool and passionate as all of them!
Wow. Wish all the Rig Rundowns were like this. So much better to have a simple conversation about gear and usage when the artist is present and the interviewer asks good questions. Also: how on Earth did you get Joe Glazer to do this?
I met Joe Glaser in his workshop in Nashville. A lovely guy. Very friendly and unassuming. My friend bought one of his Telecasters that day. It was made by Floyd Cassista, Joe's in house guitar builder. An amazing guitar. We were introduced to Joe and Floyd by Guthrie Trapp. My friend still has that Tele which is almost identical to Guthrie's one. A great day out in Nashville. And I also met Robben Ford after a gig in Dublin. Another lovely humble guy who was happy to hang out and answer questions from fans. If you are a guitar player or Mandolin player and find yourself in Nashville, I would highly recommend paying Joe's workshop a visit. And you wouldn't know who you might run into picking up a repair job!
I learned about Robben kind of late in my life, and wonder why I wasn’t familiar with him. I guess just ignorance on my part. He has a beautiful sound and feel, very fluid. Also, so refreshing to hear an artist that keeps the use of effects simple. I guess maybe that’s “old school.” I enjoy hearing really experienced musicians like Robben interviewed. They don’t seem to have a lot of “ego”, and just honestly and directly explain themselves.
this is the most in depth interview ever,, its like a conversation between friends about why the gear works rather than what the gear is.. so much interesting info in there..
I really enjoyed this interview. Very cool and low key. I think Joe Glazer did a fantastic job, although it reminded me of every pediatric visit I'd ever had as a kid; with Joe as the doctor (not difficult to imagine him in a white coat and stethoscope), Rick as the concerned parent, and Robben as the patient. Watch it again with that dynamic in mind for a good laugh.
You critics!!! The interviewer is Paul Glasser, one of the best luthiers in America. If you listen you'll hear Robben ask him what he did to the guitar! Paul is the one who did the work on the Epiphone. He's not an interviewer and I don't know why they ask him to do the interview but he makes more money than any of you critics!! Who cares about the umm's, get the nuggets of info out of the interview. This isn't entertainment. Its education!!
Too many of these Rundowns have a young starry-eyed kid in awe of just being backstage. Sure, this is more like a coffee table discussion, where knowledgeable folks share good information. I will take it, thank you.
Joe Glaser is awesome!! I was on a 5 month work assignment near Nashville, so I took a guitar to him that needed some fret work, new saddle and setup. I was able to meet Joe in person while dropping off the guitar. When I went to pick up the guitar, he was kind enough to give me 45 or so minutes of his time to talk about guitars and current events due to COVID and my job in the vaccines industry. After talking, he broke his own rules and allowed me to not only enter his workshop but personally gave me a guided tour and showed me some recent projects and aftermarket parts he has developed and is selling. BTW, the work his team did on my guitar is excellent and it plays like never before! Accurate timely, and reasonably priced service. I was expecting to pay (and gladly would have payed more) for the work and results. Folks, I’m nobody in the music scene. I’m just an average guy and guitar player. The red carpet treatment I received and my brief time with Joe left an impression on me that I won’t soon forget.
I once went to a private new years party in New York and Robben was performing a couple hours that night. I was hanging out by the front and talking to him a lot... He's a fairly regular guy and doesn't have a swollen head big ego. Has a very down to earth kind of personality. Very approachable. As a guitar player I love his tone except sometimes if you listen to the way it sounds it can almost sound brassy.
Not sure how this happened but I have been watching Robben vids for two days now. Loved this one. I like to hear him play but I think I enjoy the interviews more.
Madcap Laughs I myself have recently went down the Robben Ford RUclips rabbit hole! I agree-I love his playing but there is something overly satisfying about hearing the interviews. The recent Rick Beato interview video got me searching for anything Robben related.
The first rule of owning a Dumble is to never talk about Dumble. But if you own 2... An amazing insight from the only player on earth who should have AD made amps for him. RF is true, true class. No 'superstar' bs and endorsements. He's the real deal.
Great interview. The interviewer was great, mature and asked the right questions. They all go along great. Interesting info about the tele and the "mystic mile"!
When you've got (essentially) a vintage Gibson....a vintage Tele..and a Dumble amp: inspired, built & voiced for YOU -you don't need a whole lot more..! Your rig...? ..it's COMPLETE, Sir!
Mike Bloomfield's Telecaster was a '63. Check the Dan Erlewine video when he checks over that famous but mistreated guitar. Rosewood, board, white guard, etc., much like this guitar. Love Robben on that tele.
The club in Ben Lomond that Robben. mentioned was the Town & Country Lodge. I saw him numerous times in the Bay Area, but only saw him there one time. I think it was in '74, because he dedicated a song (My Favorite Things) to Duke Ellington, who had just died. His group was Russell Feranti on keyboard, Jim Chantelope on drums, and Stan Poplin, who had been the bass player with the Charle Ford Band. But that night Stan played upright rather than electric bass. A great night, as usual.
Less the better (for the player). I remember using guitar synth playing the keyboard/guitars parts singing back up in a three piece tap dancing all the way. After you scale down what liberation to be had -- which = enjoyment. Cool interview!
Rick Wheeler, Hi there. I was at the last Dojo , August 2018 and enjoyed hearing you play and all the things you taught us. I had my Jeff Beck Seafoam Green Strat but had discussed having you look at my 335. I would still like that to happen. I’m sure you are way too busy but I thought I would reach out. I missed saying goodbye at camp because I think you left the night before the last day of camp. Anyway, if you have a chance, hit me back ...even if it’s to say you are too busy. You were such a great inclusion to the camp. BTW, I have been studying with Jeff McErlain ever since I met him there. He will vouge for me. This is Dr Brad. ✌🏻❤️🤘🏼
Actually, I wish a lot of interviewers WOULD use notes....ask your question and then shut up!....let the interviewee talk. That said, I thought Joe Glazer did a great job....as did Robben and his tech/co-producer.
My dear friend Steve Brantley (RIP) got Mr Glaser to re-fret my 1975 Gold Top Les Paul Pro (P90s) during the recording of an album some time back. He made room and I'm forever grateful. (Supposedly it got done right after the "tic-tac" bass from Patsy Cline's song "Crazy" so it should be possible to check out.) Anyway I'm pretty sure I remember Mr Ford playing one just like mine once (although a different year.)
As an audio engineer whom builds boutique pedals and tube amps ; I really enjoyed hearing Robben talk about his Dumble ; one of the most "holy grail" boutique amps in the biz. I saw a 1x12 ODS combo one time at a guitar show. The price? $75k. I guess players like Larry Carlton later switched to a bludotone because it took forever to get amps back from repair from Howard.
Yes, and those same pickups sound different when in a Les Paul Deluxe or Firebird. They wouldn't sound that good if I played that same guitar, though! Robben really knows how to extract tone from a guitar. I had an old Gibson made early 60's Epi Casino in that same "Royal Tan" finish although I can't say I really like it. Royal Tan always looks, to me, like it has faded down from something else. I suppose that, for many people, that would be cool in itself.
@@jamesmaxwell5415 Robben's stories always change over time. I've been to numerous clinics where he professes to not know some aspect of music theory and others where he shows a complete mastery of it. Same with gear. He'll claim not to know what was used on a track and at some other point he'll say that it was this guitar. And at some other point he'll say that it was a different guitar. Or claim to not know what an I/O is. The man is much deeper than he lets on. Partly because he's humble, and partly because he want's to divert focus from gear toward music. His own magic ears and hands can tell the difference with gear and he finds the special stuff (he once spent a couple days going though every Les Paul GC had in the Bay Area with a couple buddies, one who worked there at the time and another who was a gear geek and knew all the in's and out's of different models, in a private room). And so he's playing the cream of the crop. Just think how many people try to get him to play their stuff. But in the end they're tools for him to make music. And he want's people to focus on the music. Like the old story where someone told Chet Atkins that his guitar sounded great and he pointed to it sitting idle in a stand and said "Yeah, it sounds great doesn't it". The guys at Black Market told me the story of the Tele. Robben and his then tech Jeff Rivera walked in one day and while browsing around asked if there was anything cool. The store had taken in a vintage Tele and kept it in a room they had behind the counter (the main room was huge and the ceiling and walls were packed with guitar hanging, but they kept special stuff "in back"). They brought it out, Robben played it and had the bonding experience he described here. And it's been his main road axe every since. Both for the expression it has and probably some degree of durability compared to the '54 Goldtop he recorded so much with (which eventually did get the headstock snapped but in a studio, not on the road).
+Jerry Davis Any conversation with Robben ford about music, like the late Ted Greene, was/is indeed educational. From my first introduction to Robben Ford back in the '80's (an REH video 'The blues and beyond' ) and Ted Greene at the same time ( his book 'Chord Chemistry') I have learnt so much, and now with the interweb thingy, and this is one of it's better uses, continue to do so. Your brevity is something that I unfortunately do not possess. Keep playing and learning
The amp tech talked about the signal chain but did not mention the loop. But the loop is clearly in use. I know the loop, if engaged with a cable can be a boost. Is it used for that, or are the time effects routed through the loop?
At 15 minutes in is a critical piece of information regarding what Alexander Dumble did with these amps. He voiced the amp to the specific player around their touch, attack and style. There are people that leave comments saying “I played a Dumble once and it wasn’t all that”. First, Robben, Michael Landau, SRV, David Lindley, Lowell George, Steve Farris, Larry Carlton and others have pretty good ears (*understatement alert*) and all have played Dumbles for years and sworn by them. Second, if you’re playing a second hand Dumble, it was voiced for someone else’s playing. That is a piece that shouldn’t be ignored. The other nugget here is that Robben said Alexander kept notes on how he built the amps. Hopefully that information will be shared at some point so that maybe people can understand what he was doing and not just reverse engineering what he did. It would be a shame if all his knowledge is gone with him.
As much as i love rig rundowns PG, I find a lot of your interviewers devoid of a personality or any enthusiasm whatsoever. I can only speak for myself, but a sense of enjoyment and some character would go a long way, especially for the artists/techs being interviewed. I do like Shawn Hammond though!
I have tried to watch a couple of rig rundowns since Rebecca left but I've not been able to get through them. Rebecca really kept the interview subject engaged and enthused throughout the presentation, and most of these newer interviewers just don't have her skill!
These are guitar equipment shows not the Arsenio Hall show. I don't understand why they attract so many whiners. Instead of talking - do it. Go make a better production and lead by example.
I was shopping for a Les Paul Lite (don't laugh!) at a guitar shop in the 80s and this rich guy who was known for collecting high end gear showed up driving a brand new 928. He'd brought a Dumble Overdrive 50 head and cab to the stop just to show it off. It sounded absolutely unreal, and it had tremendous clarity at every volume level. He didn't want to sell it, and the shop owner offered to mortgage his house to buy it. He collector just wanted to tease the owner of the shop. I played an LP Standard through it. WOW! Amazing tone. It really struck me as being the ultimate modded Bassman, or The Anti-Marshall. I remember a metal guy who worked at the shop saying, "Hey man, it says Overdrive! That's false advertising, man!" Well, it has all the overdrive in the world to some, and none at all to the deaf brutes who populate the metalsphere. An hour after the guy packed his Dumble back into his 928 the owner was still dumbstruck, or, I should say, Dumblestruck. What an amp!
Glazer absolutely rocks. I need to get one of my guitars up there for a fret dress, and possibly to get my Gibson Victory refretted (if I can afford it) because I know it will all be perfect. it's a blessing to just be 90 minutes away from him.
You have to listen to his first blues LP ‘The Charles Ford’ band, with Stan Poplin on bass. I recorded a jazz album with Stan, Paul Contos, Eddie Marshall and John Donaldson. In 1984. That first record is just mind blowingly great. Robben played an L-5 back then as I remember. Howard Dumble built some great amps. The name of the club in Ben Lomand was above Santa Cruz called the Highlands Inn. Used to go see Robben play with Jimmy Witherspoon, Paul Nagel, Jimmy Baum and Stan. Also saw Weather Report there. Great time for music! Still is.]
I once sat front and center during a Robben Ford set, directly in front of that speaker cabinet, pointing straight at my face. That would normally be the worst seat in the house with any other guitar player. The tone coming out of it was just perfection. Just enough bite, perfectly fat and rich with a sweet edge to it. Like a studio recording. Dumble voiced that amp to fit Robben like a fine tailored suit and Robben sure knows how to set it. Hail RF! This looks like Third and Lindsley. Is that where it was done?
6 лет назад
Yeah, man!!! I had that same EXACT experience. Like listening to sex or god or the grand canyon.....
Hey Robin! I've been a fan of yours since you first hit the scene years ago! I'm wondering if you remember a mutual friend of ours named Steve Bishop? He came out of Washington DC and was good friends of Danny Gattons and told me about how you and him used to hang out a bit. Steve was a very dear friend of mine and here in Seattle we worked at a music store so I got so many opportunities to listen to his beautiful playing and I actually got to do a couple of shows with him which was just the high point of my Musical career! I'm just wondering if you have any memories you'd like to share with those of us that don't know who Steve Bishop was. Were you aware that Steve passed about 7 years ago from spinal cord cancer? He always spoke very highly of you Robin and often told me that you were one of his main inspirations! And I have to say that you're one of my main Inspirations as well!
Great interview by 2 great techs and one of the best blues guys around.loved the bit about the tail piece placement being not gibson standard and larrys tech useing specs for robins epi, very cool, wonder what that non standard spec was?
I saw Robben live last night. The playing and the sound were amazing, but the Timeline wasn’t working for the first 4 songs. The sound was incredible, but once the Timeline came on, the guitar sound was too wet. Robben did the entire show with his 1960 Tele. 😁👍
![Robben Ford At TPS! [New Pedalboard, Little Walter Amp, Playing Tips & More]](http://i.ytimg.com/vi/D0HIUT8J3I8/mqdefault.jpg)
![Robben Ford At TPS! [New Pedalboard, Little Walter Amp, Playing Tips & More]](/img/tr.png)
![Building Robben Ford’s Latest Pedalboard [For Autumn & Winter 2024 Gigs]](/img/1.gif)
Robben is always so amenable to interviewers. He just seems like such a down to earth guy with no star ego. Whether he's in an interview or giving a masterclass it's the same. A phenomenal talent too of course and one of the best guitarists in the blues/jazz genres ever in my view.
Guys, the interviewer is Joe Glaser, one of the greatest luthiers in the world who does work for the greats like Robben, Vince Gill, Keith Urban, JD Simo, Brad Paisley out of Nashville! I'm sure he was doing this as a favor for Premier Guitar. What he lacks in interview skills he makes up for in a master like understanding of the instrument.
yeah, kind of weird the way they say it. He says "Hi, I'm Joe Glaser". Robben Ford: "This is an Epiphone Riviera set up by Joe Glaser" :D
Great Interview... not pretentious, not afraid of silence... time to think, time to listen.
I’m very grateful.
@@SorinPopovici985 yeah, remember what we did yeh and we did .......
seems like a
Joe is a super nice guy I’ve known him 30 years treats everyone like they are a “ big” star - very cool
Omg! Robben is actually doing his own rig rundown!? Unlike other cool famous guitar players...who don't show up and just send their techs in....you go Robben ! Love your playing and humanity
What a civilised, intelligent conversation. Excellent.
Robben Ford's main tone piece-His own hands! One of my all time favorite players no matter what guitar or rig he is playing through......Robben and Larry Carlton together is pure joy to listen to!
Absolutely love Robben’s sound. And the simplicity is mind blowing …. Such a GUITAR HERO FOR ME. So humble … Thanks for all the inspiration and great tunes 😀👍🏻
I didn’t even notice the “uh huh’s“. I did notice 3 pro’s talking about stuff they were very knowledgeable about in a very civilized and refined manner. Great interview. Better than any rig rundown done by so-called professional interviewers.
What a humble and nice man Mr. Ford is.
+Tobias Wilken Agreed. Very humble.
+PhiI93 Dumble, even.
i met him once; very gentle guy.
Tobias Wilken. Agreed.
Plays for the love of music
loved these veterans just talking about their gear, thanks for doing this PG!
Hey Tone Bro´es
This is one of the best interviews with one of the wolrds finest guitarist ever. He has made the link between blues and fusion with a tremendous amount of knowledge and with the best sounding guitar ever.
I was so lucky to have the oppurtunity to adress this man, when he was touring i Scandinavia for some years ago - in Horsens as a matter of fact. He and Michael Landau talked to me a little while after the blues concert- and I was just numb.. I hope I will be able to meet those two guys one more time, when my guitar is still running on their smoke.
"... but I do have this Tele" LOL. Only one of the most famous Telecasters in the world, along with Robben's Dumble amp. You have to smile. This dude knows a lot more than he is giving up.
An excellent Rig rundown ! Thank-you ! Robben is right up there on top with guys like Eric Johnson and Steve Vai and Joe Bonamassa. Outstanding !
Mr. Robben Ford being the monster guitar player he is. He is just so humble. It is incredible.
Lay off the "interviewer guys. It's Joe Glazer. He's not normally an interviewer. He's the guitar tech to the stars in Nashville, and a world class guy. He's there because he had inside info about working with Robben. And Keith Urban and Joe Bonamassa and many many others.
Ok.. uh huh.. mm hm
I could listen to Robben Ford talk about music all day, his authentic voice and obvious love for the music comes through every time. I could listen to his musice all day too!!
Thanks Robben
Robben Ford = Beast. Love his Tone and Tasty chops. He is a Special player - for sure.
That was a great rundown by someone who really knows his stuff---great job.
I've been a Ford fan since the 80s. Just an all around guitar dynamo. Brilliant style and feel. And terrific tone.
Do you what guitar and amp he used on Imerial Strut? From the first Yellowjackets album?
Think he used a Dumbloid-Special🤘
One of the most interesting interviews I have ever heard. Experts in discussion - brilliant!
Robben is one of the greatest guitarists of all time and is so down to earth. what a legend.
Cool interview... Robben is on of my favs... Joe Glaser is a master at what he does as well. Very cool.
I want to listen to more of Robben's earlier years when he was first starting out, and his solo output is what I want to check out more and get it on vinyl.
Joni Mitchell, Miles Davis among others for his studio and sideman work alone is noteworthy. I first heard him on the album Talk To Your Daughter back in 1989 and have remained an admirer ever since ~ His instrumental Revelation was just that!
I was floored by his tone and feeling and the dexterity he displays on the instrument with his knowledge of scales and modes being applied in a soulful way, with deadly effect. He is a perfect combination of blues power, jazz swing with a dose of rock thrown in. Always inspires me with his intuitive playing.
Lot of people commenting here who don't know who Joe Glaser is. Assured: He knows the artist, he knows the gear. He is the mega tech to the mega stars. Whether or not you like his on-camera persona, it's understandable that PG would ask him to do it.
Players like Robben Ford simply don't need a lot of rig or effects. What a great player -- it amazes me that guitarists like him don't fill up giant stadiums.
I remember dumble when he lived in bakersfield...he was making these even back then,,,several local guitarists have dumbles from back in the day...He did a mod on my brown tolex princton..never knowing that he would become this amp guru!..
The difference in this interview and a lot of the PG gig rundowns is that the Joe Glaser knows more about a guitar's workings that most players or techs do. Even though Joe's obviously not a pro on camera guy, he knows his stuff. Coupling that with Robben, who is one of the most soulful guitar players on the planet and a very informed and interested Rick Wheeler makes for a good interview.
Robben is among my all-time favorite players. Thanks for the Rig Rundown!
Great rig rundown! Great storys about guitars, dumble and robben himself - I don't know why so many are complaining about the interviewer - this guy truly knows what's going on and is also cool and passionate as all of them!
Wow. Wish all the Rig Rundowns were like this. So much better to have a simple conversation about gear and usage when the artist is present and the interviewer asks good questions. Also: how on Earth did you get Joe Glazer to do this?
Robbed Ford is a master guitarist. Just an absolutely fantastic player with all the tone in his hands.
I met Joe Glaser in his workshop in Nashville. A lovely guy. Very friendly and unassuming. My friend bought one of his Telecasters that day. It was made by Floyd Cassista, Joe's in house guitar builder. An amazing guitar. We were introduced to Joe and Floyd by Guthrie Trapp. My friend still has that Tele which is almost identical to Guthrie's one. A great day out in Nashville. And I also met Robben Ford after a gig in Dublin. Another lovely humble guy who was happy to hang out and answer questions from fans. If you are a guitar player or Mandolin player and find yourself in Nashville, I would highly recommend paying Joe's workshop a visit. And you wouldn't know who you might run into picking up a repair job!
I learned about Robben kind of late in my life, and wonder why I wasn’t familiar with him. I guess just ignorance on my part. He has a beautiful sound and feel, very fluid. Also, so refreshing to hear an artist that keeps the use of effects simple. I guess maybe that’s “old school.” I enjoy hearing really experienced musicians like Robben interviewed. They don’t seem to have a lot of “ego”, and just honestly and directly explain themselves.
It's soooo cool to finally see the legendary Joe Glaser "in person"! Thanks for sharing this. Keep up the great job, PG!
Love the way Robben appreciates and demonstrats the subtle characteristics of all the different guitars he plays.
Good friends talking about great gear, a very different rig-rundown but really good.
Geniuses talking with each other. These are great, great masters of building and playing. Robben Ford is beyond phenomenal.
this is so coool.. my favorite guitar show RIG RUNDOWN... man you guys rock showing us what our idols use in their set.. THANK YOU
this is the most in depth interview ever,, its like a conversation between friends about why the gear works rather than what the gear is.. so much interesting info in there..
The "uh hubs" are annoying, but totally awesome to have an interviewer who knows more about the instruments than the artist does.
ruclips.net/video/Qls6Po_1h5s/видео.html
uh huh uh huh uh huh.....
Omgggg huh huh
I really enjoyed this interview. Very cool and low key. I think Joe Glazer did a fantastic job, although it reminded me of every pediatric visit I'd ever had as a kid; with Joe as the doctor (not difficult to imagine him in a white coat and stethoscope), Rick as the concerned parent, and Robben as the patient. Watch it again with that dynamic in mind for a good laugh.
Lol
😕 😂
now turn your head and cough
You critics!!! The interviewer is Paul Glasser, one of the best luthiers in America. If you listen you'll hear Robben ask him what he did to the guitar! Paul is the one who did the work on the Epiphone. He's not an interviewer and I don't know why they ask him to do the interview but he makes more money than any of you critics!! Who cares about the umm's, get the nuggets of info out of the interview. This isn't entertainment. Its education!!
drellimguitar Joe Glaser
+drellimguitar absolutely correct. Yes sir. If people would listen they might learn something.
drellimguitar his name is Joe.
Too many of these Rundowns have a young starry-eyed kid in awe of just being backstage. Sure, this is more like a coffee table discussion, where knowledgeable folks share good information. I will take it, thank you.
And don't forget him starring in Starsky & Hutch..... thanks for the education...!!
Mr Ford is the best guitar player ever. I saw him live a couple of times: he was simply great. Never heard someone like him.
Joe Glaser is awesome!! I was on a 5 month work assignment near Nashville, so I took a guitar to him that needed some fret work, new saddle and setup. I was able to meet Joe in person while dropping off the guitar. When I went to pick up the guitar, he was kind enough to give me 45 or so minutes of his time to talk about guitars and current events due to COVID and my job in the vaccines industry. After talking, he broke his own rules and allowed me to not only enter his workshop but personally gave me a guided tour and showed me some recent projects and aftermarket parts he has developed and is selling. BTW, the work his team did on my guitar is excellent and it plays like never before! Accurate timely, and reasonably priced service. I was expecting to pay (and gladly would have payed more) for the work and results.
Folks, I’m nobody in the music scene. I’m just an average guy and guitar player. The red carpet treatment I received and my brief time with Joe left an impression on me that I won’t soon forget.
I had a very similar experience with Joe. Absolute gentleman. Very approachable and more than willing to share his immense knowledge about guitars.
I once went to a private new years party in New York and Robben was performing a couple hours that night. I was hanging out by the front and talking to him a lot... He's a fairly regular guy and doesn't have a swollen head big ego. Has a very down to earth kind of personality. Very approachable. As a guitar player I love his tone except sometimes if you listen to the way it sounds it can almost sound brassy.
Not sure how this happened but I have been watching Robben vids for two days now. Loved this one. I like to hear him play but I think I enjoy the interviews more.
Madcap Laughs I myself have recently went down the Robben Ford RUclips rabbit hole! I agree-I love his playing but there is something overly satisfying about hearing the interviews. The recent Rick Beato interview video got me searching for anything Robben related.
Because he’s beside Andy Timmons the most humble guitar musician I know.
A lot of talent in this interview. That kept me watching the whole thing. This is by far one of the better rig rundowns.
Robben Ford is a first rate player. By the way, Epiphone is still owned by Gibson and has been since 1957.
Yes but the majority of Epiphone's are no longer made in the United States as they were from 1957 through the 60s
The first rule of owning a Dumble is to never talk about Dumble. But if you own 2... An amazing insight from the only player on earth who should have AD made amps for him. RF is true, true class. No 'superstar' bs and endorsements. He's the real deal.
All class. Thank you. Another great rundown.
Great interview. The interviewer was great, mature and asked the right questions. They all go along great. Interesting info about the tele and the "mystic mile"!
When you've got (essentially) a vintage Gibson....a vintage Tele..and a Dumble amp: inspired, built & voiced for YOU -you don't need a whole lot more..! Your rig...? ..it's COMPLETE, Sir!
A very inspiring and down to earth guitar player. The main reason I switched to blues music
Awesome interviewer. He had some tricks on his sleeve.... He researched Robben Ford and used his research to deepen the interview. I do love this!!
idiot, he works on robben's guitars. he knows more about robben's guitars than robben does. he didn't research. are you completely stupid?
So he shared... 'm happy about that. U are better than him I hear. I am allso happy you are well and above me then.... Cheers.
Mike Bloomfield's Telecaster was a '63. Check the Dan Erlewine video when he checks
over that famous but mistreated guitar. Rosewood, board, white guard, etc., much like
this guitar. Love Robben on that tele.
Just kidding Robben... You are one of my great guitar heroes and certainly one of my greatest influences! Talk to Your Daughter.. Changed my life!!
What a great opportunity to eavesdrop on these 3 cats talking shop.
I love the fender guitar he's pictured with on his Talk to your daughter album! Great album!
Yes its brilliant my first robben ford album i bought in 1988 i still play it so much brilliant musican love that song help the poor off that album.
I found this interview...and review of rig....very down to earth....great...I learned a few things....big fan of Robben.....
Most excellent interview.
The club in Ben Lomond that Robben. mentioned was the Town & Country Lodge. I saw him numerous times in the Bay Area, but only saw him there one time. I think it was in '74, because he dedicated a song (My Favorite Things) to Duke Ellington, who had just died. His group was Russell Feranti on keyboard, Jim Chantelope on drums, and Stan Poplin, who had been the bass player with the Charle Ford Band. But that night Stan played upright rather than electric bass. A great night, as usual.
As one of the premier luthiers, Joe makes a good interviewer. Obviously knows what to ask and knows more about guitars than most.
Less the better (for the player). I remember using guitar synth playing the keyboard/guitars parts singing back up in a three piece tap dancing all the way. After you scale down what liberation to be had -- which = enjoyment. Cool interview!
Rick Wheeler, Hi there. I was at the last Dojo , August 2018 and enjoyed hearing you play and all the things you taught us. I had my Jeff Beck Seafoam Green Strat but had discussed having you look at my 335. I would still like that to happen. I’m sure you are way too busy but I thought I would reach out. I missed saying goodbye at camp because I think you left the night before the last day of camp. Anyway, if you have a chance, hit me back ...even if it’s to say you are too busy. You were such a great inclusion to the camp. BTW, I have been studying with Jeff McErlain ever since I met him there. He will vouge for me. This is Dr Brad. ✌🏻❤️🤘🏼
I saw him in Ben Lomond in the Santa Cruz Mountains in the early '80's. Zianti Club. He was incredible then and is now!
great great great, fantastic to have an interviewer that knows his stuff
Watching legends converse, good stuff. Way better than watching some dude ask questions from notes in his hand.
Actually, I wish a lot of interviewers WOULD use notes....ask your question and then shut up!....let the interviewee talk. That said, I thought Joe Glazer did a great job....as did Robben and his tech/co-producer.
Joe did a great job and I wish he would do more interviews!
My dear friend Steve Brantley (RIP) got Mr Glaser to re-fret my 1975 Gold Top Les Paul Pro (P90s) during the recording of an album some time back. He made room and I'm forever grateful. (Supposedly it got done right after the "tic-tac" bass from Patsy Cline's song "Crazy" so it should be possible to check out.) Anyway I'm pretty sure I remember Mr Ford playing one just like mine once (although a different year.)
As an audio engineer whom builds boutique pedals and tube amps ; I really enjoyed hearing Robben talk about his Dumble ; one of the most "holy grail" boutique amps in the biz. I saw a 1x12 ODS combo one time at a guitar show. The price? $75k. I guess players like Larry Carlton later switched to a bludotone because it took forever to get amps back from repair from Howard.
Those mini-humbuckers on Epi's were just terrific
Yes, and those same pickups sound different when in a Les Paul Deluxe or Firebird. They wouldn't sound that good if I played that same guitar, though! Robben really knows how to extract tone from a guitar. I had an old Gibson made early 60's Epi Casino in that same "Royal Tan" finish although I can't say I really like it. Royal Tan always looks, to me, like it has faded down from something else. I suppose that, for many people, that would be cool in itself.
Love the fact that he uses a Dumble and at the same time TC Electronic😂
What's the problem with that?
@@TMillsMusic nothing, I just like the contrast
Joost Dohmen If it sounds good, it is good 🎸
Great!! " I still don't know what an I/O is" gotta love it.
Input/Output
@@jamesmaxwell5415 Robben's stories always change over time. I've been to numerous clinics where he professes to not know some aspect of music theory and others where he shows a complete mastery of it. Same with gear. He'll claim not to know what was used on a track and at some other point he'll say that it was this guitar. And at some other point he'll say that it was a different guitar. Or claim to not know what an I/O is. The man is much deeper than he lets on. Partly because he's humble, and partly because he want's to divert focus from gear toward music. His own magic ears and hands can tell the difference with gear and he finds the special stuff (he once spent a couple days going though every Les Paul GC had in the Bay Area with a couple buddies, one who worked there at the time and another who was a gear geek and knew all the in's and out's of different models, in a private room). And so he's playing the cream of the crop. Just think how many people try to get him to play their stuff. But in the end they're tools for him to make music. And he want's people to focus on the music. Like the old story where someone told Chet Atkins that his guitar sounded great and he pointed to it sitting idle in a stand and said "Yeah, it sounds great doesn't it".
The guys at Black Market told me the story of the Tele. Robben and his then tech Jeff Rivera walked in one day and while browsing around asked if there was anything cool. The store had taken in a vintage Tele and kept it in a room they had behind the counter (the main room was huge and the ceiling and walls were packed with guitar hanging, but they kept special stuff "in back"). They brought it out, Robben played it and had the bonding experience he described here. And it's been his main road axe every since. Both for the expression it has and probably some degree of durability compared to the '54 Goldtop he recorded so much with (which eventually did get the headstock snapped but in a studio, not on the road).
Pay attention to the details of this interview. You will then learn something.
+Jerry Davis Any conversation with Robben ford about music, like the late Ted Greene, was/is indeed educational. From my first introduction to Robben Ford back in the '80's (an REH video 'The blues and beyond' ) and Ted Greene at the same time ( his book 'Chord Chemistry') I have learnt so much, and now with the interweb thingy, and this is one of it's better uses, continue to do so. Your brevity is something that I unfortunately do not possess. Keep playing and learning
Soul Drive : They can't do either, you're wasting your time.
The amp tech talked about the signal chain but did not mention the loop. But the loop is clearly in use. I know the loop, if engaged with a cable can be a boost. Is it used for that, or are the time effects routed through the loop?
At 15 minutes in is a critical piece of information regarding what Alexander Dumble did with these amps. He voiced the amp to the specific player around their touch, attack and style. There are people that leave comments saying “I played a Dumble once and it wasn’t all that”. First, Robben, Michael Landau, SRV, David Lindley, Lowell George, Steve Farris, Larry Carlton and others have pretty good ears (*understatement alert*) and all have played Dumbles for years and sworn by them. Second, if you’re playing a second hand Dumble, it was voiced for someone else’s playing. That is a piece that shouldn’t be ignored.
The other nugget here is that Robben said Alexander kept notes on how he built the amps. Hopefully that information will be shared at some point so that maybe people can understand what he was doing and not just reverse engineering what he did. It would be a shame if all his knowledge is gone with him.
As much as i love rig rundowns PG, I find a lot of your interviewers devoid of a personality or any enthusiasm whatsoever. I can only speak for myself, but a sense of enjoyment and some character would go a long way, especially for the artists/techs being interviewed. I do like Shawn Hammond though!
yeh shawn and rebecca did them really well i thought
I have tried to watch a couple of rig rundowns since Rebecca left but I've not been able to get through them. Rebecca really kept the interview subject engaged and enthused throughout the presentation, and most of these newer interviewers just don't have her skill!
These are guitar equipment shows not the Arsenio Hall show. I don't understand why they attract so many whiners. Instead of talking - do it. Go make a better production and lead by example.
crush537 Well, it's an interview. It should have a bit of enthusiasm. It's rock n roll, not a talk show on at 4 in the morning.
I disagree, I dont like enthusiastic interviewers.
FORD is a tone monster ......top 10 on my list
I Love this Man...A humble master
I know all three of these guys. I have had the pleasure to work with them all.
Great rundown!! Please do one of Michael Landau's rig! Would be awesome :)
Nice to see Robben out there , and at one of my favorite venues..... if you dont have the first YellowJackets record........get it!
Interesting run down. Although I'd call hocus pocus on the differences between "mahogany" ply speaker boxes and others.
I was shopping for a Les Paul Lite (don't laugh!) at a guitar shop in the 80s and this rich guy who was known for collecting high end gear showed up driving a brand new 928. He'd brought a Dumble Overdrive 50 head and cab to the stop just to show it off. It sounded absolutely unreal, and it had tremendous clarity at every volume level. He didn't want to sell it, and the shop owner offered to mortgage his house to buy it. He collector just wanted to tease the owner of the shop. I played an LP Standard through it. WOW! Amazing tone. It really struck me as being the ultimate modded Bassman, or The Anti-Marshall. I remember a metal guy who worked at the shop saying, "Hey man, it says Overdrive! That's false advertising, man!" Well, it has all the overdrive in the world to some, and none at all to the deaf brutes who populate the metalsphere. An hour after the guy packed his Dumble back into his 928 the owner was still dumbstruck, or, I should say, Dumblestruck. What an amp!
Glazer absolutely rocks. I need to get one of my guitars up there for a fret dress, and possibly to get my Gibson Victory refretted (if I can afford it) because I know it will all be perfect. it's a blessing to just be 90 minutes away from him.
Thanks for the vid guys. Really appreciate it!
You have to listen to his first blues LP ‘The Charles Ford’ band, with Stan Poplin on bass. I recorded a jazz album with Stan, Paul Contos, Eddie Marshall and John Donaldson. In 1984. That first record is just mind blowingly great. Robben played an L-5 back then as I remember. Howard Dumble built some great amps. The name of the club in Ben Lomand was above Santa Cruz called the Highlands Inn. Used to go see Robben play with Jimmy Witherspoon, Paul Nagel, Jimmy Baum and Stan. Also saw Weather Report there. Great time for music! Still is.]
Interview extraordinaire! Thank you :-)
Amazing how much of the sound comes from the hands...
"mhm", "mhm". hahah. Love this rundown, i love how Glasier sounds like a broken record with his agreeing tone. hahaha. Love these guys tho!
A truly gifted interviewer, no? Thank heavens he's apparently a good tech/repairman.
One of natures true gentlemen and a world class player.
I once sat front and center during a Robben Ford set, directly in front of that speaker cabinet, pointing straight at my face. That would normally be the worst seat in the house with any other guitar player. The tone coming out of it was just perfection. Just enough bite, perfectly fat and rich with a sweet edge to it. Like a studio recording. Dumble voiced that amp to fit Robben like a fine tailored suit and Robben sure knows how to set it. Hail RF!
This looks like Third and Lindsley. Is that where it was done?
Yeah, man!!! I had that same EXACT experience. Like listening to sex or god or the grand canyon.....
Good stuff...always happy to hear a guitar player who does not depend solely on pedals to get 'their' sound... :)
Nectar interview, Word.
I/O usually means "input/output", it can also represent an "on/off" switch.
Great interview. Joe does a killer job of asking the right questions. Totally top notch!
Hey Robin! I've been a fan of yours since you first hit the scene years ago! I'm wondering if you remember a mutual friend of ours named Steve Bishop? He came out of Washington DC and was good friends of Danny Gattons and told me about how you and him used to hang out a bit. Steve was a very dear friend of mine and here in Seattle we worked at a music store so I got so many opportunities to listen to his beautiful playing and I actually got to do a couple of shows with him which was just the high point of my Musical career! I'm just wondering if you have any memories you'd like to share with those of us that don't know who Steve Bishop was. Were you aware that Steve passed about 7 years ago from spinal cord cancer? He always spoke very highly of you Robin and often told me that you were one of his main inspirations! And I have to say that you're one of my main Inspirations as well!
Great interview by 2 great techs and one of the best blues guys around.loved the bit about the tail piece placement being not gibson standard and larrys tech useing specs for robins epi, very cool, wonder what that non standard spec was?
I saw Robben live last night. The playing and the sound were amazing, but the Timeline wasn’t working for the first 4 songs. The sound was incredible, but once the Timeline came on, the guitar sound was too wet. Robben did the entire show with his 1960 Tele. 😁👍
So ... If you're Robben Ford... Perfect reminder to me that I should practice more and obsess less.