SO much more complicated that it first appears. Been playing along to this drum track for years and yet, was missing lots of nuance and detail - revealed here for the first time - thanks!
That 70’s fusion tom sound by Ken Scott. I’m gonna try to figure out what makes it tick. I saw some footage of Ken and Billy recording sample for a drum library, and the toms had that same sound. Ken had large diaphragm condenser mics on the toms. I think that’s a big part of the sound. Much more top end close up. Add a good amount of saturation to those puppies so you get more room in the close sounds. That’s at least what I’m thinking.
If you have the original multitracks, you can isolate individual parts. For example, drums, vocals, bass, guitar etc are all recorded individually so if you have the multitracks you can listen to one instrument. There's a new app called Moises that aims to separate individual parts from the full mix, it's not perfect because it can mess with certain frequencies and affect sound quality, some songs more than others but I've tried it and it's surprisingly good.
It’s artificially done here. There’s a lot of digital artifacts like phasing and loss of tonal frequencies. But still, it’s cool to hear Cobham’s nuances that you couldn’t discern from the full recording.
Your delusional. Every generation gets faster. I’m faster than Billy was back then and there are guys waaaay faster than me . He would tell you that. Check out Ronald Bruner jr or Mike Mitchell or Gergo Borlai or Damien Schmidt. Those guys are insanely fast. And trust me I ain’t some young kid talking trash, I’m 58 years old and came up coping all of Billy’s licks from McCoy Tyner to Mahavishnu to his solos stuff to the Duke/Clarke band. The fastest guys are a generational thing. Billy was the fastest of his generation. And that’s not opinion, that’s a quantifiable fact.
@@MarcPlaysDrums . Had someone made my same Billy Cobham remark but instead with folks like buddy rich, gene krupa, louis bellson, neil peart, carl palmer, bill bruford etc....in his place, it wouldda been crickets. You're faster than Billy was back then? You're probably a bum, along with many 'rock' drummer's. Goadda bed.
Incredible precision, clarity and a fantastic groove! Amazing, thanks for posting
SO much more complicated that it first appears. Been playing along to this drum track for years and yet, was missing lots of nuance and detail - revealed here for the first time - thanks!
The Best !! 🖤
This is beyond greatness, love from Baja Cali México
The Amazing Mr Cobham.......thanks for this !
Even with my eyes closed and no further information I easily could guess that this is BC with Stratus. Pure groove, sound and craftmanship.
Music is basically about ears and skin.
Looking at music is more for people on LSD enjoying music.
Pretty easy. One listen. He had a groove.
Awesome! You really get to clearly hear those single stroke rolls!
THE SEED OF AN INCREDIBLE TREE OF DRUMS
👍🏾👍🏾
Love him
Yaaaaaaaaaaa
Again, such a treat ... Thanks for the upload!
Одни ударные. Больше ничего, но получается музыка. Это неимоверно!
That 70’s fusion tom sound by Ken Scott. I’m gonna try to figure out what makes it tick. I saw some footage of Ken and Billy recording sample for a drum library, and the toms had that same sound. Ken had large diaphragm condenser mics on the toms. I think that’s a big part of the sound. Much more top end close up. Add a good amount of saturation to those puppies so you get more room in the close sounds.
That’s at least what I’m thinking.
Bestia peluda!!
👍👍👍
Cool 😎👍
😮
Amazing. How was this done, with AI or a religious miracle?
If you have the original multitracks, you can isolate individual parts. For example, drums, vocals, bass, guitar etc are all recorded individually so if you have the multitracks you can listen to one instrument. There's a new app called Moises that aims to separate individual parts from the full mix, it's not perfect because it can mess with certain frequencies and affect sound quality, some songs more than others but I've tried it and it's surprisingly good.
It’s artificially done here. There’s a lot of digital artifacts like phasing and loss of tonal frequencies. But still, it’s cool to hear Cobham’s nuances that you couldn’t discern from the full recording.
Sexual thunder….
Sui piatti batteva con una clava , al posto dei piedi aveva 2 catapulte . Rullava con forza velocità e potenza come credo che nessuno può superare !
The fastest drummer ever.
Your delusional. Every generation gets faster. I’m faster than Billy was back then and there are guys waaaay faster than me . He would tell you that. Check out Ronald Bruner jr or Mike Mitchell or Gergo Borlai or Damien Schmidt. Those guys are insanely fast. And trust me I ain’t some young kid talking trash, I’m 58 years old and came up coping all of Billy’s licks from McCoy Tyner to Mahavishnu to his solos stuff to the Duke/Clarke band. The fastest guys are a generational thing. Billy was the fastest of his generation. And that’s not opinion, that’s a quantifiable fact.
@@MarcPlaysDrums .
Had someone made my same Billy Cobham remark but instead with folks like buddy rich, gene krupa, louis bellson, neil peart, carl palmer, bill bruford etc....in his place, it wouldda been crickets.
You're faster than Billy was back then?
You're probably a bum, along with many 'rock' drummer's. Goadda bed.
Why does it sound like a drum synthesizer (for lack of a better term). I'm not an elctronics guy but maybe the proper term is phase shifter?
Likely an artifact of the isolation process.
He did use effects on his drums sometimes. Listen to Funky Thide of Sings he uses a lot delay and plays against it with some cool stuff.
@@tmaproductions2023 Ot listen to Inner Conflicts; all synthesized drums
Un vinile micidiale "Spectrum" ogni volta che sento questo disco mia moglie dice ABASSA IL VOLUME .😂