Comparison is always an ungrateful task and usually comes down to personal preference. Pierre Hantai and Marco Mencoboni are nor "worse" or "better", but also great in their own way. Thanks Internet for the possibility to enjoy the best and compare without rivalry ;)
You could feel the "terror"of Bach's music gripping you soul and body in an infinite spiral. Simply devastating, equally if not more satisfying than any full-scale Romantic symphony!
This piece, together with Chromatic fantasia/fugue, is very clearly a Bach showcase of the possibilities of equal temperament, apart from WTC. Too bad the fugue for this one was unfinished, also very daring and ahead of its time. These pieces were appropriately included in Ulrich Thein movie about Bach. Handel, on the other hand, never accepted equal temperament and was thus left confined within simple tonalities and modulations.
I don't know of any harpsichordist performing today who is better than Diego Ares.
Comparison is always an ungrateful task and usually comes down to personal preference. Pierre Hantai and Marco Mencoboni are nor "worse" or "better", but also great in their own way. Thanks Internet for the possibility to enjoy the best and compare without rivalry ;)
@@VitaliyGR OK.
incredible performance!
Thank you!!!
How excellent! an absolute tempest!
Many thanks, dear Andrew!!! 🤗
Great performance and instrument. Diego captured this matured Bach proving yourself on te harpsichord.
Fantastisch! Unglaublich elektrisierend. Ich freue mich immer auf neue Aufnahmen von Ihnen.
Absolutely wonderful ❤❤❤❤❤❤
Eloy querido, qué alegría que te guste!!!
¡Qué maravilla, Diego, sois fantásticos: Bach, tú y el instrumento!
Millones de gracias por estas palabras!!! 🥰
Absolutely stunning…! I was breathless. And so good to see the Landowska manner of moving the fingers. And the instrument! What a sound.
You could feel the "terror"of Bach's music gripping you soul and body in an infinite spiral. Simply devastating, equally if not more satisfying than any full-scale Romantic symphony!
This piece, together with Chromatic fantasia/fugue, is very clearly a Bach showcase of the possibilities of equal temperament, apart from WTC. Too bad the fugue for this one was unfinished, also very daring and ahead of its time. These pieces were appropriately included in Ulrich Thein movie about Bach. Handel, on the other hand, never accepted equal temperament and was thus left confined within simple tonalities and modulations.
¡Madre del amor hermoso!, ¡Qué maravilla!, clavecinista y clave hacen justicia sin par a esta pieza.
Muchísimas gracias, Antonio!
Hat off…to J.S. Bach and Diego Ares too 😊👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏😊💐
Fantastico!
Відмінно,мені дуже подобається!!! 👏👏👏👏
Many thanks! 😊
Thank you for this power.
Really I love it!!
Based.
Beautiful ❤❤❤
Thank you very much!😊
Sublime !!!
Gigantic performance
Great performance and instrument!
Thank you very much! 😊
❤❤❤
Mil gracias, querido Jesús!
This is what happened when Bach was ripping lines of snuff in the back yard of the Thomaskirche.
Bravo!
Many thanks, dear Douglas!
Look at that hand position. He's like the anti-Horowitz.
Thank you 🥰
Edta muy padre la interpretación aunque siento que esta algo tenso el cñor en su tecnica...
Is it a Hass Harpsichord?
That harpsichord is a lethal weapon
copy based on an originial three-manual instrument made by hass around 1740 in Hamburg
But, but! In Baroque music you’re not allowed to do chromatic scales like that! - is what my composition teacher told me. Scarey or what?!