David Grimal - Brahms Violin Concerto, Cadenza by Fritz Kreisler
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- Опубликовано: 21 фев 2019
- Les Dissonances
David Grimal - Violon & direction artistique
Extraits du concert Titan, enregistré à la Koningin Elisabethzaal le 24 octobre 2018.
Programme :
Brahms, Concerto pour violon - David Grimal
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This is a wonderful interpretation and performance of the stunningly beautiful Kreisler cadenza! Grimal's lyrical playing of the difficult section (usually stress filled) on the second page into the ending is the best on record. He makes the passage sing beautifully, doing justice to Kreisler's gorgeous writing!
Merveilleuse cadence de Kreisler, tellement rarement jouée !
Bravo à David Grimal pour cette très belle interprétation !
Best French violinist.
Best Violinist! Sehr Gut Gespielt wie immer! und eine sehr gute Stradivari!
Probably one of the more soulful lead ups to the ending.
Am I right in thinking this his own interpretation of the well known Kreisler Cardenas? Extraordinary. Never heard such talent before.
It sounds like he plays it more soulfully, yes, and maybe eliminated a couple of notes for a preferred outcome; after all, it is a cadenza, and one sums up the preceding themes as one wishes to sum them up. Kreisler, as you can find on YT, plays it with a succession of climaxes, each more dramatic, and each building to the ultimate high, then, slowly deflates to a thoughtful end, leaving you in a trance state until you are jarred from slumber by the opening bar of the last movement. I like that everyone does it their own way. There are so many interesting possibilities. I like this one, and I'm warming to the Heerman cadenza, which is played on the 1944 Huberman recording. Ricci plays 16, but I couldn't play them in my head at the moment. I wish I had them all in manuscript form. Usually, I jot them down on paper if I can find them recorded. It's too hard to find them in print. Juilliard must have a trunkful locked away.
Sehr sehr schön, Bravo!!
That's the one Christian Ferras played for this concerto.
David Oïstrack la choisissait souvent lorsqu'il jouait ce concerto.
shame there's so much dynamic compression on the audio...
С маэстро Д.Г не сравнить....