Really goes to show you how good Clark was. I mean a lot of his pieces are extremely technically difficult with tons of stacato and fast lively passages. You did really play it well the, articulation,tone it was all there. I would also suggest listening to some of the recordings from Herbert Clarke himself it's quite interesting.
When I was in high school this was a Grade 5 solo piece I played to audition for NYSSMA (New York State School Music Association), grade 6 being the most difficult. I got 1st chair 1st trumpet in a regional orchestra. Great memories of this piece! His performance is stunning.
@@TrumpetersStuff phill gravou o Made of the Misty. Mano que som maravilhoso Russuel Gray não conhecia, lindo d+ eu to estudando esta peça agora para fazer um recital amei! Obrigado por compartilhar!
@@TrumpetersStuff Oh I'm still getting the hang of it, however I'm not much of a video person. The triplets are... breath consuming, you fellas have takataka, we have tttt, all individual tongue accents. I really enjoy the shift in the two themes, first starting off a little more minor, and then falling into a joyful major like march. 0:40- 0:56 at the change; Okay so it does sound major, but a little conflicting, a bit russian, but that switched to the double time bugle staccato really kicks up the frequency and makes it sound light and airy. Say, have you ever heard of light music, its a joy and so many have no idea what it is.
@@WitchKing-Of-Angmaras a trumpet and saxophone player, you can double and triple tongue the same way on saxophone as you can on trumpet. It takes lots of practice to learn and execute well on both instruments.
@@tropogd9547 Yah it worked immediately when i just played it. I felt a lot better just transposing to B flat. E flat sounds wrong, of course Composers sort of want the power notes to be the original key, sounds worse when play on an Eb instrument.
@@TrumpetersStuff mm I've always thought it was a little masturbatory like people could just let the notes do their work but they add a bunch of stuff I get that this piece sort of needs it, but I don't like the piano wobbling during the meno mosso I guess I've always prioritized tone, voicing, and phrasal structure instead of working the tempo
While the technique of rubato may not be to everyone's personal taste, it's important to recognize that it can add an emotional and expressive dimension to a piece of music. It's important to remember that musical interpretation is a personal choice of the musician and can vary according to their preferences and musical style. If you prefer to emphasize the tonality, voice, and phrasal structure of the music, that's perfectly valid, but other musicians may prefer to emphasize the rhythm and emotional nuances of the music through rubato. Ultimately, what matters is creating an engaging and expressive musical performance that connects with the audience.
I am in highschool and I have this as my district solo. Everytime I listen to this it makes me want to Kms.
The triple tonguing section is a nightmare
sooooo how did you do?
@@LovMadiiii I made it to state and pulled a 1!
@@gurbaniwithsarab4345 congratssssss
@@gurbaniwithsarab4345 you pulled a one and a chick on RUclips. You are really him.
Really goes to show you how good Clark was. I mean a lot of his pieces are extremely technically difficult with tons of stacato and fast lively passages. You did really play it well the, articulation,tone it was all there. I would also suggest listening to some of the recordings from Herbert Clarke himself it's quite interesting.
Thanks for the visit and suggestion. Regards,
This is Gerald’s Schwartz playing this in the mid 70s on the cornets favorite album. Not the op playing.
Jerry Schwartz. Sorry
When I was in high school this was a Grade 5 solo piece I played to audition for NYSSMA (New York State School Music Association), grade 6 being the most difficult. I got 1st chair 1st trumpet in a regional orchestra. Great memories of this piece! His performance is stunning.
Very beautiful and so epic. I enjoyed so much. Thank you for share...From Iran...
Thanks for visiting us Hassan
I can now play the first bar
My God. That consistent tone all through the ranges and amazing control.
Now if this isn't an inspiration, i don't know what is.
True!!!
I wanted to play maid of the midst and my instructor thought I meant this Clarke piece. Nah, not yet... Though now I'm considering it.
I just started learning this cause I think it will help me with my triple thounging
ARBAN's triple tongue chapter os also very good.
Wow Clarke was so good!!
Indeed Yuri!
Good stuff 👍
getting braces for the first time and having to do this for my district solo is literally hell 😣🙏
I need to play this 🎉
Mestre, quem está solando? Linda interpretação!
Maestro!! td bem? É um "carinha" que está começando agora, um tal de Phil Smith!! rssss
Não!! errei. Achei que estava comentando no MY REGARDS. Desculpe. Este é o Russel Gray, o mesmo dos característicos do ARBAN.
@@TrumpetersStuff phill gravou o Made of the Misty. Mano que som maravilhoso Russuel Gray não conhecia, lindo d+ eu to estudando esta peça agora para fazer um recital amei! Obrigado por compartilhar!
Legal. Sucesso no recital!!! Abração
Почему-то то представляю балерину, танцующую на пуантах виртуозно,отточено.и труба виртуозная
NO WAY GUYS
Nah that was so impressive 😦
This is Gerard Schwartz ? Not HLC.
Muito bom!
Tis fun on saxophone
NIce! Did you recorded it?
@@TrumpetersStuff Oh I'm still getting the hang of it, however I'm not much of a video person. The triplets are... breath consuming, you fellas have takataka, we have tttt, all individual tongue accents. I really enjoy the shift in the two themes, first starting off a little more minor, and then falling into a joyful major like march.
0:40- 0:56 at the change; Okay so it does sound major, but a little conflicting, a bit russian, but that switched to the double time bugle staccato really kicks up the frequency and makes it sound light and airy. Say, have you ever heard of light music, its a joy and so many have no idea what it is.
@@WitchKing-Of-Angmaras a trumpet and saxophone player, you can double and triple tongue the same way on saxophone as you can on trumpet. It takes lots of practice to learn and execute well on both instruments.
@@tropogd9547 I've learned that fake tonguing helps in contingency to the reed tonguing variation.
@@tropogd9547 Yah it worked immediately when i just played it. I felt a lot better just transposing to B flat. E flat sounds wrong, of course Composers sort of want the power notes to be the original key, sounds worse when play on an Eb instrument.
Please Get the title correct. Bride not bridge. A classic😊
True!! Thank you .
The Bridge of the Wives
Where can I get a pdf for this song
HI. It is public domain at IMSLP imslp.org/wiki/The_Bride_of_the_Waves_(Clarke%2C_Herbert_Lincoln).
Sucess and luck!!
Na bro those triples 💀 meanwhile am still getting better at doubles
At least you're not me, still learning doubles 💀
I dont find triples any harder than doubles. Interestingly, the Arban has triples first.
This piece is better on euphonium
Please correct the title. It is a CORNET solo NOT a trumpet solo!
still won't stop me from trying this on trombone
@@hiiexist479 Sure, Why not!
rubato is annoying
Please let me know why do you feel that. Tks!
@@TrumpetersStuff mm I've always thought it was a little masturbatory
like people could just let the notes do their work but they add a bunch of stuff
I get that this piece sort of needs it, but I don't like the piano wobbling during the meno mosso
I guess I've always prioritized tone, voicing, and phrasal structure instead of working the tempo
While the technique of rubato may not be to everyone's personal taste, it's important to recognize that it can add an emotional and expressive dimension to a piece of music. It's important to remember that musical interpretation is a personal choice of the musician and can vary according to their preferences and musical style. If you prefer to emphasize the tonality, voice, and phrasal structure of the music, that's perfectly valid, but other musicians may prefer to emphasize the rhythm and emotional nuances of the music through rubato. Ultimately, what matters is creating an engaging and expressive musical performance that connects with the audience.
@@shawnmuench You should listen to one of the original recordings of Clarke himself playing his own work. Tempo is always going back and forth.
@@RetiredBrass I wonder if wax disks contain anomalies in tempo.