Construct Factory [All Phases Seamless Theme] - The Legend of Zelda: Tears of the Kingdom OST
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- Опубликовано: 21 июл 2024
- This suite comprises all phases of the Construct Factory theme from The Legend of Zelda: Tears of the Kingdom. The arrangement is strategically composed for seamless transitions between all tracks, much like what you would hear on an official soundtrack release.
Additionally, I've included the theme that plays after Mineru's Construct has been assembled, when patrolling the surrounding area, and upon any revisits to the factory. However, it is included as a separate track on the unofficial OST.
▶ FULL PLAYLIST: • The Legend of Zelda: T...
▶ RESOURCES: bit.ly/3qHtYzc
This soundtrack has been uploaded for entertainment purposes only; to allow fans to appreciate and relive the unique joy affiliated with video game music. Out of respect for copyright, monetization has been disabled on this video and all others in its playlist. DylTheis receives no financial gain from these uploads. The arrangement of various tracks and artwork is intended to demonstrate a creative interpretation of the source material. All rights to the original content are reserved by Nintendo.
Tracks
0:00 Enter the Construct Factory
1:21 The First Depot
2:37 First Part Assembled
3:29 The Second Depot
4:17 Second Part Assembled
4:50 The Third Depot
5:30 Third Part Assembled
6:38 The Final Depot
7:28 Mineru's Construct 
Видеоклипы
![Lightning Temple [All Phases Seamless Theme] - The Legend of Zelda: Tears of the Kingdom OST](http://i.ytimg.com/vi/taydEbTLZ9E/mqdefault.jpg)
![Lightning Temple [All Phases Seamless Theme] — The Legend of Zelda: Tears of the Kingdom OST](/img/tr.png)
![Water Temple [All Phases Seamless Theme] - The Legend of Zelda: Tears of the Kingdom OST](http://i.ytimg.com/vi/397FlNfdaGw/mqdefault.jpg)
You ever just casually wander into a secret dungeon you didn't know existed? It blew my mind when I ran into this place long before I was meant to, even if I couldn't do anything there. The structure so lonely, the music so mysterious... it was magical.
That does sound like a pretty beautiful tease. I happened to stumble upon Dragon Head Island actually, like i basically fell into the shrine… In hindsight, I kinda wish you needed to complete the ring ruins quest to access that shrine. Doing this quest so early in the game spoiled the Dragon Tears for me.
@@dyltheisprod Ah, I wandered all across Hyrule witthout any real sense of direction, but if there was one thing I focused on finishing first was getting all the memories after beating only two dungeons. I just didn't wanna get spoiled on that.
@@dyltheisprodI also stumbled upon Dragonhead island, but then couldn't open the health door. I then stumbled upon the Construct Factory much later. After getting a bunch of health I remembered the health door and was able to end up connecting both, which was a neat surprise
@@dashyburd omg I did the same. I was drawn into the story so much that I wanted to know what happened
so have I but I didn't know it was a dungeon I only found the place cuz I was doing tobio hollow dupe glitch
Both this and the Fire Temple occasionally use the pulsing bass that you hear throughout the Depths. Despite how peaceful the music sounds, that instrument reminds you that you are in a dark, dangerous place.
YES, THIS!!! I love that bass so much! It's my favourtie element of the whole game's score.
@@rorycraig I like it from a thematic perspective but every time I hear it I go "UGHHHHH I HATE IT" in my head because I hate being in the depths
I initiated Mineru's quest by total accident. While randomly exploring I decided to fly into the thunderstorm (I hadn't yet beaten all four temples). Happend to land on the island with the dive platform, landing just above it. The storm was too thick to do anything else, so I took the risk and jumped. As I fell lightning flashed and revealed the eye shape of the island below. It was one the coolest experiences of the entire game--one I would have missed had I gone the usual route. When I found the doors I realized that I had stumbled upon something important, but it wasn't until I touched the mask that I realized how significant it was. I'm playing through the game again and Mineru was my first sage. The music is so haunting and lovely, and there's something moving about wandering the depths and this music suddenly filling the emptiness.
I think I got a lot more out of this portion of the story by running across it early (it was the second one I did) and not knowing what was going on than if I went the "intended" route.
Also I had happened to decide to play with headphones at the time so I'm glad for that.
Wait you enjoyed more it cause you found this by accident ?
Didn't that spoil the story for you?
What about the progression of the story?
I'm sorry I really can't understand how it's better to discover it by accident, for me it's even a bad point for the game to give so much freedom for the player.
It's like discovering all of the memories before meeting the fake zelda in the castle, it just spoils the narrative already very weak because of the openworld style
(Or nintendo just could add events with Ganondorf after two dungeons, or put an order for the dungeon so we'd not have the SAME cinematic 4 times thanks to the progression brought by this)
@@justeunadometis3705 I haven't found the stories in any Nintendo games to be particularly captivating so I don't really care if I play it out in the right order.
The only Zelda game that made me feel at least a _little_ something story-wise was Majora's Mask, but otherwise I find them all pretty generic. TOTK's story was already looking bad when I got irritated that Link apparently couldn't tell anyone it was a fake Zelda when I figured it out like, 2 hours after leaving the Great Sky Island, and when I realized that each sage interaction was copy and paste, that was it, I started skipping cutscenes at that point.
@@justeunadometis3705arent you supposed to already know about the fake Zelda long before confronting it in the castle? You learn its a Ganon puppet pretty quickly, not even just from the dragon tears but from the odd stories (like reading Paya's diary, etc). Idk, i also played the story super out of order, but i have no qualms.
You do have the choice to play it in order though....I'd prefer to have the freedom to choose than have a linear, spoonfed plot. Its obvious when you are going out of the storyline and if you dont want that you can get back on track. Its up to you, why would you want developers to take away the open world aspect and force you into a narrative progression? That doesnt mean its weak.
@@justeunadometis3705 I did it early, but it didn't spoil much of anything for me. One of the very first things I tackled was the glyphs while looking for shrines, because ever since the trailers of TOTK came out, I wanted to know what those were. I kind of glossed over Impa telling me to go to the forgotten temple to get the order (oops, probably PTSD from BOTW), so the that whole story got told out of order anyway.
I absolutely enjoyed it more that way. Finding a whole unexpected temple was an amazing reward for fumbling around in some clouds that I assumed would be a waste of time. Most of the major story beats were following the same formula as BOTW. It was by far the best part of my TOTK experience.
Something I feel like doesn't get mentioned enough is how clearly Mineru's voice is from the very moment she begins talking to you; both due to her proximity to you from her place within the Purah Pad and her skill with spirit abilities due to her inherent Sage abilities. Tiny little differences like these from the other sages just made her stick out to me compared to the rest.
She has also had a lifetime of prior exoerience being a sage. The other four, while they know they are skilled, are very new at being sages, knowing what that means, and really finding those qualities within themselves.
Mineru is the only ancient sage I can stand, lol
Area around that construct factory is one of the gorgeous places in depths, giant ancient stairs that goes into abyss, underground river, abandoned mine rails. This place has some vibe, especially if the area isn't completely lighten up.
I absolutely love this dungeon and its theme. it begins melancholy and lonely, slowly building up hope and courage as Mineru’s body becomes closer to being finished, and the string melody that plays as you approach the Spirit Temple is so beautiful and hopeful.
There’s… something so… fascinating, about the Construct Factory and it’s music.
The music is so beautiful and calming, and also hopeful… it’s so magical.
The final versions of this track hit me really hard in the feels, 7:32 and I can say for certain no other song has ever hit me like this one has.
but its also so quiet and somber. like something old and lonely and haunted but still hopeful and beautiful. its like its saying this little temple from millions of years ago has seen so many wars and was born out of such tragedy and fear, but it still was built to hold a tiny glimmer of hope for the far off future the creators of it will never know. its perfect, much like all other zelda music.
it reminds me of the music of the caves from "castle in the sky"
I randomly came across the Construct Factory long before I went through Thunderhead Isles and activated Mineru's Quest. As soon as the music changed I knew I discovered something historical. That was what I loved about the depths......95% of it is just empty however there are a few areas that are epic.
True :]
I wish it was a full blown Spirit themed Temple instead of being open in the depths.
Also, I adore the subtle Shrine theme leitmotif in this score
Personally, I preferred what it went for
I thought it was super cool to have a dungeon open and exposed to the depths like this one.
@@bluejetplays4540 yeah it was a sick concept, but i wish the temple goes deeper with more backstory and lore
The Construct Factory has one of the coolest OST's in the game...sometimes I'll just go there to harvest big Poes and hang out while listening to the music.
She has one of the best dungeon osts in the game!!
THE best, in my opinion :]
I really don't get why everyone gives this dungeon flak. It's where I think the open world format really shines. It's basically like OOT Ganon's Tower but expanded to allow for more freedom in puzzle solving approaches and with a more organic objective. I also really like the aesthetic visually and musically. This was my favourite dungeon out of the five by far (judging the temple itself not including the bosses).
Probably helped I was one of the people that literally stumbled into the Temple from the Dragon Ilse with the perfect amount of hearts just after beating my second dungeon. I had no idea what was happening initially and thought it was amazing they hid a full dungeon away as a secret. Then they said "Here, have a mech" and I lost it. Ofc later I found out it was part of the main story and it took away some of the magic, but it was still cool AF.
I didn't even realize I was doing a dungeon until I was almost done; which is something I really liked.
I think the Spirit Temple is such a good way to do Zelda dungeons in a truly open world. There's no separation between the dungeon and the world, and it still has small linear sections for puzzle solving. The boss fight was so good, it was the perfect ending for the progression of the dungeon.
It's the fact that you're not led to believe you're ever actually doing a dungeon.
"Holy crap! The quest to open the Spirit Temple was cool! I wonder what the Spirit Temple is gonna be, it seems like it's gonna be a hell of a dungeon!
...That's it? That was the dungeon?"
It seems to just manage expectations very poorly and make you think more is gonna happen than actually is
I found the factory by walking around the dealth before doing the 4th sage, and I was like "diiiid I found secret postgame content ?"
then actually realised it was blocked by something plot related and went
"Ooooh nooo, I found secret plot content, niiiice"
It's for that kind of moment that I love those modern zeldas, this silent exploration with limited dialogs but so much to see and to think about, is what I love.
I totally agree! I however was so persistent on figuring out what it connected to that I ended up doing that whole quest early, and as f-ing awesome as it was to experience that completely hidden portion of the game with no warning, it also rendered a good bit useless. Rest of the game I found myself trying to really solve the puzzles and go about the world without trying to use ascend and build to brute force through it all.
I came across the Construct Factory very early on, I think my second time in the Depths. The location being named and the music changing from the standard Depths theme clued me in it was gonna be an important location later on. But I was just kind of expecting maybe a side quest, not a key part of the overall story. I think I preferred the Lightning Temple as far as actual design goes, but the whole quest that culminates here was probably my favorite part of the game.
Lightning Temple was just....eerie AF until the main room leading to QG.
Felt like we were wandering into an ancient tomb of sorts after going down those initial stairs. Just...that feeling of "oooookay, just WHAT is down here and WHYISITSOFUCKINGDARKMOMMYHELPMEIMSCARED..."
I have my issues with TotK but the construct factory and spirit temple were not one of them. Plus it was REALLY funny when I finally got around to the main quest and had Link awkwardly tell the other sages I already found the 5th sage and I just never bothered telling them.
something so tragic and beautiful in her themes
After all, she's presumably the very last Zonai, all others having died or disappeared so long ago that were it not for their eternal architecture, they would have been forgotten completely by the time of the ancient Shiekah. So far isolated from the world and way of life she once knew and belonged to, she may as well be a wayward astronaut touching down on another life bearing planet. Not even her flesh is left to her, having rendered herself incorporeal to uphold a promise.
Don't you wonder how she must feel peering at Link through mechanical lenses, watching him use the arm of her dead brother as a prosthetic while she carries on as the heart of a glorified artificial servant? They were as gods, once. Now, they are only the beaten remnants, from a distant memory, to the farthest back legends that the most dedicated scholars of the present know of, and even that just barely. The relative lack of dialogue after awakening and housing her spirit is criminal. I wish we had the opportunity to see her reconcile with the world that moved on from hers, like we did with Rauru in the beginning of the game.
The last phase themes in all the temples are fucking phenomenal, though I think this one is my favorite
There is something oddly comforting and beautiful about 7:23 on. Despite her temple being in the most horrifying place in the game the music during that part makes me feel safe and calm. That's a feat of musicianship right there.
So many unique sound design choices here. The use of a kalimba isn’t something you hear often in Zelda tracks!!
7:05 that distorted voice ... very reminiscent of the twilight soundtrack of Twilight Princess!
This music has a lot of great texture to it. It’s like a musical fidget toy. Perfect for Mineru’s dungeon.
this is my favorite dungeon theme i think, i love rauru’s and mineru’s motifs and this is full with mineru’s, not to mention the depths sound effects and how reminiscent it is of skyward sword music, i love the vibes so much, not to mention the cello!
This dungeon surprised the hell out of me. I had no clue it was a thing. Such fun puzzles
What do you know, I was just finishing up the playlist! Glad this is here, it's probably my favorite temple theme :D
Same!
this gave me mad spirit tower from spirit tracks vibes
Same!!
This theme has a Skyward Sword vibe or it's just me?
There definitely is a skyward sword vibe to it. I think it's the very raw, almost clanky bell noises throughout it. Reminiscent of a few different dungeon tracks from SS
There's actually parts of the Silent Realm motifs from Skyward Sword in this, even uses the same instrument to play them. Rather fitting given that in the original Japanese the name for the Silent Realms translates as "Realm of the Spirit", and this track here is playing at the golem factory in relation to the Sage of Spirit :)
Edited to add, the most blatant example of the motif is in the phase of the music where the main string melody comes in, labled as "Mineru's Construct" phase in this vid :)
Yes ! That's exactly what I told my friend when we listened to the ost for the first time !
Very very reminiscient of the desert area and the sea of sand.
The underworld generally remembers me of Faron woods because of these farn-like plants. In SS we enter a world where no one has stepped into since ages and here in totk we have a similar vibe
I get an ancient cistern vibe from this
I kinda wonder if the Zonai's ability to quickly build anything out of any materials available is tied to Spirit. Aside from the obvious Rito = Wind, Goron = Fire, Zora = Water and Gerudo = Lightning, we only ever see Hylians with Time powers and Zonai with Spirit powers (I think Rauru has a similar Spirit power to Mineru, as his spirit looks the same as hers as opposed to Rhoam and the Champions). It would make sense if Fuse and Ultrahand use Spirit power tied to the Zonai, and it also makes sense for more Zonai to have access to this power since they're the initial owners of the secret stones.
With Mineru's focus on technology I'd be surprised if she didn't have her own copies of the Ultrahand & Autobuild powers.
@@SwordfishJouster Yeah she has to. The legend of the Stormwind Ark speaks of how the god that fell from the sky magically built the ships you see in the Rising Island Chain using the materials the Rito brought for him. That god is heavily implied to be a Zonai, so it seems those abilities could be universal to them.
This game is a timeless masterpiece . A work of art. Probably the best game of all time to date.
Never has a game felt like such an experience to play, not even ocarina of time can match this game.
Timing maters. It's like your first love, it hits harder than your 20th love.
You think it still holds up amid all the criticism?
Mineru's construct "path to the spirit temple" is an amazing song and it upsets me that you don't hear this song more often, like i would have loved if this was the depths song. Or this song plays after you beat the spirit temple throughout the dephs. I guess i have to mute the game and have this song play in the background.
what part of the song is that exactly?
it starts at around the 7 min / 7.5 min mark, the video card changes to show it when it transitions so youll know
@@daveyc029097:30 I guess RUclips removed the time stamps
Thank you so much for editing so many songs together. These are the best mixes I've heard of all these songs.
we can slightly hear the sound effect used when Link interacts with the Various Zonai interfaces when 1 piece is assembled, and becomes more evident each time he inputs one of the body part in, giving a very soon access to Mineru's body
This place was such a great experience to me. Going here after the Phantom Ganon fight in Hyrule Castle feels like a sort of last chance situation, you need the 5th sage or all is lost. This music always felt lonely to me, and I’m glad I played this section with sages off, as it helped how it always felt to me.
The lonely, synthetic pulses of electricity tie this theme together with all its moving parts. The slow rain of clings and clangs, followed by carefuly placed lines of instrument -- it grows from a few chords to a waterfall of percussion, crystalline swells and bouncing, hollow beats. The phantasmagorical, almost inexplicable way its song and story evolves from a dislocated, jittering machine to a full, meditative triumph both sonically and thematically, makes me completely at the mercy of both the brutal nature and the colossal technology buried deep in the history of Hyrule.
As someone that has listened to all Zelda soundtracks many times, i believe i can safely say this is the best musical composition the franchise has put out. Im completely serious.
I LOVE this description
legit almost did't realize that it was a dungeon XD. the actual temple only consists of boss fight
Man I wish this was inside the Spirit temple, would have make the spirit temple so much better, although I consider this as part of the Spirit temple, I remember I found this early on the depths and was “wow what’s this?” Then I couldn’t do anything until I progress in the story and definitely the path to the factory and the factory itself was so nice
Keep coming back to this one, something about it
The last bit is so freaking grandiose it always gives me goosebumps 💖
I kind of danced around this quest throughout the whole game. I knew nothing of it, of course, but I discovered the thunderhead isles fairly early when grabbing the skyview tower in the area. I didn’t venture too far in- I couldn’t see, had barely any hearts, and very much didn’t want to be struck by lightning, so I resolved to come back with the thunder helm.
I realized after picking up my second Sage that there must be five of them, in accordance with the number of rings- especially since Zelda’s sage bond was on the back of his hand. Why leave a finger free, if not for another Sage? I was convinced it had to be Paya, though.
I found the construct factory while exploring the underground before picking up the fourth sage. I couldn’t figure out what it was, but I thought it looked sick as hell and resolved to check back periodically, to make sure I wasn’t gonna miss any plot triggers. I did speak to the steward construct in the temple, who told me about the thunderhead isles, but I still didn’t have the thunder helm yet.
Reaching the point in the main quest where this all unraveled and came together was _incredible._
It would been so cool if Paya (or Purah) have been Mineru's new champion/descendant!
Yo why these Zonai so damn _long_
Good question
They’re basically mutated alpacas with cheats on. That is until Mr. G patched it.
when I was assembling her I thought I was just doing a quest like getting the giant Bargainer Statue eyes. then I blindly encountered the boss
I love this dungeon so much. It's such a weird feeling
It sounds like a music box - the kind of sounds automata make.
I don't understand the hate for Ms. Mineru. I always give her the strongest weapons I can and I love seeing her shoot with her cannon to bad guys execution-style. Also, nice Witcher III vibes on the tune.
she is amazing in concept but by the time you get her a lot of the enemies are damage sponges and her damage output isnt that good so shes useless in a lot of situations
@@questionmarkquestionmarkqueswho cares, play for fun.
@@loganvest367and their version of fun is not using her, so why did you ask?
Mineru still has her uses outside of sheer damage. She can wade through lava, water and bogs if it's not too deep, mine ore and rocks without having to damage your own weapons, can be jumped off for bullet time, and can be given any kind of weapon to fight alongside you with like frost and flame emitters for extra combo damage.
/I really wish we had more experiences like this in the game. I really loved how in comparison to the other dungeons this one was really involved with you as the player needing to seek it out and make it happen. I love the music, and love the lore for this part. The construct itself may be clunky, but the execution of this part of the game was really nice and gave me the feeling of past zelda meets new zelda. Was it perfect no, but man it was fun and memorable.
This whole quest in faron was exactly what was missing in BotW. this is the one questline where you get the best experience by getting here by accident.
I didnt even know you could clear up the thunderclouds until I long finished the game lol
As cool as the idea is, I prefer not to ride Mineru's Construct and just let her fight on her own. I attatch a Zonai device to one hand and a weapon to another, then let her do the rest.
So I had just gotten the 5th Sage quest, and the game told me to go investigate ancient ruins. So I thought “the Zonai Ruins, in Faron!” I then stumbled around for an hour, and decided to go look in the Depths below the Spring of Courage. Found the Construct Factory, struggled in the Left Leg Depot for a while, and looked up a guide. I never even thought about the Ring Ruins, and somehow didn’t think to enter the giant storm cloud above Faron. 🙄
Is it just me or Mineru as a character seems a bit disappointing?
Because at the end we should feel sad for saying goodbye to her, but she wasn't that present in the story, it doesn't hit like saying goodbye to Midna or King Daphnes. I think that there should have been more tear memories that showed us how good friend she was with Zelda, or at least one that show us when Mineru took Zelda to the construc fabric and Zelda used the big construct.
I love Tears of the Kingdom but if there was any criticism from me, it would be that I wish there was more interaction between Link and Rauru, Sonia and Mineru. Even Ganondorf, Link missed a lot of the main interactions with these characters.
@@bitz3225 I developed more attachment to _Groose_ than anyone in this game.
The gameplay itself has been hugely addictive and satisfying, and the music is jam packed with heart, soul, and clever references, but the predictable and redundant storytelling, bland characterization, and canned dialogue made it feel like story was an afterthought.
I generally don't expect much story-wise from Nintendo games; usually it's fairly generic and mostly seems to serve as context, but I guess their other games must have at least _something_ going because this game appears to miss it entirely.
I'm so angry with myself for not playing this part with headphones on because I didn't hear anything and this ost is just wow!
There are hints of the song of time in the final depot 5:40 .
Man i accidentally started the quest line for this dungeon early and thought i found a secret 5th dungeon XD man it was so cool.
I mean, it's a secret fifth dungeon with the Construct Factory and the Spirit Temple together. 👀
Zonai supremacy
This reminds of the old school house theme from trails cold steel.
it's giving SS vibes
Reminds me of hollow knight
My favorite soundtrack of all time!
I'm the 1000th like and proud
7:30
Again sounds like Faron Woods. at 7:26
The music is beautiful, but I lost brain cells trying to figure out the puzzles in this temple.
I cant put my finger on it but somehow it really reminds me of skyward sword?
So 7:35 touching..
You know.. I’ve been reading all your comments, certain your name sounded familiar - and then I remembered that your Origami King playlist was like gospel for me, seriously. Seeing all those variants is what got me into compiling soundtracks like this in the first place. I’ve actually done about a third of that game in this style thanks to your uploads - if this channel continues after TOTK, that game is certainly what’s next! All that is to say, THANK YOU
@@dyltheisprod Oh my god. I cannot believe what you just wrote! MAN THATS COOL!!! And now I'm here and am inspired by your work 😊. I started to create medleys for my MK8DX playlist where each variation only gets played once instead of looped 2 times before transitioning into the next variation - like your style - AND IT ABSOLUETLY SOUNDS SO MUCH BETTER!! :)
In fact, yesterday I wrote a comment which for some reason was not posted to youtube. Maybe it was tagged from youtube to be reviewed by you? Anyways. I'd love to help you out with the TOTK OST by creating and editing the sound tracks that you perhaps assign me and then after I finished editing them I can send them to you. I'm only talking about the music files. When it comes to video animation - you're much more talented than me. I already have the .BWAV files extracted from the game ROM and have them ready to edit. I sadly was not able to start the TOTK project on my channel because I don't have so much time :( , so if I can help you out with a few tracks - as a side project - I'd be happy to help and contribute :). Please contact me and let me know your answer there. You find my contact info in my channel description.
Yeah the Origami King OST was a big project that was pretty long. I think it took like 1 year or something like that. Now we have all music files and a clear understanding where they occur in the game, but it needs a consumer friendly playlist in a medley form. Like your TOTK OST! So if you'll be doing this and need help in the future, you can write me emails. I'd be happy to help :).
You also can use the video descriptions in my origami vids where all the original file names are mentioned that are used in a video. @crimson_colla7961 helped me a lot with finding out when particular music tracks played. He did a Origami Project too in the form of big compilation vids. I'm sure he'd be happy to help you too. He's from brazil. I really love how the passion for VGM unites all of us ^^
@@dyltheisprod I also can assist with some technical music information. I did some testing and research in order to find out how we can provide the best music quality that is possible on youtube. E.g. once you uploaded a video to youtube, you can not download it again with the original music quality. RUclips only gives you a maximum bitrate of about 128kbits I think in MP3 or AAC form. Not sure which one of those two but yes. That's one result of my testing
I’d love to work with you man! Project is nearing its end but regardless the collaboration would be nice. Like i said before just put your email into my Google Form in description and we’ll find a way to get in touch.
@@dyltheisprod I'm going to send the request along the list today
Did not enjoy this dungeon at all, but the soundtrack is so serene that it feels a bit like the Ancient Cistern from Skyward Sword.
what did you not like about it?
I honestly kind of agree with you, because while I didn’t dislike it, it definitely wasn’t my favourite by any margin. I feel that this has to do with the fact that you find it in the depths, and the depths aren’t my favourite part of this game. As well as the fact that I felt that they could have done more with it in terms of making it more separated from the rest of the depths. I think the fire temple did this better because it was designed in a whole different and unique ancient Goron style. Unlike the fire temple, the construct factory and spirit temple share the exact same architecture as all of the other structures in the depths, which kind of makes sense as they’re all of zonai origin, but it if had been like some big and enclosed structure with some still preserved and functioning Zonai tech in there and some unique types of constructs, perhaps even a unique dungeon miniboss, I think it would have gone a long way in terms of making the dungeon feel more unique when compared to the mines and other Zonai structures found in the depths. Sidenote: I have just now realized that unique dungeon mini bosses are completely absent in Tears of the Kingdom, I suppose that there are plenty of overworld minibosses, but the closest thing to a dungeon miniboss was sludge like in the water temple quest.
As an attempt to clarify what I meant in my previous message, I’ll use an example from Skyward Sword, that being the Lanayru mining facility. While the entirety of the Lanayru desert is covered in the same type of ruined and run down technology as is seen in the dungeon, it feels like it’s the culmination or centre of all of this technology, the place where the timeshift stones are processed from all of the mining operations we’ve seen in the rest of the desert. When comparing this to the Construct factory, I guess I kind of realize that it’s sort of that the name and music kind of feel misleading. I was sort of expecting a big ruined factory where we get to see the development and assembly of the constructs we’ve been fighting this whole time, a place where we’d find the scrapped prototypes of old constructs and just generally see more mechanical stuff, have it feel like the source of all of the constructs. They could have also tied the construct factory to the development of some of the Zonai devices, as those were definitely mass produced somewhere, although that’s more of wishful thinking rather than what I actually expected to see from the dungeon based on its name. I feel like the constrict factory we got was too infected by the depths, and that kind of made it too much like the mines that we find all over the depths. There are genuinely aspects of the music that plays everywhere in the depths preset in this dungeon theme, which goes to show how close to the depths this factory is. I feel like the layout of the construct factory was far less vast and complex than I’d expect for a factory, consisting of one central building and four storehouses where the construct parts were kept. I think this is also a glaring example of how the dungeons were limited by all following the design of going to find the five (or in this case four) things, activating them, and then fighting the boss. (This dungeon did actually have that sequence of travelling to the spirit temple before fighting the boss, which makes it a little different, but still slightly boring) the sequence of travelling to the spirit temple was also not terribly enjoyable as it just involved traversing a path in the depths with Mineru’s construct, which wasn’t that easy or fun to control, and kind of felt janky to use, especially against the enemies that dotted that path, many of whom are most likely silver by that point in the game. Anyways, the construct factory was an interesting temple, and a very interesting idea, but it felt underwhelming, and the name misled me into believing that this would be a big factory dungeon like the Lanayru mining facility in Skyward Sword, which it was not, and I think it would have greatly benefited from taking more inspiration from that dungeon. However, that’s only my opinion worded very poorly in about seven incredibly long and confusing run-on sentences that took me about half an hour to forty-five minutes to write, during which I forgot what I was doing several times, so I most likely made absolutely no sense whatsoever. If this was your favourite dungeon, I appreciate that and despite how harshly I might criticize it, I did still enjoy this dungeon, and there were no dungeons I actively disliked, but this one was likely my least favourite. That doesn’t mean I didn’t like it, simply that I liked it the least.
@@wolfc9078damn I didn't even read your comment because it's extremely picky. Just play the game and stop thinking so much, it's a masterpiece
@@loganvest367 I know that it's extremely picky, that is kind of the point, and I also think that Tears of The Kingdom is a masterpiece. The fact that I felt that the construct factory was not very well executed does not really diminish my appreciation of the game.
My Dungeon List from worst to best:
5. Wind Temple
4. Water Temple
3. Fire Temple
2. Spirit Temple
1. Lighting Temple
Cringe list
@@babyjiren9676 lol
Purely by their puzzle designs, I’d say this is similar to my taste. But I also like to consider atmosphere when evaluating dungeons, so my list is:
1. Lightning Temple
2. Fire Temple
3. Wind Temple
4. Spirit Temple
5. Water Temple
Maybe the Wind and Spirit temples will switch on a new play through.
You liked the fire temple more than the wind temple? The overall design and the boss fight at the end makes the wind temple my favorite
Yep, I did@@Lv-nq9qz
Just finished the game
I cried so hard when Zelda died....
She died?
@@that_nerdy_hylianThe above comment is misleading. She doesn’t “die.” But she does experience something kind of similar to death.
Finish the Dragon Tears quest if you haven’t already. It should clear things up.
@@Artist-128 ...well, I have, and I've beat the game, and I saw what happened, and I was very confused as to why they said she also died
The Troller