Pat is amazing. I love his work, his guitar skills, but most of all, his character gave me the power to go back to take photos. He was treating me with respect like an equal, not like many others who see me as "competition". I'm glad he is part of my daily feed, my top 5 photographers who I know will give you good advice, and the one who made me buy my first Leica.
Sehr cooles Gespräch! Pat ist einfach ein unglaublicher Kerl. Well done, great interview. Really liked the 2 camera setup and the location. Nice edit too 👏
So glad to see yet another of the well-known photographers having the Leica M10-D as a favourite! Mine too - just love it. It is a Zen-thing. So, Pat Domingo and Justin Mott so far on M10-D; anyone knows other well-known photographers using it? (I don't count as I am not famous I guess:-)
I'm pretty certain that Henri Cartier-Bresson and Joel Meyerowitz didn't get to know everyone that they shot on the street. Sure, it's okay to ask permission to take a shot before you take it, but it's difficult to take a candid shot of someone you know, someone who's smiling or looking straight into your lens. If you try to make your subject look good, what's wrong with simply taking a photograph of "a stranger" on the street. I don't feel the need to ask permission.
Hey! Thanks for the input! I am on your side. If you make people look great, then I think it is beneficial to everyone. I wished that I can make sure that the person also gets the photo for their own use, but as it is in street photography, you have no idea who that person is.
They are giving the politically correct answers. “Pointing a camera at someone is like pointing a gun at someone”. No it isn’t. I was with him until he said that silly sentence. People don’t seem to mind being filmed by security cameras when they walk in the streets but somehow someone clicking a camera at them makes them worry about their privacy. 😂
“Pointing a camera at somebody is like pointing a gun at somebody”. No, it isn’t. Silly man. I’ve been a soldier and I’m a photographer and I assure you it isn’t.
Pat is amazing. I love his work, his guitar skills, but most of all, his character gave me the power to go back to take photos. He was treating me with respect like an equal, not like many others who see me as "competition". I'm glad he is part of my daily feed, my top 5 photographers who I know will give you good advice, and the one who made me buy my first Leica.
The most inspirational photography talk just before this year ends, excellent video and thanks for sharing !
Sehr cooles Gespräch! Pat ist einfach ein unglaublicher Kerl. Well done, great interview. Really liked the 2 camera setup and the location. Nice edit too 👏
A favorite photographer and a wonderful interview you directed. Thank you for sharing this inspirational talk. 🍻
Hey Keith, thanks so much. We could have talked for hours more, and maybe we will!
My first camera was a Minolta X-700 back in 1985. Now I have a Leica M6 classic and Love it.
Excellent conversation !
A great Leica story would be his Leica Q with the 2 Million shots.
I agree!
You see … I don’t get the 2 million shots thing … there’s just not enough interesting stuff out there to warrant that number of interesting shots …
I always like how well loved his cameras are. 😅
Great conversation.
Great interview. Keep them coming 🎉❤
Will do!
Pat Domingo does great work!
Great interview. Thanks
super talk! 👌
Thanks Sebastian!
" Photographs are not taken, they are made ", Ansel Adams. I guess that sums it up.
So glad to see yet another of the well-known photographers having the Leica M10-D as a favourite! Mine too - just love it. It is a Zen-thing. So, Pat Domingo and Justin Mott so far on M10-D; anyone knows other well-known photographers using it? (I don't count as I am not famous I guess:-)
Where can we see the Finding Home by Sherif Sakr movie? It doesn't come up on Google or Vimeo/YT, thanks.
ruclips.net/video/_kRdKCtKKGY/видео.html
Just a note, the Maxxum 7000 is not a DSLR, but an SLR (not digital), and was developed by Leica and taken over by Minolta for production.
Hi Stan, thanks for that clarification!
Mega so inspirational 🔥🔥 when will your book come out?😅 and when your exhibition at Leica Vienna?
Pat said something about an exhibit, not sure, if he is working on a book though :-)
Great video, the audio of the interview is bad!
Hey! Who in here is going to humble this guy?
"INTERNALLY acclaimed??" Please elaborate on that...
Could it be a typo Allan, and they meant "Internationally acclaimed"?
@@JJ_Photo I hope so. ALL photographers are "internally" acclaimed. 🙂
@@allan4800 We're meant to be internally acclaimed? I hate my own work 95% of the time 👀
@@JJ_Photo Proof reading is time well spent, especially since auto correct software tends to put down what it THINKS we meant...
I'm pretty certain that Henri Cartier-Bresson and Joel Meyerowitz didn't get to know everyone that they shot on the street. Sure, it's okay to ask permission to take a shot before you take it, but it's difficult to take a candid shot of someone you know, someone who's smiling or looking straight into your lens. If you try to make your subject look good, what's wrong with simply taking a photograph of "a stranger" on the street. I don't feel the need to ask permission.
Hey! Thanks for the input! I am on your side. If you make people look great, then I think it is beneficial to everyone. I wished that I can make sure that the person also gets the photo for their own use, but as it is in street photography, you have no idea who that person is.
They are giving the politically correct answers. “Pointing a camera at someone is like pointing a gun at someone”. No it isn’t. I was with him until he said that silly sentence. People don’t seem to mind being filmed by security cameras when they walk in the streets but somehow someone clicking a camera at them makes them worry about their privacy. 😂
“Pointing a camera at somebody is like pointing a gun at somebody”. No, it isn’t. Silly man. I’ve been a soldier and I’m a photographer and I assure you it isn’t.