Awesome! I’m glad it helped. Any pointers on how to make these tutorials better any input is welcome. I will have at least a couple of other methods made into tutorials soon too.
Thanks! Yeah they are both fantastic cameras. I haven't used an FX3 but I've worked with the footage in my projects from other videographers. Both have solid images.
This method is mostly meant for individual clips. But if your scene isn’t changing much you can select all clips you want affected and middle mouse click on the corrected clip.
You can set it up how you want. This is just one of the main ways to get a normal look out of Canon R5C footage with no LUTs for those unfamiliar. I’m going to be doing more tutorials about the other ways soon. Including using input color space, LUTs methods, and using DaVinci’s color management to your advantage with RAW formats.
Thank u Sir, Believe me i searched tested and made a lot of different types for color settings inside of Davinci with my canon R5 clog3 cinema and this looks best for now. U do not need to output into rec709 from cst because u already done it in the project/timeline settings right ? Best regards ☀️
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Thanks Nathan, that was pretty helpful to get a way better result out of my footage. much appreciated.
Awesome! I’m glad it helped. Any pointers on how to make these tutorials better any input is welcome. I will have at least a couple of other methods made into tutorials soon too.
Great content. Would you recommend the r5c or the fx3 for documentary/vlog content
Thanks! Yeah they are both fantastic cameras. I haven't used an FX3 but I've worked with the footage in my projects from other videographers. Both have solid images.
fx3 for vlog!
How do you convert the entire timeline? Not just individual clips
This method is mostly meant for individual clips. But if your scene isn’t changing much you can select all clips you want affected and middle mouse click on the corrected clip.
Could you add an extra node for LUTs at the end or do you have to set it up differently for LUTs?
You can set it up how you want. This is just one of the main ways to get a normal look out of Canon R5C footage with no LUTs for those unfamiliar. I’m going to be doing more tutorials about the other ways soon. Including using input color space, LUTs methods, and using DaVinci’s color management to your advantage with RAW formats.
Thank u Sir, Believe me i searched tested and made a lot of different types for color settings inside of Davinci with my canon R5 clog3 cinema and this looks best for now. U do not need to output into rec709 from cst because u already done it in the project/timeline settings right ? Best regards ☀️
And btw. Great shoot