I assume it took him at least some weeks to prepare the materials, record, edit, etc. A lot of work for us!! Thanks Paul!! Will start learning this etude :)
You are beautiful mein freund! You have transformed my whole repertoire! I've never been able to play in front of people for the last 40 years and now I do recitals on a regular basis. Played this at a dinner party while everyone was talking and it was a great experience, because they camouflaged all my mistakes! I tell everyone about you! I've had great teachers at great conservatories in Europe and great teachers here is the US, but nobody taught me HOW to practice until I met you. You're an angel from Himmel!
"The faster tempos of Chopin's studies only have technical benefits to a pianist when the foundations of technique are strong, most often brought about by slow patient practice." Brilliant statement and one of many that indicate your high intelligence and great ability to communicate.
The mindset of looking at vert shorts passages as small etudes in themselves really helped me. Not a quick fix, but definitely a fix, also improving my practising in general I guess. Thanks man
who says ?? if chopin had 2 left hands then he also had 2 right hands his genius was that both his hands could be made to play the same stuff what i mean is that he could play a melody with his left hand and bass in the right and vice versa . that was his brain hence a genius thats beside composition of course
Paul Barton - THANK YOU SO MUCH. I was stuck at this study. There is nothing better explained as your videos, really, you saved my piano studies in this whole lockdown... Big thumbs up from Brazil!
I reealy feel like we need to all nominate you for the Nobel Peace Prize for all the Great Work you do for the Arts, Humanity and the entire Earth. God Bless You, Paul!
What a legend. Amazing pianist and teacher, so good at teaching and patient and methodical. Shows a demonically difficult passage and speaks gently like reading a bedtime story. This is one of the best things I’ve seen on RUclips
It's incredible how much simpler it actually is when broken down and analyze, the tumultuous pounding of the keys give it a expression that make it sound convoluted to listen to!! but i learn this piece just recently and it's so fun to play!!!!
This is truly revolutionary. It's about time someone brought piano instruction out of the stone age-- what a wonderful idea. Thank you Paul. Can't wait to see Chopin's Etude 10/2 and Un Sospiro (2 of my favorites). Here are my requests, even though they are all over the place in terms of difficulty: Rachmaninoff Moment Musicaux op. 16 no.4, Chopin Ballad 1, Chopin Ballad 4, Rachmaninoff PC #2 (technical parts), Rachmaninoff Elegie Op. 3 no. 1, Debussy Claire de Lune. Would love to see any!!
I especially love listening to the crisp clarity of 12:17 you can distinctly hear the marked G,G,Fx and no binding or hesitation on the weaker fingers. For me, this is one of the hardest parts in this piece to polish.. Brilliant!
12:16 YES! everyone talks about the third page but never that one bar! Sometimes (guiltily) i'll just pray that my left hand can cover up the sloppiness of it, but it's so staccato it's in plain sight for the ears!
Interesting to note that knowing how to practice is what teaches should be showing their students to do and these videos extend into the way one can work at the piano and its multifaceted as you know and takes a lot of patience and work. Its called discipline which is not a word that we want to hear but its necessity to make progress and reach your goals. I would like to say that is called more the Art of Practice, sort of being in the zone unlike a certain form of Zen Like Apprehension. Nevertheless, Bravo to Paul Barton who is a blessing and a great teacher. Thanks Paul and I am grateful for having discovered you here on the Internet.
shubus same here unfortunately i had great zeal but now i realise a great teacher is a MUST otherwise many hours will be wasted and bad habits learned therefore giving up
Thanks a lot Paul for posting this video . I am presently studying this Etude and I find your tips and advise very helpful; You are a very talented pianist, and I admire your generosity, which is that you do not keep your talents for yourself but agree to make others benefit from them. Thanks again
Thank YOu So Much Mr. Paul Barton For Giving Us a very detail in how u practice and improve each section in this piece and also explain so much useful information to every pianist in youtube u are such a great teacher!!! U give So much time on recording all the hours you practice then everything include in a final video not many people are willing to do the same thing as you did Thx!!!!
Hi Paul, I took a two year's detour to study the Chopin etudes. Thank you for your tutorials. From the get go, I learned them by playing them all the deeply all way down to the key bed (per your advice,) pianissimo, and in a relaxed manner. All the bumps are gone. Op 10 No 4 I can play at 200 MM. but that is too fast. Patience, persistence paid off. I now feel comfortable playing the so called easier nocturnes and preludes etc. The Etudes, IMHP are indispensable fact for playing the piano
This is such a wonderful resource, and we really do appreciate it Paul. Getting so close with No 12 now. I hope to have the video for you before the end of the year, but the proof of the pudding is in the eating.
You are making quite a revolution in piano teaching in general, making such wonderful tutorials online. Praise for you, you really deserve it =) (BTW, these studies are too much for me yet, but I enjoy watching your tutorials very much nonetheless!)
Many thanks for the reply Paul. I've been working on your micro-study No 5 for the left hand during the last week and it's definitely helping a great deal! -- a long way to go though!!
I thought Etudes are very difficult pieces and dare not to try. Thanks for your ideas to break down difficult parts into easy to practise sections. I have more confidence in learning Etudes since I watched the videos again and again.Can't wait for more tutorials, especially the Appassionata. Thanks Paul!
Hi Paul Thanks a lot for your tutorials. Since Livitsa Valentina released her etudes i've been inspired to attain mastery of all of them! I have since found your tutorials very useful and have shared them with my piano students. You are very knowledgable and fun to watch and just want to let you know I appreciate your mission and wish you the best from here in Philadelphia, USA. Cheers -Matt
I love watching your videos! even if I don't play the piano very much beacuse I play the pipe organ, I really like watching them and just learn stuff that can be help full not only for this specific but in general. You really are a great pianist and a good teacher!
Very valuable and dense! Paul I don’t know if you’re getting comments on old videos but I just wanted to tell you I’m taking this video apart with a fine tooth comb and it is amazing so thank you so much I needed this so badly to move forward
Many thanks for another great educational video, I am sure there are many who really appreciate your efforts. I see the upright Yamaha with the sticking 'B' has been gracefully retired!
I'm not currently learning this piece, but I found the contraction exercises at 06:06 extremely helpful when it came to playing the cadenza from Chopin's Nocturne op. 27 no. 2. Thank you, Paul :)
That's great! I think that general tips on playing scales, like how one can achieve a smooth seamless thumb passage or how to build speed would be best. Many scales share the same fingerings, so I think it would be ok if you just talked about them in general and gave some specific advice on those which aren't "normal". A long video with links to important sections would be great. Trills and other common techniques could be treated separately as could be major/minor scales. My 2 cents =)
This modulation pattern idea is elaborated in Cortot and you may find versions from pianists such as Ganz,Joseffy and Dohnanyi, it has been taken up for many other instruments including flute. One possible ancestor for it is a modulation passage in Paganini Opus one Caprice 1. I'm sure most good teachers use some version of it - there are traces of the procedure in for example "Michael Aaron Piano Course grade 5" page 6 hints at the mod. procedure adapted to Bach prelude in D from WTC 1..
I performed all three movements of the Beethoven “Moonlight’ sonata on my senior high school recital after only three years of piano study. There is only two steps to master that movement. 1. Find an excellent teacher. 2. Divide it into very small sections and start at a very slow tempo. If you don’t have a good teacher to show you how to move your hand to achieve maximum speed all the tutorials in the world won’t help you. Watch the tutorial on the 3rd movement posted online by The Bach Scholar, Cory something.
Cannot be more grateful to see this video when practicing. And could you upload once again for micro-study because the link to google+ is not available :(
what I really appreciated is right at the beginning of the video you mention having a good piano which is a factor in this piece. Well, I recorded it on youtube on my lousy piano and right before the decline my notes start to stick because my piano doesnt have good action. Its a blast to play and I put it on. It slows down my time a little. I dont know if I'm aloud to say this but to hear me write in Nanetteski and my videos will pop up. And I have very small hands.
I‘m currently practicing this etude, and when I play bar 22, my score has a d flat in this measure, but in this video I heard you play a d natural in 19:00 and I wasn’t sure if my score was correct... is it supposed to be a d natural here?
It's sooooo difficult!! I should have more patience playing it slower. I get excited almost too often and it ends in disaster. I wanna tear the music sheet and just bang on the piano. Sniff sniff. Maybe in 5 years, hopefully.
Paul is basically providing a half hour piano lesson for free. Respect.
I assume it took him at least some weeks to prepare the materials, record, edit, etc. A lot of work for us!! Thanks Paul!! Will start learning this etude :)
You are beautiful mein freund! You have transformed my whole repertoire! I've never been able to play in front of people for the last 40 years and now I do recitals on a regular basis. Played this at a dinner party while everyone was talking and it was a great experience, because they camouflaged all my mistakes! I tell everyone about you! I've had great teachers at great conservatories in Europe and great teachers here is the US, but nobody taught me HOW to practice until I met you. You're an angel from Himmel!
"The faster tempos of Chopin's studies only have technical benefits to a pianist when the foundations of technique are strong, most often brought about by slow patient practice."
Brilliant statement and one of many that indicate your high intelligence and great ability to communicate.
The mindset of looking at vert shorts passages as small etudes in themselves really helped me. Not a quick fix, but definitely a fix, also improving my practising in general I guess. Thanks man
6:08
1️⃣10번씩 치기
120 왼손 쭉/ 140/ 160/ 180/ 200
오른손도 마찬가지로
양손
8:07
섹션별 부분 연습 (120~200)
9:25 -> 9:52 변형시켜 연습
10:39 오왼 분리-> 점점 빠르게
👾11:25 유니즌 도약
-왼손 부분연습
12:11 섹션별 반복
12:44 3-4트릴
13:04 오른손처럼 -> 13:20
13:38
👾13:55 모아서 연습
Paul Barton - The piano version of Bob Ross
he paints as well
The piano tutorial version of Bob Ross.
@@randomcubing7106 Bob Ross was known for painting tutorials so he is just the piano version of Bob Ross..
@@thibomeurkens2296 Yeah ik
Yessssss
It's a wonder Chopin managed at all, having two left hands... 02:50
👍
Chopin: 👋👋
who says ?? if chopin had 2 left hands then he also had 2 right hands his genius was that both his hands could be made to play the same stuff what i mean is that he could play a melody with his left hand and bass in the right and vice versa . that was his brain hence a genius thats beside composition of course
@@lucbesson3693 ...
@@lucbesson3693 r/wooooooooosh
Paul Barton - THANK YOU SO MUCH. I was stuck at this study. There is nothing better explained as your videos, really, you saved my piano studies in this whole lockdown... Big thumbs up from Brazil!
I reealy feel like we need to all nominate you for the Nobel Peace Prize for all the Great Work you do for the Arts, Humanity and the entire Earth. God Bless You, Paul!
폴 바튼~브라보
I hope you're getting paid properly for this and the recognition you deserve for these videos Paul. I'd be upset if you wasn't!
Yes! I couldn't agree more. Just imagine how many hours were put into making this one video...
What a legend. Amazing pianist and teacher, so good at teaching and patient and methodical. Shows a demonically difficult passage and speaks gently like reading a bedtime story. This is one of the best things I’ve seen on RUclips
Learned this in college and RUclips has shown me how inefficient it all was. Your practice tips are amazing!
It's incredible how much simpler it actually is when broken down and analyze, the tumultuous pounding of the keys give it a expression that make it sound convoluted to listen to!! but i learn this piece just recently and it's so fun to play!!!!
For me, this video is a gold mine. Thank you so much
This is truly revolutionary. It's about time someone brought piano instruction out of the stone age-- what a wonderful idea. Thank you Paul. Can't wait to see Chopin's Etude 10/2 and Un Sospiro (2 of my favorites). Here are my requests, even though they are all over the place in terms of difficulty: Rachmaninoff Moment Musicaux op. 16 no.4, Chopin Ballad 1, Chopin Ballad 4, Rachmaninoff PC #2 (technical parts), Rachmaninoff Elegie Op. 3 no. 1, Debussy Claire de Lune. Would love to see any!!
I laughed at "totally unwatchable but, it's there" :) loved that
I especially love listening to the crisp clarity of 12:17 you can distinctly hear the marked G,G,Fx and no binding or hesitation on the weaker fingers. For me, this is one of the hardest parts in this piece to polish.. Brilliant!
there is absolutely so many bits of wisdom in this video that applies to all areas of practice
12:16 YES! everyone talks about the third page but never that one bar! Sometimes (guiltily) i'll just pray that my left hand can cover up the sloppiness of it, but it's so staccato it's in plain sight for the ears!
I find it easier using the fingering 2121 / 4231/ 4231 / 4231 in the left hand, it is suggested by Alfred Cortot.
Interesting to note that knowing how to practice is what teaches should be showing their students to do and these videos extend into the way one can work at the piano and its multifaceted as you know and takes a lot of patience and work. Its called discipline which is not a word that we want to hear but its necessity to make progress and reach your goals. I would like to say that is called more the Art of Practice, sort of being in the zone unlike a certain form of Zen Like Apprehension. Nevertheless, Bravo to Paul Barton who is a blessing and a great teacher. Thanks Paul and I am grateful for having discovered you here on the Internet.
Both here, and on Facebook, I have often spoken about the practice techniques that both Horowitz and Virgil Fox drilled into me at a young age.
shubus same here unfortunately i had great zeal but now i realise a great teacher is a MUST otherwise many hours will be wasted and bad habits learned therefore giving up
Paul barton is best piano teacher, his demonstration skill is very helpful for all students.
Your videos are great. You have the gift to easily teach very difficult issues. Thank you very much for this very hard work you've made.
Thanks a lot Paul for posting this video . I am presently studying this Etude and I find your tips and advise very helpful; You are a very talented pianist, and I admire your generosity, which is that you do not keep your talents for yourself but agree to make others benefit from them. Thanks again
Mr Paul you truly are a treasure thank you so much for these videos from Los Angeles
Thank YOu So Much Mr. Paul Barton For Giving Us a very detail in how u practice and improve each section in this piece and also explain so much useful information to every pianist in youtube u are such a great teacher!!! U give So much time on recording all the hours you practice then everything include in a final video not many people are willing to do the same thing as you did Thx!!!!
Thank you so much for this video! This is a godsend that I hope will take me to the next level. Incredible analysis and teaching!
Hi Paul, I took a two year's detour to study the Chopin etudes. Thank you for your tutorials. From the get go, I learned them by playing them all the deeply all way down to the key bed (per your advice,) pianissimo, and in a relaxed manner. All the bumps are gone. Op 10 No 4 I can play at 200 MM. but that is too fast. Patience, persistence paid off. I now feel comfortable playing the so called easier nocturnes and preludes etc. The Etudes, IMHP are indispensable fact for playing the piano
Thank you for this wonderful tutorial (an actual tutorial; not just the piece in extra slow tempo, which aren't really tutorials at all).
im glad of having found your channel! you´re by far one of the most useful ones
This is such a wonderful resource, and we really do appreciate it Paul. Getting so close with No 12 now. I hope to have the video for you before the end of the year, but the proof of the pudding is in the eating.
You are making quite a revolution in piano teaching in general, making such wonderful tutorials online. Praise for you, you really deserve it =) (BTW, these studies are too much for me yet, but I enjoy watching your tutorials very much nonetheless!)
So glad you made this! I'm starting to get the hang of the etude thanks to your tutorial :)
Many thanks for the reply Paul. I've been working on your micro-study No 5 for the left hand during the last week and it's definitely helping a great deal! -- a long way to go though!!
I thought Etudes are very difficult pieces and dare not to try. Thanks for your ideas to break down difficult parts into easy to practise sections. I have more confidence in learning Etudes since I watched the videos again and again.Can't wait for more tutorials, especially the Appassionata. Thanks Paul!
Hi Paul Thanks a lot for your tutorials. Since Livitsa Valentina released her etudes i've been inspired to attain mastery of all of them! I have since found your tutorials very useful and have shared them with my piano students. You are very knowledgable and fun to watch and just want to let you know I appreciate your mission and wish you the best from here in Philadelphia, USA. Cheers -Matt
I love watching your videos! even if I don't play the piano very much beacuse I play the pipe organ, I really like watching them and just learn stuff that can be help full not only for this specific but in general. You really are a great pianist and a good teacher!
Thank you for giving us amazing lessons. I am so lucky to find your video!
Very valuable and dense!
Paul I don’t know if you’re getting comments on old videos but I just wanted to tell you I’m taking this video apart with a fine tooth comb and it is amazing so thank you so much I needed this so badly to move forward
We love your work, Paul.
Paul, you're awesome, thanks for all the studies ideas! Great work!
Many thanks Paul for your excellent tutoring
Hi Paul, thank you for making such a wonderful tutorial and also many other tutorials! I've been learning a lot f on you! 👍🏻👍🏻👍🏻
Many thanks for another great educational video, I am sure there are many who really appreciate your efforts.
I see the upright Yamaha with the sticking 'B' has been gracefully retired!
I'm not currently learning this piece, but I found the contraction exercises at 06:06 extremely helpful when it came to playing the cadenza from Chopin's Nocturne op. 27 no. 2. Thank you, Paul :)
I love your creative (oranges, potatos, coins, etc.) and interesting tutorials!
18:56 you keep playing d natural in the fourth group of semiquavers, please play the d flat.
We love your video ❣️ especially piano demonstration tutorial
That's great! I think that general tips on playing scales, like how one can achieve a smooth seamless thumb passage or how to build speed would be best. Many scales share the same fingerings, so I think it would be ok if you just talked about them in general and gave some specific advice on those which aren't "normal". A long video with links to important sections would be great. Trills and other common techniques could be treated separately as could be major/minor scales. My 2 cents =)
Thank you Paul! You are a great master! God Bless you from Argentina
This modulation pattern idea is elaborated in Cortot and you may find versions from pianists such as Ganz,Joseffy and Dohnanyi, it has been taken up for many other instruments including flute. One possible ancestor for it is a modulation passage in Paganini Opus one Caprice 1. I'm sure most good teachers use some version of it - there are traces of the procedure in for example "Michael Aaron Piano Course grade 5" page 6 hints at the mod. procedure adapted to Bach prelude in D from WTC 1..
Paul, thank you so much for making this piano tutorial.
Thank you so much Paul, you are a excellent teacher! this help me a lot! Greeting from Uruguay!
*ur a legend for making this*
How come youtube suggested me this guy just now? What a find - I am chuffed!
Thank you for the answers! I'll be incorporating your practice suggestions into my daily regime!
Thank you so much for all your time and effort, Paul. I hope you continue for a long time. :]
thank you so much !!! I wasn't sure how to start this , but you made it seems to be pretty workable !!
Love all your videos. Thanks so much for posting.
It is going great! I am going into my last semester of my master's degree. I really enjoy your tutorial videos!
This lesson is incredible
This is insane. Thank you so much
Very useful, thank you very much Paul.
What a fine teacher you are Sir!
If you would make a video like this about the 3rd movement of Moonlight Sonata it would be great.
I would second that!
Moonlight sonata 3rd movement is way easier than this...
JustinYT it’s still not easy
@@lockdahouse5240 yea it's really challenging for me
I performed all three movements of the Beethoven “Moonlight’ sonata on my senior high school recital after only three years of piano study. There is only two steps to master that movement.
1. Find an excellent teacher.
2. Divide it into very small sections and start at a very slow tempo.
If you don’t have a good teacher to show you how to move your hand to achieve maximum speed all the tutorials in the world won’t help you.
Watch the tutorial on the 3rd movement posted online by The Bach Scholar, Cory something.
Thank you SO MUCH! I already finished this piece but your video def helped a lot!
Paul is the Mother Theresa of the piano. Just great!
Could you recommend us some literature about piano techniques?
Great breakdown for learning!
Excellent video, Paul!
Cannot be more grateful to see this video when practicing. And could you upload once again for micro-study because the link to google+ is not available :(
3:52
To achieve evenness and.... Polish!
your such a good teacher, how long have you been playing piano?
Could you possibly do a tutorial on Ravel's "Jeux D'eau"? I'm currently working on that one.
your videos are so great to watch.i'll try to pick up few tips for the beginner i am...
Best teaching video ever! Thank you soooo much!
Thank you Paul. So helpful!
what I really appreciated is right at the beginning of the video you mention having a good piano which is a factor in this piece. Well, I recorded it on youtube on my lousy piano and right before the decline my notes start to stick because my piano doesnt have good action. Its a blast to play and I put it on. It slows down my time a little. I dont know if I'm aloud to say this but to hear me write in Nanetteski and my videos will pop up.
And I have very small hands.
Greetings from Indonesia , this is a really great tutorial...
I can't play this even at 40 bpm, LOL. But seriously, it's great how you break this down into micro-studies. Awesome tutorial as usual.
Excellent!
Can you do chopin etude op 25 no 5 next please?
Great lesson, Paul!
I‘m currently practicing this etude, and when I play bar 22, my score has a d flat in this measure, but in this video I heard you play a d natural in 19:00 and I wasn’t sure if my score was correct... is it supposed to be a d natural here?
no it actually is a d flat.
Awesome video, thanks paul!
27:49 "remember to breath normally ... " ;D
Great teacher Paul! Greetings from Caracas!
Thanks Paul. Very helpful
Thank you so much for posting this! Great video.
Paul Barton is a Legend
Wow this is just great, thanks!
This video is really helpful to teach students and perform myself:) thank you so much :)
It is what I needed!
Thank you so much! It really helps a lot!
I can’t access the micro study files. Google have shut Google+ down.
Thank you so much ! Great video
It's sooooo difficult!! I should have more patience playing it slower. I get excited almost too often and it ends in disaster. I wanna tear the music sheet and just bang on the piano. Sniff sniff. Maybe in 5 years, hopefully.
It’s been 5 years, have you learnt it yet?
@@ban9nas177 lol he probably broke the piano trying to learn it
have you learnt?
It’s been 7 years now, u alive??
Thank you so much!!!
Glad it helped!
Omg thank you!!!This really helped me!
i just cannot understand why you have so few viewers..you man are great! too fast for me, but who knows,i might actually get it some day :)
So wonderful!
Omg thank you so much for giving a lesson