Critic & Musical Career | Daniel Barenboim Replies To Comments No.3 [subtitled]
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- Опубликовано: 1 окт 2024
- Critic & Musical Career | Replies To Comments No.3 [subtitled]
In this episode Daniel Barenboim explains how he deals with critic and gives us some thoughts on musical taste and career.
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He speaks more languages than pop music uses chords.
xD
😂😂😂😂😂
And he also speaks Hebrew. I think he knows at least 5 languages.
Imagine about 7 languages! At least I could understand his Spanish letter & answer but that has been a life-long effort w/ no one to practice with.....ONE language & this man switches easily between at least six or 7. Just a genius.
😂😂😂😂👌
Barenboim spoke in here 4 different languages fluently and still he also knows other languages such as hebrew.... Really interesting person!
Spanish, because he was born in Argentina and live there for 10 years
German, he is living in Germany
French, I don't know how =D
Hebrew, He didn't speak Hebrew here but his parents immigrated to Israel when he was 10 years old, so I guess he speaks Hebrew for this reason! =D
Barenboim was music director of the Orchestre de Paris between 1975 and 1989. However, I've seen a YTube video circa late 60's/early 70's, where he's sitting in someone's kitchen, peeling onions (of all things!) and having a conversation in French, so he clearly gained French as a very young man.
Haytham Faisal You forgot English ✌🏻
@@qumu872 well that is obvious and goes without question, ain't it?
But the most important thing is that he knows the musical language
Music is not a profession. It needs professionalism but it is a way of life. Very well said maestro!!
Maestro, I miss your "5 minutes on" videos very much. May your followers expect new videos in the near future? They are such a pleasure for us! Congratulations, maestro. Please, come back to us! Thank you.
I think he stopped uploading. It’s been two years.
He is sick these days...
I've had the pleasure of hearing you live in concert on 4 occasions - twice as conductor and twice as pianist. The most recent was in February 2018 when you conducted the premiere off a new production of Tristan in Berlin. It was an honour to be there. I heard you conduct Parsifal the year before, also in Berlin, and I heard you play with Martha Argerich in 2016 & 2017. In 2017, you played with Martha Argerich in a stunning concert having conducted the Parsifal the day before! Incredible!
One of the things that blows me away about Daniel Barenboim (besides his fantastic musicianship!) is his true multilingualism: he speaks Spanish, Hebrew, German, French, Italian and English. That's just an incredible skill! And he's truly fluent in all of these; he doesn't stumble haltingly through any of them. I've watched many RUclips videos of him, and I've heard him speak each of these languages in various settings (although it took me a while to find a video in Italian). What an amazing brain he has!!
@@thaliarice3891 He sure is fluent in German, I don't see your criticism
Thalia Rice are you kidding me his english is great. this is coming from a native english speaker
@@lfugh1 I agree (and I am a linguist by profession). Laughable negativityfor the sake of it :(
@@lfugh1 I'm also a native English speaker & disagree with that. His vocabulary is great & he is articulate, but his pronunciation is all over the shop. His syntax is weird to say the least & it's very staccato. Having said this, of course, his multilingualism is certainly impressive.... but more so than any of this is his contribution to music!
@@thaliarice3891 I agree. He is fluent in a broken way.
I am just amazed by your perfect command of various languages. Are there any tips to memorize language as well as music?
He has been in many different countries since age of 9
Great explanations! Loved hearing your thoughts! Bravo Daniel.
Hello
Wow That was deep "Music is not a profession, but requires professionalism."
Love your explanation of differentiating between a composer's biography and his piece of music. Thank you!
Hola Maestro, le saludo desde Uruguay. Me encanta en su ejecución su forma de "matizar" podría decirse. Soy estudiante de piano, y ya estando cursando el profesorado me pregunto: ¿Cuándo alguien se considera un músico?
¿Usted se considera un artista?¿Y cuál sería su definición de músico y artista? No espero una respuesta cuadrada, más bien algo abierto a la reflexión. Me llenaría de alegría escuchar su respuesta, un saludo cordial.
I like and appreciate his intellect and talent.
Hola Maestro Barenboim, Que pronóstico tiene para la música del proximo siglo? Y que esencia debe rescatar un musico del siglo XXI dentro de tanto avance? Muchas Gracias
Dear Maestro, thank you for sharing such interesting thoughts and taking some time to interact with your public.
As a professional organist and pianist I've always been asking myself a foundamental question about playing polyphonic music by heart:
When performing in concert, I personally prefer to rely on muscle memory, since it's the way that allows me to think less about WHAT I have to play and focusing on HOW I want to play it. In my approach, long and complex pieces require to think mostly about the harmonic development of their harmonic stucture during the performance itself in order to be learned by heart.
Which kind of memory do you rely on most?
Do you personally think that focusing theorically on what you're playing may affect the emotional flow of your performances?
Hope you will share your approach to this question.
Thankfully
RP
Thank you for answering my question. Good day.
Daniel Barenboim holds a special place in my musical heart: he was the first musician I ever heard (my parents had a tape with him playing Beethoven's Pathetique, Moonshine and Appassionata sonatas). He introduced me to the world of classical music and inspired me to start playing the piano. My life would have been so much poorer without it. Thank you, maestro!
I had the very same experience, same recording, and have it now on CD. I remember my mother going in the bedroom to cry.
Salve maestro! No sé si escribirle en inglés o italiano o castellano... Bueno! Arriesgo el castellano. Quisiera saber que opina usted sobre la musica de Bela Bàrtok y su relaciòn con la musicologìa, ya que muchas veces él mismo como compositor escribiò obras basadas en danzas populares rumenas por ejemplo de gran complejidad y hermosas a la vez, pero usando "células rìtmicas", modulaciones y escalas extraìdas de sus investigaciones en ese àmbito popular. Todo ésto referido a un video suyo que habla de la musica pop y de la musica clàsica. Quisiera saber su opiniòn al respecto. Muchas gracias. Grazie mille. Merci beacoup. Thank you very much.
Hola maestro,
¿Qué tienen los compositores españoles, como Manuel de Falla, que los hace diferentes al resto de compositores de otros países? ¿Y cómo valora su relación con la música popular española o con otros estilos autóctonos como el flamenco? Muchas gracias.
Un saludo desde Andalucía,
Guillermo.
Una vez le escuché hablar de la irrepetibilidad de la música, de que, pese a incluso conocer de memoria una determinada obra, uno siempre va a percatarse de algo nuevo en ella que no había observado anteriormente; siempre va a haber algo nuevo que le sorprenda. Teniendo en cuenta esto, me gustaría preguntar hasta qué punto la música, en este sentido, trasciende la persona que la escribe como algo, bien podría decirse, que está vivo y que, más allá de haber surgido como obra de las ideas particulares de un autor, ha pasado a representar estas mismas ideas de un modo más general y, tal vez, mayor.
Estimado Maestro.
Soy estudiante de música y he notado que la gente suele poner la música "culta" (para no llamarla clásica) en un pedestal y por tanto tienen un cierto temor reverencial a acercarse a las piezas que parecen complicadas. Quiero comenzar un proceso de apreciación musical para aficionados y no sé cómo empezar, ¿cómo hacer que bajen la música de ese pedestal y comiencen a vivirla?
In the U.S. there is an organization called groupmuse that promotes playing classical music in private homes (no matter how small). It is a sort of airbnb of classical music :) I've attended several of such house concerts. See groupmuse.com
I've got two question for you Mr Barenboim. Who is your favourite composer? And which Is your favourite orchestra to conduct?
Maestro barenboim. Soy estudiante de pedagogía en música (Chile). En cada momento de mi vida hay música en mi mente, a mi alrededor, en todo. Disfruto de tal manera estudiar, escuchar e interpretar la música, que aveces pienso que son pocas las personas que tienen esta conexión y estilo de vida.
A pesar de lo anterior y de poner alma, sudor y sangre al estudiar la música, jamás he podido considerarme un músico, considero esta palabra como algo tan grandioso, que no soy capaz de pertenecer a tal grandeza. ¿Qué es según usted ser músico?
Que opinas acerca de Philip Glass y su estilo simplista en sus obras?
Maestro. Ante todo, gracias por su labor tanto como músico (que nos ha hecho felices durante tantos años) como la divulgativa con este canal y otros vídeos. Mi pregunta es: si está preparando un concierto y la orquesta que dirige no está dando la talla que usted espera ¿cómo actúa? ¿trata de motivar a los músicos con actitud positiva? ¿o acaso les regaña y les exige más esfuerzo? ¿apela a su profesionalidad? ¿es, quizá, permisivo y acepta un resultado peor del que le gustaría? ¿Y si en vez de una orquesta profesional se encontrase frente a músicos amateur (digamos, para un acto benéfico o algo así? Muchas gracias y un fuerte abrazo desde España.
Hola Maestro, soy un estudiante de 20 años y empiezo a adentrarme en el mundo de la música de un modo más consciencudo. En esta estapa de mi vida como músico se me presenta el problema del buen estudio. Me gustaría que nos aconsejaras o que hablaras sobre este tema tan importante y seria muy interesante conocer porque esta formada su sesión de estudio. Muchas gracias por la atención!
Señor Barenboim, sería estupendo poder oir en su canal de youtube la grabación que hizo la BBC del estreno mundial del Concierto para piano de Alexander Goehr. ¡Hace cuarenta años que la oí y sigo echándola de menos!
Gracias, maestro. Realmente es admirable su generosidad a la hora de compartir su experiencia y sabiduría. Es un estímulo ver sus videos para todos aquellos que amamos la música clásica y seguimos su carrera.
Mi nombre es Pablo Medici soy de Tucuman - Argentina. Me gustaria que hables sobre las variaciones op.9 sobre un tema de Schumann de Brahms. Muchas gracias
Dear Maestro,
I have a question that has been bothering me for quite some time. When Joachim Kaiser was asked in 'Kaisers Klassik Kunde' if classical music had died, he replied: 'This is not a question about how many people like classical music - there is always going to be a small number of people who will still do so - but rather a question about the relevance of classical music for society.' Where do you see this relevance (next to other forms of art like literature, theater and fine arts)? Can classical music be politically relevant? And what role do contemporary composers play in this context?
Sincerely,
A music lover
Salve, Maestro Barenboim.
Sono uno studente di pianoforte e adoro le sue interpretazioni. Da quando ho iniziato a studiare musica però ho un problema che non riesco a risolvere: la mancanza di rilassatezza e dunque di naturalezza nell'esecuzione. Io amo la musica più di ogni altra cosa ed è terribile per me dopo anni di studio ancora non riuscire a godere pienamente di quello che suono per via della rigidità muscolare! La prego, potrebbe aiutarmi? Ho anche letto il suo libro "Etica ed Estetica" e vi ho trovato molti spunti interessanti, anche per questo mi rivolgo a lei.
Could you tell us, which work by Beethoven you consider to be his most ellaborate and explain, what does the complexity of the piece lie in?
Dear Barenboim,
How can I make people appreciate music like I do? For example I don't understand how some people don't feel the music like I do . And how can I contribute in spreading this universal language to other people in my society ?
Thank you Daniel.... ! Meant a lot to hear and understanding your opinion and thought on my question... One day hopefully soon I can get to see you live...
My teacher always recommended your recordings to listen to when I was younger and I had great joy of all the Beethoven sonatas...
Thank you again and wish you all the best in your musical life....
Lance suksiri.
Ps.
Your are a great inspiration in my life.
Maestro, ¿Cree que la música le facilitó aprender idiomas? ¿Hay alguna relación o tiene usted la intuición de que el aprendizaje de idiomas esta relacionado con la música? ¿Cuántos idiomas habla usted, Maestro? Saludos desde Argentina.
¡Saludos Maestro! Soy estudiante de musica y pianista amateur. Actualmente paso por un momento de cambio y desafios en el ámbito personal que a veces me superan. ¿Perdiste alguna vez durante tu vida como músico, esposo, padre, hijo, etc... las ganas de tocar o dirigir a causa de vicisitudes? Gracias!
Dear Maestro Barenboim
There are some contemporary classical pieces, which dont really sound like music to me. I am not talking about Stravinsky or Schoenberg, I mean composers like Schnittke, George Crumb and Boulez. I dont mean to offend them, but i have trouble understanding music like this. What do you think about such pieces? Do you consider such compositions to be music? If so, are there any ways of understanding such compositions?
Best regards
Perhaps you'll find an answer to your question in this video: ruclips.net/video/VCODCJ3dERs/видео.html
I love peitty soon to learn you're THE ONE conductor IJust needed to know! Jul 10. 2018.
Copeland wrote a short music appreciation book I read, I forget the name, but it staunchly defends Modern Music. In general, what he says is that the language of modern music is simply something we are not used to, but say in 50-100 years we will be, sort of how Beethoven's late quartets stymied listeners back then, but are now considered masterpieces and also how Le Sacre caused a riot when it premiered. I dont know if I agree with this idea, I sort of side with BH Haggins in the Listeners Music Companion... tonality and melody are basic and hardwired into us. Who doesnt love Chopin? As Rubenstein said, "I know when I play Chopin, it goes straight to the heart!" Who loves the atonal Structures Book 1 or the even more remarkable 4'33"?
Maestro, me pregunto, ¿por qué cree que se ha perdido la tradición de improvisar en la música clásica?, y personalmente, ¿qué piensa usted sobre la improvisación?, ¿la practica, le agrada?, sí, no, ¿por qué? Muchas gracias y felicidades por este canal de videos, me parece maravilloso.
Mi agradecimiento Maestro, por aclarar nuestras dudas. Saludos desde Perú.
Dosytoyevsky's quote "beauty will save the world" inspired me in youth to think that beautiful music would open people's hearts and make them more humane and the world a better place.
But then I realised in adulthood that some of the most esthetically refined people performed some of the most heinous crimes in history. For example, when Adolf Eichmann meticulously planned the final solution, he was listening to Beethoven's late chamber music.
Maestro Barenboim: how can I reconcile this brutal reality with my youthful idealism?
He talks about this in one of his Reich lectures, I think it May be the last one. They are available on the BBC Sounds app
Estimado Maestro,
Cuando estaba en el 1er año del conservatorio, mi profesora de piano me dijo que "hay que tocar con el corazón helado y la cabeza caliente". Es una frase que siento que en su momento rigidizó mi forma de comprender a la música ya que lo que entendí es que hay que ejecutar una pieza sin emoción, pero quizás tenga otra interpretación distinta. Me gustaría conocer su opinión.
Saludos desde Argentina,
Eliel
Pd, sus videos son muy valiosos gracias por compartirlos
hello daneil I love you so much.......I play the piano ........also I love beethoven........I am 12 years.....
can you talk about chopin nocturne in e flat major
Hola Daniel, una pregunta; planeo aplicar para entrar al conservatorio y estudiar composición musical así que estoy preparando las piezas que les mostrare a las escuelas, yo sé que las escuelas buscan composiciones para ensambles de orquesta, pero aparte de eso no se que más busquen en las composiciones, no se si busquen composiciones en alguna forma especifica como una Sonata, o si mostrarles solo un Movimiento o un trabajo completo. Tendrás algún consejo? Gracias.
Saludos desde México.
Wonderful explenation! Thank you
Querido Daniel: admiro tu gran talento para la música y tu filosofía de mirar objetivamente la música realmente me ha confrontado: mi historia es similar a la que mencionas en este video, estudié ingeniería pero siempre amé el piano y a los 21 años empecé empíricamente a estudiar piano y a los 25 decidí renunciar a todo y empezar a estudiar música... Ya estoy cerca de los 30 y me he postulado para entrar a la universidad nacional de Colombia... Mucha gente (aún maestros) me desprecian por que dicen que estoy muy viejo para estudiar
¿Crees que en verdad hay un límite de edad para llegar a ser un músico tan virtuoso como tu? ¿Es decir, realmente tenemos fecha de caducidad para ser virtuosos intérpretes?
Saludos desde Bogotá, Colombia
Grande Barenboim, saludos desde Uruguay!
Thank you so much for taking the time to answer our questions. Is there any hope to see you in Lebanon for a masterclass one day?
Interesting answers in 4 languages. We can not only learn about music here but also practice our languages. Thanks for sharing!
Maestro,
Comment pourriez vous définir le son ? Il est intéressant d'avoir l'avis d'un des hommes qui à le plus écouté de musique de toute sa vie.
sending much love from me......so happy you are doing the channel......important messages
I enjoy every much of your sharings. 心有戚戚焉! (心に深く感じるさま)
Maestro compré su grabación de las sonatas de Beethoven de 2005 en Berlin porque considero que a los 62 años usted podía dar su mejor versión y comprensión de las sonatas volcando toda su carrera en ellas, en comparación con sus dos primeros ciclos de grabaciones. Cómo compararía estas grabaciones con las de DG y las primeras?
Didn't know my favourite pianist knew all those languages; the mind of a chess Grand Master, or better. And never tire of hearing him either speaking or playing the piano.
Mi nombre es Ignacio Gómez Bustamante ¿Qué recomendación me daría para la memoria de obras contemporáneas? Como pianista, suelo memorizar por análisis armónico. Pero me desanimo ante piezas como las de Messiaen, con sus racimos infinitos de acordes disonantes a gran velocidad. Gracias!
Gracias Daniel querido.Su Maestria y generosidad inspiran ...
love these answers. incredible.
I asked my teacher to give me appassionata and one of them told me i can and im mature enough for it and the other told me that im too young and i need to be more experienced im 17 tell me what you think?
Muchas gracias querido y admirado Maestro Barrnboim.
Come back Daniel, we miss you!!
Mr. Barenboim, what skills do you prefer when playing hard pieces???
Dear Maestro when a fan asks you an autograph we shouldn't push him away. That happened after a sensational performance by Boulez conducting Mahler 6 in La Scala
Gracias por sus sabios comentarios!!!
There seems to be a connection between musicality and language skills. Especially classic musicians seem to have a multilingual talent - maybe also due to the fact that they work in orchestras all over the world with international musicians and have to get along somehow :-) Yet, I can´t get over Barenboim´s brain...How on earth can you keep all of this in your mind?
Hola Daniel! Tengo una pregunta para el siguiente video: ¿Que piensas sobre la enseñanza musical, (Aplicada al piano) es decir como crees que debe ser el aprendizaje entre el maestro y el alumno? ¿ Crees necesaria una enseñanza musical como la de Vicente Scaramuzza? Gracias por su tiempo, nos veremos pronto en el concierto del 13/7!
Thank you very much for your intelligent answers!
Music is definitely a lifestyle and shouldn't be considered as a career, this word shows already a wrong attitude. I'm a professional, I know some musicians who thinks like that and it's terrible, it's sad that they use such a great art like music just to satisfy their own need of being appreciated. Throughout many years I was observing this sad behaviour and was suprised how little music can be actually in music...
Great video, but I think maybe he should have also spoken about the importance of crescendos...
Dear Maestro Barenboim
I have a second question. I have just watched a Documentary about you and there was a passage where a regisseur was impressed by your sightreading skills. He said you were looking at the score and you were hearing the orchestra. How does one get to such a level of perfection?
Long life to you maestro we are blessed by your wisdom. Thank you
Solamente para decirte que eres el mejor adminacion total a ti
Wer Musik so gut kann und versteht, hat mit verschiedenen Sprachen kein Problem.....Musik öffnet das Gehirn bezüglich Verständnis.....Musik und Sprache sind Töne,hörbare Schwingungen mit bestimmten Frequenzen in einer bestimmten Reihenfolge.....Maestro Hr.Barenboim ist der lebendige Beweis was menschliches Gehirn durch Training, Wille, Ausdauer und vor allem Freude hervorbringen kann....
Hello Baremboim. I have a quesion for your next video of replies: "How can some keys sound different to each other?" Like; it is very common to feel that D minor is a key that sounds much sadder than A minor. How come? They have the exact same distance in intervals. And how do composers choose which key to compose something in? By the way, I'm really enjoying your channel. Keep making videos they are amazing!!!
Gràcies, Maestro.
Shukran ya Barenboim
Please do an episode on the measure 5 of the third movement of Beethoven op.110
Why u stop updating this brilliant channel?
People can appear to do things with a lot of passion... so long as they are getting paid to do it. :/
Grandes respuestas, gracias por compartirlas!
Dear Maestro,
440 frequency vs 432 frequency tunning...why the change and are there any real implications?
Thank you.
please stay well and get very old healthily!
Dear Maestro Barenboim,
I love playing music generally but, I am currently struggling with my relationship with the piano and music overall as I sometimes feel discouraged to push harder to reach my goals. I am 14 years old and am self taught as well. How do I know if my relationship with music should go further on? And also, what can I do to encourage myself to keep going?
First, play the music YOU enjoy the most. Then, try to ask: why does this note come now? Why is it in that key? Try to find answers for yourself and I think then you've understood the music. What do you play?
Thanks! Please play Mompou! Cançon i dansa no. 8
Imagine a composer today wrote a symphony that Brahms would have written had he written a 5th. Coming from Brahms, the symphony would be hailed as a masterpiece. Coming from a modern composer, would the exact same work would be labeled derivative? If so, is that fair? Would you put such a work on one your programs?
Querido Maestro Baremboim,
¿Considera usted que tiene un compositor favorito? ¿O disfruta más escuchar o tocar música de algún periodo musical? Saludos desde México.
Bravo Maestro!!! tuve la hermosa oportunidad de verlo y escucharlo al piano y al frente de la WEDO en el pasado festival Barenboim en Buenos Aires, espero poder asistir puntualmente al de este año, muchas gracias por sus valiosas enseñanzas.
Saludos desde Colombia,
Rolando.
Please Daniel, could you make a “5 minutes on” video about Fantasie Impromptu in c sharp minor op.66- Chopin? I’m learning the piece by now and having your guidance and advice would be fantastic! Also, it it will help other pianists that are learning the piece and because it is a very popular song it will make listeners be interested by it as well.
Looking foward for it!
Hola Maestro, I´m a music composition student and I'm wondering if you could speak about how to create a proper theme or "subject", specially in baroque fugues, since I struggle a lot to fit in the melodies that comes naturally to my mind into this style, whenever I have a melodic idea that I really liked, it turns out that it breaks a lot of the "rules" of this style, so I have a lot of conflict with my teachers in this regards, I feel like my creativity it's being contained, and the only feedback I get is "correct or incorrect", but no one has every told me how to create a subject or a theme, so I´d really appreciate your thoughts on this, Thanks a lot!
Daniel, tengo una gran curiosidad por saber como ha lidiado, o sigue lidiando usted, con el problema de "solamente estar capacitados para fijar la atención en un elemento sonoro a la vez". Con respecto a una obra orquestal es evidentemente algo muy complicado, que usted hace fantásticamente, pero para mí, la máxima dificultad se encuentra en el seguimiento constante y entendimiento de un diálogo a dos voces de una invención de Bach, por ejemplo. Quizás en una obra orquestal no se necesite escuchar todo simultáneamente, pero en una obra de instrumento con un contrapunto exquisito, seguramente sea una condición para alcanzar el máximo entendimiento y satisfacción y la mejor interpretación, no solo saberse ambas voces y entenderlas musicalmente, si no oírlas simultáneamente, con exactamente la misma atención, separadas pero en su conjunto.
Este tema creo que es muy importante, y su solución roza el delirio, al menos para mí.
- juxahnealm@gmail.com -
Thank you maestro Barenboim! Very few times one can see someone like you sharing publicly such a tremendous experience and wisdom in your answers. More than satisfied, I am grateful for them!
Hi, maestro Barenboim. For someone with a reasonable familiarity with music and theory (university level), are there great books that you would recommend (the kind of reading that changes the way we approach a subject)?
Dear maestro barenboim.when it comes to music(instrumental music),i know learning about the composers life and about the piece is important but does techniqhe matter more or does the emotion of the poeple matter more? Or. What would sound better? is it 50-50?
Very interesting answers. It is also remarkable how many excellent musicians and maestros also speak several languages. Musical and linguistic intelligences seem to go hand in hand. Maestro D. Barenboim is a fluent polyglot (aunque no es difícil adivinar lo que es su lengua materna).
Dear maestro,
Could you explain perfect pitch and it’s importance in piano? From research it seems that people with perfect pitch can play music almost instantly, although the interpretation is another matter of course, and they can memorize pieces at will and never forget them, as well as improvise easily. Will you verify if these things are true, and also if relative pitch can be developed enough to do these things?
Thank you.
This man is one of my heroes. If I could meet anyone in music today, it would him.
Thank you maestro for sharing your opinions and your wisdom with us. I am watching very carefully all of your videos and i am a big admirer of yours. You are an inspired man and every single word you said in these videos can be a strong motivation for a musician to be a better one, to study more, to love more the music!!! Respect..!!!
Thank you! Your words are full of windsom
Wow! Daniel Barenboim, your voice changed a lot when I saw the Masterclass you gave to Lang Lang
Thank the gods that Barenboim is still living the music through his life. It is always such a pleasure to simply listen to this great Musician.
You recorded the Beethoven piano sonatas multiple times throughout your career. Can you share your inner feelings among these different recordings?
Play piano and be a pianist are totally different things, he is a real pianist, truly real human being, thank you maestro !!