Daniel Barenboim & Giuseppe Mentuccia on Beethoven’s Piano Sonatas (4/4)

Поделиться
HTML-код
  • Опубликовано: 29 дек 2020
  • Last but not least - Daniel Barenboim and Giuseppe Mentuccia discuss how to interpret Beethoven’s music, coming to the conclusion that Beethoven is not in need of a translator.
    ► All episodes of "Conversations on Beethoven" can be found here:
    | • Daniel Barenboim & Giu...
    ►Subscribe to the channel:
    | bit.ly/subscribebarenboim
    ►Discover Daniel Barenboim's recording of Beethoven's Piano Sonatas here:
    | umgt.de/barenboim_sonatas_yt
    There is no other musician today who exemplifies and embodies Beethoven’s humanistic philosophy as much as Daniel Barenboim. He lays the foundations for that philosophy and shows us what a sense of humanity means. And there is no other musician who uses the instruments of his art as passionately and as intelligently in pursuit of the social changes that are so vitally necessary. In these 4 chapters Maestro Barenboim will talk about Beethoven, his music and especially his Piano Sonatas with Italian conductor and pianist Giuseppe Mentuccia and give the viewer a great insight of his view on Beethoven.
    ►More information on Daniel Barenboim:
    | danielbarenboim.com/
    | www.deutschegrammophon.com/art...
    ►Daniel Barenboim on
    | Facebook: / danielbarenboim
    | Instagram: / dbarenboim
    | Twitter: / dbarenboim
  • РазвлеченияРазвлечения

Комментарии • 54

  • @DanielBarenboim
    @DanielBarenboim  3 года назад +23

    What would you like Daniel Barenboim to record next?

    • @mathteacher1729
      @mathteacher1729 3 года назад +9

      I would like your viewpoints on perfect pitch. Rick Beato has a 16-minute video where he explains that perfect pitch can be developed in a child if you expose them to a great many variety of tones and music (everything from Bach to Schoenberg to Duke Ellington) before they reach the age of say six or seven. He also argues that it is extremely difficult to develop perfect pitch much after that, and impossible to develop perfect pitch as an adult. He goes on to say that you can develop and improve relative pitch, and with relative pitch, there are virtually no limits to one's ability to understand, appreciate, and play music. ruclips.net/video/816VLQNdPMM/видео.html
      Thank you so much for producing these videos, they're very thoughtful and enjoyable to watch. I hope you and your family are having a healthy and happy holiday.

    • @MichaelTLam
      @MichaelTLam 3 года назад +4

      I would love to know how he practiced throughout his career, for how long (how many hours a day), what techniques he used, what his advice is for learning fast

    • @pianotaal
      @pianotaal 3 года назад +11

      *I would like Maestro Baramboim to discuss, how to analyse a piece's score deeply.*

    • @funkymonkey787
      @funkymonkey787 3 года назад +8

      5 minutes on the appassionata

    • @amgx9670
      @amgx9670 3 года назад

      franz liszt

  • @justicegusting2476
    @justicegusting2476 3 года назад +7

    It’s the last line that encapsulates and separates Beethoven from all others.
    “His music not only enriches one pianistically or musically, but as a human being.”
    To me, his ability to connect with and convey the human condition is what elevates this Master over all others.
    Music was his vehicle to get us to be able to look at and understand ourselves, forgive ourselves, and elevate ourselves. The man was beyond genius.

    • @davidschestenger7350
      @davidschestenger7350 3 года назад +1

      You seated perfect, very few discover the humanity and kindness in Beethoven music, his spirit will be with us for ever

  • @helene_mahln
    @helene_mahln 3 года назад +6

    Thank you Daniel Barenboim and Giuseppe Mentuccia for sharing this interessant discussion in these 4 videos about the Beethoven's piano sonatas.

  • @pianotaal
    @pianotaal 3 года назад +25

    *I would like Maestro Baramboim to discuss, how to analyse a piece's score deeply.*

    • @mckavitt13
      @mckavitt13 3 года назад

      We talk/speak about something. Or we discuss something. We do NOT discuss about. Goody?

    • @pianotaal
      @pianotaal 3 года назад

      @@mckavitt13 thank you for correcting me :)

  •  3 года назад +2

    Estes quatro vídeos (Daniel Barenboim & Giuseppe Mentuccia on Beethoven's Piano sonatas, 1/4, 2/4, 3/4 e 4/4) são simplesmente MARAVILHOSOS.
    Obrigado aos dois Mestres intervenientes, por gravarem e partilharem.

  • @justynasmietana938
    @justynasmietana938 3 года назад

    Mr. Barenboim speaks so beautifully and with such big passion about music that I could listen to him all day long.

  • @b286guy
    @b286guy 3 года назад +6

    Good thing Mr. Barenboim had to take a drink of water, or Mr. Mentuccia might not have gotten a word in! 😄

    • @justicegusting2476
      @justicegusting2476 3 года назад

      I don’t think he minded deferring to the Maestro. 🎶

  • @davidschestenger7350
    @davidschestenger7350 3 года назад +3

    It’s really fantastic this series, and music as my favorite “country “ is wonderfully explained by mr Barenboim
    I would like mr Barenboim to explain how to overcome the emotional stress that implies to play in front others
    I’m studying classical guitar, and is a very different experience to play in front of others
    Stay safe, and we hope a peaceful 2021
    David

    • @adlib8096
      @adlib8096 3 года назад

      David Schestenger so true, i play both classical guitar and piano but i find the guitar a much more personal instrument then the piano, thus for me harder to play to others.

  • @Susanacampocielo
    @Susanacampocielo 3 года назад

    Enriquecerse como ser humano......Hay un misterio......algo imposible de explicar con palabras......algo espiritualmente profundo,que conecta a cada uno de nosotros ( o no.....) con la fibra íntima del arte......y de la vida en si misma ,en los pequeños detalles........y en los grandes. Nos hace UNO en cada cosa.....

  • @mckavitt13
    @mckavitt13 3 года назад +1

    He reminds me of Schubert who said: "Don't interpret me. Just follow the notes & my indications. That will be enough." Bingo, Barenboim!!

  • @emiliobertin5580
    @emiliobertin5580 3 года назад

    La maravilla de Beethoven en palabras del Maestro Barenboim....Grandes seres de nuestro mundo!!!

  • @RYUKARYOTE
    @RYUKARYOTE 3 года назад +1

    So clear and transparent as cider..!

  • @mxv123
    @mxv123 3 года назад

    I very much enjoyed this conversation as well as your 5 minutes on....segments. I would love to hear to you share your insights about music with more composers and musicians. Thank you for taking the time to create this.

  • @ludmilamourguespiano4366
    @ludmilamourguespiano4366 3 года назад

    Un placer siempre escuchar estas conversaciones ✨

  • @steveethertonperspectives
    @steveethertonperspectives 3 года назад

    Thank you very much for presenting this conversation. It was very illuminating. I learned many things that can be applied to other areas of musical expression. There is much in this conversation to consider. I especially love the summation of a successful and complete performance beginning at 8:05. Wonderful Thank you.

  • @khann2159
    @khann2159 3 года назад

    What a pleasure to watch a video of yours Daniel, You are my inspiration. I am sad to think that most of the people at my age (19) won't ever get to know you .

  • @harryhd8194
    @harryhd8194 3 года назад +1

    Please could you give tips on playing the first subject of the op. 31 no.2 sonata? I’m finding it difficult to play and hold the correct melodic notes while playing the ostinato. Thanks!

  • @984francis
    @984francis 3 года назад +2

    I really find your discussions fascinating. But, it leaves me thinking, what's the point of all my practise because I have neither the knowledge nor the capacity to think as deeply and a broadly as you do. At the end of the day, it comes down to whether I enjoy the pursuit or not. Well, as it is said, 90% perspiration, 10% inspiration, the 10% does make the effort worthwhile. It's comparison with others that kills.

    • @justicegusting2476
      @justicegusting2476 3 года назад +1

      Don’t know if you’ve heard Andras Schiff’s analysis of the 32 sonatas, but it’s a fascinating listen, as well.
      wigmore-hall.org.uk/podcasts/andras-schiff-beethoven-lecture-recitals

  • @ritamonkovich1469
    @ritamonkovich1469 Год назад

    Dear Maestro happy Shavuot! And who is Giuseppe Mentuccia? Enjoyed your reflection on Beethoven.

  • @JJ-hh2ws
    @JJ-hh2ws 3 года назад +1

    Can you talk about the Mozart sonatas too?

  • @adlib8096
    @adlib8096 3 года назад

    How about JS Bach? Did he give enough info in his pieces?

  • @yay4439
    @yay4439 2 года назад

    8:12

  • @nazarenon6943
    @nazarenon6943 2 года назад

    Maestro, is fine name Beethoven as a romantic composer?

  • @YS-tk6bz
    @YS-tk6bz 3 года назад

    HELLO.
    maybe...you are talking about thus-connection

    • @YS-tk6bz
      @YS-tk6bz 3 года назад

      「キレ」のつなぎについて話しているのかと思いました。

  • @guillaumequenderff7520
    @guillaumequenderff7520 3 года назад +1

    Il lui coupe la parole ça m'énerve

  • @leandromedera
    @leandromedera 3 года назад

    Baremboin does not believe in interpretation. He says that you have to know how to read what is written. That is to say, that in the score, all the musical essence is on the paper. The allusion to the great difference in sound between the Fortepiano and the modern piano, a different paradigm of sound, is not taken into account in the conversation, nor is there any talk of understanding or trying to understand the type of resources used in classicism by the musicians of the time, different from romanticism, and closer to baroque. And finally, the idea of the great rhythmic flexibility, corroborated by pianists of the beginning of the 20th century, such as Cortot, or Scriabin himself, which was later abandoned for a rigid reading of the score, is not taken into account either. Baremboin justifies his rigid interpretation of tempo, without any mobility of the sonatas with this conversation. I recommend Brautingam.