This is by far the best advice for setting up the EQ on the RCP2! I got the SM7B, watched a lot videos for this topic and tested so many eq-tweaks but with this eq-sweeping I get the most out of my SM7B. I used it to correct my unpleasant frequencies in the lows and mids and just pushed the high-gain with +0,6 db and it sounds just amazing. Thank you so much, really appreciate it 😃👍
As the menu structure of this mixer is very well designed (props to RODE for that), I didn't feel the need to read the manual, but I was missing the Q-setting. Thank you for pointing this out!
You are amazing!! I have been struggling with the Rodecaster Duo. I bought it as a way to help me learn some of this more technical audio stuff. It has been challenging. But I find your videos to be some of the most clear and understandable that I have found on the internet!
Brilliant as ever! It has helped me remove my Roadworx mic stand/Audio Technica 4033a shock mount combination, which was "picking up" me "touching the desk" audio artifacts(tried for ages just using the "noise gate" settings) Cheers as ever 🙂
All i wish it had was about 3-more bands. I want to hear the benefit of the eq in realtime. I use OBS to record but there is a delay in the monitoring so i cant correct it the way i want to in realtime. Its so annying and i dont know how to adjust my EQ, in a plugin, fully in realtime with no delay
No, the high-pass does not pinpoint a specific frequency, it rather takes away everything below a set threshold (with a certain slope). This way I can find what are the unpleasant frequencies in my voice on a particular microphone in my recording environment and cut them out by only affecting a relatively narrow frequency range.
@haies09 definately not, but for spoken word, I would set it to ~50Hz. It would help eliminating the so called „low frequency rumble“ and - together with the noise gate - will make a cleaner recording.
This is by far the best advice for setting up the EQ on the RCP2! I got the SM7B, watched a lot videos for this topic and tested so many eq-tweaks but with this eq-sweeping I get the most out of my SM7B. I used it to correct my unpleasant frequencies in the lows and mids and just pushed the high-gain with +0,6 db and it sounds just amazing. Thank you so much, really appreciate it 😃👍
As the menu structure of this mixer is very well designed (props to RODE for that), I didn't feel the need to read the manual, but I was missing the Q-setting. Thank you for pointing this out!
You are amazing!! I have been struggling with the Rodecaster Duo. I bought it as a way to help me learn some of this more technical audio stuff. It has been challenging. But I find your videos to be some of the most clear and understandable that I have found on the internet!
Thank you! Glad to hear that the videos help!
Thank you!!!!
So Useful! I'll investigat the problematic frequencies right away!
Brilliant! EQ sweeping for the win!
Fantastic tip! Thanks!
Very helpful thank you
Ty.. Can you do more? Like podcaster sound and test it.??? No youtuber gives example on the preset audio comparison.
Very good advice! Thanks!
That's a great tip, I had no idea!
Thank you, going to try this tomorrow 😁
Brilliant as ever! It has helped me remove my Roadworx mic stand/Audio Technica 4033a shock mount combination, which was "picking up" me "touching the desk" audio artifacts(tried for ages just using the "noise gate" settings) Cheers as ever 🙂
Very cool 😊
Great. Thank you!
Got a question do i use the eq sweeping the same with mids and highs?
GREAT !! 🤩Thank you very much for this excellent hidden tip Meister! 👌🎙🌈
All i wish it had was about 3-more bands. I want to hear the benefit of the eq in realtime. I use OBS to record but there is a delay in the monitoring so i cant correct it the way i want to in realtime. Its so annying and i dont know how to adjust my EQ, in a plugin, fully in realtime with no delay
Doesn’t the High-pass filter already do this for you?
No, the high-pass does not pinpoint a specific frequency, it rather takes away everything below a set threshold (with a certain slope). This way I can find what are the unpleasant frequencies in my voice on a particular microphone in my recording environment and cut them out by only affecting a relatively narrow frequency range.
@@PodcastMeister so would you recommend turning off the high pass altogether?
@haies09 definately not, but for spoken word, I would set it to ~50Hz. It would help eliminating the so called „low frequency rumble“ and - together with the noise gate - will make a cleaner recording.