Moreover, this is that song he never plays as good as the retail, which saddens me. He always jumps on an over-driven sound rather than that fuzzy tube-screamer sound, which doesn't become as stale as the distortion after a while. Also, when he starts to sing, no one clams down like they do in the retail -- it almost (almost) sounds like Gary starts to gently palm mute his role when the vocals come and that the bassist's presence becomes more obvious at that point. Also, the drummer is supposed to hit harder before the vocals... they always just play through it, which is unfortunate. Great track, anyways.
Write just one song with the musicality, presence and emotional intensity of this song, without chord changes, and even your snide, shitty little wish will be granted.
Probably a vintage Epiphone Casino from the late '60s in a heavily faded Sparkling Burgundy (basically a metallic red, kinda like Fender's Candy Apple Red). More on the color here: www.vintageguitar.com/26671/gibson-custom-colors-in-the-1960s/
![Gary Clark Jr. - If You Love Me Like You Say (The Foundry Two Piece) [Live]](/img/1.gif)
Please Bandcamp these sessions in FLAC.. PLEASE!! I will pay!
PLEASE this guy knows what he talks about
Zeos sent me here
Hey Zeos, thanks for introducing us to this guy. He's great!
YAS
the song(beat/tune) was re used for the come together track. most likely wont happen.
If you don't like this, then you got some issues. Imagine being in that room with that vibe and ripping some licks over it?
Zeos sent me here. I'm not even sad about it.
today
Same.
Me too, see above
Such a big sound. Can't believe I never have this version a listen
When you're wearing the same headphones the artists are wearing while recording the song. So awesome.
Yeah, nice to see that KEXP does not care much about having luxurious equipment
@@aikbabayan7891 luxurious no, but the HD280s are really good for monitoring.
@@kennethschoen7796 yup they are.
Goddamn!! That mans tone!!!
Damn, this dude can play. Why can't I buy this?
Jeeeesus this is GOOOOOD!! Oh thank you KEXP
Thanks @Zeos.! The track and the artist is amazing.
Thanks Zeos!
We tune because we care.
That bass is Nasty
Amen
nice song!!
Shades of Voodoo Child.
man its all bout the fuzz awesome
2112 guitar
He reminds me of Robin Trower.
Moreover, this is that song he never plays as good as the retail, which saddens me. He always jumps on an over-driven sound rather than that fuzzy tube-screamer sound, which doesn't become as stale as the distortion after a while. Also, when he starts to sing, no one clams down like they do in the retail -- it almost (almost) sounds like Gary starts to gently palm mute his role when the vocals come and that the bassist's presence becomes more obvious at that point. Also, the drummer is supposed to hit harder before the vocals... they always just play through it, which is unfortunate. Great track, anyways.
anyone got the bass tab for this
Lol :D
Write just one song with the musicality, presence and emotional intensity of this song, without chord changes, and even your snide, shitty little wish will be granted.
Fuck Yeah
Sounds a little like Robin Trower
nice Come Together cover.... oh wait!!!
anyone can tell the exact model of this epiphone? i cant find this colour anywhere xD
it's a Epiphone Casino, I think thats a rare and vintage colorway, ew
Probably a vintage Epiphone Casino from the late '60s in a heavily faded Sparkling Burgundy (basically a metallic red, kinda like Fender's Candy Apple Red). More on the color here:
www.vintageguitar.com/26671/gibson-custom-colors-in-the-1960s/
the dopest Thing is that the bass Player is gettin payed hahaha, jk
bass player is not doing shit this song lol
lol he's chillin
This is probably his favourite song
clearly, you are not a bassist. this dude got his shit right down his pocket, i tell you!