I am being serious here. I don’t think I’ve discovered a player like you in the last 30 years. You have the potential to be a generational talent. Hearing you play for me was the same feeling I got when I first heard SRV, or Frampton. You play like I aspire my playing to be. And I’ve been playing way longer than you’ve been alive. Thanks for your work. I’m already getting to know Cardinal Black and have told several guitarist friends of mine about you.
Shows how much you guys know. Just where exactly is an example of this guys great playing? He sounds like a generic blues rock noodler. His vibrato is a joke. Like an 80s metal guy trying to play blues. Totally predictable. Sounds like every guy that picks up a guitar in the music store.
Out of the 58’ 59’ 60’ Les Paul’s, the 58’ is my favorite. I was fortunate enough to visit Carter Vintage Guitars in Nashville and play a 58’ Les Paul along with a 58’ Stratocaster.
Hi Chris, consider sharing your practice routine when you started out, when you were intermediate and now when you are one of the most interesting and amazing guitarist. Thank you and this is a very enjoyable video
Chris, every guitar you play sounds magical! If I remember correctly, in the early 80s an acquaintance sold a 57 gold top for $25,000. An insane amount for the time, who knew prices would escalate?
Perfect timing for this. I literally just bought a Tom Murphy 1959 Les Paul yesterday. After the many guitars that I've owned and tried, this very guitar had something special that sent chills through me. My advice to anyone is to play as many as you can before buying. Every single guitar is unique. My wife wants to kill me after buying over $30k worth of guitars this past month. Then I showed her what the originals go for! Suddenly I'm forgiven! lol
So much awesome playing here. These guitars got the work out they deserve. I really appreciate your videos and especially the fact you don’t ‘sign off’ with a cheesy one liner that seems to afflict so many RUclips channels.
Excellent advise and knowledge. I'll have to consider these issues the next time I'm buying my next 59 Les Paul. lol I have followed your advise, buying a Yamaha THR30ii and a Revstar 502t, in British Racing Green. :) love em
If he can’t afford to spell Les Paul, HOW is he gonna be able to afford to spell ‘allowed’??? Rub it in, why don’t you?!? IF you didn’t notice, I’m rich enough to not only spell ‘it’ out, but even add a capital ‘L’ and ‘P’! So you know…..noses up!😂
Your technical acumen and knowing the pots are the secret sauce have earned you my highest respek; you can play and know the technicals exceptionally well. Thanks for the great content and inspiration 👏👏
Hey Chris, Hoping to see on RUclips this summer you jamming on your signature Yamaha with Joe Bonamassa on one of his 59 Les Pauls on the KTBA Cruise. Something tells me you would still be second to none!!!😎🎸👍
What an episode! I was highly amazed by your playing once again... Totally absorbed into the beauty of your solos! 😭🙏🙏 Anyway can't wait to see you change the pickups of your Revstar with the Stuart P90s you ordered to him. 😁😁
Excellent work on this week’s video There is no shortage of reviews on the infamous Les Paul 59 and 60 models, but I must say I think yours is the gold standard and the benchmark, well done
Well I have to agree that the 59 and 60 Les Pauls have been discussed extensively on the Web and on RUclips particularly, but this video has got to be the best one out there on that subject in my opinion. Superb playing and very informative. I did own a 2008 Les Paul Standard which I sold after 12 years. It was dark sounding and I could no longer stand the sticky nitro finish that never seemed to cure. But I have always loved that design and I still do. Great review!
the thing about your playing is how aggressive you SEEM to play. Although not as violent as SRV you put out that verbosity he had and it is super rare to find. You and Stevie are the only two that I can think of that play that why. That is a complement you can be proud of. I saw SRV at the Elmo Combo on the Friday night show when he also played Little Wing. Keep it up your are a household name here in Canada my 86 year old mom loves how you play too.
Chris, honestly: in as much as these '59s are valuable, they're only as good as the person playing them. And seeing and hearing you play them, I'd say they're solid gold.
I should never have started watching this channel. I used to consider myself a pretty good guitarist.....used to. Thanks for great info on my second favorite guitar.
Hello Chris.Thanks for one of the best videos I have ever heard on this fascinating subject. I am not THE steve morse just an enthusiastic guitarist. I have played two genuine 59 Les Paul but didn't have enough cash to buy them..they sounded great of course but at around 450,000 pounds they were over priced in my opinion. I do have two Collector's Choices and a 1960 historical beautiful sunburst Custom Shop Les Paul, a Cloud Nine, a VOS as well as a Joe Walsh historical signature instrument as well as a Paul Kossoff signature model and you know what? I probably spent at least 100,000 $ on my Les Pauls.
I had the pleasure of meeting a nice guy named Jimmy a few years ago at a guitar show. He was a friend of Les Paul “the man”. He was doing a tribute tour of his life with his guitars and inventions. He handed me one of Les’ personal guitars and said play it. I handed it right back because I was to nervous that I could damage it. Jimmy told me Les would always say don’t worry it’s just a piece of wood. I wish I played it.
Clownburst. That really refers to the degree to which the bright red _blends_ into the yellow. Clownbursts were mostly 1970s guitars where the 'sunburst' really looks like a hard red stripe around a yellow centre. It doesn't just mean a bright cherry sunburst that transitions smoothly into yellow.
Great playing, great overview, thanks for that! I can understand how the combination of rarity, the 'perfect storm' and the icons who managed to pick one up in the '60s all contribute to the price . . . I have a friend in the Philharmonic here who owns a Cremona Cello - insured for UKP 1,500,000 . . . one former owner was a guy called Ludwig van Beethoven . . . that might play a part !😀 Last year I bought the Epi 59 LP re-issue with Gibson custom shop electronics. I still have my 1968 Gibson Custom (bought it in 1974 when I was 19) so didn't really NEED another Les Paul but the Epi has a very different character and feel that I like. One day will maybe try a proper '59 Standard - who knows?
Last week I had the pleasure to share the room with 3 original bursts and some 50s Goldtop Les Pauls. There was this '58 LP which sounded absolutely mindblowin. I never heard a guitar like this. It sounded raw, it sounded aggressive... she sounded great on the whole fretboard and on both pickups. Very well balanced. But on the other hand I also played a Goldtop which I really really enjoyed. I didn't like the bursts better than the goldtops to be honest. Either soundwise or playingwise.
Love the video man, awesome as always!!! Tell me CB is coming to the states relatively soon.....might I suggest one of these fine states????? (Michigan, Indiana, Ohio, Kentucky, Tennessee (Illinois, Pennsylvania and the rest of yall going to have to fend for yourselves) .....but maybe wait until at least spring....
Thank you for another fantastic installment of Friday Fretworks! Great analysis of the Classic Vintage LP. Such a coincidence; I saw the ABT posting yesterday and drooled all over my phone screen. I keep wondering if paying the price tag will really yield appreciation of value over time, other than the historical and personal pride of owning a real Vintage LP.
Here’s my close encounters with an original burst story. I’ve never told it before. When I was a young lad around 10 years old (this would have been ‘64 or ‘65) I started to play trumpet in the school band. My mom and I began making pretty regular visits to the local music store (Sievwright’s Music in Marysville , Calif). First to buy my trumpet (actually it was a rent-to-own deal) and occasionally thereafter for supplies (muties, valve oil, etc). I remember seeing, behind the counter, an absolutely beautiful Gibson guitar. It was in a lit glass case and just seemed to glow. What really struck me about it was the lovely paint job. It was a bright red color around the edges that faded gradually into the yellowish center. I mean, how did they even do that? It seemed magical. Of course I I knew nothing about “sunburst finishes” at the time, but it stuck with me. It looked brand new, still with the hang tags, and - since the color was still bright red - now I suspect it was 1960 sunburst Les Paul that had never sold. It was so gorgeous. Sigh. It’s too bad I didn’t play guitar yet - maybe they would have let me try it out? Can you imagine?
Your comparo to a vintage Ferrari is absolutely spot-on. It's impossible to assess whether certain Iconic things should have gone into the stratosphere like they've done. But the fact is that they have! I think icons are a good thing, in that they spark one's imagination. Having just typed that, yes, it's sad that speculators have driven prices beyond anyone's reach. But happily, "other" good guitars abound and players will forever be making worthy music on their guitars of choice! On that note, lemme say again that you're an absolute monster on the guitar, Chris Buck!
Love the bright quackiness on the older Les Pauls. Almost Fenderesque but a thing of its own. If I were to own a Les Paul again I would have to Mod it to replicate this sound.
Beautiful, iconic pieces of art and that will never change. The Ferrari 250 SWB is a perfect analogy. Mythology is intrinsically an educational tool, so exploring and understanding the nuance is the goal Find Guitars you like to play, pickups that are 'you' and either learn the electronics you need or find someone that does. Or get real rich........🤔
Chris puts together such great videos. Good history here on these amazing guitars. He's spot on when he talks about getting that sound with pickups and electronics. I'll add that the hardware matters a good bunch too. The correct hardware removes a hardness to the sound IMO and adds a little warmth. I have 2 Custom Shop Historic 59 Les Pauls and I swapped out the custom buckers recently in one of them and put in Doyle Coils with their wiring harness. The difference is staggering and I'm willing to bet this guitar now sounds very very close to a $300k LP. For those chasing that sound that don't have $5k-8k to spend, go find a 50's or 60's LP(around 9lbs or less) and then go buy Doyle Coils, Throwbacks or what have you. Make sure you get 550k pots. Consider swapping hardware to Faber or Pigtail and you'll be shocked. To this day, I don't know why Gibson can't get the pickups and hardware right.
Hi Chris, great to see that you are using these russian PIO Caps K40N-2a for your guitar. You should turn them arround, cause they are shielded and the shield should be on the side where the Ground is - the Tone pot side - less noise! By the way, for the neck PU I use a 15nF Cap instead of a 22nF Cap.
I own a 58 Gibson custom shop Historic ... the closest I'll get to these. I'm very happy with it, been playing guitar for 40 yrs and got the Historic a few years ago and it has been the absolute dream sought after tone. I've sold off my other Gibson guitars for the most part ... this "58" from Gibson just has it.
Beautiful playing on beautiful guitars. Doesn’t get more iconic than a Burst. After 30+ years of playing & owning many different Les Pauls I finally found the sunburst Standard for my collection. She’s not a vintage Burst (2021 Standard 60’s Unburst) but she’s a monster player & after I put a set of Wizz PAF clones in she has THAT sound. I’ve been lucky enough to play a couple of real Bursts as well as tons of Historics, Customs, Juniors & Standards. Not all of them were great but the ones that were special have a magic that no other guitar model has.
Nostalgia aside, what does it for me isnt the name on the headstock but the feeling and inspiration the guitar instills in me and I tend to pick it up more often than much more expensive guitars. Thanks for the history lesson on these magnificent guitars Chris, cheers!
When I was a teenager I had the opportunity to play several of these instruments....my uncle had a country and western band in Ohio and I grew up around his band who would rehearse at his home in the country..his guitar player was a huge Gibson guy and had several Burst of the years in my uncle's band...of course I started playing the guitar at age 11....at this time I was around 14 or 15 at the time I had the opportunity to play three Burst...he had a 1959..and two 1960 Burst...and I would have to say that all three were probably the best guitars I have ever played too this very day and I'm now 61 years old...that being said those guitar's at the time we're only 15 years old...so I don't know what the comparison would be to what one would play or sound like today....🎸🎸🎸
You also have to remember that the Electric Guitar was 'very' expensive - especially compared to earnings. A Les Paul may sound 'cheap' at around $250 to $300 with case in 1959, not sure of UK prices at that time, The average wage wouldn't be able to afford one - not without months of saving up - that's why many musicians didn't play one until they started showing up in pawn shops and the 'used' section of guitar shops. Musicians and people in general were a lot less affluent than they are now so few people could afford a Les Paul - you could buy a Car for less back then and would need to be selling records and lots of tickets to gigs to own a Les Paul. Now a LOT more people could afford to buy a Les Paul - even if its not made by Gibson, Epiphone Les Pauls are affordable options.
There are tons of makers these day for sure ( and some do a very nice job) but you hit a good point, even bedroom players have a $3000 GLP sitting in the corner. Shoot I see some of the You Tubers spending 5 figures on vintage classics and their playing is not even good, they simply have the money. That is the biggest travesty, all instruments deserve to be played but these vintage classics do not belong in the hands of a novice, IMO they should be reserved for studios where music is being created or in museums. Thats just me being an ol fuddy duddy.
I am being serious here. I don’t think I’ve discovered a player like you in the last 30 years. You have the potential to be a generational talent. Hearing you play for me was the same feeling I got when I first heard SRV, or Frampton. You play like I aspire my playing to be. And I’ve been playing way longer than you’ve been alive.
Thanks for your work. I’m already getting to know Cardinal Black and have told several guitarist friends of mine about you.
I totaly agree with u..also this with Frampton,i was stunned when i first hear Frampton comes alive.I was 12,remeber how air have scent
Thanks for the comment. They both are very tasteful with their soloing.
@@dziglavs I saw Frampton on a video recently in which he told the interviewer that he improvised most of those solos (on FCA)..
I also think that a American young blues guitarist Charlie Kingfish Ingram is also very good player, check him out here on youtube.
Shows how much you guys know. Just where exactly is an example of this guys great playing? He sounds like a generic blues rock noodler. His vibrato is a joke. Like an 80s metal guy trying to play blues. Totally predictable. Sounds like every guy that picks up a guitar in the music store.
Your solos just blow me away every time! I think all history lessons should begin and end with guitar solos.
Superb! You're not only a brilliant guitarist but a fantastic expert on the Les Paul history. That was really enjoyable.
Am I being trolled?
Cheers Chris, i am lucky enough to have heard Mark Knopfler play his 58 live it is an amazing thing in the right hands.
OMG! That outro jam was simply AMAZING!!!
Oh boy the 1960 Les Paul Standard jam is outta this world 😎🤘
Chris of course would sound incredibly great and epic on an Epiphone.
Great episode! I have alot of respect for the man who goes for a neck bend on a 59! you sir are a legend! 5:11
Right!
Massive cajones right there! Lol
That send a chill up my spine. I don't do that to my own guitars, let alone one worth that sort of money!
That made me grin.. Chris buck can neck bend anything .. that 59 is now complete it's been Bucked
@@wilkowilkins363
Dude that intro was just *chefs kiss* MWAH!
By Jove Buckmaster! I do believe you're playing is getting better and better. Is this possible? Magnificent performance.👏👏
I’m willing these things into existence. One day I’ll play one. Until then. Thanks for sharing Chris! Impeccable playing as always! 🙏
Nashville has shops where you can play them if you ask nicely, No Zippers Please! 🙂
@@MrYatesj1 okay. Time to plan a trip!
If you’re in Dallas it’s possible too
You can own them for under $500 from multiple manufacturers which are likely of better quality than these.
Such an excellent player and with one of these beauties in your hands the combination is amazing! 👌
Mick Taylor was also a Burst player. A 59' he bought to Keith R.
Out of the 58’ 59’ 60’ Les Paul’s, the 58’ is my favorite. I was fortunate enough to visit Carter Vintage Guitars in Nashville and play a 58’ Les Paul along with a 58’ Stratocaster.
I love how effortlessly you (Chris) go from pick to finger playing. True mastery!
Dang bro. That natural sounding improv intermision in the shop really places you on a high place as a guitarist for me. Soul.
To be fair man, it doesn’t matter what guitar you play we can all tell it’s you. It’s unmistakable 🤟
I was thinking the same 🤟
Hi Chris, consider sharing your practice routine when you started out, when you were intermediate and now when you are one of the most interesting and amazing guitarist. Thank you and this is a very enjoyable video
Best playing I’ve heard for a long long time. Subscribed.
You are just an amazing musician. Thank you!
Love, love, love the outro. ❤❤❤😲😍🥰 I don't know what you're playing but I'm getting a bit of a Chris Isaacs vibe (??)
That outro solo. ❤️
Chris, every guitar you play sounds magical! If I remember correctly, in the early 80s an acquaintance sold a 57 gold top for $25,000. An insane amount for the time, who knew prices would escalate?
Beautiful player
Chris, each time you play, it's an amazing experience for me, thank you, you play like magic, and you're an amazing exquisite musician too.
Perfect timing for this. I literally just bought a Tom Murphy 1959 Les Paul yesterday. After the many guitars that I've owned and tried, this very guitar had something special that sent chills through me. My advice to anyone is to play as many as you can before buying. Every single guitar is unique. My wife wants to kill me after buying over $30k worth of guitars this past month. Then I showed her what the originals go for! Suddenly I'm forgiven! lol
@@jujufisherofmenYou don’t spend $30k on guitars in a month? Do you even GAS, bro?
Much of the mystique has to be how they are played. You showcased these ones brilliantly, Chris.
Real great playing, sir...!!!
So much awesome playing here. These guitars got the work out they deserve. I really appreciate your videos and especially the fact you don’t ‘sign off’ with a cheesy one liner that seems to afflict so many RUclips channels.
Its always nice to hear the stories and history but your playing it's what's really worth it here...
this is probably the best I have heard anyone play a burst Les Paul, including all the greats you mentioned.
Superb insight as ever with two gorgeous bursts, but sh*t, that last solo was friggin’ awesome!!!
I ended up making several of my own. They are wonderful.
Excellent advise and knowledge. I'll have to consider these issues the next time I'm buying my next 59 Les Paul. lol I have followed your advise, buying a Yamaha THR30ii and a Revstar 502t, in British Racing Green. :) love em
Very nice!
Fantastic video and fantastic playing
What a great study and narrative. Thanks
I'm so poor I'm not even aloud to spell Les Pau
Are you allowed to buy a dictionary?
@@castleanthrax1833 Don’t be a c*nt.
@@CenterThePendulum In other words, don't be YOU.
If he can’t afford to spell Les Paul, HOW is he gonna be able to afford to spell ‘allowed’??? Rub it in, why don’t you?!?
IF you didn’t notice, I’m rich enough to not only spell ‘it’ out, but even add a capital ‘L’ and ‘P’! So you know…..noses up!😂
😂 right ?
I’ve been a guitar nut for 25 years, and your playing truly blows me away!
Your technical acumen and knowing the pots are the secret sauce have earned you my highest respek; you can play and know the technicals exceptionally well. Thanks for the great content and inspiration 👏👏
Hey Chris,
Hoping to see on RUclips this summer you jamming on your signature Yamaha with Joe Bonamassa on one of his 59 Les Pauls on the KTBA Cruise. Something tells me you would still be second to none!!!😎🎸👍
What an episode! I was highly amazed by your playing once again... Totally absorbed into the beauty of your solos! 😭🙏🙏
Anyway can't wait to see you change the pickups of your Revstar with the Stuart P90s you ordered to him. 😁😁
Excellent work on this week’s video
There is no shortage of reviews on the infamous Les Paul 59 and 60 models, but I must say I think yours is the gold standard and the benchmark, well done
Wonderful as ever.
that playing in the first 58 seconds…… F*** mental playing Chris!
Great music - very soothing. You go to great places there.
Looking forward to the day that a Chris Buck album is produced.
Well I have to agree that the 59 and 60 Les Pauls have been discussed extensively on the Web and on RUclips particularly, but this video has got to be the best one out there on that subject in my opinion. Superb playing and very informative. I did own a 2008 Les Paul Standard which I sold after 12 years. It was dark sounding and I could no longer stand the sticky nitro finish that never seemed to cure. But I have always loved that design and I still do. Great review!
Really great riffs this time... always so good, but even that bit better today. Love the history, as well
Concise with jaw-dropping playing and tone. Cool guitars too. I enjoyed this!
I love watching you utterly command that guitar. Fantastic ! And I like your wise words and wise beyond your years views. Well done Chris !
Great video!!
As always Chris..stunning playing and great evaluation of the '59' subject ..Andy certainly has some beauts on sale..nice bloke too tbf!✌️❤️👊🏴
Saved the best for last, that final impro at the end….sublime 👌
the thing about your playing is how aggressive you SEEM to play. Although not as violent as SRV you put out that verbosity he had and it is super rare to find. You and Stevie are the only two that I can think of that play that why. That is a complement you can be proud of. I saw SRV at the Elmo Combo on the Friday night show when he also played Little Wing. Keep it up your are a household name here in Canada my 86 year old mom loves how you play too.
Phenomenal playing....
Really interesting article..
Love your current band..Cardinal Black..
Nothing more to say...
Just obtained a re-issue LesPaul Standard Goldtop with a 12” radius. It has the soap bar pickups! Love it
Chris, honestly: in as much as these '59s are valuable, they're only as good as the person playing them.
And seeing and hearing you play them, I'd say they're solid gold.
I should never have started watching this channel. I used to consider myself a pretty good guitarist.....used to. Thanks for great info on my second favorite guitar.
that outro was seriously stunning.
Hello Chris.Thanks for one of the best videos I have ever heard on this fascinating subject. I am not THE steve morse just an enthusiastic guitarist. I have played two genuine 59 Les Paul but didn't have enough cash to buy them..they sounded great of course but at around 450,000 pounds they were over priced in my opinion. I do have two Collector's Choices and a 1960 historical beautiful sunburst Custom Shop Les Paul, a Cloud Nine, a VOS as well as a Joe Walsh historical signature instrument as well as a Paul Kossoff signature model and you know what? I probably spent at least 100,000 $ on my Les Pauls.
Thanks for sharing much appreciated 👍
I had the pleasure of meeting a nice guy named Jimmy a few years ago at a guitar show.
He was a friend of Les Paul “the man”. He was doing a tribute tour of his life with his guitars and inventions.
He handed me one of Les’ personal guitars and said play it. I handed it right back because I was to nervous that I could damage it.
Jimmy told me Les would always say don’t worry it’s just a piece of wood.
I wish I played it.
Clownburst. That really refers to the degree to which the bright red _blends_ into the yellow. Clownbursts were mostly 1970s guitars where the 'sunburst' really looks like a hard red stripe around a yellow centre. It doesn't just mean a bright cherry sunburst that transitions smoothly into yellow.
Great playing, great overview, thanks for that! I can understand how the combination of rarity, the 'perfect storm' and the icons who managed to pick one up in the '60s all contribute to the price . . . I have a friend in the Philharmonic here who owns a Cremona Cello - insured for UKP 1,500,000 . . . one former owner was a guy called Ludwig van Beethoven . . . that might play a part !😀 Last year I bought the Epi 59 LP re-issue with Gibson custom shop electronics. I still have my 1968 Gibson Custom (bought it in 1974 when I was 19) so didn't really NEED another Les Paul but the Epi has a very different character and feel that I like. One day will maybe try a proper '59 Standard - who knows?
I’m just wanting you guys to come to Nashville!
Last week I had the pleasure to share the room with 3 original bursts and some 50s Goldtop Les Pauls. There was this '58 LP which sounded absolutely mindblowin. I never heard a guitar like this. It sounded raw, it sounded aggressive... she sounded great on the whole fretboard and on both pickups. Very well balanced. But on the other hand I also played a Goldtop which I really really enjoyed. I didn't like the bursts better than the goldtops to be honest. Either soundwise or playingwise.
I would like to see a blind test between an original ‘59 and a recent reissue
Blind tests would totally destroy 99% of music mythology... and people love mythology. 🤠
Chris, I am totally flashed by your monster solo at the end, never heard something like this
Love the video man, awesome as always!!! Tell me CB is coming to the states relatively soon.....might I suggest one of these fine states????? (Michigan, Indiana, Ohio, Kentucky, Tennessee (Illinois, Pennsylvania and the rest of yall going to have to fend for yourselves) .....but maybe wait until at least spring....
The guitar is great but your playing is amazing!!!
Thank you for another fantastic installment of Friday Fretworks! Great analysis of the Classic Vintage LP. Such a coincidence; I saw the ABT posting yesterday and drooled all over my phone screen. I keep wondering if paying the price tag will really yield appreciation of value over time, other than the historical and personal pride of owning a real Vintage LP.
Great video, sir!
Here’s my close encounters with an original burst story. I’ve never told it before. When I was a young lad around 10 years old (this would have been ‘64 or ‘65) I started to play trumpet in the school band. My mom and I began making pretty regular visits to the local music store (Sievwright’s Music in Marysville , Calif). First to buy my trumpet (actually it was a rent-to-own deal) and occasionally thereafter for supplies (muties, valve oil, etc). I remember seeing, behind the counter, an absolutely beautiful Gibson guitar. It was in a lit glass case and just seemed to glow. What really struck me about it was the lovely paint job. It was a bright red color around the edges that faded gradually into the yellowish center. I mean, how did they even do that? It seemed magical. Of course I I knew nothing about “sunburst finishes” at the time, but it stuck with me. It looked brand new, still with the hang tags, and - since the color was still bright red - now I suspect it was 1960 sunburst Les Paul that had never sold. It was so gorgeous. Sigh. It’s too bad I didn’t play guitar yet - maybe they would have let me try it out? Can you imagine?
Your comparo to a vintage Ferrari is absolutely spot-on. It's impossible to assess whether certain Iconic things should have gone into the stratosphere like they've done. But the fact is that they have! I think icons are a good thing, in that they spark one's imagination. Having just typed that, yes, it's sad that speculators have driven prices beyond anyone's reach. But happily, "other" good guitars abound and players will forever be making worthy music on their guitars of choice! On that note, lemme say again that you're an absolute monster on the guitar, Chris Buck!
expressive heaven...
Love the bright quackiness on the older Les Pauls. Almost Fenderesque but a thing of its own. If I were to own a Les Paul again I would have to Mod it to replicate this sound.
Beautiful, iconic pieces of art and that will never change. The Ferrari 250 SWB is a perfect analogy.
Mythology is intrinsically an educational tool, so exploring and understanding the nuance is the goal
Find Guitars you like to play, pickups that are 'you' and either learn the electronics you need or find someone that does.
Or get real rich........🤔
Chris puts together such great videos. Good history here on these amazing guitars. He's spot on when he talks about getting that sound with pickups and electronics. I'll add that the hardware matters a good bunch too. The correct hardware removes a hardness to the sound IMO and adds a little warmth. I have 2 Custom Shop Historic 59 Les Pauls and I swapped out the custom buckers recently in one of them and put in Doyle Coils with their wiring harness. The difference is staggering and I'm willing to bet this guitar now sounds very very close to a $300k LP. For those chasing that sound that don't have $5k-8k to spend, go find a 50's or 60's LP(around 9lbs or less) and then go buy Doyle Coils, Throwbacks or what have you. Make sure you get 550k pots. Consider swapping hardware to Faber or Pigtail and you'll be shocked. To this day, I don't know why Gibson can't get the pickups and hardware right.
Hi Chris, great to see that you are using these russian PIO Caps K40N-2a for your guitar. You should turn them arround, cause they are shielded and the shield should be on the side where the Ground is - the Tone pot side - less noise! By the way, for the neck PU I use a 15nF Cap instead of a 22nF Cap.
I own a 58 Gibson custom shop Historic ... the closest I'll get to these. I'm very happy with it, been playing guitar for 40 yrs and got the Historic a few years ago and it has been the absolute dream sought after tone.
I've sold off my other Gibson guitars for the most part ... this "58" from Gibson just has it.
Beautiful playing on beautiful guitars. Doesn’t get more iconic than a Burst. After 30+ years of playing & owning many different Les Pauls I finally found the sunburst Standard for my collection. She’s not a vintage Burst (2021 Standard 60’s Unburst) but she’s a monster player & after I put a set of Wizz PAF clones in she has THAT sound.
I’ve been lucky enough to play a couple of real Bursts as well as tons of Historics, Customs, Juniors & Standards. Not all of them were great but the ones that were special have a magic that no other guitar model has.
Great intro solo. Masterclass in playing hard with minimal gain.
Interesting. Thanks for sharing ✌🏼
Nostalgia aside, what does it for me isnt the name on the headstock but the feeling and inspiration the guitar instills in me and I tend to pick it up more often than much more expensive guitars. Thanks for the history lesson on these magnificent guitars Chris, cheers!
From what i have gathered about the legendary 59 bursts is that they were not all created equally. Some are dogs some are good and some are great.
When I was a teenager I had the opportunity to play several of these instruments....my uncle had a country and western band in Ohio and I grew up around his band who would rehearse at his home in the country..his guitar player was a huge Gibson guy and had several Burst of the years in my uncle's band...of course I started playing the guitar at age 11....at this time I was around 14 or 15 at the time I had the opportunity to play three Burst...he had a 1959..and two 1960 Burst...and I would have to say that all three were probably the best guitars I have ever played too this very day and I'm now 61 years old...that being said those guitar's at the time we're only 15 years old...so I don't know what the comparison would be to what one would play or sound like today....🎸🎸🎸
On an instrument that expensive, that neck-push vibrato at 5:12 took balls.
Good man. Lovely playing.
I love these Friday videos Chris! so inspiring
Best reviews online.
Last jam made me think of Gary Moore...✌️
ONE question remains unanswered… effects chain? That’s all I could think of when watching. Lol
Great video and playing Chris. 👌
Nice job Chris. Well done.
you outdid yourself on this one Chris.
What that right hand is doing is often as amazing, or more, than the left.
Great player and a top tier axe equals magic.
Melodic and spicy. Only guy I've seen who should be playing arenas and serving as a professor of musicology at university.
You also have to remember that the Electric Guitar was 'very' expensive - especially compared to earnings. A Les Paul may sound 'cheap' at around $250 to $300 with case in 1959, not sure of UK prices at that time, The average wage wouldn't be able to afford one - not without months of saving up - that's why many musicians didn't play one until they started showing up in pawn shops and the 'used' section of guitar shops.
Musicians and people in general were a lot less affluent than they are now so few people could afford a Les Paul - you could buy a Car for less back then and would need to be selling records and lots of tickets to gigs to own a Les Paul. Now a LOT more people could afford to buy a Les Paul - even if its not made by Gibson, Epiphone Les Pauls are affordable options.
There are tons of makers these day for sure ( and some do a very nice job) but you hit a good point, even bedroom players have a $3000 GLP sitting in the corner. Shoot I see some of the You Tubers spending 5 figures on vintage classics and their playing is not even good, they simply have the money. That is the biggest travesty, all instruments deserve to be played but these vintage classics do not belong in the hands of a novice, IMO they should be reserved for studios where music is being created or in museums. Thats just me being an ol fuddy duddy.
Incredible music man, awesome! And I think the guitar is worth the hype when played like that lol.
i bet the shop owner shat his pants when you did that neck bend 😂😂😂