Yeah. I admire his later stuff too, but it starts to deviate a lot into atonal. The mid period pieces have such a nice balance. His fourth and fifth sonatas are my favorites
@jadenfarquhar He never really ventured into true atonality but I think get what you're saying. It's more like he just kept trying to stretch tonality to its breaking point without actually breaking it. Even in his latest works he was still using triads and 7th chords in a way that was always implying tonality without explicitly stating it.
It's crazy how the piece contains both the 2nd lowest note on the piano, as well as the highest note on the piano, within a short timespan of each other, and if you didn't know that fact you could barely tell by ear. The insane use of all registers at once makes it sound like the piano needs more notes on both sides lmao
Wow, I'm in awe with this very beautiful piece you played! I know you may not be taking requests, but if you ever do Fantaisie in B Minor, Op.28 by Scriabin that would be wonderful :)
Glad you're enjoying it. :) More content is coming from now on, now that I've wrapped up some production issues. I don't think I can make community posts until I have more subs though D:
This quality is already up there with rousseau kassia and traum. Your repertoire also seems more unique and varied than theirs (maybe not traum but we will see) I love what you do man keep it up
your decision to swing the eighths on the A theme is so great that it’s hard for me to listen to or play this piece in any other way now! it seems so obvious, yet it isnt written in the score 😅 i hope scriabin would agree that it ought to be there though, lol
I love the way this looks. Reminiscent of Rousseaus earlier style which is simpler but better looking imo. Any tutorials you suggest to get close to the look you achieved here?
Great performance, I love your interpretations and you have a lot of interesting choices, if you take requests, I'd love to hear you play Goodbye Mr. Rachmaninoff by Cyprien Katsaris. Thank you!
I just atarted learning this piece ab 3 days ago. Im currently working on the build up to the climax where the melody turns into octaves. Any tips?since this piece is vastly different from anything ive tried before lmao. Nice palying btw! Im using your performance as a template for mine!
I would say play it a bit faster and less sentimental than I played it here. Make sure you’re familiar with waltz rhythm, where there’s a slight hesitation after the first beat of a measure. Pay attention to polyrhythms and when there’s multiple voices, bring them out. Good luck!
... and fun but useless fact is that this has one of the largest spans of any piece up to this time period. If you don't have a full 88-note piano you can't even play it. By the way thanks for the tip on fingering the mordants in the coda. I've been tying myself in knots trying to use the fiddly and nigh on impossible "correct" fingering in my edition.
The other recordings of this piece I've heard distort the rhythm more. I appreciate that you don't. I think I would have had a fighting chance at correctly guessing what the notated rhythms are from your performance.
I really love your playing. I was looking for this Skriabin piece and most other performers play it with such force, it loses its tender character imo. I'm also loving the fact that you appear to have synesthesia, but the colour you see are completely different from mine 🤣
Bro you have long ass skinny fingers. Practicing this piece rn and it’s definitely a doozy with the movement required in the left hand, but that’s pretty typical in Scriabin pieces. More conservative interpretation which attempts to treat it as close to waltz as possible (though the song isn’t really a waltz, I can’t imagine dancing to it.). I enjoyed listening to this, good stuff.
4:17 is one of the most beautiful passages in piano repertoire.
Mid period scirabin has such a unique color
i remeber when your channel banner said new videos every week lol
Yeah. I admire his later stuff too, but it starts to deviate a lot into atonal. The mid period pieces have such a nice balance. His fourth and fifth sonatas are my favorites
@@jadenfarquhar ikr the 5th sonata is the perfect balance and one of my alltimer facs
@jadenfarquhar He never really ventured into true atonality but I think get what you're saying. It's more like he just kept trying to stretch tonality to its breaking point without actually breaking it. Even in his latest works he was still using triads and 7th chords in a way that was always implying tonality without explicitly stating it.
1:11- this theme is just so underrated (loving the mordant btw)
I am actually love this moment.
Scriabin always has me confused on whether I should feel happy or sad listening to his pieces lol. Also thank you for transcribing!
same
In the 4th minute, the octaves are what made my tears fall. Soo good
Great choice! I see you ve been choosing pieces that hadn't been played in synthesia before
This one has
I'm in love with this Valse by Scriabin and your performance is top-notch, thank you for sharing it!
great to see you back! also thanks for introducing us to these underrated pieces.
This is like a new Rousseau. Very good !
Yes visuals look very similar
@@derekpintozzi2498 even the audio tho
@@derekpintozzi2498 theyre the same
At first I thought it was rousseau
Your performance made me fall in love with yet another Scriabin gem, earned a sub! Looking forward to more :)
this is my first time hesring this piece, and its wonderful. thank you for introducing me to this piece, great performance
You are an excellent pianist and musician. I love your playing.
Best interpretation I've heard! Really feels like a waltz
Learning this piece now. It's so much fun
It really is!
Nice! I love this waltz!
Finally! rousseau but unusual piece!
It's crazy how the piece contains both the 2nd lowest note on the piano, as well as the highest note on the piano, within a short timespan of each other, and if you didn't know that fact you could barely tell by ear. The insane use of all registers at once makes it sound like the piano needs more notes on both sides lmao
You are super underrated
One of my favorites, both to listen to, and to play!
My favourite waltz
Astonishing as always! Thank you!
3:30
Keep posting these! Exited to see what’s next
Wow, I'm in awe with this very beautiful piece you played! I know you may not be taking requests, but if you ever do Fantaisie in B Minor, Op.28 by Scriabin that would be wonderful :)
The interpretation by Vladimir Sofronitsky ❤
Your is a high quality videos and very good performance but why you is underrate channel
Incredible! It’s so amazing to see these pieces in this format.
It’s so beautiful I have to learn it 🥲🥲
I am in love with your channel rn
Edit: btw pls create a community post/vote so we can choose pieces and know more about your channel and condition :)
Glad you're enjoying it. :) More content is coming from now on, now that I've wrapped up some production issues. I don't think I can make community posts until I have more subs though D:
@@synestheticpiano Awesome!
This quality is already up there with rousseau kassia and traum. Your repertoire also seems more unique and varied than theirs (maybe not traum but we will see)
I love what you do man keep it up
Grind never stops
Love it! Fantastic playing, and I like the color choices
i love it when you play Scriabin
Amazing technique and visualization!
Another obscure piece! Your interpretation is so good I am genuinely thinking that you are a concert pianist
Heck yeah you are back, the interpretation is soo smooth, great playing really sounds professional. Looking forward to what else you have in store. :)
This is so beautiful!
Your 522nd subscriber!
Thanks!
You're pretty much like a very different personality of Rousseau. I love your work!
I'm not 100% sure, but are you matching the colors to Scriabin's synthesia? If so that's so cool!
Also I hope you’re still active! I know it’s only been 3 months but still I’d love to see you post more!
Yep, I'm still here. :)
@@synestheticpianoaged well
Lovely
Thanks. I was waiting for this.
Dammmmn il love your playlist i need it
finally a new video
your decision to swing the eighths on the A theme is so great that it’s hard for me to listen to or play this piece in any other way now! it seems so obvious, yet it isnt written in the score 😅 i hope scriabin would agree that it ought to be there though, lol
Wow nice
very epic
I'd like to see some Blumenfeld here
very pog
I love the way this looks. Reminiscent of Rousseaus earlier style which is simpler but better looking imo. Any tutorials you suggest to get close to the look you achieved here?
I have plans to make a tutorial in the future.
@@synestheticpiano awesome I look forward to it
hey! brilliant job 🤝🤝i’m learning the piece rn and i’m wondering if u have some general tips for the piece? much love❤️
I could hear Jo Stafford singing at the same time!
Great performance, I love your interpretations and you have a lot of interesting choices, if you take requests, I'd love to hear you play Goodbye Mr. Rachmaninoff by Cyprien Katsaris.
Thank you!
YES this piece is so good
I just atarted learning this piece ab 3 days ago. Im currently working on the build up to the climax where the melody turns into octaves. Any tips?since this piece is vastly different from anything ive tried before lmao. Nice palying btw! Im using your performance as a template for mine!
I would say play it a bit faster and less sentimental than I played it here. Make sure you’re familiar with waltz rhythm, where there’s a slight hesitation after the first beat of a measure. Pay attention to polyrhythms and when there’s multiple voices, bring them out. Good luck!
Hello synesthetic! Is there a certain piece you are working on or just taking a break? Both are completely fine
Nope, I'm still working on stuff. Just been studying a lot these past few months... Tune in tomorrow. :)
@@synestheticpiano glad to hear!
... and fun but useless fact is that this has one of the largest spans of any piece up to this time period. If you don't have a full 88-note piano you can't even play it.
By the way thanks for the tip on fingering the mordants in the coda. I've been tying myself in knots trying to use the fiddly and nigh on impossible "correct" fingering in my edition.
i genuinely thought this was rousseau
The other recordings of this piece I've heard distort the rhythm more. I appreciate that you don't. I think I would have had a fighting chance at correctly guessing what the notated rhythms are from your performance.
nIce
I really love your playing. I was looking for this Skriabin piece and most other performers play it with such force, it loses its tender character imo. I'm also loving the fact that you appear to have synesthesia, but the colour you see are completely different from mine 🤣
good keep going plz
I will!
Spring bird's trill waltz. For me, not for all...
Rousseau 2 lol
waltz
Hey mate! Welcome to the Synthesia family! Your videos are looking good! I had a couple of questions! I sent them on Instagram. ;)
~P.T.
Bro you have long ass skinny fingers. Practicing this piece rn and it’s definitely a doozy with the movement required in the left hand, but that’s pretty typical in Scriabin pieces. More conservative interpretation which attempts to treat it as close to waltz as possible (though the song isn’t really a waltz, I can’t imagine dancing to it.). I enjoyed listening to this, good stuff.