dude this is crazy… I got myself the A7III a few years ago and started to get soo disappointed because of the 8bit, got myself the A7SIII and BMPCC6K Pro because I wanted to just grade the footage withouth any problems and now I‘m here filming with the A7III using this technique and it completely changed everything 😍
I was messing around with slog2 for the first time and it looked like trash. I was really disappointed with my camera until watching this video. I was exposing all wrong. Thanks for the help!
This was so helpful, especially for those of us limited by the 8-bit wall. Your shots look super clean and it's encouraging to see the quality come through when using this method. Thanks!
Thanks for ACTUALLY doing and explaining. There’s been so many videos out there telling us what to do but not really explaining it. I like the way you explain, practical and simple! Keep it up.
Just jumped into the Sony system with an old a7rii and I was looking for some Slog2 guidance. Perfect! Simple and straightforward. Just what I was looking for. My first tries on the Sony recommended way of exposing Slog2 also failed. So very happy with this approach.
You better do a CST form Slog2 to Davinci Widegamut in the first node and another CST from that to rec709 on the last node. Davinci widegamut is the best way to correct everything. And saturation is a lot better done in HSV color space, just disable the 1st and 3rd channels.
@@BryceKoebel i feel you 💀 btw, putting the saturation to +18 seemed a bit weird to me, im used to it being at 0 or something. Is there a bigger reason for the increased saturation?
Just starting out with a A7iii so this was very helpful. I'm just gathering as much info as possible so when I buy the 28-75mm lens I know what I am sorta doing before I hit record.
Thank you for sharing this! My color grading journey has been all over the place for S-Log2! But this tutorial really explained it in basic terms so will give this a try for sure! Thanks my man!
Gold! I’ve been wrestling with whether or not to move over to slog 2 on my a6400 but most videos I’ve watched have made it too complicated to understand. This doesn’t seem as daunting! Appreciate it 👍🏽
Great video Bryce! I am doing a video on testing the Sony ZV1M2 and it only does Slog 2, I normally shoot in Slog3 on my A7iv. Its been a while since I set that camera up for Slog3. Do you have any advice on proper settings for that profile?
Thanks a lot for sharing and creating! Very helpful and relevant, even years after your upload. I record morning to evening in a very dynamic environment, I vlog leaving the house, grabbbing the elevator, then metro, again outside in harsh light conditions, office, gym, etc. How can I have some sort of run and gun setup with my ZV-E10 as I clearly want to keep SLOG2? Or perhaps there is no way to do this and slog2 is for a more controlled environment or studio? And if so, what should I use for all the other multitude of scenes? Perhaps Picture profile off and something flat from settings. Thanks a lot in advance!
how do you deal with the iso setting? I don't want grain or noise footage , because you focus on the zebra and didn't mention the iso having side effect but your footage is clean, how?
Nice video. The footage you shot and graded looks good. I was planniing on sellign all my Sony cameras but might give it a try just to see if I should keep my a6500 or not. Thanks.
PS, I was kind of disappointed with my footage and the grades of slog3 and how flat the default picture profiles are on the a6300. My footage looks totally different now. This is actually very impressive.
hi thx for this video. i saw you did not have grainy movie. what is it for? enough lithing or good lens or post product activities with edit software? (i have zve10 with kit lens good lighting iso about 640 with slog 2, i have too noice on clip)
Yes, when I finally figured out a slog2, I actually felt like I got a new camera. I use it on the Sony a6400, and it makes a huge difference. Thanks for sharing.
Did you done any settings on "picture profile > knee" ? 3:20 and what about if background have too much light but the object or skin tones we have to show is dark? do we still have to follow these rules for zebras?
Always prioritize the skin tones for exposure. If the back is too bright, bring down exposure and then properly light the subject with a lighting source.
@@BryceKoebel tomorrow i will buy this camera. do i need to setup anything extra or these profile settings all i have to set is mentioned on this video?
everything about this video is just beautiful ! you're explaining really clearly, I really appreciate you doing this video ! i just wonder what country you live in, because the ambience is breathtaking 😍🥰
So if I wanted to add a "creative LUT" to make my shot have a specific feel or look, I would input it before the color corrective LUT or a Color Space Transform Node right?
I've been using HLG2 for the last 2 years on my a7iii, and I think I want a more cinematic rolloff in the highlights now. This seems to be the trick! Do you have any tips of post processing in FCPX? I haven't touched DaVinci Resolve yet, the learning curve is pretty steep. Thanks for all this information!!!
I have noticed you actually ended up applying a different conversion out for the slog footage rather than using the Chris and Becky one you mentioned. Do you have a link for that conversion LUT?
Ohhh yes actually I do change up the conversation LUT sometimes. I eventually just did a colour space transform because they all kind of do the same thing. The other one I was using was from a pack I bought from Lutify
Год назад
hello i want help from you i use sony a7 ii and i shoot video in s log 2 iso 1600 comes out and the video is very grainy what can i do about it,
Great video. I shoot on an A7C and haven't dabbled in slog2 at all even. I just picked up a used a7s so I figure I should learn at this point to make the most use out of my cameras. Only downside is I use FCP and it seems to be harder to find info on slog2 grading on FCP
This was really helpful. I was using cine4 all this time and was always afraid to use slog2 due to some bad experience, guess I did not know only how to expose it properly. But now I know because of this video. Thanks a lot. Just wanted to ask what things we should consider while using slog2 in outdoor in daylight?
I’m glad it was helpful! Yeah honestly, just make sure your subject is always exposed properly. I think I wouldn’t worry about having some zebras in the frame but keeping it minimal.
Good work with the grading! A lot of people use SLOG2 expecting it to solve all of their problems, but in fact, it can sometimes be the opposite. You really have to know what you're doing.
I think the moment you dont have verry bright light s log is dead, there is so much noise in the dark areas, i always overexpose even more than +2 because it´s easy to bring the highlights down, the total oposite that i learned. now i have to find out how i grade different camera profiles in one final video.
Its tough. Honestly I am still figuring out how to use it and when to use it. Sometimes I switch between HLG and Slog2 in different lighting. In terms of WB I usually set it to around 5000k-5500k if there's natural light. If theres tungston introduced I bring it down, but I usually try to keep my subjects face in the correct WB. I hope that makes sense!
hi, i see you also have a c1 for zebras. i suppose you set it for skintones. footage looks good, but what value do u use for zebras on skintone? is it 60-70?
I actually have the right button on the dial for zebras! But as mentioned in the video, I have it set to 105+ when exposing generally, but then I switch it over to 75 if I’m exposing for skin tones.
Hi, Bryce. I'm thankful to this video. you reminded me a7iii still has potential! I have a question. you said "in-camera sharpening is not good". how do you re-sharpen your footage?
Great video! A thought Why not set exposure on manual but keep iso on auto. Set exposure compensation on +2 I don’t have the a7iii yet, so I don’t know, is this possible? :) could be cool for run’n’gunning
It’s definitely possible, but then there’s the problem of metering. You can try to have the meter in the Center but that can be limiting if you’re moving around. Because sometimes the meter will read 2.0 because of the sky but everything will be under exposed. I just like to be in control of all the settings and don’t really play around with auto 💁🏻♂️
this exposure technique works like a charm! especially in low light, which always used to be a problem for me. the footage is really easy to grade now. thanks Bryce! :D
@@BryceKoebel many things. lol. i shoot professionally for a tv show, sometimes documenaries. for fun i shoot video diary kinda stuff of my family and things. i also have a youtube channel but i do the complete opposite there, i just shoot in standard and try to light it kinda amateur
This is awesome. I need to figure out how to do this with my A7C. Tried it with Matti’s luts once and failed. Thinking I need to give it another go after watching this. Beautiful color by the way.
Great tutorial! I loved the pace, the aesthetics and simplicity. Thank you for the information and putting this online! Those shots at the end were so beautiful, great job ;)
thank you man this was helpful, was shooting in N-Log and noticed a shit ton of noise, didnt know what to do thought something was wrong with my external recorder. Did some tests with overexposing, whilst I have the extra step of bringing the exposure back down later I think it is definitely a cleaner image.
Thank you so much for this beautiful video im new in the slog2 i shoot a real estate video with slog2 and when i start the editing its was so bright so i will change the settings and see how it works ❤❤
Thank you for this! I’ve had people try to talk me out of my A7C purchase cause of the 8-bit limit and to only shoot on hlg. But this helped a lot and looks fantastic!
Looks nice, but the blacks look crushed. But basically, to summarize, you use 102+ Zebras to expose Slog2? What about the color mode? And what if you are shooting in darker conditions? Im considering using Cine2 or HLG, but dont know which would be better. *a7iii
After becoming lazy and turning to just run and gun on my A7iii with no picture profile, I'm coming back to the process of shooting flat profiles again for more creativity this was such a good refresher for me to remember on how to edit / set things up again. Great work Bryce!
Hello Bryce, after i watched your videos i decided to swich to slog-2 ;) For now colograding is going pretty great! Thank you! I hope you chanel will grow!
Thank you!! I’m glad it was helpful. I still use my HLG profile when there isn’t enough light, because slog-2 can be messy in the shadows. But overall it’s been great!
This is very helpful. I have been following 'Timmy Lodhi's guide here on youtube for colour grading the footage. But my shadows were always sullied. Your final footage looks really good. I'm gonna try this. Did you use more nodes at 9:25 for the final look? The colours are really nice there.
Thank you! I may have used 1 or 2, but honestly I’ve mostly been doing my corrections in the 3 nodes that I first make. Anything else would be like skin tones, specific colours or masking.
How many times did I say "expose"?
I really Appreciate Your Information in This Video it Really Helping Me a Lot Sir Thank You 🙏
I’m so glad you enjoyed and took something away!
@@BryceKoebel Hello, tell me, please, where can I download LUT for SLOG-2 according to your settings? I would be grateful for help!
Check the description there should be a link!
The Diddler hates that word.
dude this is crazy… I got myself the A7III a few years ago and started to get soo disappointed because of the 8bit, got myself the A7SIII and BMPCC6K Pro because I wanted to just grade the footage withouth any problems and now I‘m here filming with the A7III using this technique and it completely changed everything 😍
🙌🏻🙌🏻🙌🏻 I’m so pumped about that!! I’m glad it worked for you
I was messing around with slog2 for the first time and it looked like trash. I was really disappointed with my camera until watching this video. I was exposing all wrong. Thanks for the help!
One of the best explanations of how to shoot and CC SLOG 2. Good stuff!
🙌🏻🙌🏻🙌🏻 thank you!!!
This was so helpful, especially for those of us limited by the 8-bit wall. Your shots look super clean and it's encouraging to see the quality come through when using this method. Thanks!
Hey I’m so glad!! 🙌🏻🙌🏻 thanks
Thanks for ACTUALLY doing and explaining. There’s been so many videos out there telling us what to do but not really explaining it. I like the way you explain, practical and simple! Keep it up.
Thank you 🙏🏻 I really appreciate that and I’m glad I was able to communicate it!!
I agree 💯
Just jumped into the Sony system with an old a7rii and I was looking for some Slog2 guidance. Perfect! Simple and straightforward. Just what I was looking for. My first tries on the Sony recommended way of exposing Slog2 also failed. So very happy with this approach.
You better do a CST form Slog2 to Davinci Widegamut in the first node and another CST from that to rec709 on the last node. Davinci widegamut is the best way to correct everything.
And saturation is a lot better done in HSV color space, just disable the 1st and 3rd channels.
I really like the vibe of your video. It’s very calm and almost soothing to watch, you’ve earned a new subscriber 🙌🏻
Dang thank you!! That’s very kind 🙏🏻🙏🏻 it’s nice to know it still is enjoyable in this fast paced world 😭
@@BryceKoebel i feel you 💀 btw, putting the saturation to +18 seemed a bit weird to me, im used to it being at 0 or something. Is there a bigger reason for the increased saturation?
Just starting out with a A7iii so this was very helpful. I'm just gathering as much info as possible so when I buy the 28-75mm lens I know what I am sorta doing before I hit record.
Hello, tell me, please, where can I download LUT for SLOG-2 according to your settings? I would be grateful for help!
That last before/after montage before your outro made me feel all warm and fuzzy inside.
Thank you for sharing this! My color grading journey has been all over the place for S-Log2! But this tutorial really explained it in basic terms so will give this a try for sure! Thanks my man!
Gold! I’ve been wrestling with whether or not to move over to slog 2 on my a6400 but most videos I’ve watched have made it too complicated to understand. This doesn’t seem as daunting! Appreciate it 👍🏽
I’m happy to help!! I hope it works out for you on your 6400. Not sure if it’s 100% The same 🙌🏻
Great video Bryce! I am doing a video on testing the Sony ZV1M2 and it only does Slog 2, I normally shoot in Slog3 on my A7iv. Its been a while since I set that camera up for Slog3. Do you have any advice on proper settings for that profile?
Super helpful. Just got myself the ZV-E10 and followed the instructions and it came out great. Appreciate it.
Thanks a lot for sharing and creating! Very helpful and relevant, even years after your upload. I record morning to evening in a very dynamic environment, I vlog leaving the house, grabbbing the elevator, then metro, again outside in harsh light conditions, office, gym, etc. How can I have some sort of run and gun setup with my ZV-E10 as I clearly want to keep SLOG2? Or perhaps there is no way to do this and slog2 is for a more controlled environment or studio? And if so, what should I use for all the other multitude of scenes? Perhaps Picture profile off and something flat from settings. Thanks a lot in advance!
how do you deal with the iso setting? I don't want grain or noise footage , because you focus on the zebra and didn't mention the iso having side effect but your footage is clean, how?
So I noticed that the a7iii has 2 ISO's that are super clean - 800 and 5000. give those a try and see your results!
Honestly the most helpful vid I've found
Wow thank you 😊
Stumbled on this video while attempting to foray into video with my A6400. Thanks!
Bro… so far best info I have found for slog2!
This video is super pleasant and pleasing to watch
Nice video. The footage you shot and graded looks good. I was planniing on sellign all my Sony cameras but might give it a try just to see if I should keep my a6500 or not. Thanks.
Should we be using CST or applying a LUT like you did? I'm not sure what the disadvantages or difference is between either option.
PS, I was kind of disappointed with my footage and the grades of slog3 and how flat the default picture profiles are on the a6300.
My footage looks totally different now. This is actually very impressive.
Man, im watching some videography videos from 2012, and your one video hit the target! Thanks! Finally i got it how to use colour correction 😊
hi thx for this video. i saw you did not have grainy movie. what is it for? enough lithing or good lens or post product activities with edit software? (i have zve10 with kit lens good lighting iso about 640 with slog 2, i have too noice on clip)
Yes, when I finally figured out a slog2, I actually felt like I got a new camera. I use it on the Sony a6400, and it makes a huge difference. Thanks for sharing.
I don’t know how to expose it so I can just throw the correction LUT
Right?! It’s game changing. At first I thought it sucked, but it was I that sucked 🙃
@@BryceKoebel Ha! I have said that exact same thing. 😉
Have my first full frame - Sony s7 3 today. Thks for help, i just try to understand that camera, you realy help me bro. Hello from Kiev!!
I just remembered this is the video that made me subscribe to your channel a while back. Time flies!
Thank you for sharing! Hitting that 2 is a challenge but, the zebra tip gave me a good peace of mind. Using it on the A6600.
Hy I’d want to ask a question
I’m using the Sony 24-70f4
Since my lens don’t have enough stop how do I go about it ?
Thank you so much for sharing
this was straight to the point clear simple tutorial and it was soo nice
Did you done any settings on "picture profile > knee" ? 3:20 and what about if background have too much light but the object or skin tones we have to show is dark? do we still have to follow these rules for zebras?
Always prioritize the skin tones for exposure. If the back is too bright, bring down exposure and then properly light the subject with a lighting source.
@@BryceKoebel Thank you so much for this golden information! First time in my live i subbed to a channel!
Yay!! Thanks for the sub and watching my content 🙌🏻
@@BryceKoebel tomorrow i will buy this camera. do i need to setup anything extra or these profile settings all i have to set is mentioned on this video?
@@cilginflix Yes you should be good!
Amazing.😍What is the Knee setting?
I like the curves finer points you showed.
Appreciate you man
everything about this video is just beautiful ! you're explaining really clearly, I really appreciate you doing this video ! i just wonder what country you live in, because the ambience is breathtaking 😍🥰
Nice clear explanation.
Why did you add saturation to the log profile to 24? What's the point
to avoid stretching too much the image saturation of the log profile in post. Always better in camera.
Super helpful, showing the camera settings and how to edit it was awesome
So if I wanted to add a "creative LUT" to make my shot have a specific feel or look, I would input it before the color corrective LUT or a Color Space Transform Node right?
I'd do it like this: CST > Base Corrections > Creative LUT > Adjustments
This is the greatest video EVER. Thank You. Thank You. Thank You.
😍😍😍 thank you!
Thank you for sharing mate!
Thanks for this video, trying this out. also great work on your grading and composition.
Is these all 8-bit footage, aren't they? You notice any banding in colours? Thank's already, and nicest video!!
Yep all 8-bit! There was banding in areas but I try to avoid filming where there will be banding. But it’s also harder to notice on RUclips 😌
This is huge, highly appreciate you sharing!
I've been using HLG2 for the last 2 years on my a7iii, and I think I want a more cinematic rolloff in the highlights now. This seems to be the trick! Do you have any tips of post processing in FCPX? I haven't touched DaVinci Resolve yet, the learning curve is pretty steep.
Thanks for all this information!!!
what software are you using to color grade and edit your videos
DaVinci Resolve
Amazing workflow and results!! Thx
Great video Bryce. So helpful. Keep em coming
thanks man, im trying video with sony a7c
What software are you using?
I have noticed you actually ended up applying a different conversion out for the slog footage rather than using the Chris and Becky one you mentioned. Do you have a link for that conversion LUT?
Ohhh yes actually I do change up the conversation LUT sometimes. I eventually just did a colour space transform because they all kind of do the same thing. The other one I was using was from a pack I bought from Lutify
hello i want help from you i use sony a7 ii and i shoot video in s log 2 iso 1600 comes out and the video is very grainy what can i do about it,
Great video. I shoot on an A7C and haven't dabbled in slog2 at all even. I just picked up a used a7s so I figure I should learn at this point to make the most use out of my cameras. Only downside is I use FCP and it seems to be harder to find info on slog2 grading on FCP
Ahhh yeah that’s tough. I’ve never used FCP so I wish I could help you out.
This was really helpful. I was using cine4 all this time and was always afraid to use slog2 due to some bad experience, guess I did not know only how to expose it properly. But now I know because of this video. Thanks a lot. Just wanted to ask what things we should consider while using slog2 in outdoor in daylight?
I’m glad it was helpful! Yeah honestly, just make sure your subject is always exposed properly. I think I wouldn’t worry about having some zebras in the frame but keeping it minimal.
@@BryceKoebel Definately, I'm gonna practice it from tomorrow 😀
Beautiful colors man.
Thank you!!
Good work with the grading! A lot of people use SLOG2 expecting it to solve all of their problems, but in fact, it can sometimes be the opposite. You really have to know what you're doing.
Thanks 😊 It’s true! Slog is honestly so much work to make it look great but when you do it properly the results are amazing.
I think the moment you dont have verry bright light s log is dead, there is so much noise in the dark areas, i always overexpose even more than +2 because it´s easy to bring the highlights down, the total oposite that i learned. now i have to find out how i grade different camera profiles in one final video.
100%. I’ve tried different profiles for specific scenes but now I just shoot s log and try to expose or light the scene properly. But it’s difficult
struggling a bit 🥲 still determined but I wanted to know how you set your white balance with the overexposure required for slog 2?
Its tough. Honestly I am still figuring out how to use it and when to use it. Sometimes I switch between HLG and Slog2 in different lighting. In terms of WB I usually set it to around 5000k-5500k if there's natural light. If theres tungston introduced I bring it down, but I usually try to keep my subjects face in the correct WB. I hope that makes sense!
Where is the rec 709 lut? Nice colors!!
Sorry! The link has been updated - ko-fi.com/s/3197c39f99
Bringing 8 bit cameras to life!!
😍 trying 🥲
this is great dude,you just gained a subscriber
Thank you!! 🙌🏻🙌🏻
Is slog3 harder to grade then slog2 in your opinion
It’s easier actually. I find the base of S-log3 already has nice colours whereas 2 needs adjustments pretty much every time. Especially to skin tones.
hi, i see you also have a c1 for zebras. i suppose you set it for skintones. footage looks good, but what value do u use for zebras on skintone? is it 60-70?
I actually have the right button on the dial for zebras! But as mentioned in the video, I have it set to 105+ when exposing generally, but then I switch it over to 75 if I’m exposing for skin tones.
great video thx!! I like the vibes over here. Subbed!
Hi, Bryce. I'm thankful to this video. you reminded me a7iii still has potential! I have a question. you said "in-camera sharpening is not good". how do you re-sharpen your footage?
It’s awesome! I still use it 😊 I usually just add some sharpening in post
beautiful video
Thank you 😊 🙌🏻
Great video! A thought
Why not set exposure on manual but keep iso on auto. Set exposure compensation on +2
I don’t have the a7iii yet, so I don’t know, is this possible? :) could be cool for run’n’gunning
It’s definitely possible, but then there’s the problem of metering. You can try to have the meter in the Center but that can be limiting if you’re moving around. Because sometimes the meter will read 2.0 because of the sky but everything will be under exposed. I just like to be in control of all the settings and don’t really play around with auto 💁🏻♂️
I really liked your style, the way you explained it. Thanks a lot. Subscribed already!
my man this video is god, tanks so much for this info
Thanks for this video, I was introduced to the SLOG stuffs recently and your explanations are really easy to follow!
Keep up the great work bud!
Thank you! I appreciate that :) Im glad it was helpful. Slog2 is complicated but super worth diving into.
hi sir I have Sony a7iii camera plz ell all profile settings
this exposure technique works like a charm! especially in low light, which always used to be a problem for me. the footage is really easy to grade now. thanks Bryce! :D
Happy to help :) What type of stuff do you shoot?
@@BryceKoebel many things. lol. i shoot professionally for a tv show, sometimes documenaries. for fun i shoot video diary kinda stuff of my family and things. i also have a youtube channel but i do the complete opposite there, i just shoot in standard and try to light it kinda amateur
What about knee and slope? Do you modify those for S Log 2?
Nope. Just keep it standard. I don’t find it makes a huge difference in slog2
@@BryceKoebel thanks for the quick reply man, I’ll try to play around with it!
You made grading slog so simple. Thanks for the information.
This is awesome. I need to figure out how to do this with my A7C. Tried it with Matti’s luts once and failed. Thinking I need to give it another go after watching this. Beautiful color by the way.
Yessss it should work with that camera as well!! It’s not amazing in low light though but when you’re in good lighting it’s great!!
Great tutorial! I loved the pace, the aesthetics and simplicity. Thank you for the information and putting this online! Those shots at the end were so beautiful, great job ;)
Thank you so much!! 🙌🏻❤️
thank you man this was helpful, was shooting in N-Log and noticed a shit ton of noise, didnt know what to do thought something was wrong with my external recorder. Did some tests with overexposing, whilst I have the extra step of bringing the exposure back down later I think it is definitely a cleaner image.
Thank you! Im glad it was helpful :)
Thank you so much for this beautiful video im new in the slog2 i shoot a real estate video with slog2 and when i start the editing its was so bright so i will change the settings and see how it works ❤❤
Good luck! I’m glad it was helpful
Thank you for this! I’ve had people try to talk me out of my A7C purchase cause of the 8-bit limit and to only shoot on hlg. But this helped a lot and looks fantastic!
So glad!! Yeah the a7C is still a great camera 😌🙌🏻
This was very helpful! Thanks so much.
hey bryce ! what lens did you use in the last part of the video ? love from morocco
I believe I was using either the Sigma 24-70mm or the 50mm 1.4!
what lens did you use for the ending clips?
Sigma 24-70mm
I just subscribed. Thank you for this video. You just help me a lot!!
Sony m4 slog setting pls
Hi what software are you using to edit?
This works fornthe a6300 profiles?
Yep!
Thank you, this video has been very helpful 😊
Tqsomuch… so helpful ❤❤
Looks nice, but the blacks look crushed.
But basically, to summarize, you use 102+ Zebras to expose Slog2?
What about the color mode?
And what if you are shooting in darker conditions? Im considering using Cine2 or HLG, but dont know which would be better.
*a7iii
After becoming lazy and turning to just run and gun on my A7iii with no picture profile, I'm coming back to the process of shooting flat profiles again for more creativity this was such a good refresher for me to remember on how to edit / set things up again. Great work Bryce!
Thank you!! 🙏🏻🙏🏻 the extra effort is walkways worth it
Hello Bryce, after i watched your videos i decided to swich to slog-2 ;) For now colograding is going pretty great! Thank you! I hope you chanel will grow!
Thank you!! I’m glad it was helpful. I still use my HLG profile when there isn’t enough light, because slog-2 can be messy in the shadows. But overall it’s been great!
amazing. thanks for this super helpful tip!
Hi! What software are you using for color grading?
DaVinci Resolve!
Thank you so much !
You should try using the colour space transform plug-in built into DaVinci for moving slog2 into rec709.
I haven’t played around with it extensively. Just been using a conversion LUT to get use to log haha but maybe I’ll do that after I get the hang of it
Amazing !!! I will be interested for your HLG Profil settings :D i feel so strugglingwith slog 2 when run & gun shoot ;( thanks a lot
I have a video on that!
Thanks for this video!
This is very helpful. I have been following 'Timmy Lodhi's guide here on youtube for colour grading the footage. But my shadows were always sullied. Your final footage looks really good. I'm gonna try this. Did you use more nodes at 9:25 for the final look? The colours are really nice there.
Thank you! I may have used 1 or 2, but honestly I’ve mostly been doing my corrections in the 3 nodes that I first make. Anything else would be like skin tones, specific colours or masking.