Hi Dom, I'm rewatching this super useful video after a while and I would ask if it's possible for you to build a complete mixing course too, like the mastering one... I always watch your videos but having a complete course would be really great! I guess I'm not the only one hoping for this... Best wishes, Art
Thanks Dom. The best decision Steinberg has ever done was get Dom on board. I just love these videos and Dom is just doing an amazing work and always fully dedicated and enthusiastic about it. You can't fake that. His explanations and insights are so well communicated and it has helped me incredibly in recent years. Thank you so much for the work you've been doing, Dom.
@@DomSigalas Hey, I don’t know why but Im just now seeing your Mastering Course. I am interested in the Mastering In the Box…are you planning on discounting it again for the holidays (7/4??). Excellent content btw
Dom, MASSIVE thank you on the courses. I just signed up on the Mastering in Cubase one and dropped a comment inside on the intro. I'm looking very forward to this and am grateful for the opportunity to learn from you in detail :)
was trying to contact you and tell you that u are awesome and love ur tips and guru-ish stuff regarding music .. also u have that artist in u which is more than what u do .. i dont know if im making any sense .. buit great to see people who are REAL Experts at something .. cuz social media has alot of weak knowledge but you are the BEST man .. love ur work love ur channel u helped me in making better music or atleast gave me a waayyy better understanding of producing and everything Stay blessed and hope to meet u someday though im not in ur country but would love to 🙂
Not the exclusive age old photo!! 😂 I am about to begin mastering my first project I have been recording since 2021 and I have found your cubase videos so invaluable and helpful every step of the way! I bought your 80s drum kit a while back but will try to purchase some more of your stuff when I can because I can’t thank you enough in words for how much you have helped me during this process! You’re awesome 🎉
Okay, Dom, you had me at "I just released a new course..." Just enrolled and I'm looking forward to working through the course as I master one of my own tracks that I just finished mixing. Super excited, mate! 🤜💥🤛
Miss my home studio right now!!.. Why I listen it just before going to bed 😂 As always, you rock Dom! Thank you so much! I got to get your masterclass asap!! And yeah, the effect on your shirt is really cool!
The Crest factor or dynamic range is something I never knew about till this particular mixing engineer on RUclips called Baphometrix totally break down how control the Crest factor,within your mix and and not your master and he blew my mind 🤔🤔,he used clippers,saturation,eq to raise the RMS in the mix at the end he got to -6 lufs without using a mastering limiter on the master🙏 then he concluded that if your dont take care loud transients in the mix and how they sum up.then a mastering limiter will never get that done properly hence you cant get a loud mix.
Hi Dom! First of all thank you very, very much on your endless teaching passion, yours informations are gems for all of us, keep it coming! ❤❤ Second thing, Modern 80'S Kit MAX™ is a bomb, good work!👍👍👌👌 And last but not least one question, is your under lips beard part "panned right side" on purpose, or?😉😃
Thank you Doctor Dom, very good video ! Is it possible to make a video where you create a loud track, mastering it loud with the Cubase LE DAW and recording with the minimum tools ? Low budget for a high quality project ?
When the crest factor is as bad as that, I’d just go back to the mix engineer and be like fix it. While that can be addressed in mastering, that’s a major mixing issue. But if you are to fix that type of crazy peak issue, I think the best approach is manual clip gaining. There are a ton of ways to do this but I find RX super useful for doing this because of the tools in that program make it so much easier to do
That would be my first course of action. But the reality is many people produce and mix their music themselves and cannot necessarily do a better job- or can simply not afford mixing.
Amazing explanation . . . This is the reason why I bought hardware with transformers on it. As you mix into it the peaks are shaved off for you. Alternatively passing the individual tracks through transformers as if you tracking or recording also help you get really loud. I really had to buy it to understand how transformers affect the peaks. I was not understanding only watching youtube videos. It was an handson approach for me. Transformer on, peaks shaved nice and sound is full. Transformer off peaks are going everywhere and nothing loud. Guess all that explain why pro gear with transformers are still loved . . .
Dry good question! The reason is clipping is a very aggressive process- and the difference is audible. What I show is transparent- you will not be able to tell the difference. Reserve the clippers for later in the process after you’ve massaged those transients so they have to work less with fewer audible artefacts :)
So…I’m not 100% sure on what you mean…are you saying mix into a limiter on mix bus or to put a limiter on the tracks that have the peaks? Thanks for the info.
Dear all this problem causes the snare, because sum of snare from overheads and room mic channels makes drum loud, so what you can do is to find proper balance or compress the area around 210hz. The same effect does the parallel compression bus with kick, it multiplies kick and snare too and makes it very dynamic and fat. Use limiter on kick and snare tracks to have better mixes
A somewhat offtopic question but how do you connect your Kemper to your RME? Is it digitally (spdif) or via the analog outputs into the preamps? Brilliant video as always!!! 😎🤘🍻
I get peaks with electric bass playing style fluctuations a lot. So to compensate i don’t just record one bass track i record di bass and mic the amp with two separate gain stages so if he stabs the bass i can refer to the quieter track to avoid distortion. Not always a luxury depending on field recording equipment input channel capacity of course.
Always love your presentation Dom. Unfortunately with this one...its for 'listener' that have a an issue with background noise...and leftovers from the 90s. Of course its all so context dependent...but to make a great mix louder, in an audiophile sense, you turn the volume. Crest factor is a weapon, not a problem...and listening (like sitting down with lights dimmed and REALLY listening) to music is an art form all by itself; unnecessarily squishing range and peak forces peeps out of the musical sound stage very quickly in this context. I encourage everyone to, above all set up a decent reference system and AB as much stuff as you can from your mix position, find what really works and just for the sake of the argument compare eg the original of Sledgehammer to a recent remaster...the original has amazing bass and punch because of physics...you cant get something for nothing and despite its age, shows how things are really done with cold hard demonstration of the art. The bottom end of the new mastering is smeared and crowded...actually flaps the sub in a bad way. Great info by Dom but keep your eyes (or ears) open because sometimes 'new' has baggage :-) It suits some genres to smooth everything. The reason why peeps 'love' 6db of headroom might be because they dont know anything else (for the master slammers in the comments) lol You are a great contributor Dom...not sure why you dont use wavelab though...such fast analysis tools, especially the statistics tools, make cubase look painful to use. BTW Where is the vid re: pencil tool? EDIT: Found in the gain staging vid for anyone else
I totally understand your concerns my friend. But hear me out: all the amazing records of the 50s 60s and 70s etc didnt have the issue I’m showing here so often because these problems were alleviated by the natural compression when people still recorded on tape or through analog gear). The frequency range was way more contained too compared to the super clean and detailed digital recordings. Tape has natural compression that is also very pleasing to the human ear. These problems started with digital recording (and lesser mixing skills). What I show here is non -destructive to the music. It solves a problem. The number one thing is to keep your ears open as you said. But here I am trying to help people with a super common issue. I cannot go through all the ins and outs on a short RUclips video. I do masterclasses and courses for this. And of course I use Wavelab :) but my audience uses primarily Cubase so I try to show them the tricks with the tools most of them have. I hope this answers your questions ❤️
Are you using a clipper ? I think it s better than a limiter because it doesn t alter dynamic. Also you can solve the problem track by track, or groups. Better before the mix file
For the pencil tool trick, how would you feel about going into the audio inspector and using the pencil tool there to redraw the sample peaks to a lower value? Would the main difference be just that one process isn't destructive, as in altering the original file?
Most people don't mix with enough crest factor these days. Also peak distribution variance is the thing that we find the most interesting, far more important than the body of the track. The peak distribution of the most played records of all time have that factor in common. Think 12-24dB range from each other. When you reduce the crest factor distro over RMS too much the spread of transient events goes down to under 2dB of spread. This is the equivalent of taking all your midi and putting the velocity at 127 for everything.
Hi Dom I hope you are doing well, we love all your videos, can you show us how you set up Cubase preference to make Cubase work smoothly. with fewer dump files
Maybe 10 20 years ago. If you work with a lot of new artists most likely now a days they’re recording and mixing their own stuff. I’ve had many artists multiple times send me songs that were completely recorded on their phone or ipad and although it’s impressing because feels like yesterday we were happy, we were able to record voice memos when you look at it that way it’s not that bad when you want to be a professional what do you think? It’s still a app not 100% there yet but it will be soon.
Does the mastering capabilities of cubase compare to the T-RACKS? Because I mean I literally just dropped the T-Rack plug in on something and like wow it sounds 30 to 40% more full... I would really like to see some cubase templates or something that could do something similar with a mixed down track..
Dom, even within the audio clip, could the peak of the same audio be manipulated by zooming and with the pencil as well? Or better, how do you do it from the outside with the brush tool? In principle I think the two ways of processing it would be very similar. Best regards Master😉.
I would always suggest doing this with the pencil tool as I show on the video :) check out my video about gain staging where I go into detail about this ❤
@@ericbernardi8116 Pro L2 has the unity gain option - i just turn it on, gain as much until i hear the degradation of the signal and then dial it back a bit > turn off the unity gain option. l2 is a clipper with attack full cw and release full ccw settings (no tp and lookahead).
H Dom. I really would love to buy your Mastering Course but, I just saw your RUclips video on “The BIGGEST Mastering mistakes (and how to FIX it), on July 16, 2024. When my son came home and showed me how to get to you course I found out that I was watching your video months behind the due date. So I had to ask would you still allow me to purchase your Mastering Course by August 4th 2024. I am on a fixed income now and I really can’t afford $299.00 at one time now at my age. If this is even possible, please get back to me at your earliest convenience. Thank you in advance, if this even possible. Have a wonderful day.
This is great. I learnt earlier on that gain staging from beginning of the mix is key to the successful mastering. My issue is I compare my tracks a lot and I realized that when I turn the interfaces volume all the way up, my tracks distort a little and other professionally mastered songs don’t distort at the same level. I’ve compressed, I’ve gain staged and done all my basics. My guess is I myt be pushing the limiting too hard but I want it to sound as loud. Any ideas?
If you’re still in mixing stage then take those peaks before you get into the mastering stage :) if you’re mastering then add them first thing in your chain :)
The colour changing t shirt is crazy 😂🙌
is that just a thing now? I like it.
Dom got master video editing skills as well 🤌
U still love the effect 😂
What kind of magic is this?
@@martinlarrivee5081Dark magic, probably.
dom is like the very few teachers in school that are very cool and get the message across, you really learn something. thanks for your work
Truly appreciate this ❤️
Love from Jamaica yeah man🎉😊🇯🇲
This was definately helpful, as it was perfectly explained. Thank you!
Hi Dom, I'm rewatching this super useful video after a while and I would ask if it's possible for you to build a complete mixing course too, like the mastering one... I always watch your videos but having a complete course would be really great! I guess I'm not the only one hoping for this... Best wishes, Art
Thanks Dom. The best decision Steinberg has ever done was get Dom on board. I just love these videos and Dom is just doing an amazing work and always fully dedicated and enthusiastic about it. You can't fake that. His explanations and insights are so well communicated and it has helped me incredibly in recent years. Thank you so much for the work you've been doing, Dom.
Thank you so much my friend. You got it right- if I had to fake that it would be a torture 😂
@@DomSigalas Exactly!
Dom your vids are full of so much amazing information. I learn so much from all of them. Thank you for what you do.
Can't WAIT to start the courses, very excited. Thank you Dom!! ❤🙏
Hope you enjoy them as much I did making them ❤️
@@DomSigalas this was very much needed since I'm a new Cubase user 🙏🙂↕️
@@DomSigalas
Hey, I don’t know why but Im just now seeing your Mastering Course. I am interested in the Mastering In the Box…are you planning on discounting it again for the holidays (7/4??). Excellent content btw
Thank you very much for these wonderful tips on getting a loud master.
Your shirt changing color is awesome. Distracted me the first time watching the video but amazing lesson taught right here! Thank you!!
i jut scrolled down to see if someone noticed tht :P
Thank you for this Dom! I always manage to learn something new every time I watch any of your videos and you truly are a source of inspiration 👍
❤ thanks 🙏❤
I just watched this to be asked to join for the courses, but the actual problem wasn't fully disclosed.
Because you didn’t understand, you mean.
Yes, too many words for such a simple problem. And very little useful.
Dom, MASSIVE thank you on the courses. I just signed up on the Mastering in Cubase one and dropped a comment inside on the intro. I'm looking very forward to this and am grateful for the opportunity to learn from you in detail :)
Thank you!
You are an Amazing teacher among teachers
Thank you my friend ❤️
was trying to contact you and tell you that u are awesome and love ur tips and guru-ish stuff regarding music ..
also u have that artist in u which is more than what u do .. i dont know if im making any sense .. buit great to see people who are REAL Experts at something ..
cuz social media has alot of weak knowledge but you are the BEST man .. love ur work love ur channel
u helped me in making better music or atleast gave me a waayyy better understanding of producing and everything
Stay blessed and hope to meet u someday though im not in ur country but would love to 🙂
Not the exclusive age old photo!! 😂
I am about to begin mastering my first project I have been recording since 2021 and I have found your cubase videos so invaluable and helpful every step of the way!
I bought your 80s drum kit a while back but will try to purchase some more of your stuff when I can because I can’t thank you enough in words for how much you have helped me during this process! You’re awesome 🎉
Great advice. I love the idea of automation to remove the crest factor on big peaks.
Makes sense, a good effect Fx chain and good sound selection combined with soft clipping and compression works great
Always love your content Dom. I'll look at your mastering course now for sure.
Mastering Class. Bravo. Looking forward to this. Value 4 value. I will support this course.
Thank you so much my friend ❤
Def gona try the course
Thank You
Okay, Dom, you had me at "I just released a new course..." Just enrolled and I'm looking forward to working through the course as I master one of my own tracks that I just finished mixing. Super excited, mate! 🤜💥🤛
Miss my home studio right now!!.. Why I listen it just before going to bed 😂
As always, you rock Dom!
Thank you so much!
I got to get your masterclass asap!!
And yeah, the effect on your shirt is really cool!
boom💥💥💥💥 my problem is now solved ....thank you mr Dom🙏🙏🙏
Thanks a lot because I ALWAYS have this problem!
Thank you always 🔥💯
This would have been a lot more helpful with audio examples that we could hear. However, you explained your premise on mastering quite clearly.
Great video Dom! Thought you could've talked about and incorporated clipping as well though :)
Would love to hear how you use clippers
Thank you so much!
The Crest factor or dynamic range is something I never knew about till this particular mixing engineer on RUclips called Baphometrix totally break down how control the Crest factor,within your mix and and not your master and he blew my mind 🤔🤔,he used clippers,saturation,eq to raise the RMS in the mix at the end he got to -6 lufs without using a mastering limiter on the master🙏 then he concluded that if your dont take care loud transients in the mix and how they sum up.then a mastering limiter will never get that done properly hence you cant get a loud mix.
yeah that series was life changing
Couldnt agree more. Baphometrix clip to zero during mixing stage really is game changing
You’re the best Dom, as always. Thank you 🙏🏻
THANK YOU for this explanation! 😁👊
Wow thank you so much
Thanks for sharing your knowledge and in an easy to understand way.
Thank you so much for this video
What a great! Tutorial Dom! Thank you! A lot of what you said is well pointed out. Thank you again!
Thank you 🙏
Hi Dom, what type of Plugin you use to change the colour of your T-shirt ??😃😃😃😃 Thanks for informative VDO
Awesome video 👏🏼👏🏼👏🏼
Merci beaucoup, thank you.
Avec plaisir
Hello master... once again THANK YOU... and I say it again every time you make me richer...
This helped me fix the problem with my too loud stabby psybass being the source of my bad mix.
Thanks Dom
Hi Dom!
First of all thank you very, very much on your endless teaching passion, yours informations are gems for all of us, keep it coming! ❤❤
Second thing, Modern 80'S Kit MAX™ is a bomb, good work!👍👍👌👌
And last but not least one question, is your under lips beard part "panned right side" on purpose, or?😉😃
thanks this will help me with my dj mixes as well ...subbed peace
Great video. Thanks for sharing. 🎶🎸☮
Thanks Dom. How about some videos on how to master for TV?
Very good idea!!!
BRAVO!
Thank you Doctor Dom, very good video ! Is it possible to make a video where you create a loud track, mastering it loud with the Cubase LE DAW and recording with the minimum tools ? Low budget for a high quality project ?
Well if you listen to many hip hop tracks- they always used to have Super loud snaredrums.
That’s on purpose - the mastering will compress the peaks
Hi Dom
Thanks for all the videos.
Can you post some of the commercial projects you’ve done that you are proud of?
Definitely music for National Geographic/animal planet and films that I’ve scored :)
REAPER also had great visualizers and the ReaLimit limiter is also very transparent.
Hi... Is there any 3rd party alternative to wavescope?
When the crest factor is as bad as that, I’d just go back to the mix engineer and be like fix it. While that can be addressed in mastering, that’s a major mixing issue.
But if you are to fix that type of crazy peak issue, I think the best approach is manual clip gaining. There are a ton of ways to do this but I find RX super useful for doing this because of the tools in that program make it so much easier to do
That would be my first course of action. But the reality is many people produce and mix their music themselves and cannot necessarily do a better job- or can simply not afford mixing.
@@DomSigalas
All fair
When I want to hear something loud, I turn the volume knob. Easy. Dynamics is king.
i wanna make an alias called "Normalize this" and have all the tracks so low someone has no choice but to normalize the audio
@@Icythot-m6i Punk.
I didn't understand how to avoid or solve this problem in the mix. Anyone can explain?
Amazing explanation . . . This is the reason why I bought hardware with transformers on it. As you mix into it the peaks are shaved off for you.
Alternatively passing the individual tracks through transformers as if you tracking or recording also help you get really loud.
I really had to buy it to understand how transformers affect the peaks. I was not understanding only watching youtube videos. It was an handson approach for me. Transformer on, peaks shaved nice and sound is full. Transformer off peaks are going everywhere and nothing loud.
Guess all that explain why pro gear with transformers are still loved . . .
So true. Analog gear have this amazing ability to shave off transients in a graceful way❤️
Why not a clipper as first plugin to cut the peaks?
Dry good question! The reason is clipping is a very aggressive process- and the difference is audible. What I show is transparent- you will not be able to tell the difference. Reserve the clippers for later in the process after you’ve massaged those transients so they have to work less with fewer audible artefacts :)
@@DomSigalas okay 😊 thanks for the quick response 👍
Hi Dom !
Love your videos man ❤
Do you have a mixing course as well?
I missed the 40% OFF! I hope there will be another deal soom! Great content!
No, not soon but get in touch with Lindsay and she might sort you out at courses (at) domsigalas (dot) com :)
Awesome T-shirt
Okay Where We can have one about Mixing pop music, and Pop Production Course? Really nice with this one. Congratulations for you and God Bless!
Awsm lesson
Time for the Steinberg Overall Mastering Plugin 😉, like with the vocal chain plugin...
You are awesome. Thanks for this trick :)
Hey, I guess the supervision plugin is not available in Cubase 10.5? It's really time for me to upgrade 😅
Yes I’m afraid so 🤣
And how one does the changing colour shirt effects???😂😂😮😮😢😂😂
So…I’m not 100% sure on what you mean…are you saying mix into a limiter on mix bus or to put a limiter on the tracks that have the peaks? Thanks for the info.
How are you doing I like what you are doing great work 🎉🎉🎉
Dear all this problem causes the snare, because sum of snare from overheads and room mic channels makes drum loud, so what you can do is to find proper balance or compress the area around 210hz. The same effect does the parallel compression bus with kick, it multiplies kick and snare too and makes it very dynamic and fat. Use limiter on kick and snare tracks to have better mixes
A somewhat offtopic question but how do you connect your Kemper to your RME? Is it digitally (spdif) or via the analog outputs into the preamps? Brilliant video as always!!! 😎🤘🍻
I get peaks with electric bass playing style fluctuations a lot. So to compensate i don’t just record one bass track i record di bass and mic the amp with two separate gain stages so if he stabs the bass i can refer to the quieter track to avoid distortion. Not always a luxury depending on field recording equipment input channel capacity of course.
Find whatever works for you ofc, but +typically+ you'd solve that with a compressor. (Generally, an opto.. like an LA2A clone...)
will the course ever have a discount code again Dom? I'm relatively new and missed the offer, thanks
Dom love your content❤
Watching you from Pakistan.
Always love your presentation Dom. Unfortunately with this one...its for 'listener' that have a an issue with background noise...and leftovers from the 90s. Of course its all so context dependent...but to make a great mix louder, in an audiophile sense, you turn the volume. Crest factor is a weapon, not a problem...and listening (like sitting down with lights dimmed and REALLY listening) to music is an art form all by itself; unnecessarily squishing range and peak forces peeps out of the musical sound stage very quickly in this context. I encourage everyone to, above all set up a decent reference system and AB as much stuff as you can from your mix position, find what really works and just for the sake of the argument compare eg the original of Sledgehammer to a recent remaster...the original has amazing bass and punch because of physics...you cant get something for nothing and despite its age, shows how things are really done with cold hard demonstration of the art. The bottom end of the new mastering is smeared and crowded...actually flaps the sub in a bad way. Great info by Dom but keep your eyes (or ears) open because sometimes 'new' has baggage :-) It suits some genres to smooth everything.
The reason why peeps 'love' 6db of headroom might be because they dont know anything else (for the master slammers in the comments) lol
You are a great contributor Dom...not sure why you dont use wavelab though...such fast analysis tools, especially the statistics tools, make cubase look painful to use.
BTW Where is the vid re: pencil tool?
EDIT: Found in the gain staging vid for anyone else
I totally understand your concerns my friend. But hear me out: all the amazing records of the 50s 60s and 70s etc didnt have the issue I’m showing here so often because these problems were alleviated by the natural compression when people still recorded on tape or through analog gear). The frequency range was way more contained too compared to the super clean and detailed digital recordings.
Tape has natural compression that is also very pleasing to the human ear.
These problems started with digital recording (and lesser mixing skills).
What I show here is non -destructive to the music. It solves a problem.
The number one thing is to keep your ears open as you said. But here I am trying to help people with a super common issue.
I cannot go through all the ins and outs on a short RUclips video. I do masterclasses and courses for this.
And of course I use Wavelab :) but my audience uses primarily Cubase so I try to show them the tricks with the tools most of them have.
I hope this answers your questions ❤️
Can you please make a mixing course??
What kind of FX samples would be most useful in your productions?
How do you make that shirt color effect ??
Are you using a clipper ? I think it s better than a limiter because it doesn t alter dynamic. Also you can solve the problem track by track, or groups. Better before the mix file
For the pencil tool trick, how would you feel about going into the audio inspector and using the pencil tool there to redraw the sample peaks to a lower value? Would the main difference be just that one process isn't destructive, as in altering the original file?
Most people don't mix with enough crest factor these days. Also peak distribution variance is the thing that we find the most interesting, far more important than the body of the track. The peak distribution of the most played records of all time have that factor in common. Think 12-24dB range from each other. When you reduce the crest factor distro over RMS too much the spread of transient events goes down to under 2dB of spread. This is the equivalent of taking all your midi and putting the velocity at 127 for everything.
WAIT!!!.. Dom, @13:30 are you saying to bounce the tracks after brickwall limiting?
OR... Are you telling us to MIX INTO the brickwall limiter?
Hi Dom I hope you are doing well, we love all your videos, can you show us how you set up Cubase preference to make Cubase work smoothly. with fewer dump files
Contact Steinberg support. They should be able to help.
Please extend the expiry date of your discount code. It was too short a time. I tried to buy this course but now I'm hesitant🙇
Drop us an email :)
@@DomSigalas
Thanks for the reply, I just subscribed to your newsletter.😭
Please send additional discount codes by your mailing list.🙇
@@yamadatarou4545dopyudopyuplease drop Lindsay an email to courses at domsigalas dot com :) she will sort you out :)
Mixing>mastering, isn’t it? A well balanced mix doesn’t need a lot of work. Good stuff, Dom.
Maybe 10 20 years ago. If you work with a lot of new artists most likely now a days they’re recording and mixing their own stuff. I’ve had many artists multiple times send me songs that were completely recorded on their phone or ipad and although it’s impressing because feels like yesterday we were happy, we were able to record voice memos when you look at it that way it’s not that bad when you want to be a professional what do you think? It’s still a app not 100% there yet but it will be soon.
Does the mastering capabilities of cubase compare to the T-RACKS? Because I mean I literally just dropped the T-Rack plug in on something and like wow it sounds 30 to 40% more full...
I would really like to see some cubase templates or something that could do something similar with a mixed down track..
I want to buy your IBT class, but I'm not sure about what some plugins you listed are. can you list them here ? THX
16 min video to do a -2db limiting at the start of the master chain.
Dom, even within the audio clip, could the peak of the same audio be manipulated by zooming and with the pencil as well? Or better, how do you do it from the outside with the brush tool? In principle I think the two ways of processing it would be very similar. Best regards Master😉.
I would always suggest doing this with the pencil tool as I show on the video :) check out my video about gain staging where I go into detail about this ❤
I heard some people suggesting to use soft clip instead of a limiter to reduce these peaks... What is your opinion on this?
maybe use both? clip as transparent as possible then limit as much you need for your loudness target.
@@mynameistechno might be good advice, as I had problems using the clipper transparent and getting much effect 🤔😅
@@ericbernardi8116 Pro L2 has the unity gain option - i just turn it on, gain as much until i hear the degradation of the signal and then dial it back a bit > turn off the unity gain option. l2 is a clipper with attack full cw and release full ccw settings (no tp and lookahead).
I wish i had your skills Dom.
That's why I make these videos ❤️
Wave Observer by Press Play is a great tool
H Dom. I really would love to buy your Mastering Course but, I just saw your RUclips video on “The BIGGEST Mastering mistakes (and how to FIX it), on July 16, 2024. When my son came home and showed me how to get to you course I found out that I was watching your video months behind the due date. So I had to ask would you still allow me to purchase your Mastering Course by August 4th 2024. I am on a fixed income now and I really can’t afford $299.00 at one time now at my age. If this is even possible, please get back to me at your earliest convenience. Thank you in advance, if this even possible. Have a wonderful day.
Hello my friend!
Get in touch with Lindsay at courses(at) domsigalas (dot) com and we’ll help you out ❤️
But if I don't have Cubase, in my case I have studio one, how could I see the parameters you explain?
This is great. I learnt earlier on that gain staging from beginning of the mix is key to the successful mastering. My issue is I compare my tracks a lot and I realized that when I turn the interfaces volume all the way up, my tracks distort a little and other professionally mastered songs don’t distort at the same level. I’ve compressed, I’ve gain staged and done all my basics. My guess is I myt be pushing the limiting too hard but I want it to sound as loud. Any ideas?
Do i have to put brickwall limter in the mixbus or in the masterbus ?
If you’re still in mixing stage then take those peaks before you get into the mastering stage :) if you’re mastering then add them first thing in your chain :)
@@DomSigalas Thank you so much
@@DomSigalas how much the release of the brickwall limter you put on ?
I would like to ask if the course includes audio files for practice?