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Man, for the price, I can get a custom desk from a local hi-end furniture maker using local hardwoods for just a touch more in a fraction of the time. Time is money, and it’s not refundable. Six months for a commercial, non-custom furniture product is absolutely ridiculous. They aren’t ready for prime time. Scale up their labor and then I’ll consider them.

Is the noise rejection the same? That's the main reason I have an SM7B...

Great video! How is the midi keyboard tray? Do you find enough room for your legs? Is it comfortable?

Is this pedal better than the Nux 63 for AC 30 tones?

Have a 71 dr103 and it’s awesome. Like you said it has a weight and 3d quality to it for sure. Also have a 63 Deluxe, 90s Matchless, 71 Marshall, swart, and valco. all great amps but the Hiwatt is in a league of its own. The only thing close too that I’ve heard was a Sunn 200s and Sound City 100 a buddy owns.

Great vid man, really cool tool :)

dmt comment so i subbed

Only thing you didn't describe is how to connect the p16 to the actual computer and or interface? Is it just through CAT5?

Hi Justin, thanks for your interesting tutorial. I have a recording studio now set up with an Apollo x8p, a Focustrite Scarlett Octo Pre connected to it via ADAT, and for monitors I've got several P16. In order to get the signals of both sound cards to monitors I've got a Behringer XR 18. I've connected channels 1-8 out from Apollo to channels in 1-8 from Behringer and channels 1-8 out from Octopre to channels in 9-16 from Behringer. Now during recording I'm trying to route the channels of the Apollo and Octopre via Behringer to the P16 (via a Behringer P16-D connected to Ultranet). I thought that assigning in the Apollo Console the desired Output of the affected channel (ie. Line 3 or Adat 2) It would go to the respective Behringer Input (in this case Ch 3 or Ch 10 in the example). But in it doesn't work that automatically, sometimes displaced. On the other hand the only way to hear the DAW in the P16 is assigning it to Line1 and/or Line2, otherwise the DAW doesn't sound. I know what I'm telling is quite complex, but I'm near to get crazy because I'm not able to understand the logics behind the Apollo Console software. And besides the outputs in the console channels itself, there is the I/O Matrix. How do both interact ? If you give me some clue to understand it I would be quite grateful. Thanks in advance Justine

You run your treble and presence knobs waaaaaay higher than I do on my DR504. I almost never have mine above 9:00 just because it's the brightest sounding fucking amp I've ever played.

With Bandmate, can you drop in a bassline and it comes up with a drum part?

Very informative. Thank you!

Awful video. Can you possibly get to the point? And then, never light 'em up!

Great video man, thank you!

Thanks for the review! Just bought one for my solo acoustic setup. Rival sons are amazing!

Thanks for the video. I’m going to do this Nashville tuning to an old Yamaha acoustic that was purchased at Sears back in the 90s and belong to my mother-in-law who is now deceased. My wife and I are going to record some of her original Christian songs on her old guitar, I think she’d like that. 🙂❤️

i just saw Cattle Decapitation, a grindcore band, and one of the guys was runnng a DR103 and it was massive! i have a 504 and absolutely love it for experimental noise rock.

Hiwatts are great amps. Your video sucks. NO demo of the CLEAN power HIWATTS are known for. For the shitty sounds you demo-ed, you may as well have used the Marshalls, which btw SUCK compared to HIWATTS

I have a Canadian 50 watts (505), i had the gain mod removed but it still has more gain than this, 1 o clock gives me pretty good crunch that is still always clear with the eq around noon. love that thing

Thanks a million!

I only came here to see your take on the Ox as I am considering purchasing one. But I must say that's some mighty tasty guitar playing, sir!

Has anyone else suffered the ‘rot’ of the soft-touch plastic used on the P16’s knobs and switches? I have a large system with 9 mixers that are mostly unusable anymore, and I am not amused. I could not have possibly known when I spent a few thousand dollars on this ingenious system that it had a very short lifespan. If anyone has found a resolution to this, I’ll be grateful for your response.

I’m really leaning towards this mic. I need one for run and gun interview situation. Do you believe this is a good option? I’ll try to find out, but do you know if it has a distance of the audio source? Thanks for the video

I own a UF8 but have had trouble letting go of the mouse and keyboard as I am so used to them. I only tend to just the UF8 for the faders - feeling / riding the music rather than looking at the screen. But I really feel that it’s about muscle memory and getting used to the UF8 for it to have maximum value… Nevertheless, I really enjoyed the video Justin - I did not know that you could hold down the solo / record button and arm multiple channels like that! Thanks for the tips will definitely give it more of my attention..👊🏻 Also how did you manage to power up the Uf8 since it has no on/off switch ? Alex

Hiya I have a 1976 DR512 that has been re configured into a DR504 as it used the same circuit and a 4x12 Hiwatt can from 1972 with it's original Fanes, absolutely gorgeous to play with any guitar. Super video mate and more would be great 👍. Rock on.

Did you say 6 months..... oh hell no. I can't do it.

Hi, i'm a singer song writer. Wish i had a band, but NOBODY Ever seems to Fit In with me. Oh well? I have an interesting thought to share. Have you ever tried mixing the sound between rigid PA Band speakers With softer sounding home stereo speakers? The results are phenomenal. Thats what i do in my studio. 🎙️

Are there any desk competitors to Danger Fox?

Yes, the QSC K10.2 is an excellent sounding speaker. Although very fragile, as all powered speakers are, it packs a solid wollup for it's compact size and weight. It's sound is clear with pristine highs. And it's packed with features. Based on all this, these would be worth their steep price. But there is a problem with the whole K.2 line. And it is a bad problem. For the live musician, it is a deal breaker. I've owned two for 2-1/2 years. I used them for my 3 piece classic rock cover band. When they work, they are awesome. The problem? It's not hard to find. Do any type of search on problems with the K.2 series. You will find ongoing references to code 4 speaker shutdowns. After dialing them in at rehearsals, we were all excited to hear them at our first gig 2-1/2 years ago. I turned them on for pre-show check. Without a single note being played, they both went immediately into code 4 shutdown with a message indicating possible speaker damage. Then I had to follow screen directions to work through a test process to turn them back on. There was no speaker damage. There seems to be a problem somewhere in a series of firmware upgrades that causes this protective shutdown when no problem exists at all that warrants shutdown. Since that beginning, 1 or both speakers have shutdown, once or more, mid show, in about 60% of our gigs. The last straw was 6 months ago when the stage left unit shutdown 9 times and the other speaker shut down twice. That was during a 3 hour show. I've pursued many directions trying to figure out the cause and resolve the issue. We kept our faith in the product up to that night, believing we'd find the solution. We haven't. Now I use a pair of Yamaha C112V passive speakers that I've had for years and can trust. I power them with a QSC GX5. It is a time tested and reliable piece of gear. My 2 units are still under warranty. I'm currently working with tech support to either fix the problem or replace with other models. I want to use them for solo acoustic gigs if I can solve this issue. I will never trust any K.2 series speaker for a band gig again.

Hey I am in Las Vegas trying to learn how to make the songs in my mind turn into a reality of sorts. I’m on a PC; I use ProTools; and I am trying to learn EZDrummer 3. I am very new to the recording game and I am trying to achieve lift off.

Hey what's the best way to connect 4.4 balanced IEMs to the behringer? Just use an adapter from the 6.5 to 4.4 or using line out R&L to 4.4?

Thanks for the tips and build info! Oorah

Can you post where you got the blankets and curtains? Thx

I have a 1971 504... even though its a high performance amp, built like a British tank, I baby it! Btw you can get away using other cabs besides Hiwatt cabs with Fanes.

Great video- I think you could make multiple on this subject!

Great video Justin, I am happy to see more videos from you.

I've ordered a handmade amp just like this one, for the exact same reasons you described here. The amplitude, the massive headroom and how it works, the tone... Everything just blew my mind about this amp.

My guitar used to be my dad's, the only work done to it wad changing the lower e string when it snapped, the rest are something like 22 years old

Every hour on the hour! Too much? Lol

Yeah, I’m going to mortgage a Gibson Les Paul I think did nice guitars, but come on Gibson you’re so fucking greedy. I got a Strat 700 bucks it’s beautiful I got a ESP telecast that grows like less Paul it’s gonna humbucking pick up in the neck well under $1000

I play Behs, work retail. I clean.

As of this month I’ve waited a year for my desk to show up and have been given many false promises since last summer. I was told my desk was being made numerous times but never was. As of Jan I lost my patience and had the credit card company refund me the money back. It’s a real shame this happened as the desks are amazing but the company’s logistics are terrible and the overall experience for me was very negative.

Wait, i can change them?????

every couple months. i play with a lot of attack so very new strings just sound a bit to “flimsy“ for my taste. i don’t know how else to explain it

I can usually get about Three four hour gigs on a set if I don't break any maybe 12-15 hrs total. I buy 3-4 sets every month.

Great studio- I bet it inspires a lot of creativity. Nice job!

Nice setup. Great use of the space.

New strings hung it up for over 6 years brought down tried to tune it g string snapped instantly. So ....6 years.

I've had an EV 635a for over 25 years. I don't use it a lot but when I do, it's super cool. Also, tell me how you painted that main rook. I love the monotone dark color.

Geez. Good question. I have been contemplating that for a while now. I used to do the every 3-4 months deal. This is what I found. After~15-20 hours of play you will lose the new string sound. If they are not broken leave them. Don't bang the strings up and they will last. Unless you are a Pro leave them be. Oh, if you use good strings then they will last.