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Great video! Which company did you buy?

it nice sir

your channel is like 1 STOP SHOPPING. keep it up buddy.

If someone selling it for just$2000 in 2024, is it a must buy?

Such a good video!! So many questions got answered. Thanks

Damn You have very good looking picture in studio (at your desk) what profile and color mode you use there?

Just stumbled on your page and love the videos, major props! I am an avid hiker w/ an a7iii and looking to start dabbling into video production and love the minimalist setup you came up with. One question, what were you using to record the audio? I know you mentioned there isn't much room for a mic, but if you wanted to add one do you have a recommendation on one that may work?

sofro muito pra editar as cores do meu video

Thank you very much for your content about S-log, LUTs and handling in premiere, helped me a lot!

great video dude, I've watched like six of these today and you are by far the most no nonsense/let's just get to what, why, and how - very much appreciated

Makes alot of sense

Sir can u share s log 2 camera settings

Just what I was looking for. Thanks for taking the time to share!

What is your da Vinci resolve color management like when you first opened it far as timeline color management some use gamma 2.4 and things of that nature do you have any videos about yours?

I keep coming back to your channel. Will you do a video with your workflow using the ninja? I am starting to use zebras at 103+ on the ninja and 58 on the camera display to try to cover highlights and skin tones. It would be interesting to see how you work with the atomos. Peace!

For a beginner what PP do you suggest using? From what you said Log takes more work in post, so where do you start w A7r3? Thanks

I found this again

Thank you! This video is very easy to understand and thorough. Keep up the good work!

It's good to know that western videographers also appreciated Soviet lenses for artistic shoots! Привет из России! In my city, these lenses sell for about $40 :D p.s. we have so many variations of helios lenses. There are also such cool lenses as the 35mm MIR, and different variations of the JUPITER, which are the most rare lenses

Great video man. Even as a bare bones newb, nothing went over my head. .. Subbed 😎

I've been searching for samples of this lens vs the 28-135mm and I think I've decided to go with the 24-105 because of this video, so thanks for that! Great work!

I have a question for you so if you leave your detail level at -7 for 4K what do you put your detail level on for HD 1080 P for the best results

🔥

Can you let me know what you keep your in camera detail level on?

Which backpacks are these? We would like to buy one for my girlfriend but it’s hard to find a good and comfortable one.

How did you expose s log on a7iv? For this video i mean

Love this. I've watched a ton of these videos, but this one is amazing

Very good my dear. And how to have these settings in the camera before going through this post production

Crazy you have 7 thousand subscribers

what an Explaination Man!!! Totally Helpful!!

wait what? wide open in stops down o F1.4? but its a F2.0??

amazing lut brother and info, thank you so much

Timmy, sorry if this is a "dumb question," but where do you find in PP the "From_SLog2SGumut_To_LC-709_.cube" setting?

great video thank you!

When the video was finishing I wasn't believed. This almost 6 minutes flies! Nice work, amazing and beautiful vlog! I'm suscribing for sure!

This video solved all my problems in the last 2 months. Cant thank you enough.

Thank you man! Really helpful!

So clean!

Nice! Where did you get the sony conversion preset as your first step?

How do you expose slog2 in lowlight?

You know what, when I use shift and click... it moves! Any way to fix this? Using the newest davinci beta and it's been like that since using this 3 years ago

post the link where to buy Helios 44-2

mate you are just a find for me, I'm glad I came to your channel, very grateful to you for the invaluable information, like and subscribe

Thanks a lot.

Would you still stretch the adjustment layers if you have different rgb lighting going on in some shots ?

That's a pretty good and short introduction to a topic that is not easy for everybody. :) I started to record in Slog 2 just recently and tried 2 things differently: 1) I set my zebras to 106. I saw a video on Harv's channel where he stated to set "lower limit" for highlight preservation to the output value of your gamma (which, for Slog2, is 106). Don't know whether it's a big difference to your approach, however it works well. 2) As I don't like DaVinci and don't want to spend TOO MUCH time with the editing process in an application that takes months to learn on its own, I did something that most people will probably call a stupidity, but I set my colour space to Rec. 709 in camera, lowered saturation to -15 and tweaked all the depth and tint settings as I already knew how they work best for me with my Cine2 profile. What I end up with is a file that I only have to tweak in terms of exposure, contrast and (slightly) saturation while gaining a lot of dynamic range for scenes involving a bright sky. On an 8-bit camera (A7R III), this gives nice results. Even though pros might find this ridiculous, I can say that the amount of DR gained this way is significant. Not just over creative mode recording, but even over Cine2 which I would consider one of the best non-log gammas in terms of DR.

THE NCR FLAG

you are a very talented storyteller!

beautiful!

THank you for this