Видео

Yes, just the seat today. I opted for an easier part because Monday's video will be a challenging one to model.

I'm ok with that. 😀

Haha. Thank you!

No problem at all. The plugin is called Brush Drawer by Artistnaut. I briefly discuss it towards the end of my intro video: ruclips.net/video/UmKCjTaNcFo/видео.htmlsi=j3HG5i7NIom9Bvjh

Certainly, there are aspects of this motorcycle that are more efficiently modeled in Maya, while other parts are better suited for ZBrush. Additionally, certain components can be more effectively created using Blender or 3DS Max, thanks to their specific toolsets. The same can be said for using Plasticity and other CAD software for certain parts of the bike. However, unless you want to juggle six different software programs, it's more practical to focus on mastering the fundamentals and workflows. This way, you can adapt to any software required by the studio you work for, as many programs are capable of modeling with their own unique strengths and weaknesses. Personally, I prefer using ZBrush as my primary modeling software because it offers an organic approach to hard surface modeling and allows for flexible polycount management. However, the goal of this tutorial series is not to convince anyone to switch to ZBrush or to engage in a software debate. Instead, my aim is to help those interested in learning more about hard surface modeling in ZBrush by sharing my process.

Thank you! 😃

Thank you! 😃

Yo Jason! Thanks man. 😃

Thank you! 😀 The screen I am currently on is 3840 x 2160. However, the screen size that the tutorial was recorded on was 2k.

@@henrychervenka2166 Aha! no wonder i cant fit all the stuff in your UI 🤪 Looks really interesting as i focus mainly on learning and liking hard surface character creation the most. I cant help but being amazed with the stuff that you are able to make in ZBrush! Awesome stuff! i have already done your rotor tutorial and loved it! So i can't wait do dive in to this series 🤠

Hey Frankie! Thanks man, I appreciate it. 😃

I use ZBrush for retopology.

This model hasn't been UV mapped because I used Redshift with ZBrush, which didn't require it. However, I plan to create a UV mapping tutorial soon that will explain my workflow in detail. 😃

@@henrychervenka2166 thank you so much sir🤩🤩🤩🤩🤩🤩🤩😍😍😍😍😍😍

Thank you! 😃 Yes, in the final video of this series I will demonstrate various retopology techniques.

Thank you so much for sharing these great gems... Always on the lookout for your videos on this series

You can find radial symmetry in the Transform palette. Look for the button labeled (R), right under the symmetry buttons. Beside it, you'll see the Radial Count slider, where you can set the count to 6.

@@henrychervenka2166 i have done these steps but unable to use clip curve in radial symmetry

@@henrychervenka2166 follwed these steps in new file where i got the perfect result but not in my h2r project file is there any glitch in my project ?

@@user-qb9cc3sv4y Without seeing a screenshot, it seems the issue might be that the object is off-centered. Here are a couple things you can try: 1) You could turn on Local Symmetry in the Transform palette. 2) If that doesn't solve it, turn off local symmetry and press Unify in the Deformation palette. This will scale and relocate the subtool to the center of the world. 3) If you dont want the subtool to change the scale, you could go up to the macro palette and click on center mesh to world.

@@user-qb9cc3sv4y One more thing to try if you have a recent version of ZBrush is using dynamic symmetry. Ensure dynamic is enabled inside of the L.Sym button. Alt-click with the gizmo on the center point of the cylinder to align the pivot. This should allow you to use radial symmetry based on the gizmo’s position and axis.

Sorry for the delay... Absolutely, once the series concludes, I’ll put together a quick video about it.

@@henrychervenka2166 Thanks Henry

Hahaha, Sorry about that! 😃

Yes, that’s the Brush Drawer plugin from Artistnaut, which lets you select brushes, textures, alphas, and materials from a pie menu. The custom UI and screenshots for each part of the video are always linked in the description. 😃 I recommend starting with the intro video and then jumping to any part of the series that interests you. Intro video: shorturl.at/91ROn

@@henrychervenka2166 THANK YOU LOTS!!

7:42 Since the part is symmetrical, being slightly off-center is acceptable and will be easily fixed during retopology. However, if you prefer it to be perfectly centered, you can use the inset and flat island from the ZModeler brush instead.

@@henrychervenka2166 It seems my eyes are good but my ears not so much. :P Are there any reasons to use the slice over the inset in this type of cases?

@@jydmu In this particular case, I already had the slice circle selected. My focus was on maintaining the rhythm, flow, and momentum with a quick slice rather than switching the polygon action and target for the ZModeler brush. This is my personal approach to tackling these parts: nailing down the overall proportions and shapes in the first stage, then refining the details during the retopo in the second stage (if needed). Since the retopology steps and results will be the same whether the part is slightly off-center with the slice circle brush or perfectly centered with the inset action of the ZModeler brush, it ultimately comes down to personal preference on which method you choose.