MIXING INTERVALS SYNTHS + GUITARS w/ Sam Guaiana
HTML-код
- Опубликовано: 15 окт 2024
- Sam Guaiana mixes synths and guitars using the raw multi-tracks for "Lock And Key" by Intervals
Get instant access to Intervals multi-tracks NAME HERE and Sam Guaiana's full mixing session ► nailthemix.com/...
NAIL THE MIX is an online mixing school created by Joey Sturgis, Joel Wanasek and Eyal Levi - the guys who produced bands like TDWP, Chelsea Grin, Blessthefall, Machine Head, Monuments, Miss May I, Of Mice & Men, Reflections, Born Of Osiris, Asking Alexandria and dozens more of this generation's best metal bands.
Every month, NAIL THE MIX members get exclusive access to the REAL MULTI-TRACK SESSIONS from a REAL ALBUM, and a 6-8 hour live streaming class from the producer who mixed it. These are the actual sessions by bands like Gojira, Meshuggah, Periphery, Papa Roach, Machine Head, Bring Me The Horizon, A Day To Remember and more - and NTM is the only place in the world you'll get access to them!
"Hey what's up, I'm a piano" 😂
I was literally working on some weird synths right now ,Without synths it sounds weak!
Out of curiosity would anyone know the difference in using Pro Q to widen a synth sound amongst the stereo field (using the mid setting) vs using the micro-shift plugin? I've often used both techniques in the past and always landed on the Pro Q solution out of habit really when eq'ing my synth tone but I just wondered if there was some form of best practice with regards to this sort of thing. Cheers!
Pro Q is just turning the signal up in the sides. I believe microshift is using phase and delay to create a stereo effect.
Yeah 100% microshift is a chorus, so it's doubling / pitch shifting and panning. An EQ is boosting a frequency but not adding new information