Great video! I lived in Seattle during that era and remember talking with Matt Cameron about both the Badmotorfinger and Superunknown snare sound. According to him, at least "Black Hole Sun" drums were recorded at Robert Lang's studio which had an incredible stone room and gave that Keplinger "the" sound. Well, along with Matt's playing, obviously. I had a chance to visit with Robert before we moved from Seattle and man, that is one crazy studio. All dug up under the hill his house is on. So big he literally had a basketball court in there...under the freaking house!
@@mixingmasteringonline Yeah, that was such a cool time and to be able to see the room (never did end up seeing Bad Animals) and talking with the guys was great. Matt used to visit the drum shop my buddy ran so I ended up helping him buy a 24 track analog machine and we hooked it up to his Pro Tool rig in his home back then. All of those guys were really nice and none of them acted like "rock stars".
Its a good "ring" though, if there was a good ring for snares but that snare sounds amazing and is up there with alex van halens unusual but killer snare sound.always wondered what he used,i thought maybe a yamaha recording custom cranked down and beat to smithereens! olr a black beauty brass snare perhaps.
@@jefflyon2020 From what I understand, Alex always used a Ludwig 6 1/2 x 14 Supraphonic with a Remo CS black dot head (clear with the black dot). Love Alex's snare tone!
For the bass cabinet mics, The Audio Technica AT4047 wasn't produced until years after the record came out. It was probably a AT4033. They have a similar appearance.
Fun fact: All the English voices for Nintendo and Humongous Entertainment games were recorded at Bad Animals in Seattle, Washington. So was the orchestral soundtrack to Microsoft Windows XP.
great video. Jason Corsaro deserves huge credit for his engineering on this album. Supposedly the tracks that O Brien received were quite heavily grouped (on his request), so he really left a big impact on the sound of the album.
Hey man, can you please do a video on Highly Suspect's first 2 albums... Mister Asylum or The Boy Who Died Wolf. Explosive rock sounds from the last 10 years
Love the drum sound on this album. My favourite of the grunge era bands. The only downside for me is that it’s too long. If it was a 9 or 10 song album, it would’ve been perfect. That’s why vinyl was good, it only allowed for about 45mins maximum, meaning fewer filler songs.
Ok now it makes sense why I always felt the song superunknown sounded funny. They used room mics only for drums. One of the two strongest songs on the album in my opinion. They should’ve added a good thumping kick sound to the mix so you can bump the track louder. My only drawback about the album.
@@mixingmasteringonline If you talk about Rust in Peace, please mention how they screwed up the remixes/remasters. I love the tight compressed, dry sound of the original RIP and especially Countdown to Extinction. Plus, they lost some of the vocal master tapes for RIP and Mustaine had to re-record certain parts, it sounds awful.
"One Other that I can't Recall", is that on the Japanese release? Great Album, that really is all that can be said, trying to quantify it and it's merits is futile, it has that Magic all Classic Albums have. Your song : I'd cut a little of the highs out and add a bit of reverb to the whole mix. A little too bright and dry.
Any time someone includes the word ‘super’ in their band name or album title, it bothers me. Don’t proclaim yourself super; let me decide that for myself
the audio captured on this record (specially drums and bass) is one of the best ever on a rock album.
Great video! I lived in Seattle during that era and remember talking with Matt Cameron about both the Badmotorfinger and Superunknown snare sound. According to him, at least "Black Hole Sun" drums were recorded at Robert Lang's studio which had an incredible stone room and gave that Keplinger "the" sound. Well, along with Matt's playing, obviously. I had a chance to visit with Robert before we moved from Seattle and man, that is one crazy studio. All dug up under the hill his house is on. So big he literally had a basketball court in there...under the freaking house!
What a great insight! The snare does have a certain ring to it so I can believe that about the studio ambiance, thank you for sharing!
@@mixingmasteringonline Yeah, that was such a cool time and to be able to see the room (never did end up seeing Bad Animals) and talking with the guys was great. Matt used to visit the drum shop my buddy ran so I ended up helping him buy a 24 track analog machine and we hooked it up to his Pro Tool rig in his home back then. All of those guys were really nice and none of them acted like "rock stars".
Its a good "ring" though, if there was a good ring for snares but that snare sounds amazing and is up there with alex van halens unusual but killer snare sound.always wondered what he used,i thought maybe a yamaha recording custom cranked down and beat to smithereens! olr a black beauty brass snare perhaps.
@@jefflyon2020 From what I understand, Alex always used a Ludwig 6 1/2 x 14 Supraphonic with a Remo CS black dot head (clear with the black dot). Love Alex's snare tone!
These videos are so well made. Great stuff. Thanks!
Thank you! 😃
For the bass cabinet mics, The Audio Technica AT4047 wasn't produced until years after the record came out. It was probably a AT4033. They have a similar appearance.
Good point, 👍 I thought the 4047 was quite modern.
Fun fact: All the English voices for Nintendo and Humongous Entertainment games were recorded at Bad Animals in Seattle, Washington. So was the orchestral soundtrack to Microsoft Windows XP.
That recreation sounded like it could have come off of Louder Than Love. Great recreation. I think it was just the right kind of riffage!
Thank you, Scott did do a great job with the riffage!
Thanks!
I love the top end of those U67s 👌🏻
never clicked on a video so fast
Haha same
Me too 😂
What a great album. Thanks MMO.
Thank you!
Great job! Thank you very much! ❤
Thank you!
Thank you, probably my all time favorite record, I put it up there with Led Zeppelin 4
great video. Jason Corsaro deserves huge credit for his engineering on this album. Supposedly the tracks that O Brien received were quite heavily grouped (on his request), so he really left a big impact on the sound of the album.
Yes......just discovered this channel....brilliant work! Thank you!
luv these. thanks.
Thank you!
Thank you!
Great video! I'm obsessed with Rolling Stones' Aftermath album sound. Could you do a video about it?
Thank you and thanks for the suggestion, I’ll look into it.
Hey man, can you please do a video on Highly Suspect's first 2 albums... Mister Asylum or The Boy Who Died Wolf. Explosive rock sounds from the last 10 years
Love the drum sound on this album. My favourite of the grunge era bands. The only downside for me is that it’s too long. If it was a 9 or 10 song album, it would’ve been perfect. That’s why vinyl was good, it only allowed for about 45mins maximum, meaning fewer filler songs.
Can you please please do Refused "The Shape of Punk to Come" I love that album's sound
That record does have a really good dry and direct punk sound, I’ll have a look into it. Cheers!
Shape of Punk is the Sgt. Pepper of hardcore.
Chris used a Gretsch on Black Hole Sun 😎
stone temple pilots - core next!
Pretty sure I read the jazzmaster was used on 4th July as well if not only ?
Ok now it makes sense why I always felt the song superunknown sounded funny. They used room mics only for drums. One of the two strongest songs on the album in my opinion. They should’ve added a good thumping kick sound to the mix so you can bump the track louder. My only drawback about the album.
Rust in peace next?
Great suggestion, I’ll look into it!
@@mixingmasteringonline If you talk about Rust in Peace, please mention how they screwed up the remixes/remasters. I love the tight compressed, dry sound of the original RIP and especially Countdown to Extinction. Plus, they lost some of the vocal master tapes for RIP and Mustaine had to re-record certain parts, it sounds awful.
"One Other that I can't Recall", is that on the Japanese release?
Great Album, that really is all that can be said, trying to quantify it and it's merits is futile, it has that Magic all Classic Albums have.
Your song : I'd cut a little of the highs out and add a bit of reverb to the whole mix. A little too bright and dry.
Could you please do pink floyd the wall????
Absolutely, it’s on the list 👍
How you know.all this. is SUPERUNKNOWN!!???
Because these people just read you articles found online
Getting good room on drums without it getting splashey ..was always the goal
Hey ralph.. ,you mind if i smoke??
Beinhorn seems like an annoying producer.
Any time someone includes the word ‘super’ in their band name or album title, it bothers me. Don’t proclaim yourself super; let me decide that for myself
Supercomment
😅😅😅@@brendanpaterson4996