Intro to Monochromatic Printmaking: Tints, Tones and Shades Part One

Take a deep dive into the range of possibilities with a simple, yet expansive palette. In our latest video, “Intro to Monochromatic Printmaking,” Susan Rostow compares the characteristics of Akua Intaglio blacks, grays and whites, providing an in-depth look at the vast tonal range within this limited palette. Learn which pigments to choose for greater intensity, opacity, transparency and mixing combined with different colored Arnhem 1618 papers . This video serves as Part One to a guide for selecting pigments for creating a monochromatic palette. Stay tuned for Part Two, as we expand on the monochromatic palette by introducing the vibrancy of color.