great video thanks - now I know how to really bring out the details in the shadows and the hightights while making the curve, as you said, less jagged - some of the best info I've gotten about grading in resolve thanks again
Excellent video on the HDR tool. It still seems foreign to a lot of colorists and doesn't seem to get the attention that I think it deserves. There is a concept in which I have been using it - which is more of like how an audio EQ is used for finding trouble frequencies and fixing them by blending them back in. If you apply that concept to a zone, you can zero in on a particular hue and luminance - adjust - then blend it back in to a smooth curve. I enjoyed this video - thank you so much.
Thanks Jim! I hear you; colorists like to stick with what we're familiar and what we know works. It even took me a while to fully get on board with it even though I pretty immediately knew how useful it could be. Also, I love this example because I **often** correlate image editing to audio editing as it's essentially signal manipulation relative to two different qualia. The mechanics are quite similar.
Thanks! Gonna try to dig into some lesser talked-about topics here. I never wanted to beat a dead horse when it came to Resolve, but I've got some ideas in the tank.
great video thanks - now I know how to really bring out the details in the shadows and the hightights while making the curve, as you said, less jagged - some of the best info I've gotten about grading in resolve thanks again
Thanks Errick, that’s a very good way of of working with the HDR wheels.
Very interesting, thanks. Please could you explain the significance of the HDR wheels being colour managed?
This is like a hidden gem for editors
Excellent video on the HDR tool. It still seems foreign to a lot of colorists and doesn't seem to get the attention that I think it deserves. There is a concept in which I have been using it - which is more of like how an audio EQ is used for finding trouble frequencies and fixing them by blending them back in. If you apply that concept to a zone, you can zero in on a particular hue and luminance - adjust - then blend it back in to a smooth curve.
I enjoyed this video - thank you so much.
Thanks Jim! I hear you; colorists like to stick with what we're familiar and what we know works. It even took me a while to fully get on board with it even though I pretty immediately knew how useful it could be. Also, I love this example because I **often** correlate image editing to audio editing as it's essentially signal manipulation relative to two different qualia. The mechanics are quite similar.
I'm glad you're back with new videos. ✌
Thanks! Gonna try to dig into some lesser talked-about topics here. I never wanted to beat a dead horse when it came to Resolve, but I've got some ideas in the tank.
8 bit or 10 bit vid?