Excellent lecture professor. You are reconfirming my thoughts on this issue. Your previous discussions have caused me to move toward nearly straight neck because more relief can be causing the buzz. Another piece to the puzzle, that is harder to quantify, is how much “hump” is introduced bending the fretboard down to the body, and where that curve occurs, i.e. bending the board at the body causes an upward force toward the head.
None. You'll have to explain how a board glued to the dovetail can "hump". Don't confuse "fallaway" with a true "hump". Also note that when I clamp a neck down, I do so with a block of wood between the 14th and 15th fret. There is no possible way the f/board can rise there.
Thanks a lot Bryan so well explained...super .... as a novice i would have 1)Used the Truss Rod to take the relief out which is not possible for this guitar as it does not have a Truss Rod 2) Option two i would have raised the Saddle which would have raised the action. But you have done it so beautifully and explained it so good... your analytical skills are way good ... thanks a lot for shearing... JUST GREAT
The action with those buzzy upper fret notes was already .093" low E and .075" high E.... exactly where I wanted it. This is also a great illustration of how "action" alone doesn't give you the full story. I'd like to adjust the truss rod, too!!! :) Glad you learned something!
@@Bryankimsey Thanks Bryan ... your videos in future will be training manual for future generations to come ... in industry common thing to do is to level the Frets which i dont agree after learning from your past videos not to take material off when its not needed. All this situation is rare and is resultant effect of Neck Reset. Thanks again keep sharing you are the best.
Your vids are always interesting to me Bryan. I do some work on my instruments mostly. Or friends and family occasionally. Wish I would have learned more lutherie when I was young. I really need to reach out to you about my D18GE Thanks, EE
Thanks for all the great info over the years.
Excellent lecture professor. You are reconfirming my thoughts on this issue. Your previous discussions have caused me to move toward nearly straight neck because more relief can be causing the buzz. Another piece to the puzzle, that is harder to quantify, is how much “hump” is introduced bending the fretboard down to the body, and where that curve occurs, i.e. bending the board at the body causes an upward force toward the head.
None. You'll have to explain how a board glued to the dovetail can "hump". Don't confuse "fallaway" with a true "hump".
Also note that when I clamp a neck down, I do so with a block of wood between the 14th and 15th fret. There is no possible way the f/board can rise there.
Another good video.
Thanks a lot Bryan so well explained...super .... as a novice i would have 1)Used the Truss Rod to take the relief out which is not possible for this guitar as it does not have a Truss Rod 2) Option two i would have raised the Saddle which would have raised the action. But you have done it so beautifully and explained it so good... your analytical skills are way good ... thanks a lot for shearing... JUST GREAT
The action with those buzzy upper fret notes was already .093" low E and .075" high E.... exactly where I wanted it. This is also a great illustration of how "action" alone doesn't give you the full story.
I'd like to adjust the truss rod, too!!! :)
Glad you learned something!
@@Bryankimsey Thanks Bryan ... your videos in future will be training manual for future generations to come ... in industry common thing to do is to level the Frets which i dont agree after learning from your past videos not to take material off when its not needed. All this situation is rare and is resultant effect of Neck Reset. Thanks again keep sharing you are the best.
Your vids are always interesting to me Bryan. I do some work on my instruments mostly. Or friends and family occasionally. Wish I would have learned more lutherie when I was young. I really need to reach out to you about my D18GE Thanks, EE
Great class! I'm building 4 dreads and all have good fallaway.
Great explanation. Luckily, after thirty years of sheetmetal layout and geometry, I indeed can grok your fullness…..
Oh yeah…..and I love the blue shirt. Is it available for sale?