I'm not sure about new, but thank you. It was one of the musical doodles that stood out to me after fiddling with the SL-2 for a while. I hope it showed a lot of the fun I get out of the pedal.
@@tomheineman4369 That would be fun. I've never been overly interested in the SY-1. Probably because I play keyboards as well, but maybe that's a mistake. Thanks for the idea. I was thinking a Death By Audio Total Sonic Annihilation would be fun to pair with it. Choices. Always choices.
@@tomheineman4369 the TSA isn't fuzz, but lets you feed a pedal back into itself. Fuzz can be tricky. I have one that is just a smooth distortion and one that can ve a pretty wide range of crazy.
YAY! Very nice, I like that 90s/early 2ks 'arp'-stuff! Arpegiators were really a revolution then. Ofc these days igt sounds quite "oldie" to my ears... Whoa it even copies kidz-talk into your signal!🤣
Thanks. I grew up playing keyboards and have a definite love for arpeggiators and drum machines. Yeah, that Miami Vice era was definitely in the back of my brain when this came out.
December 19th! It's a little different (less riff-oriented), but it's another SL-2 doodle that is not as ambient as some things. I need to finish the Modesto Sessions off and then I can work with the pedal a bit more.
It was so long ago that it is something I should spend some time receating. Because this is just a single take (no loops, no overdubs) my tips are to keep the level mid to low so that you get a lot of original guitar signal and the pedal acts more like a background beat box. It's in the SFX/Harmonics section and probably 7 or 8 on the variation (that is subject to be entirely wrong.) Attack is probably around 10ish and Duty is probably around 2ish. Those are my favourite controls because it really gives a wide range of options for almost every pattern you select.
Sounds awesome with low attack
Keep this up and Yoshi's gonna send you pedals to demo.
Noice!
A whole composition is a whole new kind of video.
I'm not sure about new, but thank you. It was one of the musical doodles that stood out to me after fiddling with the SL-2 for a while. I hope it showed a lot of the fun I get out of the pedal.
@@HomeInMyShoes Maybe you could put another SY1 pedal in the send return loop. That would be even more fun.
@@tomheineman4369 That would be fun. I've never been overly interested in the SY-1. Probably because I play keyboards as well, but maybe that's a mistake. Thanks for the idea. I was thinking a Death By Audio Total Sonic Annihilation would be fun to pair with it. Choices. Always choices.
@@HomeInMyShoes I don't like fuzz but I like octave fuzz.
@@tomheineman4369 the TSA isn't fuzz, but lets you feed a pedal back into itself. Fuzz can be tricky. I have one that is just a smooth distortion and one that can ve a pretty wide range of crazy.
YAY! Very nice, I like that 90s/early 2ks 'arp'-stuff! Arpegiators were really a revolution then. Ofc these days igt sounds quite "oldie" to my ears... Whoa it even copies kidz-talk into your signal!🤣
Thanks. I grew up playing keyboards and have a definite love for arpeggiators and drum machines. Yeah, that Miami Vice era was definitely in the back of my brain when this came out.
👍👍👍👍
Can you make about 10 or 20 more of these videos?
December 19th! It's a little different (less riff-oriented), but it's another SL-2 doodle that is not as ambient as some things. I need to finish the Modesto Sessions off and then I can work with the pedal a bit more.
great stuff!!! what settings are you using here?
It was so long ago that it is something I should spend some time receating. Because this is just a single take (no loops, no overdubs) my tips are to keep the level mid to low so that you get a lot of original guitar signal and the pedal acts more like a background beat box. It's in the SFX/Harmonics section and probably 7 or 8 on the variation (that is subject to be entirely wrong.) Attack is probably around 10ish and Duty is probably around 2ish. Those are my favourite controls because it really gives a wide range of options for almost every pattern you select.