His ideas are actually everybody else’s. His uniqueness is just putting them together totally logically and with swing and almost unmatched technical skill. But he doesn’t do anything original and I doubt he has a single follower in the Armstrong, Young, Parker sense.
Swang Band!! Bottom of 2022, gonna see what’s gonna be, on 3,,,,😂,, this is my release an therapy, didn’t mean to rhyme , but it was it time,, , dam, that was fun,,!! Thk y’all,,,
Will Moffett I get what you're saying, Will. Finding the line between authentic reproduction of the idiomatic (harmonic, rhythmic, intervalic) color of Duke's soloists but not adhering to them, by playing more modernized lines (avoiding becoming a "period" band) is what JLCO strives to do, in my view at least. From my perspective, this might be the goal/result if Duke hired his band today...
The man has definite talent, but I don't feel him at all... I had a bad experience when I met him. Turned me off his music for years.... About 26 to be exact. Only goes to show that MOMENTS in life with other people are peculiar. You may think it as nothing and have forgotten it..But the what you say and do can have profound and long lasting impact on someone else's life.
Miles Davis was a disrespectful person. He never hid that. I don't respect him as a person, at all... but I feel his music. With Wynton, people who don't like him for some personal reason can never seem to separate those bad feelings from the soul of his music. And often times they'll say its something musical when it in fact has nothing to do with music at all. I'm just pointing out an observation.
@@AustinCasey Let me tell you briefly exactly what happened. I was a young up and coming music producer say the time who was very well versed in many different genres. I play guitar (main instrument), bass, keys and drums and drum programming. I started out in rock/metal, reggae, and soul but had branched out into R&B, Smooth Jazz, country, you name it. I had an impressive studio and live resume as a music director and producer, as well as a session player. As I had studied intensively for since 14. By the time I was 26, I was doing radio promos, regular shows and was working with many local groups as and bands as a producer in the early 90's who had the burning desire to transition into Bebop, rag, and swing... I was working as a chef/food specialist on Amtrak...A wonderful job that took me all over the nation. I loved it! One day, Winton came on board and was riding to Virginia, I believe, and a senior colleague had told me that he spoke to Winton about me as he was impressed by my level of talent (as he had heard many of my demos and other works). He came to tell me that he arranged for WM to meet with me for advice. I was ever so greatful and ecstatic, though I was never "starstruck" with anyone (except for Jesse Johnson of the Time. My idol at that point. Lol!). Now, understand, as a Black man, I was a bit out of the ordinary in my fashion sense, even considering the general punk-funk, and heavy rock movement at the time. Long hair in a top knot, earrings, the whole nine yards. So, I straightened my chef coat and went to see him. I went to his roomette, knocked and waited for his invite and entered. I politely and professionally introduced myself and told him of my career status and future goals and had asked for advice on learning his style of music to add to my already deadly arsenal.... The man just stared at me... He looked me up and down, rolled his eyes then said quite plainly, rather apathetically, that I "should stick to hip hop because it was easier" for me.... That "jazz would be too difficult for me to LEARN"... He said it like I was some kind of idiot who would never understand the intricacies of the art form. I was stunned and insulted...livid with fiery rage! I straightened up and looked him in the eyes and said, "I regarded you as a GREAT... A man from whose knowledge and wisdom I thought I could grow from. I am a multi-instrumentalist with a pretty good budding career. I come to you for advice and this is what you tell me?!!".... "You know what?... You keep tooting that horn! I like your brother's work better anyways!" I slammed the door and cussed vehemently as I walked away! The crew had heard what happened, even the conductor, and someone confronted him about it. Needless to say, I had seen once more on that trip and he wouldn't even look me in the eye from embarrassment. After that jazz wasn't a priority for me until years later. Had I received just a modicum of encouragement from him, I might have delved into it and could have become a young jazz artist in my own right. The feeling crushed me inside, which was unusual for me to be so easily emotionally shaken by ANYTHING. Since then, anything I had heard him play got switched off...I did continue to listen and learn from others, like Coltrane, Porter, Peterson, and others. But, I ALWAYS used that memory to drive me to excel.... That's how I channeled my Darkside. Now, I'm 52 and doing it on my own.... ALIVE and still kickin'! So....As I said, it's about those brief moments when paths cross that when it's nothing to you it could be EVERYTHING to someone else. Fist impressions are the most profound and last longer. Ya dig me?
![Wynton Marsalis - Jazz in Marciac 2009 [extended film]](http://i.ytimg.com/vi/6Y9ow_0y9tI/mqdefault.jpg)
![Wynton Marsalis - Jazz in Marciac 2009 [extended film]](/img/tr.png)
![New Orleans Swing JazzⅣ✨[1920s, Vintage, Big Band] Beginning of Jazz New Orleans](http://i.ytimg.com/vi/Q2r4qlzCeEs/mqdefault.jpg)
Ryan’s small solo was insane. Wyntons sound has a lot of pop and sizzle to it, and his ideas are really all Wynton. Love it
His ideas are actually everybody else’s. His uniqueness is just putting them together totally logically and with swing and almost unmatched technical skill. But he doesn’t do anything original and I doubt he has a single follower in the Armstrong, Young, Parker sense.
I like that.
@@jwmc41 I have no clue what your talking about, but ok.
Amazing sound; the trombone kind of reminded me of a floppy surfboard haha
i didn't realize trumpets play themselves, thank you for the wisdom
They all played wonderful , Wynton’s embouchure is a thing a beautify 🎼🎺
Of course Wynton is great as usual, but man, that trombone solo was so killin
Right? The way he carried on the last lick of wynton's solo and incorporated it into his was so smooth
From his first notes on the solo.. I was like "maaaaan this is gona be good"
Right, he took his time and drew you in!
The epitome of swing music! I just noticed I am tapping my right foot to while watching 😁🎵🎷🎺🥁
0:46 watch the trumpet section throw their plunger mutes lol
5:46 to 6:30 is one of the most interesting choruses of Perdido I've heard! Well done, Wessell Anderson.
Meu Deus!!! que feliz é poder ver esses grandiosos músicos!!
wyntons licksssss, are SOOOO GOODDDD BROOOOO
Superbe top Classe d’élégance musicale Totale merveille joliment Merci
One of Duke Ellington's classics
Ron Westray! ❤playing a super-swinging riff at 3:40... business as usual for such a superb musician.
Beautiful jazz Thank you
Blissful!! I am transported!
Wynton is excellent,buddy.
Marcus Printup - trumpet Ryan Kisor - trumpet Seneca Black - trumpet Herlin Riley - drums, tambourine Farid Barron - piano Rodney Whitaker - bass Wayne Goodman - trombone Ron Westray - trombone Wycliffe Gordon - trombone Victor Goines - tenor sax, soprano sax, clarinet, bass clarinet Ted Nash - alto sax, soprano sax, clarinet, flute, piccolo Wess “Warmdaddy” Anderson - alto sax, sopranino sax Walter Blanding - tenor sax, soprano sax, clarinet Joe Temperley - baritone sax, bass clarinet
Wow, bass player! So melodic!
Wynton is well swinging like Rex. Old time feeling of shadow boxing.
Chuck Conners recorded "Period" with Duke . He was from my hometown ! He played briefly with Mercer in the orchestra along with Barry Lee Hall !!
Ryan Kisor always looks pissed and over it lol
That comment made me laugh, so true. That's why we love him!
5:46 that sax solo was awesome, some very outside ideas but still has that classic jazz feel.
Swang Band!! Bottom of 2022, gonna see what’s gonna be, on 3,,,,😂,, this is my release an therapy, didn’t mean to rhyme , but it was it time,, , dam, that was fun,,!! Thk y’all,,,
Damn!! These cats swing!!
Ok, Warmdaddy swings so hard... damn 🔥🔥
My right foot is gone....
My both are dancing
this alto player is sick!
Who is the alto player?
@@stevebritt4323 Wes Anderson! He's a phenomenal player and teacher.
@@presidentmocha I hear he makes movies on the side
Show de bola
like I've never heard it ...... love it !
Composición del gran maestro Duke y Don Juan tizol nacido en mi querido Puerto Rico.🇵🇷🇵🇷
Magnifico!!!
Que hermoso!!!!
That trombone solo though!
Hope you're enjoying my comment My favorite
beau!!!!!!!!!j adore
Can anyone put this song on Spotify? Pleaseee
Elegance and class
just Bravooo!
Anyone know where to find this full concert?
Oh Wynton! what on earth are you doing?
demasiado
Honey Bear RIP played with Mercer ! That cat could blow !!
There is none better than Wynton
O que ele faz no trompete com apenas 3 pistos, muita gente no saxofone não faz.
Good😍😍
cara tocamuitoooo
It don't mean a thing if it don't have that swing!
Applauso tiepido alla fine del solo del trombone (?)...applauso chiaro e deciso alla fine del solo del sax (?)
Is that Ron Westray on trombone?
+timthesav yes Ron & Wycliffe
Rodney Whitaker. Detroit!
I was actually just taught by him
He's so fine.
no cap
🌿😊💕🌱
"Perdido"
Dame ésa navaja Álvaro
Thats swinging
🙂🌸💚🍒
3:18
Winton is the best
*Winston
Austin Casey **Wynton
*wycliff
It`s Wynton, without s, and with y
Cees defranco *Wyoming
1:26
Ta bueno
Who is the alto saxophonist?
Is it not Sherman Irby, when he was still young and thin?
Antonio Vergara it's Wessell Anderson I think
yes def wes
0:48
0:48
0:48
1:03
1:03
1:03
Trombonist’s name?
sobrado...
Awanta mesi
Who is the bassist?
Dxxgx Bass Rodney Whitaker.
First
Do I hate Mars Bars
+The V That's a good idea.
Band plays great, but the soloists (in this and other tracks) sound a little awkward as they struggle not to play in styles ahead of the Duke era.
Will Moffett I get what you're saying, Will.
Finding the line between authentic reproduction of the idiomatic (harmonic, rhythmic, intervalic) color of Duke's soloists but not adhering to them, by playing more modernized lines (avoiding becoming a "period" band) is what JLCO strives to do, in my view at least.
From my perspective, this might be the goal/result if Duke hired his band today...
Like everything ...except the song; I think 03.00 minutes is enough.
It’s jazz music. It’s about the improvisation. Go listen to dance band music (not dissing dance music, I love it) if you want 3 minute charts
Wayne Bergeron est mon trompettiste préféré
So what!!! I don't see him on this clip. So why are talking about him? Idiot
А
You can't duplicate the Duke
they weren't trying to. that's what's so beautiful about it.
don't think there're trying
The man has definite talent, but I don't feel him at all... I had a bad experience when I met him. Turned me off his music for years.... About 26 to be exact. Only goes to show that MOMENTS in life with other people are peculiar. You may think it as nothing and have forgotten it..But the what you say and do can have profound and long lasting impact on someone else's life.
Miles Davis was a disrespectful person. He never hid that. I don't respect him as a person, at all... but I feel his music.
With Wynton, people who don't like him for some personal reason can never seem to separate those bad feelings from the soul of his music. And often times they'll say its something musical when it in fact has nothing to do with music at all. I'm just pointing out an observation.
@@AustinCasey Let me tell you briefly exactly what happened.
I was a young up and coming music producer say the time who was very well versed in many different genres. I play guitar (main instrument), bass, keys and drums and drum programming. I started out in rock/metal, reggae, and soul but had branched out into R&B, Smooth Jazz, country, you name it. I had an impressive studio and live resume as a music director and producer, as well as a session player. As I had studied intensively for since 14. By the time I was 26, I was doing radio promos, regular shows and was working with many local groups as and bands as a producer in the early 90's who had the burning desire to transition into Bebop, rag, and swing...
I was working as a chef/food specialist on Amtrak...A wonderful job that took me all over the nation. I loved it! One day, Winton came on board and was riding to Virginia, I believe, and a senior colleague had told me that he spoke to Winton about me as he was impressed by my level of talent (as he had heard many of my demos and other works). He came to tell me that he arranged for WM to meet with me for advice. I was ever so greatful and ecstatic, though I was never "starstruck" with anyone (except for Jesse Johnson of the Time. My idol at that point. Lol!). Now, understand, as a Black man, I was a bit out of the ordinary in my fashion sense, even considering the general punk-funk, and heavy rock movement at the time. Long hair in a top knot, earrings, the whole nine yards. So, I straightened my chef coat and went to see him. I went to his roomette, knocked and waited for his invite and entered. I politely and professionally introduced myself and told him of my career status and future goals and had asked for advice on learning his style of music to add to my already deadly arsenal.... The man just stared at me... He looked me up and down, rolled his eyes then said quite plainly, rather apathetically, that I "should stick to hip hop because it was easier" for me.... That "jazz would be too difficult for me to LEARN"... He said it like I was some kind of idiot who would never understand the intricacies of the art form.
I was stunned and insulted...livid with fiery rage! I straightened up and looked him in the eyes and said, "I regarded you as a GREAT... A man from whose knowledge and wisdom I thought I could grow from. I am a multi-instrumentalist with a pretty good budding career. I come to you for advice and this is what you tell me?!!".... "You know what?... You keep tooting that horn! I like your brother's work better anyways!" I slammed the door and cussed vehemently as I walked away! The crew had heard what happened, even the conductor, and someone confronted him about it. Needless to say, I had seen once more on that trip and he wouldn't even look me in the eye from embarrassment. After that jazz wasn't a priority for me until years later. Had I received just a modicum of encouragement from him, I might have delved into it and could have become a young jazz artist in my own right. The feeling crushed me inside, which was unusual for me to be so easily emotionally shaken by ANYTHING. Since then, anything I had heard him play got switched off...I did continue to listen and learn from others, like Coltrane, Porter, Peterson, and others. But, I ALWAYS used that memory to drive me to excel.... That's how I channeled my Darkside. Now, I'm 52 and doing it on my own.... ALIVE and still kickin'! So....As I said, it's about those brief moments when paths cross that when it's nothing to you it could be EVERYTHING to someone else. Fist impressions are the most profound and last longer. Ya dig me?
@@dethbolt000 really?
@@dethbolt000his brother has a great sound it's true
Wow 🤓🥁👍🏼