I already knew what timecode was, thank you. The lack of detail here is a bit of a concern. I'd also argue that you can't just jam sync your cameras and hope they'll stay in time. You really need timecode continuously connected which is why devices like the Tentacle Sync and the Deity Sync exist. To me the timecode feature is useless if I can't jam sync the RodePro to an external source. I don't want it to be the master clock, I want my audio to be a slave. I'm happy that it will stay in sync as it has a very accurate crystal locked clock inside. Can Rode comment on whether the Rode Pro can be a slave rather than the master?
We really need to be able to jam sync the transmitters. Otherwise it's useless in a workflow for timecode users. I need to be able to sync to multiple devices and jamming multiple cameras throughout the day and relying on the internal clock is just not worthy of calling this a timecode enabled device.
1. 123.5 dB SPL 2. We recommend resyncing timecode with cameras and other devices via jamsync about once every 4 hours to avoid drift. 3. We don't publish a latency spec because it can change depending on a range of factors, but for the GO IIs it is usually described as "mid-single digit miliseconds". It's very low due to a proprietary codec built to reduce latency. You'll find it is significantly lower than that of our competitors in this category.
@@rodemic Thank you. 1. I get it. 123 dB SPL for internal mic. What dBu value for external sources? 2. I get it. 1 frame for 4 hours. How/when RX timecode is updated? 3. I have never noticed the latency of your 2.4GHz systems is dependend on conditions. I dare to claim it is constant and a value can be published.
Interesting, however: The feature is portrayed quite positively, but it fails to paint a comprehensive picture. If the timecode is output through the regular audio jack, you lose the ability to output both audio channels separately, as one channel will be occupied by the timecode signal. While you can synchronize the camera at the beginning as shown in the video, and subsequently record both channels separately, it's important to remember that the camera's timecode might drift over time, and the Blackmagic cameras demonstrated in the video seem to completely forget the timecode after being powered off and on again. Therefore, meticulous attention is required to maintain synchronization. While some might argue that the camera's audio recordings only serve as a reference, given that the 32-bit float recording is used in the end, it's worth noting that if the onboard audio from the external microphones is already being recorded by the camera, it's just as easy to sync the entire internal and external audio using audio cues in Resolve. In this context, timecode doesn't seem entirely necessary. This brings me to the next point: integrating this system into other timecode setups is not very practical. Don't misunderstand me; I do see the value and importance of this feature as a step in the right direction. However, it appears that it might not be entirely complete and seamless at this point. Have I missed something?
Sadly the real issue here is that only occasionally jamming doesn’t address drift when matching clips (start in sync and drift out over time). This timecode functionality could be amazing IF the system allowed maintaining full TRRS output capability while the USB allowed an analog LTC output (and separate USB power input), or ideally also allow LTC input to jam the Wireless Pro from the internal camera clock as the master to both allow quick changes of frame rates while in the field, but also to allow use of the battery saving plug-in power control they implemented in this system which otherwise can’t be used when this unit is the master clock.
I had an issue on my blackmagic p4k, but was only after the 32 bit files and syncing later to my ref audio in camera. I found that it was impossible to monitor well because of the TC audio screaming in my ear. The TC def drifts with jam sync and I can't trust it, HOWEVER I found that if I leave the plug connected, the P4K accepted the ext TC and will not drift as long as it's connected. Then I decided to turn off the right channel in camera so that I didn't have to hear the TC modulating through my headphones. I just decided that with the p4k I don't need to burn in TC on the audio channel. As long as the cable is connected, both TX's and the camera files will still write the same TC metadata! Even when you power down, once you boot up, the TC jumps back to keep the RX and camera in sync with the cable connected. Hope that made some sense :)
@@brown2840 That absolutely makes sense 😄, but you do realize it's not as convenient and comprehensive as it could or should be. I've read so many comments from people here who want to invest now because they've been wanting Timecode for a while, but I have to unfortunately say: this device doesn't replace a Timecode Generator for a production that goes beyond what this device offers. Don't get me wrong, I think the feature is great, and I can imagine many people expecting much more from it than it actually is. The promotional video, in my opinion, communicates something much larger than it truly is.
The main question for me (and many professionals) is still: can I jam synch timecode into it and use my field recorder as a master clock? Because right now it seems to be the cheapest prosumer solution for wireless audio and If I can record and monitor both transmitters by connecting receiver to my field recorder while they have a 32 bit float backup track recorded internally along with timecode, that would be huge as prices for other such solutions are currently astronomical in some cases
Fellow 'professional' here also wanting to know if we can jam sync the Wireless Pro with another timecode master device (e.g. Deity TC-1, which I have invested in quite heavily). The timecode feature in this Wireless Pro is effectively useless on multi-cam sets, most cameras being used by the target audience of this product do not have gear that can be jam synced, and even if they are using cameras that can be, they'll have TC drift to contend with which is not fun. What would have made SO much more sense would be adding integration with something like the Atomos bluetooth TC system, or allowing the Receiver to be jammed with another TC generator/master. If this is indeed possible, then that would be incredible - as you effectively need 2 less TC boxes on set, for the 2x lav recorders. Let's wait and see what Rode come back with.
@@joeunsworth they made q&a vid, no option for making it a slave, only works as a master clock, which is sad, but I guess for the price, it is what it is. 🥲
Awesome! 3 quick questions : 1. Is the internal timecode clock using a Temperature compensated crystal oscillator? 2. What is the accuracy of the timecode clock? 3. Can the timecode be jam-synced with an external device like the Tentacle Sync e? thank you.
Looking forward to the next video! A few questions: 1) is it possible to jam sync multiple Wireless PROs together? Or, more generally, can the Wireless PRO itself be jam synced from an external source? 2) Can we get a Timecode Mode where the Wireless PRO outputs just the headset mic + timecode to its stereo output? My plan is to use a TRRS splitter cable to separate out the mic input channel, feed a VideoMic NTG into that, and then use the stereo output back into the camera's input. So the camera's output video has VideoMic (left) and timecode (right), and then I combine that with the timecode-striped backup recordings from the transmitters. 3) Building off #2, it would be great if that functionality was built into its own cable, as a variation of the RODE SC11
It should have bluetooth timecode sync too, like the Zoom F8nPro, F2BT and Tascam X8 recorders do. That would have made it easier to incorporate into larger multi camera and multi audio channel recorders setups. Two decades Rode user here.
Yes, these products really should include Bluetooth. Then, you could sync via Bluetooth but more importantly for me, you could connect to them wirelessly and change settings from the app on your phone. This would be extremely useful given the extremely limited buttons and menu on the device themselves. I switched to Hollyland Lark Max for this very reason and bwi g able to change all the 2x Transmitters and 1xreceivers settings from the one menu on the receiver using the touch screen and dial is game changing for this type of system. While I would love timecode (not fussed about 32bit float, 24bit is more than good enough) I just can't go back to Rode's system of having to plug each device into a smartphone or laptop just to change a few settings. I'd suggest Rode make a 'Pro' worthy receiver that had all the features of the current Wireless Pro receiver but had bluetooth and a full menu and dial more like what the Lark Max has. Then I would happily switch back to Rode!! The app would also have to allow multiple Wireless Pro systems being synced from the same phone app so more than two Transmitters and one receiver could all be in sync for multicam jobs.
This woman is so consistent I almost thought it was AI generated... 😶 Glad they added timecode. But there's something off about this implementation. I'll stick to my other timecode units.
So hear me out… imagine a firmware update that lets the user turn one of the TX units, if not in use, into a SECOND master clock with matching timecode to output timecode to another camera. I bought this set excited about the idea, but I realized that I can now sync my 2 lavs, FX3 (jammed from RX), mixpre-3ii (jammed from RX), AND and A7S3 (RX attached outputting audio timecode). Before I couldn’t use timecode at all really, just syncing FX3-MixPre… but the wireless pro is a no brainer since it doubles as a master clock and actually makes timecode something I can use (wedding / event multi cams). I was looking at the diety TC-1 box, but then imagined having the ability to convert one of the TX units into a timecode box essentially. Not sure if that 3.5mm input can double as an output, or maybe the usb could, but hey that would be a killer feature if someone only needs 1 lav mic, but wants to sync an extra camera! @rode
This is great news, my only wish would have been the ability to add additional transmitters, I often need them for 3 to 4 people, so have to use two sets.
They would have to put 4 RX inside a unit. That could mean 4 separate mono transmitters or 2 stereo transmitters which would be cool but that a totally different product for 2x the money.
I wish I could review it. These are exactly the features I was hoping for and that I suggested to Rode when they asked what we wanted in a new version of the WirelessGo II. Excited. I hope it is possible to jamsync the Wireless Pro as well, in case you have more recorders/devices.
I just bought a Wireless Pro, impressed by the responsiveness and quality. How do I use the Wireless Pro's TC function to make sure two of my Sony A7 IV cameras plus a Go Pro 12 are synced for multicam sequences? Thank you.
Hey there, if your devices accept timecode from an external device, they will be able to jamsync with the Wireless PRO. The manuals for your devices will be able to show you how to do this if it is possible. More info on the Wireless PRO's timesync featue here: rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
I would love to see a video from you guys, synchronizing TimeCode using Sony cameras. I use FX3 cameras. If work, I’ll buy at least 2 of these. Thank you.
You can jam sync the Fx3. You should have Timecode in the menu and you will set it to external. Or something similar. I’m sure there is a video on RUclips out about it
This is cool, but in practice, it really only helps with syncing a single camera to your transmitters’ internal audio. It won’t help with synchronizing multiple cameras together like a Deity TC-1 or Tentacle Sync would. Jam syncing is unreliable on most prosumer cameras. The Panasonic GH6, for example, loses sync the second it’s powered off and needs to be jammed again. Now, if you were to sell a standalone add-on device that could receive timecode from Røde Wireless PRO transmitters, and constantly jam it to a camera, that would be interesting.
jam sync would be enough for me - to just sort the clips on day time and let audio sync handle the rest frame accurately. But how to jump sync on a sony fx3 of fx30 with these devices... Secondly: a major issue I am looking out for is to be able to use a short cable lavalier. Nice to have a lock but I want to hide the unit on the inside (of a jacket or something) and a good lavalier on the outside and not worry about the cable (rolled up tucked away, always a hassle). 15cm cable would do.
Hey there! I'm also a newbie when it comes to using Rode lav mics, and I'm really curious about how to achieve that crisp and perfect sound . If any experienced Rode users are watching, could you please share your insights on the best settings and techniques I'd love to know the recommended microphone gain, recording levels, or adjustments you find crucial to getting that crystal-clear audio quality. Any advice on mic placement, recording environment, and post-production processing would be super helpful for beginners like us. Let's learn together! 🎤🔊😊
Hey Rawfa, congrats on starting your audio journey! There are quite a few videos on this channel about these topics-if you've got any specific questions, let us know. There's always our online community (discord.gg/9RkVJ43qXk) as well. Good luck! 🙌
Would love to know if you can jam sync a camera using a 3.5mm to BNC cable plugged into a dedicated timecode port. That would make this even more useful.
Hi there. It is possible to link not just two but four transmitters to have the same time code synchronized at the same time?? I mean to have them connected in 4 cameras simultaneously…
I'm new to this and was wondering what am I missing: to all pros mentioning about limitations of this system; why can't you synch the Rode units first and use the timecode FROM that to jam TO your other masterclock(s) (which Rode DOES support) and chain to other units? Why do you need to jam INTO Rode (which it DOES NOT support) the timecode from your other TC system or masterclock that you use on your pro sets? I'm trying to learn so please no smartass comments, thanks. Obviously I'm missing something, but what?
Hi people from Rode, another addition to the app, if your phone can show a timecode via Bluetooth, your camera 2,3 or 4 can record when you start recording and then later add the timecode to that frame in the meta data. is also a kind of jamming without new hardware.
Wow! The only problem I have with you at Røde is my own budget. It is not in sync with all your new good products!!! This one I hope will replace my Wireless Go II one day. Also I have a wish/dream. That you an Nikon could talk to each other so that Nikon allows digital audio in through the USB-C ports … if it is physically possible in current cameras … and so they plan for it future cameras.
Quick question is anybody has the ability to answer: I want to potentially hook up my Rode NTG-5 boom into the receiver of the Wireless Pro system, and based on what I'm reading you can use the audio jack on the receiver to do this. Am I correct or is this not actually possible? It seems that it can only display two audio signals, so would instead have to daisychain the receiver into another audio mixer, and put the NTG-5 into that?
Hey there! Currently, we don't have a way to connect mics that require phantom power (like the NTG5) to the Wireless PRO. However, the VideoMic NTG does work as it can connect via a 3.5mm output and doesn't require phantom power to work.
As far as I know, Premiere cannot sync based on audio timecode. Not sure how to solve that without an additional workflow step to convert audio timecode into metadata. Also, I feel it should be said 2 things about jam sync: 1) In general, the internal clock of cameras (even high end ones) is not frame accurate over more than 1 or 2h. And 2) Not all cameras can accept a jam sync. None of the Canon mirrorless accept that for instance. Not even the A7S3 would accept. But the Pocket cameras do…
I mean technically the R5C can like the FX3, FX30, GH5S, GH6, S1H, S5mkII all can. However all your points are extremely valid and this “timecode” if we can even really call it that in this implementation is very booked without a dedicated output that doesn’t take up your clean analog out.
Look amazing, simple question. If I use that jam signal, would I still be able to plug a mic on top of my camera and record internally ? Should I get an external record for that ?
From what they said I am guessing it is going to be different modes essentially. Mode one: same as wireless go 2 where signal is wirelessly transmitted to the camera and backups are recorded on the transmitters in 32 bit float (signal that is fed into the camera is normal 24bit 48khz, because that is the recording format of the camera. One microphone is in the left ear, another one in the right ear) Second mode: left ear of the camera is microphones from both transmitters combined and right ear is timecode synchronization. That way your camera audio becomes "scratch audio track" essentially just for reference in the editing process, but good enough if your main audio is lost. Your main audio in this setup is recorded on the transmitters in 32 bit float, so you have to download it individually on the computer. Short summary: use option one if you want everything to be recorded into camera and use audio recorded on transmitters as a backup audio in case it clips in camera or wireless signal drops off. Use option number 2 if you have multiple microphones and cameras that need to be individually edited in post or if you want to primary use 32bit float files
Having an issue shutting off the timecode audio on my Sony FX3 to be able to monitor with my headphones. I set the audio monitoring to ch1/ch1 like she described at 4:40 but still hear it. Any help would be appreciated
Hey there, we've got a more indepth tutorial here on setting this up with the FX3: ruclips.net/video/unGoOIdgHig/видео.html If you're still experiencing issues after watching that, feel free to get in contact with the creator of your camera, or get in contact with RØDE's friendly support team here: rode.com/en/support/contact
we use different timecode gens, they all drift.... we noticed that you always get drift frame, so our best practice is not to disconnect the timecode gen,, for example the Blackmagic cameras drift y 2 frames after just 5 minutes, so in rode case we may as well be reconnection after ever take/5 minutes. How accurate is the internal clock on these pros .
Hey there- we actually created a tutorial for this which you can find here: edge.rode.com/pdf/page/2218/modules/9192/Wireless%20PRO_Timecode%20Guide_Davinci%20Resolve%2018-5.pdf For more on using the Wireless PRO, check out the full user guide: rode.com/en/user-guides/wireless-pro
Is it possible to jam sync with an audio recorder that has timecode capabilities? For example, I want to teach my student how to use timecode with the Wireless Pro and jam sync it with the Zoom H4N Pro. Thanks!
The Wireless PRO doesn't receive timecode, it only generates it - this means it can be used to jamsync with any other timecode devices, cameras and audio recorders that are able to have their internal clock synchronised to a source device, such as the Wireless PRO receiver. For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
If I have to constantly switch framerate on my camera from one take to another (action at 100fps vs interview at 50fps), will there be any issue letting the rode timecode framerate to 50fps for example ? Thanks in advance for the answer
The Wireless PRO doesn't receive timecode, it only generates it - this means it can be used to jamsync with any other timecode devices, cameras and audio recorders that are able to have their internal clock synchronised to a source device. This includes many professional timecode devices. For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
So if I have 10 seperate video clips, and 10 seperate audio files recorded on an external recorder, with timecode into the camera with the audio timecode from mic in on a mirrorless camera, and I bring all of the clips into the timeline of DaVinci, and select "sync using timecode", do I have to individually select each video clip and the corresponding seperate externally recorded audio clip?
Hey there Rick. In the example you described, it depends on your setup and whether the audio files recorded on an external recorder are synced with the timecode from the Wireless PRO. Some external recorders will allow you to sync with timecode from an external source. If you're using one of those, and you've jamsynced your recorder with your Wireless PRO prior to shooting, you'll be able to sync your files in DaVinci Resolve. You can learn more about using timecode in our user guide here: rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
@@rodemic so if I did it the way you're describing, I can batch select all 10 video clips and all 10 audio files, and it will sync them together properly?
Hey @SyafiqIkhwan - you can! Set your timecode to "on" and use timecode mode 4. That way your phone will record your timecode, and you can still use headphones in your Wireless PRO for monitoring. This will record timecode to your video's audio track, so you will need to edit it out in postproduction.
Hey there- we aren't able to help with all 3rd party devices, but you can read more about the Wireless PRO's timecode functionality here: rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
I am getting some slight syncing issues between my camera that records in 23.976 and the rode recordings. Is this because the RODE Pro is only capable of setting itself to 23.98?
Hi there! We'd recommend getting in touch with our service team about this one- you can contact them at rode.com/en/support/contact and give them all the details about your setup and problem, so they can find a solution for you.
@@rodemic Is there also any way to record timecode, 2 rode pro lav mics and the rode video mic ntg all at the same time if my camera only has two audio channels?
So if I turn on all 3 units within range, the TX units will start to generate timecode. If I then immediately turn off the RX while still in range, will the TC on the TX units continue to free run?
Yep. For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
What happens if signal is lost from TX to RX is the timecode lost? I am always recording in Las Vegas Convention center with heavy wireless interference.
You sync them when you get started everyday or before every shoot, however often you film I guess. They run on their own after that. You wouldn’t want Timecode updating wirelessly in the middle of filming.
The Wireless PRO doesn't receive timecode, it only generates it - this means it can be used to jamsync with any other timecode devices, cameras and audio recorders that are able to have their internal clock synchronised to a source device- many professional timecode devices are capable of this. For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
How in the world can you monitor with headphones while also using TC connected. I can't turn off the right channel in my p4k, so tat TC noise is always in my headphones.
Hey there, if your camera supports jamsync you could sync up the timecode and then monitor your audio like normal. If you've got more questions feel free to reach out to our support team here: rode.com/en/support/contact
@@AllThingsFilm1 I think what he meant was, is there a way to replace the old cell, when the cell actully dead and not able to charge up again after years of use
The answer is no - they cannot be synchronized with each other. The Wireless PRO cannot accept an incoming timecode to sync to, so you can't connect them together. However, the WIPRO does use Time of Day timecode. This time is updated when connecting the units to RODE Central. This means if you have two WIPRO systems, and connect the to the same RODE Central (e.g. to your phone at the start of the shoot), then whilst they won't be perfectly synchronized, they will be accurate with each other to within about a second.
Hey @ximerx, as you can see in the user manual the framerates of the timecode feature on the Wireless PRO can be used for multiples of that framerate, i.e. the 30fps setting can be used for 60fps recordings, 25fps can be used for 50fps recordings, etc. rode.com/en/user-guides/wireless-pro#:~:text=loud%20timecode%20signals.-,Frame%20Rate,-Before%20you%20record
amazing how these AI presenter now gently look real, a bit stiff tho, but quite realistic look 😂 but joke aside, that kit and its improvements are really impressive!!! especially considering the price and content of the box, can't wait to see it in real life
@@flochfitnesstentacle sync e mk2 runs for like 400? Still the only option for audio operators that work wirelessly from a camera operator because of drift and battery changes
Sadly though while on the surface these sound amazing, it’s TC is pretty borked from a professional perspective. Definitely disappointing considering how amazing it would be if it just has a way to get dedicated TC out AND in with the ability to jam off other devices.
You can choose to generate the Wireless PRO's timecode in ‘real time’ or as a ‘continuous’ mode in which you select the start point. Real time mode reflects the actual time in your region (determined by the ‘Clock and Device Time’ section in RØDE Central) and will be displayed as 24-hour time with seconds and frames in the format HH:MM:SS:FF. For instance, “14:34:42:12” represents 2:34pm, 42 seconds, and 12 frames. If you disable real time, the Wireless PRO’s timecode will instead start continuously counting up from a particular moment, which is established by hitting the ‘Reset’ button in RØDE Central. For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
Audio timecode doesn't work with premiere pro, only Da Vinci resolve can handle it. If you put that noise into the video file, that is an audio timecode.
That's correct. However, we have created a document with information on how to use timecode in a Premiere Pro workflow, which involves downloading DaVinci Resolve, and just using it to create a synced timeline in an XML file you can use to import into Premiere and edit with.
Why is it every time I finally by rode microphone you come out with the microphone I want soon after? Now I can’t afford this because I just bought a wireless system
Not accurate actually. Timecode has to be supported by the camera itself for Rodes method of "plugging and unplugging". They are using a blackmagic camera which supports timecode jamming. Cameras like the A7sIII, Panasonic S5, Canon R6 or R5 don't support that. Plugging it in and unplugging it doesn't jam the cameras because they don't recognize timecode inputs. Rode isn't saying this and they are promoting this as a timecode solution when in fact, it's not. This is a great wireless transmitter but not a great timecode device. @@daniel_grachev
While how accurate a cameras internal clock is isn't Rode's problem, if anyone at Rode had ever actually used a Blackmagic Pocket, they would know that if you jam sync it Timecode and then unplug the timecode source, the cameras clock will drift by a frame or more even after 5-10 minutes! What those at Rode are demonstrating here for jam syncing multiple cameras definately won't work with the cameras they are using for the demonstration!!
Unfortunately without a full time LTC output over USB to a standard BNC in addition to a manual level isolated (or all possible audio output modes) output over the TRRS jack makes this effectively useless in any pro environment with a camera that actually has TC. At best this is a solution currently configured for cameras without TC and for sets that aren’t already using TC across cameras. @Rode, please listen to all us pros and give us at minimum full time LTC and isolated channel 1 and 2 output out the available ports with ideally the option to jam the Wireless Pro’s clock input as well (full time auto jam to an input signal). You already have all the capabilities for this (aside from Jam In) as demonstrated by the available modes, it’s just not programmed or implement in firmware.
399 usd, full pack with two lavs etc etc, its for beginners not for you PRO. go buy something else pro there are plenty of pro TC gear for thousands, pro people have money to spend, you re not pro@@TheTechnoPilot
@@zbyszekolko3998exactly! All my “pro” gear I just run 3.5 to BNC. No biggie and I can do it with the cheapest or most expensive external Timecode gear. This unit is PACKED with professional features.
It´s kind of ironic that the audio in this video is either not fully synched to match the hostess´s voice or that they used another woman´s voice for a voiceover. Sounds like the latter to me 🙃🙃🙃
One thing that this model doesnt have is advanced timecode, since it cant receive timecode from other serves. That means its timecode is isolated from a network of other equipment on a film set that also uses tiimecode. Please, Rode... do the homework. We're not using just one set of mics. That's basic ... for basic users. So, dont say advanced timecode system. It needs to be able to receive, usually via bluetooth, timecode from another server (Even from another rode pro set of mics). I am excited with the 32 bit float capability, but I'm totally disappointed with the timecode feature. The timecode feature of this model was developed by someone with very narrow knowledge in this area. Shameful.
Sadly I massively agree, I feel like no one working on the timecode portion of the product ever worked on a professional timecode based film set. So many stupid aspects that I would have caught on day one of the planned feature discussions and I’m not even a sound tech. This had so much potential, but is let down by shear ineptitude.
Here to +1 this. I got mine today and the timecode is basically useless. Luckily the rest of the kit is well worth more than the $400 price tag (got mine brand new on eBay for $300 so idrc either way lol)
Hey Danny! As per the Wireless PRO user guide: "If your selected frame rate is higher than those available in the below list, select the option that divides perfectly into your project’s frame rate (e.g. when shooting in 47.96fps, choose 23.98fps)."
Stay tuned for more updates on Wireless PRO including a walkthrough guide for the individual timecode modes soon!
I already knew what timecode was, thank you. The lack of detail here is a bit of a concern. I'd also argue that you can't just jam sync your cameras and hope they'll stay in time. You really need timecode continuously connected which is why devices like the Tentacle Sync and the Deity Sync exist. To me the timecode feature is useless if I can't jam sync the RodePro to an external source. I don't want it to be the master clock, I want my audio to be a slave. I'm happy that it will stay in sync as it has a very accurate crystal locked clock inside. Can Rode comment on whether the Rode Pro can be a slave rather than the master?
can the frame rate not be set on the unit itself?
@@Mintysedenagreed, this is also a MUST! Computer or app control only of this is UNACCEPTABLE!
@@mondotv4216Hear hear! I can’t emphasize this highly enough!!!
We really need to be able to jam sync the transmitters. Otherwise it's useless in a workflow for timecode users. I need to be able to sync to multiple devices and jamming multiple cameras throughout the day and relying on the internal clock is just not worthy of calling this a timecode enabled device.
Please publish some essential spec's:
1. Max input level.
2. Timecode accuracy and what is the source of ToD
3. Latency
1. 123.5 dB SPL
2. We recommend resyncing timecode with cameras and other devices via jamsync about once every 4 hours to avoid drift.
3. We don't publish a latency spec because it can change depending on a range of factors, but for the GO IIs it is usually described as "mid-single digit miliseconds". It's very low due to a proprietary codec built to reduce latency. You'll find it is significantly lower than that of our competitors in this category.
@@rodemic Thank you.
1. I get it. 123 dB SPL for internal mic. What dBu value for external sources?
2. I get it. 1 frame for 4 hours.
How/when RX timecode is updated?
3. I have never noticed the latency of your 2.4GHz systems is dependend on conditions. I dare to claim it is constant and a value can be published.
Interesting, however:
The feature is portrayed quite positively, but it fails to paint a comprehensive picture. If the timecode is output through the regular audio jack, you lose the ability to output both audio channels separately, as one channel will be occupied by the timecode signal. While you can synchronize the camera at the beginning as shown in the video, and subsequently record both channels separately, it's important to remember that the camera's timecode might drift over time, and the Blackmagic cameras demonstrated in the video seem to completely forget the timecode after being powered off and on again. Therefore, meticulous attention is required to maintain synchronization.
While some might argue that the camera's audio recordings only serve as a reference, given that the 32-bit float recording is used in the end, it's worth noting that if the onboard audio from the external microphones is already being recorded by the camera, it's just as easy to sync the entire internal and external audio using audio cues in Resolve. In this context, timecode doesn't seem entirely necessary. This brings me to the next point: integrating this system into other timecode setups is not very practical.
Don't misunderstand me; I do see the value and importance of this feature as a step in the right direction. However, it appears that it might not be entirely complete and seamless at this point. Have I missed something?
Sadly the real issue here is that only occasionally jamming doesn’t address drift when matching clips (start in sync and drift out over time). This timecode functionality could be amazing IF the system allowed maintaining full TRRS output capability while the USB allowed an analog LTC output (and separate USB power input), or ideally also allow LTC input to jam the Wireless Pro from the internal camera clock as the master to both allow quick changes of frame rates while in the field, but also to allow use of the battery saving plug-in power control they implemented in this system which otherwise can’t be used when this unit is the master clock.
I had an issue on my blackmagic p4k, but was only after the 32 bit files and syncing later to my ref audio in camera. I found that it was impossible to monitor well because of the TC audio screaming in my ear. The TC def drifts with jam sync and I can't trust it, HOWEVER I found that if I leave the plug connected, the P4K accepted the ext TC and will not drift as long as it's connected. Then I decided to turn off the right channel in camera so that I didn't have to hear the TC modulating through my headphones. I just decided that with the p4k I don't need to burn in TC on the audio channel. As long as the cable is connected, both TX's and the camera files will still write the same TC metadata! Even when you power down, once you boot up, the TC jumps back to keep the RX and camera in sync with the cable connected. Hope that made some sense :)
@@brown2840 That absolutely makes sense 😄, but you do realize it's not as convenient and comprehensive as it could or should be. I've read so many comments from people here who want to invest now because they've been wanting Timecode for a while, but I have to unfortunately say: this device doesn't replace a Timecode Generator for a production that goes beyond what this device offers.
Don't get me wrong, I think the feature is great, and I can imagine many people expecting much more from it than it actually is. The promotional video, in my opinion, communicates something much larger than it truly is.
The main question for me (and many professionals) is still: can I jam synch timecode into it and use my field recorder as a master clock? Because right now it seems to be the cheapest prosumer solution for wireless audio and If I can record and monitor both transmitters by connecting receiver to my field recorder while they have a 32 bit float backup track recorded internally along with timecode, that would be huge as prices for other such solutions are currently astronomical in some cases
Fellow 'professional' here also wanting to know if we can jam sync the Wireless Pro with another timecode master device (e.g. Deity TC-1, which I have invested in quite heavily).
The timecode feature in this Wireless Pro is effectively useless on multi-cam sets, most cameras being used by the target audience of this product do not have gear that can be jam synced, and even if they are using cameras that can be, they'll have TC drift to contend with which is not fun. What would have made SO much more sense would be adding integration with something like the Atomos bluetooth TC system, or allowing the Receiver to be jammed with another TC generator/master. If this is indeed possible, then that would be incredible - as you effectively need 2 less TC boxes on set, for the 2x lav recorders.
Let's wait and see what Rode come back with.
@@joeunsworth they made q&a vid, no option for making it a slave, only works as a master clock, which is sad, but I guess for the price, it is what it is. 🥲
I’m such a newbie that I did not understand a single word you two said 😅
Awesome! 3 quick questions : 1. Is the internal timecode clock using a Temperature compensated crystal oscillator? 2. What is the accuracy of the timecode clock? 3. Can the timecode be jam-synced with an external device like the Tentacle Sync e? thank you.
Looking forward to the next video! A few questions:
1) is it possible to jam sync multiple Wireless PROs together? Or, more generally, can the Wireless PRO itself be jam synced from an external source?
2) Can we get a Timecode Mode where the Wireless PRO outputs just the headset mic + timecode to its stereo output? My plan is to use a TRRS splitter cable to separate out the mic input channel, feed a VideoMic NTG into that, and then use the stereo output back into the camera's input. So the camera's output video has VideoMic (left) and timecode (right), and then I combine that with the timecode-striped backup recordings from the transmitters.
3) Building off #2, it would be great if that functionality was built into its own cable, as a variation of the RODE SC11
It should have bluetooth timecode sync too, like the Zoom F8nPro, F2BT and Tascam X8 recorders do. That would have made it easier to incorporate into larger multi camera and multi audio channel recorders setups. Two decades Rode user here.
Maybe DJI will see our comments and listen haha
Yes, these products really should include Bluetooth. Then, you could sync via Bluetooth but more importantly for me, you could connect to them wirelessly and change settings from the app on your phone. This would be extremely useful given the extremely limited buttons and menu on the device themselves. I switched to Hollyland Lark Max for this very reason and bwi g able to change all the 2x Transmitters and 1xreceivers settings from the one menu on the receiver using the touch screen and dial is game changing for this type of system. While I would love timecode (not fussed about 32bit float, 24bit is more than good enough) I just can't go back to Rode's system of having to plug each device into a smartphone or laptop just to change a few settings. I'd suggest Rode make a 'Pro' worthy receiver that had all the features of the current Wireless Pro receiver but had bluetooth and a full menu and dial more like what the Lark Max has. Then I would happily switch back to Rode!! The app would also have to allow multiple Wireless Pro systems being synced from the same phone app so more than two Transmitters and one receiver could all be in sync for multicam jobs.
No mention of how to jam from another tc source to this system.
How do you feed timecode to the wireless go pro from say, deity tc 1?
This woman is so consistent I almost thought it was AI generated... 😶
Glad they added timecode. But there's something off about this implementation. I'll stick to my other timecode units.
Rode, I often have 3 - 4 WGII TX running, if I upgrade to two Wireless Pro (4x TX) how do I get all four in sync with each other?
So hear me out… imagine a firmware update that lets the user turn one of the TX units, if not in use, into a SECOND master clock with matching timecode to output timecode to another camera.
I bought this set excited about the idea, but I realized that I can now sync my 2 lavs, FX3 (jammed from RX), mixpre-3ii (jammed from RX), AND and A7S3 (RX attached outputting audio timecode). Before I couldn’t use timecode at all really, just syncing FX3-MixPre… but the wireless pro is a no brainer since it doubles as a master clock and actually makes timecode something I can use (wedding / event multi cams).
I was looking at the diety TC-1 box, but then imagined having the ability to convert one of the TX units into a timecode box essentially. Not sure if that 3.5mm input can double as an output, or maybe the usb could, but hey that would be a killer feature if someone only needs 1 lav mic, but wants to sync an extra camera! @rode
TX probably can not output any signal by its input.
@@zbyszekolko3998 most likely. But there’s also a usb c port on each TX, which I imagine could output timecode with the right cable
Also make a Time Code guide for Vegas Pro because it is also one of the most famous programs for creators
Nobody has used it since 2009
Maybe 15 years ago
What nonsense, he has ten times better technology than the Premiere Pro and DaVinci Resolve@@topdazzle
vegas pro, do you want cybrlink power dvd also
This is great news, my only wish would have been the ability to add additional transmitters, I often need them for 3 to 4 people, so have to use two sets.
They would have to put 4 RX inside a unit. That could mean 4 separate mono transmitters or 2 stereo transmitters which would be cool but that a totally different product for 2x the money.
@@daniellove162 yes but a 4x version would be great
ngl….I was about to purchase from DJI. Totally stoked with the TC but that 32bit float though, that’s going to change my workflow forever. 👏👏👏
Loved the wireless go 2's but these fix any any of the problems i was running into with them. well done rode
What happens with timecodes when RX and TX losses connection multiple times during recording sessions?
audio so clean
Your voice is my skincare routine.
Is there any way to jamsync 2 wireless pro systems? In Rode Central?
I wish I could review it. These are exactly the features I was hoping for and that I suggested to Rode when they asked what we wanted in a new version of the WirelessGo II. Excited. I hope it is possible to jamsync the Wireless Pro as well, in case you have more recorders/devices.
I just bought a Wireless Pro, impressed by the responsiveness and quality. How do I use the Wireless Pro's TC function to make sure two of my Sony A7 IV cameras plus a Go Pro 12 are synced for multicam sequences?
Thank you.
Hey there, if your devices accept timecode from an external device, they will be able to jamsync with the Wireless PRO. The manuals for your devices will be able to show you how to do this if it is possible. More info on the Wireless PRO's timesync featue here: rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
@@rodemic Thank you Rode, just found out the Sony A7 IV does not support automatic TC syncing through Jam sync, can only do it manually
I would love to see a video from you guys, synchronizing TimeCode using Sony cameras. I use FX3 cameras. If work, I’ll buy at least 2 of these. Thank you.
You can jam sync the Fx3. You should have Timecode in the menu and you will set it to external. Or something similar. I’m sure there is a video on RUclips out about it
Time code has been so tempting but so expensive! This device will solve so many problems for me.
Bought mine from B&H and looking forward to it shipping on release day
Maybe USB power bank?
wow, Rode had done it again... take my money now
This is cool, but in practice, it really only helps with syncing a single camera to your transmitters’ internal audio. It won’t help with synchronizing multiple cameras together like a Deity TC-1 or Tentacle Sync would. Jam syncing is unreliable on most prosumer cameras. The Panasonic GH6, for example, loses sync the second it’s powered off and needs to be jammed again. Now, if you were to sell a standalone add-on device that could receive timecode from Røde Wireless PRO transmitters, and constantly jam it to a camera, that would be interesting.
jam sync would be enough for me - to just sort the clips on day time and let audio sync handle the rest frame accurately. But how to jump sync on a sony fx3 of fx30 with these devices...
Secondly: a major issue I am looking out for is to be able to use a short cable lavalier. Nice to have a lock but I want to hide the unit on the inside (of a jacket or something) and a good lavalier on the outside and not worry about the cable (rolled up tucked away, always a hassle).
15cm cable would do.
Thank you so much mam for your packaged information.
Got mine from sweet water can’t wait till they ship them out 😍
It will be like Christmas. I preordered mine as I watched the release video yesterday before the video ended.
Hey there! I'm also a newbie when it comes to using Rode lav mics, and I'm really curious about how to achieve that crisp and perfect sound .
If any experienced Rode users are watching, could you please share your insights on the best settings and techniques I'd love to know the recommended microphone gain, recording levels, or adjustments you find crucial to
getting that crystal-clear audio quality.
Any advice on mic placement, recording environment, and post-production processing would be super helpful for beginners like us. Let's learn together! 🎤🔊😊
Hey Rawfa, congrats on starting your audio journey! There are quite a few videos on this channel about these topics-if you've got any specific questions, let us know. There's always our online community (discord.gg/9RkVJ43qXk) as well. Good luck! 🙌
Please make a video on Jam Syncing Multiple Cameras. Maybe use 4 cameras?
Can I use timecode function if I plug my old wireless go2 mics to a wireless PRO receiver? Thank You in advance for explanation.
Would love to know if you can jam sync a camera using a 3.5mm to BNC cable plugged into a dedicated timecode port. That would make this even more useful.
Yes. I have BGH1’s with dedicated Timecode BNC ports. Anything else has always worked that way for me.
Hi there. It is possible to link not just two but four transmitters to have the same time code synchronized at the same time?? I mean to have them connected in 4 cameras simultaneously…
Just purchased the Wireless Go II and Charging case.
I'm new to this and was wondering what am I missing: to all pros mentioning about limitations of this system; why can't you synch the Rode units first and use the timecode FROM that to jam TO your other masterclock(s) (which Rode DOES support) and chain to other units? Why do you need to jam INTO Rode (which it DOES NOT support) the timecode from your other TC system or masterclock that you use on your pro sets? I'm trying to learn so please no smartass comments, thanks. Obviously I'm missing something, but what?
Waiting for a response 😮
Hi people from Rode, another addition to the app, if your phone can show a timecode via Bluetooth, your camera 2,3 or 4 can record when you start recording and then later add the timecode to that frame in the meta data. is also a kind of jamming without new hardware.
That's a solid suggestion- will pass it onto the team.
Thank you thats really good info
Wow! The only problem I have with you at Røde is my own budget. It is not in sync with all your new good products!!!
This one I hope will replace my Wireless Go II one day.
Also I have a wish/dream. That you an Nikon could talk to each other so that Nikon allows digital audio in through the USB-C ports … if it is physically possible in current cameras … and so they plan for it future cameras.
can the frame rate not be set on the unit itself?
Would love to know what cable I need for an S1H or GH6
3.5
But can you feed the wireless pro tc from, let's say: Ambient Nanolockits?
We'd recommend reaching out to the manufacturer's regarding the compatibility - though as long as they are able to receive LTC, then it should work 🙌
Quick question is anybody has the ability to answer: I want to potentially hook up my Rode NTG-5 boom into the receiver of the Wireless Pro system, and based on what I'm reading you can use the audio jack on the receiver to do this. Am I correct or is this not actually possible? It seems that it can only display two audio signals, so would instead have to daisychain the receiver into another audio mixer, and put the NTG-5 into that?
Hey there! Currently, we don't have a way to connect mics that require phantom power (like the NTG5) to the Wireless PRO. However, the VideoMic NTG does work as it can connect via a 3.5mm output and doesn't require phantom power to work.
As far as I know, Premiere cannot sync based on audio timecode. Not sure how to solve that without an additional workflow step to convert audio timecode into metadata. Also, I feel it should be said 2 things about jam sync: 1) In general, the internal clock of cameras (even high end ones) is not frame accurate over more than 1 or 2h. And 2) Not all cameras can accept a jam sync. None of the Canon mirrorless accept that for instance. Not even the A7S3 would accept. But the Pocket cameras do…
I mean technically the R5C can like the FX3, FX30, GH5S, GH6, S1H, S5mkII all can. However all your points are extremely valid and this “timecode” if we can even really call it that in this implementation is very booked without a dedicated output that doesn’t take up your clean analog out.
Agreed, I think the FX30 can only jam sync timecode through the micro usb port, right?
Will there be updates to allow for more frame rate options???
Look amazing, simple question. If I use that jam signal, would I still be able to plug a mic on top of my camera and record internally ? Should I get an external record for that ?
From what they said I am guessing it is going to be different modes essentially. Mode one: same as wireless go 2 where signal is wirelessly transmitted to the camera and backups are recorded on the transmitters in 32 bit float (signal that is fed into the camera is normal 24bit 48khz, because that is the recording format of the camera. One microphone is in the left ear, another one in the right ear)
Second mode: left ear of the camera is microphones from both transmitters combined and right ear is timecode synchronization. That way your camera audio becomes "scratch audio track" essentially just for reference in the editing process, but good enough if your main audio is lost. Your main audio in this setup is recorded on the transmitters in 32 bit float, so you have to download it individually on the computer.
Short summary: use option one if you want everything to be recorded into camera and use audio recorded on transmitters as a backup audio in case it clips in camera or wireless signal drops off.
Use option number 2 if you have multiple microphones and cameras that need to be individually edited in post or if you want to primary use 32bit float files
I assume there is a Y cable coming with a Mono XLR and a BNC?
RODE This Is Cool & All But When Will We Finally Have A 4+ Transmitter Instead Of Just 2?
Having an issue shutting off the timecode audio on my Sony FX3 to be able to monitor with my headphones. I set the audio monitoring to ch1/ch1 like she described at 4:40 but still hear it. Any help would be appreciated
Hey there, we've got a more indepth tutorial here on setting this up with the FX3: ruclips.net/video/unGoOIdgHig/видео.html
If you're still experiencing issues after watching that, feel free to get in contact with the creator of your camera, or get in contact with RØDE's friendly support team here: rode.com/en/support/contact
Why isn't there a TC option to send headphone out through USB and keep merged audio and TC on the mic input?
That's a solid suggestion, thanks- will pass it onto the team.
we use different timecode gens, they all drift.... we noticed that you always get drift frame, so our best practice is not to disconnect the timecode gen,, for example the Blackmagic cameras drift y 2 frames after just 5 minutes, so in rode case we may as well be reconnection after ever take/5 minutes.
How accurate is the internal clock on these pros .
Hmm, how can I sync jam synced cameras to the audio? Resolve can’t seem to do this?
Hey there- we actually created a tutorial for this which you can find here: edge.rode.com/pdf/page/2218/modules/9192/Wireless%20PRO_Timecode%20Guide_Davinci%20Resolve%2018-5.pdf
For more on using the Wireless PRO, check out the full user guide: rode.com/en/user-guides/wireless-pro
Is it possible to jam sync with an audio recorder that has timecode capabilities? For example, I want to teach my student how to use timecode with the Wireless Pro and jam sync it with the Zoom H4N Pro. Thanks!
The Wireless PRO doesn't receive timecode, it only generates it - this means it can be used to jamsync with any other timecode devices, cameras and audio recorders that are able to have their internal clock synchronised to a source device, such as the Wireless PRO receiver. For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
This sh*t is KILLING IT!!!!! I'm absolutely flabbergasted by the WPRO.
Pleeeeeeeease add it to the rodecaster pro duo!
Could I jam timecode to a Deity TC-1 instead so I could then jam my FX3 via the BNC adapter and not lose an audio channel?
Awesome & Thanks :)
If I have to constantly switch framerate on my camera from one take to another (action at 100fps vs interview at 50fps), will there be any issue letting the rode timecode framerate to 50fps for example ?
Thanks in advance for the answer
Can the timecode be jam-synced with an external device like the Tentacle Sync system?
The Wireless PRO doesn't receive timecode, it only generates it - this means it can be used to jamsync with any other timecode devices, cameras and audio recorders that are able to have their internal clock synchronised to a source device. This includes many professional timecode devices.
For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
When Heen speaks, I listen.
So if I have 10 seperate video clips, and 10 seperate audio files recorded on an external recorder, with timecode into the camera with the audio timecode from mic in on a mirrorless camera, and I bring all of the clips into the timeline of DaVinci, and select "sync using timecode", do I have to individually select each video clip and the corresponding seperate externally recorded audio clip?
Hey there Rick. In the example you described, it depends on your setup and whether the audio files recorded on an external recorder are synced with the timecode from the Wireless PRO. Some external recorders will allow you to sync with timecode from an external source. If you're using one of those, and you've jamsynced your recorder with your Wireless PRO prior to shooting, you'll be able to sync your files in DaVinci Resolve. You can learn more about using timecode in our user guide here: rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
@@rodemic so if I did it the way you're describing, I can batch select all 10 video clips and all 10 audio files, and it will sync them together properly?
Can you use 32 bit recording and time code at the same time?
Yes you can!
is timecode can use if we record using phone?
Hey @SyafiqIkhwan - you can! Set your timecode to "on" and use timecode mode 4. That way your phone will record your timecode, and you can still use headphones in your Wireless PRO for monitoring. This will record timecode to your video's audio track, so you will need to edit it out in postproduction.
@@rodemic if i want to use the on-board audio?
Do you know if it’s possible to have the same timecode on Røde Go Pro and GoPro 12. How to sync them with the same timecode?
Hey there- we aren't able to help with all 3rd party devices, but you can read more about the Wireless PRO's timecode functionality here: rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
Røde get the timecode from Røde Central app/internet right. Or can I set my own clock/time?
Is there any way to use this timecode feature but record in 60fps? As far as I have seen, it only supports up to 30fps....
Not at this stage, but we appreciate your feedback on this - we'll pass this on to the team 🫡
@@rodemic Would be great, if you add this later via a software update.
I am getting some slight syncing issues between my camera that records in 23.976 and the rode recordings. Is this because the RODE Pro is only capable of setting itself to 23.98?
Hi there! We'd recommend getting in touch with our service team about this one- you can contact them at rode.com/en/support/contact and give them all the details about your setup and problem, so they can find a solution for you.
@@rodemic Is there also any way to record timecode, 2 rode pro lav mics and the rode video mic ntg all at the same time if my camera only has two audio channels?
Could I record timecode into something like the Zoom H6, which already uses its own timecode?
So if I turn on all 3 units within range, the TX units will start to generate timecode. If I then immediately turn off the RX while still in range, will the TC on the TX units continue to free run?
Yep. For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
What happens if signal is lost from TX to RX is the timecode lost? I am always recording in Las Vegas Convention center with heavy wireless interference.
It would seem like things would go out of sync, which... really kinda defeats the purpose of time code, in a way.
@@gavinfulton1361Nope, goes into freerun and reconnect later
I would imagine that getting a signal every once in a while will keep the transmitter's TC in sync.
Thats what I am fearing.@@gavinfulton1361
You sync them when you get started everyday or before every shoot, however often you film I guess. They run on their own after that. You wouldn’t want Timecode updating wirelessly in the middle of filming.
Does 32bit recording only work with certain lavs from rode?
Great Video
Are they compatible with other Timecode enabled equipment such as Tentacle Sync ?
The Wireless PRO doesn't receive timecode, it only generates it - this means it can be used to jamsync with any other timecode devices, cameras and audio recorders that are able to have their internal clock synchronised to a source device- many professional timecode devices are capable of this. For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
@@rodemic thank you for your answer 🙏
How in the world can you monitor with headphones while also using TC connected. I can't turn off the right channel in my p4k, so tat TC noise is always in my headphones.
Hey there, if your camera supports jamsync you could sync up the timecode and then monitor your audio like normal. If you've got more questions feel free to reach out to our support team here: rode.com/en/support/contact
*What do I do if battery wears out/dies in Wireless PRO* ?
The Wireless PRO TX and RX can last for 7 hours. A good practice is to charge them the night before you plan on filming if you're concerned.
@@AllThingsFilm1 I think what he meant was, is there a way to replace the old cell, when the cell actully dead and not able to charge up again after years of use
Can we sync 2 wireless pro together if we need 4 mic ?
Thanks
The answer is no - they cannot be synchronized with each other. The Wireless PRO cannot accept an incoming timecode to sync to, so you can't connect them together.
However, the WIPRO does use Time of Day timecode. This time is updated when connecting the units to RODE Central. This means if you have two WIPRO systems, and connect the to the same RODE Central (e.g. to your phone at the start of the shoot), then whilst they won't be perfectly synchronized, they will be accurate with each other to within about a second.
Yes! You can just drag and drop the files as you would on any USB thumb drive, as you can on the Wireless GO II currently.
can you jam timecode into it?
What is the sample rate it records at? 48 kHz?
The Wireless PRO’s on-board recordings are uncompressed, 32-bit float, 48kHz WAV files.
@@rodemic Great! Thank you.
@@rodemic any hope long term for 96KHz at least?
Does it take timecode in? I know it goes out.
It is designed to send out timecode 😊
Does the a7siii have timecode?
It does not support timecode jamming.
say I have a gig in two weeks, will this come out in time before I leave?
It's going to be tight, but you should be able to pick one up before then!
OK.... but what about 50/60fps that i usualy record???
Hey @ximerx, as you can see in the user manual the framerates of the timecode feature on the Wireless PRO can be used for multiples of that framerate, i.e. the 30fps setting can be used for 60fps recordings, 25fps can be used for 50fps recordings, etc.
rode.com/en/user-guides/wireless-pro#:~:text=loud%20timecode%20signals.-,Frame%20Rate,-Before%20you%20record
@@rodemic well good news for me. So now just wait till its available in my country.
Wow. Want it so much on Wireless Go II :|
Hey Zuludrag, unfortunately it's not possible for us to implement this technology on the GO II due to hardware requirements for timecode.
amazing how these AI presenter now gently look real, a bit stiff tho, but quite realistic look 😂 but joke aside, that kit and its improvements are really impressive!!! especially considering the price and content of the box, can't wait to see it in real life
Gosh, I was thinking the same thing! Equivalent kit from tentacle sync would run around $1200, so I am very happy with the $400 price point
@makaii - I don’t think this example is AI.
@@kampenheimer it's called sarcasm
@@flochfitnesstentacle sync e mk2 runs for like 400? Still the only option for audio operators that work wirelessly from a camera operator because of drift and battery changes
A lot of people in here wanting higher end things on a budget. It isn’t Rode, it’s your camera. This unit is LOADED actually!
Sadly though while on the surface these sound amazing, it’s TC is pretty borked from a professional perspective. Definitely disappointing considering how amazing it would be if it just has a way to get dedicated TC out AND in with the ability to jam off other devices.
I will get one and hope it wouldn’t be as disappointing like the streamerX
How does it get the time of day?
You can choose to generate the Wireless PRO's timecode in ‘real time’ or as a ‘continuous’ mode in which you select the start point. Real time mode reflects the actual time in your region (determined by the ‘Clock and Device Time’ section in RØDE Central) and will be displayed as 24-hour time with seconds and frames in the format HH:MM:SS:FF. For instance, “14:34:42:12” represents 2:34pm, 42 seconds, and 12 frames.
If you disable real time, the Wireless PRO’s timecode will instead start continuously counting up from a particular moment, which is established by hitting the ‘Reset’ button in RØDE Central.
For more information on how to use timecode with the Wireless PRO, check out our user guide. rode.com/en/user-guides/wireless-pro#section-using-timecode-with-the-wireless-pro
@@rodemic meaning it gets it from your phone?
Timecode not working in premiere pro. It is very bad for me
Hey there, we recommend you let our experienced support team know about this issue. You can contact them here: rode.com/en/support/contact
Tuyệt vời quá 👍❤
Audio timecode doesn't work with premiere pro, only Da Vinci resolve can handle it. If you put that noise into the video file, that is an audio timecode.
That's correct. However, we have created a document with information on how to use timecode in a Premiere Pro workflow, which involves downloading DaVinci Resolve, and just using it to create a synced timeline in an XML file you can use to import into Premiere and edit with.
@@rodemic where can I find this document?
Why is it every time I finally by rode microphone you come out with the microphone I want soon after? Now I can’t afford this because I just bought a wireless system
It’s called innovation and it’s really not personal
Sell your old one
Any list of supposed camera models per brand?
Umm... All of them? Assuming they have an audio input port
Not accurate actually. Timecode has to be supported by the camera itself for Rodes method of "plugging and unplugging". They are using a blackmagic camera which supports timecode jamming. Cameras like the A7sIII, Panasonic S5, Canon R6 or R5 don't support that. Plugging it in and unplugging it doesn't jam the cameras because they don't recognize timecode inputs. Rode isn't saying this and they are promoting this as a timecode solution when in fact, it's not. This is a great wireless transmitter but not a great timecode device. @@daniel_grachev
While how accurate a cameras internal clock is isn't Rode's problem, if anyone at Rode had ever actually used a Blackmagic Pocket, they would know that if you jam sync it Timecode and then unplug the timecode source, the cameras clock will drift by a frame or more even after 5-10 minutes! What those at Rode are demonstrating here for jam syncing multiple cameras definately won't work with the cameras they are using for the demonstration!!
Unfortunately without a full time LTC output over USB to a standard BNC in addition to a manual level isolated (or all possible audio output modes) output over the TRRS jack makes this effectively useless in any pro environment with a camera that actually has TC. At best this is a solution currently configured for cameras without TC and for sets that aren’t already using TC across cameras. @Rode, please listen to all us pros and give us at minimum full time LTC and isolated channel 1 and 2 output out the available ports with ideally the option to jam the Wireless Pro’s clock input as well (full time auto jam to an input signal). You already have all the capabilities for this (aside from Jam In) as demonstrated by the available modes, it’s just not programmed or implement in firmware.
you are such a pro,,, waiting for rode to listen, bye bye pro.
@@rumorscameras what are you, eight?!
399 usd, full pack with two lavs etc etc, its for beginners not for you PRO. go buy something else pro there are plenty of pro TC gear for thousands, pro people have money to spend, you re not pro@@TheTechnoPilot
What's wrong with LTC outputed by RX 3.5mm and connected to whatever LTC input by 3.5mm to BNC cable?
@@zbyszekolko3998exactly! All my “pro” gear I just run 3.5 to BNC. No biggie and I can do it with the cheapest or most expensive external Timecode gear. This unit is PACKED with professional features.
👏👏👏👏👏
It´s kind of ironic that the audio in this video is either not fully synched to match the hostess´s voice or that they used another woman´s voice for a voiceover. Sounds like the latter to me 🙃🙃🙃
One thing that this model doesnt have is advanced timecode, since it cant receive timecode from other serves. That means its timecode is isolated from a network of other equipment on a film set that also uses tiimecode. Please, Rode... do the homework. We're not using just one set of mics. That's basic ... for basic users. So, dont say advanced timecode system. It needs to be able to receive, usually via bluetooth, timecode from another server (Even from another rode pro set of mics). I am excited with the 32 bit float capability, but I'm totally disappointed with the timecode feature. The timecode feature of this model was developed by someone with very narrow knowledge in this area. Shameful.
Sadly I massively agree, I feel like no one working on the timecode portion of the product ever worked on a professional timecode based film set. So many stupid aspects that I would have caught on day one of the planned feature discussions and I’m not even a sound tech. This had so much potential, but is let down by shear ineptitude.
Here to +1 this. I got mine today and the timecode is basically useless.
Luckily the rest of the kit is well worth more than the $400 price tag (got mine brand new on eBay for $300 so idrc either way lol)
Dude that's a pain in the a** workflow, we are in 2023! Let's make it simple guys
60fps needed!
Hey Danny! As per the Wireless PRO user guide: "If your selected frame rate is higher than those available in the below list, select the option that divides perfectly into your project’s frame rate (e.g. when shooting in 47.96fps, choose 23.98fps)."
Super!! I would like to create a review video on RUclips.
Zoom F2 , DJI, Anker