I’m sorry but the camera choice here for the demonstration is super weird. The Blackmagic’s are ones that don’t have a dedicated timecode port and the FX30 is the one that does! Also to be clear the best practice for timecode is for the cameras to always remain jammed, not only occasionally as implied. While similar cameras will often drift similarly in the same weather conditions, it’s not guaranteed. Considering the issues and pushback surrounding the very limited timecode implementation in the Rode Wireless Pro, I would have loved to see this video use other more professional cameras with timecode and the demonstration for audio TC should have been on a camera that doesn’t have timecode. This feels like it’s trying to be a tutorial but the FX30 should NOT be used this way with timecode professionally. Again this video just feels like it’s reinforcing very odd company decisions and leaves me puzzled once again…
Thank you for echoing my thoughts - I have an outstanding support ticket with Rode for how to jam the FX30 as it needs some kind of cable to connect to the micro-USB multiport on the camera, which obviously does not come with the Wireless Pro. The Rode user guide lists the FX30 as one they've tested it with but not how to do it. I've tried the Tentacle cable but it doesn't work. When I saw the FX30 in the preview I was hopeful of a resolution.
Agree mostly with this comment but BMD devices while not haveing an internal port, them haveing a jam clock that writes internally to metadata is one of biggest benifits of BMD cameras, rode has said they are doing a firmware update for better jam syncing at least 😉 😅
@@themartinhawkins you definitely want to grab Deity’s new FX3/30 timecode jam cable! It’s available from B&H and slightly cheaper than the stock Sony and in stock more often!
As a current owner of one of these units, I will use them as a regular 32-bit recorder, not a timecode device. If they decide to add the option to receive timecode from other master devices or a second Rode unit, then it will open a realistic and secure option for most of us. Shooting on the field. So far, using the timecode is more made for a short single-camera shoot, and you need other extra units; you can't sync them at all. Please work on that as a firmware update ASAP, and we will see a jump in sales even from people owning one first unit.
Can't you just jam sync your traditional TC device (i.e. Tentacle) with the Rode and then use Tentacle as your master TC? It certainly not ideal, but it should work, right?
@@RandumbTech yes, but it means the rode still must be the master and then you still must also have it on the camera in addition to the Rode RX. Basically it makes the TC functionality of the Rode effectively useless. It also does not solve the issue of using two Pro systems, for which right now it would be likely better to just turn timecode off as it works right now. Personally I know I don’t intend to turn TC on my Pros until they fundamentally change how they function for jam in and out.
I was looking at purchasing the Wireless Pro system to work with my current setup using a MixPre II as master timecode and an array of TC-1s, however, because I can't jam-sync the Wireless Pro to the MixPre II, I'll have to pass on this product and look elsewhere. RODE hinted that they were thinking about offering this missing functionality as a firmware update but their lack of action so far is not encouraging.
Many thanks for this tutorial. I do not like the idear, that when using TC-Mode 5, I can not monitor and / or output my audio. A way around would be to jamsync the Rode Wireless Pro with Tentacle Sync E and then use this device to jamsync the recorder or camera. But can the Rode Wireless Pro Receiver run with TC without using a Mode 1 to 5? That would be great!
Thank you so much for this video! I had never used DaVinci Resolve (was using Shotcut) and was waiting for my new iPhone to come in to try all this out. It is like friggin' magic. Love the Wireless Pro even more now!
I'd like to see an update where two or three systems could sync to each other. Hopefully a firmware update can allow the Rode Wireless Pro to also receive timecode, not just to send it.
The answer is no- the Wireless PRO cannot accept an incoming timecode to sync to, so you can't connect them together. However, the unit's time-of-day timecode is updated when connecting the units to RØDE Central. So if you connect two WiPRO systems to the RØDE Central (desktop or phone), they won't be 100% syncronised, but they will be accurate with each other to within about a second. You'll still need to manually sync your files, but they will roughly be in the right place on your timeline.
Since I shoot with multiple Blackmagic cameras, it sounds to me like I should use the Jam Sync, but rather than setting the RX aside after they're all in sync, wouldn't it be possible to go back to the App to turn the sync channels off, then push the real audio into my main camera? Then I also have a clear mix of audio on at least one camera.
This wouldn't be recommended as the TX units won't have a constant timecode sync running. I would recommend reaching out to our Support Team if you require any further assistance with your setup! Here is the link - help.rode.com/hc/en-us/requests/new
@@rodemic I'm a one man shooter, and I only have one TX. I use one microphone at a time, with up to 4 Blackmagic cameras for different views, so my main need is to have all 4 cameras synced to the same time. So, are you saying the 4 Blackmagics can't be jammed with the same timecode as my (only) TX?
Does the receiver wirelessly receive audio from the transmitter while also putting timecode beeps in the right channel on the camera? In the video, "scratch audio" is mentioned, but is that locally captured on the receiver or through the transmitter?
In one of the videos they put out, they mentioned that the Wireless Pro can't recieve a timecode signal **YET**, so hopefully that will change in the future and we can then use one to jam sync the other and go from there.
The Wireless PRO receiver will still be able to output timecode with the Wireless GO II transmitters connected, however the internal recordings won't be capable of receiving timecode.
could the jam sync function work for a live music scenario, where two cameras are recording continuously for an hour, but a third camera is doing insert clips that will have to line up with the footage for camera 1 and 2 later? @rodemic
I. bought the Wireless Pro Mics primarily for he idea that it would simplify my TC process .. not only has it complicated it, it doesn't work. I"{m going back to my base setup 1). Deity TC sync to my FX6, Deity TC unit on my camera laying down TC on Audio Track 1, DaVinci TC from Audio, FX6 TX synced as 32 bit float, DJI Rx to Fx6 with backup tracks on TX1 and 2 --- now with DJI Mic 2. I had so much hope for this and wanted this to be all in one solution. The system needs to be able to receive TC in with a Jam sync signal and have a much simpler TC out. I really wanted to like this
Hey @zickiea172, sorry to hear you haven't had the best time using the timecode modes with the Wireless PRO. The device's timecode feature should be functional with your setup, so if it's not working, we'd recommend reaching out to our support team here: rode.com/en/support/contact
I'd also like to see an option for timecode to do split via the 1/8" Jack, and timecode via the USB connector. This could allow someone with a camera that has timecode in to record Left - Transmitter 1, Right - Transmitter 2 & USB - Timecode. Does that make sense?
Hi - I have a Blackmagic 6k Pro. What cable do you use between the camera and the reciever when you use timecode. I have gotten a trs to trrs in my package, and I can’t see that you are using a trs to trs. And I can’t make it work. On the box it says it’s a sc2 that’s included, but it is a sc7 cable that’s in the box. Are the cables interchangeably?
Hi New wireless pro owner here and I did a quick test to sync video and audio in FCP: and I do see audio timecode in the timecode window (of both video and audio lines) - but in the video you mention FCP does not recognize audio timecode. So did it trick me and use audio for sync? and then showed the timecodes? Or is FCP capable of using audio timecode?
It's possible to monitor audio in any way while RX is in Timecode mode 5? I know levels aren't a concern with 32 bit, but how do I know I'm not recording weird sounds, lav is not scratching etc?
Hey there, the idea with timecode mode 5 is that it's just necessary to sync the Wireless PRO with devices that can accept a timecode signal to sync with. Once this sync has taken place, you're free to switch to another timecode mode, or use another routing mode (such as split, merged, or safety) as long as the "timecode" switch in RØDE Central is still turned on.
Hey there @camerachris, the guides that we mention in the video can be found in our user guide here: rode.com/en/user-guides/wireless-pro Here is the guide for using timecode with Final Cut Pro: edge.rode.com/pdf/page/2218/modules/9192/Wireless%20PRO_Timecode%20Guide_FINAL%20CUT%20PRO%2010-6-8_FA%20.pdf And here's the guide for using timecode with Adobe Premiere: edge.rode.com/pdf/page/2218/modules/9192/Wireless%20PRO_Timecode%20Guide_ADOBE%20PREMIERE%20PRO%2020-6-0_FA.pdf
@@rodemic , thank you, I'll give it a look. None of the footage from my Rode Wireless Pro's and my FX3 have been able to sync using timecode in FCP so far.
Currently I use Wireless Go II with my Canon R6II and I'm wasting a lot of time in DaVinci Resolve syncing the footage manually. I leave two Wireless mics to record for a long time (on the priest and the groom) and I have a shotgun mic on camera and I record multiple clips during that time - some of the footage is of the couple and the priest and other clips are B-roll. My question is: Can these Pro's work for me when I import multiple camera clips with two long Wireless mic clips (can Resolve sync those short clips to the long ones) ?! Do I have to use the receiver (cause I'd like to have the shotgun backup to the camera)
Hey there @evomix5132! Great question. If your camera is recording timecode, then yes, you will be able to sync the long clips and short clips easily in Resolve. To your question on whether you can keep your shotgun mic plugged into your camera, this would depend on whether your camera can sync with the timecode clock of an external device. If it can, you could just sync the camera with your Wireless PRO, unplug the Wireless PRO and plug your shotgun mic in and use both as you would previously. However, if your camera can't do that, you'll need to plug in your Wireless PRO reciever into your camera for it to recieve timecode.
what happens with the transmitters tc if you turn off the reciver and switch from tc mode 5 to split mode? I would really like to have tha audio split insted of merge so I only have to inport the 32 bit float if there is trouble with the sound. Can this be fixed in a firmware update? I also have other wishes. That I can change the file names on the transmitters so they are not the same name, and that the actual file name of the recordings in the transmitter I can choose what it should be. For example, the date in the name. Is this something you guys can fix in future firmware?
The transmitters will record timecode to the on-board recordings as long as you have turned timecode on in RØDE Central. You don't need to choose a "timecode mode", timecode just needs to be on for the receiver to send timecode to the transmitters. Once a recording has started, it will contain timecode information even if the receiver is disconnected and/or turned off. If you do disconnect or power off the receiver, the transmitters’ timecode will continue to "free run" on their own internal clock. If the receiver is turned on or reconnected again, the receiver will re-sync with the transmitters. If you have the receiver powered down or disconnected, the timecode will be free-running on each of your three recording devices: transmitter 1, transmitter 2, and your camera. This may result in your footage and audio ‘drifting’ apart by a frame or two, depending on the clock in your camera and how long you record for. Because of this, we recommend leaving your receiver paired and providing an ongoing timecode signal to your camera to maintain perfect synchronisation. Thanks for your feedback- will pass it onto the team.
While we can give you the ins and outs of all things RØDE, we aren't able to do this with software we don't make like Kdenlive. A quick search online could give you some tailored guidance. There are heaps of tutorials and forums that might have just the trick you're looking for. Give it a whirl, and if you hit a snag with anything RØDE-related, we're here to help!
@@rodemic I just gave up the sync so it is OK. Now I really need a help for deleting files in the mic. I can copy but I cannot delete or move the files in the mics. Because I have Linux OS and I do not have Mac or Windows. There is no way to delete the files inside of mics. I have Android phone so if I can delete via Android, it may be OK.
Hi Rode, Thanks for making this video. Do you happen to know this: I want to sync the tentacle via the USB port of the Rode Wireless Pro. I think it would be useful to just keep the Tentacle connected. I have tried different adapters but I do not get an audible timecode from the USB port of the Rode. Do you happen to know if this is even possible?
Hey @mediataal, thanks for stopping by today! We can't always answer questions about third party devices such as the tentacle sync, unfortunately. However, it is quite rare for devices like this to input USB audio, it's more likely that the USB port on your device is for charging and it only uses the 3.5 input for timecode. The USB-C output on the Wireless PRO reciever is great to use with devices like phones, computers, and other devices that accept USB audio.
@@rodemic Thank you for trying to aswering my question. It’s not about the tentacle. My goal is: Record separate left+right from the audio port to my camera. And simultaneously sync the timecode to another device/camera/something. I know I can jam-sync but why should I if there is another port available which provides the timecode audio (USB). I only want to know if its possible to convert the USB audio to audible audio (with a usb to audio converter).
Love it,...... But i'm afraid...... I feel like the Rode Wireless Pro stopped just short of receiving external timecode, most specifically the ability to take External TC Auto Record that could trigger the wireless go to start recording on the transmitters at the press of an audio recorder that outputs timecode only when recording. Rode Wireless systems have been an important part of my workflow as a location recordist and sound designer since the RodeLinks were released and I often ran all 8 channels that were available. Rode has done an excellent job of listening to communities and the Wireless range has come leaps and bounds. However it seems the focus group has been mainly that of DSLR shooters. I totally understand that Rode loves camera people (the most common denominator, and clearly who this is built for) but us dedicated sound people need some true love too.... That being said, great product, and it could/would/should have been a 10 out of 10.
Hey there @ChaoscreativeCoUkLondon, thanks for stopping by and thanks for your feedback. As you know, an external timecode sync feature is certainly something we're interested in creating for this product, although we don't have any details or timeline to reveal around this update at this time. Your suggestion for external timecode to start a recording on the device sounds like it would be really helpful for users of external recorders with this feature. We've passed it onto the team.
@@rodemic this would be fantastic and create a premium failsafe & backup solution for any audio professional using Ext TC Auto Record features. I’m so glad that the onboard 32bit record solution solves the risk of line-of-sight or interference based drop out problems. I honestly think Ext TC Rec is a unique solution and it will likely make a whole collection of other peripheral equipment redundant and help with media storage management & power efficiency. I’d personally be using 8 (maybe up to 12 transmitters if there are enough channels in the design) and retire my RF radio mic collection for it.
Can more than 2 Wireless Pro transmitters be synced to the same timecode? I plan on using only the built in recording function for all mics in any particular setup, but would like to add more synced mics/ recorders if possible.
The answer is no- the Wireless PRO cannot accept an incoming timecode to sync to, so you can't connect them together. However, the unit's time-of-day timecode is updated when connecting the units to RØDE Central. So if you connect two WiPRO systems to the RØDE Central (desktop or phone), they won't be 100% syncronised, but they will be accurate with each other to within about a second. You'll still need to manually sync your files, but they will roughly be in the right place on your timeline.
@@rodemicThanks for your reply! If two WiPRO systems (4 mics total, each with their respective recorders) are set to time of day timecode in RODE central right before shooting a scene, will the syncing be tight for at least a few minutes?
That’s a bummer that you still need to clap and the possibility of having to nudge clips. Isn’t the point of timecode is to avoid having to do that? I guess there are still limitations with timecode workflows because I was hoping to use these with GoPro 12 and Action 4. 😓
you better always do: there is always a delay in processing files or sending them over or any other sall mismatch: but I find this to be a constant - so if yu nudge - you nudge all the audio clips (or video clips above the audio line) to mach up.
10 месяцев назад
Not sure who is to blame, but the blackmagic cameras are off by 6 frames from each other after jam syncing. Hopefully this can be addressed via firmware update on the Rode Mic Pro. PS: That was right after he synced the cameras. Imagine after a few hours.
Hey Geffa, the way timecode is displayed on a screen in a video doesn't actually definitively show a camera's internal clock, for a few reasons. The timecode display on a camera's screen may not represent its internal clock 100% accurately, and also the camera this was filmed on uses a rolling shutter. The files were ultimately in sync. You can test it out yourself! ✌ Any other questions?
10 месяцев назад
@@rodemic thanks for that reply! That already gives me some more confidence. Hope to try this soon, if I manage to sell my DJI MIC :D
Nope I just tried it on mine. Have to do the manual timecode mode. Though all the auto syncing is so good these days I'm not quite worried about just using onboard camera as scratch to sync to clapper
Good question, @EvgeniyBurak! If your device can accept timecode from an external device, you will be able to use it to sync timecode from the Wireless PRO.
amazing! ! I wanted to synchronize timecode with 32bit float recording. Does it have all the features of Zoom F2-BT, Ultrasync Blue, and Ultrasync One? This is truly a complete microphone. I would like to see support for GoPro's QR code. Officially supports Timecode from GoPro HERO12. Jam Sync with QR code is easy to use. GoPro's LTC Jam Sync has a large lag, so I would like the app to provide QR code synchronization and time code display (clapperboard) functions.
Zoom F2-BT is great. If the mobile app supported controlling multiple devices at the same time and some sort of play back option it would still be the best option.
Great tutorial, it resolved my confusion with respect to jam-syncing and still being able to use 32-bit. Thanks
please let deity or tentacle jam sync to rode wireless pro
I’m sorry but the camera choice here for the demonstration is super weird. The Blackmagic’s are ones that don’t have a dedicated timecode port and the FX30 is the one that does!
Also to be clear the best practice for timecode is for the cameras to always remain jammed, not only occasionally as implied. While similar cameras will often drift similarly in the same weather conditions, it’s not guaranteed.
Considering the issues and pushback surrounding the very limited timecode implementation in the Rode Wireless Pro, I would have loved to see this video use other more professional cameras with timecode and the demonstration for audio TC should have been on a camera that doesn’t have timecode. This feels like it’s trying to be a tutorial but the FX30 should NOT be used this way with timecode professionally.
Again this video just feels like it’s reinforcing very odd company decisions and leaves me puzzled once again…
Thank you for echoing my thoughts - I have an outstanding support ticket with Rode for how to jam the FX30 as it needs some kind of cable to connect to the micro-USB multiport on the camera, which obviously does not come with the Wireless Pro. The Rode user guide lists the FX30 as one they've tested it with but not how to do it. I've tried the Tentacle cable but it doesn't work.
When I saw the FX30 in the preview I was hopeful of a resolution.
Agree mostly with this comment but BMD devices while not haveing an internal port, them haveing a jam clock that writes internally to metadata is one of biggest benifits of BMD cameras, rode has said they are doing a firmware update for better jam syncing at least 😉 😅
@@themartinhawkins you definitely want to grab Deity’s new FX3/30 timecode jam cable! It’s available from B&H and slightly cheaper than the stock Sony and in stock more often!
@@TheTechnoPilot thanks! It was next on my list but wasn’t sure if it would work after trying the tentacle one.
As a current owner of one of these units, I will use them as a regular 32-bit recorder, not a timecode device. If they decide to add the option to receive timecode from other master devices or a second Rode unit, then it will open a realistic and secure option for most of us. Shooting on the field. So far, using the timecode is more made for a short single-camera shoot, and you need other extra units; you can't sync them at all. Please work on that as a firmware update ASAP, and we will see a jump in sales even from people owning one first unit.
Honestly also conforming to Bluetooth timecode would open up so many options and push others beyond just Nikon to implement this fabulous function!
Can't you just jam sync your traditional TC device (i.e. Tentacle) with the Rode and then use Tentacle as your master TC? It certainly not ideal, but it should work, right?
@@RandumbTech yes, but it means the rode still must be the master and then you still must also have it on the camera in addition to the Rode RX. Basically it makes the TC functionality of the Rode effectively useless. It also does not solve the issue of using two Pro systems, for which right now it would be likely better to just turn timecode off as it works right now.
Personally I know I don’t intend to turn TC on my Pros until they fundamentally change how they function for jam in and out.
I was looking at purchasing the Wireless Pro system to work with my current setup using a MixPre II as master timecode and an array of TC-1s, however, because I can't jam-sync the Wireless Pro to the MixPre II, I'll have to pass on this product and look elsewhere. RODE hinted that they were thinking about offering this missing functionality as a firmware update but their lack of action so far is not encouraging.
Many thanks for this tutorial. I do not like the idear, that when using TC-Mode 5, I can not monitor and / or output my audio. A way around would be to jamsync the Rode Wireless Pro with Tentacle Sync E and then use this device to jamsync the recorder or camera. But can the Rode Wireless Pro Receiver run with TC without using a Mode 1 to 5? That would be great!
Been struggling to jam sync my Sony cameras. Is there any way to do it? 😥
For support, feel free to reach out to our Service Team, they will be able to help you out! help.rode.com/hc/en-us/requests/new
Thank you so much for this video! I had never used DaVinci Resolve (was using Shotcut) and was waiting for my new iPhone to come in to try all this out. It is like friggin' magic. Love the Wireless Pro even more now!
@rodemic If I have 2 Rode Wireless Pro systems how can I sync them together to make sure Timecode for all mics are synced?
I'd like to see an update where two or three systems could sync to each other. Hopefully a firmware update can allow the Rode Wireless Pro to also receive timecode, not just to send it.
Can you sync two or more sets of Wireless Pro? 4 transmitters and 2 receivers?
The answer is no- the Wireless PRO cannot accept an incoming timecode to sync to, so you can't connect them together.
However, the unit's time-of-day timecode is updated when connecting the units to RØDE Central. So if you connect two WiPRO systems to the RØDE Central (desktop or phone), they won't be 100% syncronised, but they will be accurate with each other to within about a second.
You'll still need to manually sync your files, but they will roughly be in the right place on your timeline.
How Can I sync two Wireless Pro receivers? ( say two independent full sets, 4 transmitters and 2 receivers) Thanks
Thanks for the tutorial. When will the wireless pro become a true time code device and be able to accept time code as well as send it?
Since I shoot with multiple Blackmagic cameras, it sounds to me like I should use the Jam Sync, but rather than setting the RX aside after they're all in sync, wouldn't it be possible to go back to the App to turn the sync channels off, then push the real audio into my main camera? Then I also have a clear mix of audio on at least one camera.
This wouldn't be recommended as the TX units won't have a constant timecode sync running. I would recommend reaching out to our Support Team if you require any further assistance with your setup! Here is the link - help.rode.com/hc/en-us/requests/new
@@rodemic I'm a one man shooter, and I only have one TX. I use one microphone at a time, with up to 4 Blackmagic cameras for different views, so my main need is to have all 4 cameras synced to the same time. So, are you saying the 4 Blackmagics can't be jammed with the same timecode as my (only) TX?
Does the receiver wirelessly receive audio from the transmitter while also putting timecode beeps in the right channel on the camera? In the video, "scratch audio" is mentioned, but is that locally captured on the receiver or through the transmitter?
what if you want to use 2 sets of wireless pro
In one of the videos they put out, they mentioned that the Wireless Pro can't recieve a timecode signal **YET**, so hopefully that will change in the future and we can then use one to jam sync the other and go from there.
Can I use timecode function if I plug my old wireless go2 mics to a wireless PRO receiver? Thank You in advance for explanation.
The Wireless PRO receiver will still be able to output timecode with the Wireless GO II transmitters connected, however the internal recordings won't be capable of receiving timecode.
Røde is my mode! 🇺🇸💛🇦🇺
could the jam sync function work for a live music scenario, where two cameras are recording continuously for an hour, but a third camera is doing insert clips that will have to line up with the footage for camera 1 and 2 later? @rodemic
I. bought the Wireless Pro Mics primarily for he idea that it would simplify my TC process .. not only has it complicated it, it doesn't work. I"{m going back to my base setup 1). Deity TC sync to my FX6, Deity TC unit on my camera laying down TC on Audio Track 1, DaVinci TC from Audio, FX6 TX synced as 32 bit float, DJI Rx to Fx6 with backup tracks on TX1 and 2 --- now with DJI Mic 2. I had so much hope for this and wanted this to be all in one solution. The system needs to be able to receive TC in with a Jam sync signal and have a much simpler TC out. I really wanted to like this
Hey @zickiea172, sorry to hear you haven't had the best time using the timecode modes with the Wireless PRO. The device's timecode feature should be functional with your setup, so if it's not working, we'd recommend reaching out to our support team here: rode.com/en/support/contact
I'd also like to see an option for timecode to do split via the 1/8" Jack, and timecode via the USB connector. This could allow someone with a camera that has timecode in to record Left - Transmitter 1, Right - Transmitter 2 & USB - Timecode. Does that make sense?
Hey there! Thanks for the feedback about timecode modes. Will pass this onto the team.
Hi - I have a Blackmagic 6k Pro. What cable do you use between the camera and the reciever when you use timecode. I have gotten a trs to trrs in my package, and I can’t see that you are using a trs to trs. And I can’t make it work. On the box it says it’s a sc2 that’s included, but it is a sc7 cable that’s in the box. Are the cables interchangeably?
Hi New wireless pro owner here and I did a quick test to sync video and audio in FCP: and I do see audio timecode in the timecode window (of both video and audio lines) - but in the video you mention FCP does not recognize audio timecode. So did it trick me and use audio for sync? and then showed the timecodes? Or is FCP capable of using audio timecode?
It's possible to monitor audio in any way while RX is in Timecode mode 5? I know levels aren't a concern with 32 bit, but how do I know I'm not recording weird sounds, lav is not scratching etc?
Hey there, the idea with timecode mode 5 is that it's just necessary to sync the Wireless PRO with devices that can accept a timecode signal to sync with. Once this sync has taken place, you're free to switch to another timecode mode, or use another routing mode (such as split, merged, or safety) as long as the "timecode" switch in RØDE Central is still turned on.
And where are the videos for Premier and FCP that were said to be "down below"?
Hey there @camerachris, the guides that we mention in the video can be found in our user guide here: rode.com/en/user-guides/wireless-pro
Here is the guide for using timecode with Final Cut Pro: edge.rode.com/pdf/page/2218/modules/9192/Wireless%20PRO_Timecode%20Guide_FINAL%20CUT%20PRO%2010-6-8_FA%20.pdf
And here's the guide for using timecode with Adobe Premiere: edge.rode.com/pdf/page/2218/modules/9192/Wireless%20PRO_Timecode%20Guide_ADOBE%20PREMIERE%20PRO%2020-6-0_FA.pdf
@@rodemic , thank you, I'll give it a look. None of the footage from my Rode Wireless Pro's and my FX3 have been able to sync using timecode in FCP so far.
If only we could get Timecode or ability to jam sync Timecode on the RCP 2 or Duo….
Currently I use Wireless Go II with my Canon R6II and I'm wasting a lot of time in DaVinci Resolve syncing the footage manually. I leave two Wireless mics to record for a long time (on the priest and the groom) and I have a shotgun mic on camera and I record multiple clips during that time - some of the footage is of the couple and the priest and other clips are B-roll. My question is: Can these Pro's work for me when I import multiple camera clips with two long Wireless mic clips (can Resolve sync those short clips to the long ones) ?!
Do I have to use the receiver (cause I'd like to have the shotgun backup to the camera)
Hey there @evomix5132! Great question. If your camera is recording timecode, then yes, you will be able to sync the long clips and short clips easily in Resolve.
To your question on whether you can keep your shotgun mic plugged into your camera, this would depend on whether your camera can sync with the timecode clock of an external device. If it can, you could just sync the camera with your Wireless PRO, unplug the Wireless PRO and plug your shotgun mic in and use both as you would previously.
However, if your camera can't do that, you'll need to plug in your Wireless PRO reciever into your camera for it to recieve timecode.
Great 👍 help full video fox ❤
what happens with the transmitters tc if you turn off the reciver and switch from tc mode 5 to split mode? I would really like to have tha audio split insted of merge so I only have to inport the 32 bit float if there is trouble with the sound. Can this be fixed in a firmware update? I also have other wishes. That I can change the file names on the transmitters so they are not the same name, and that the actual file name of the recordings in the transmitter I can choose what it should be. For example, the date in the name. Is this something you guys can fix in future firmware?
The transmitters will record timecode to the on-board recordings as long as you have turned timecode on in RØDE Central. You don't need to choose a "timecode mode", timecode just needs to be on for the receiver to send timecode to the transmitters.
Once a recording has started, it will contain timecode information even if the receiver is disconnected and/or turned off. If you do disconnect or power off the receiver, the transmitters’ timecode will continue to "free run" on their own internal clock. If the receiver is turned on or reconnected again, the receiver will re-sync with the transmitters.
If you have the receiver powered down or disconnected, the timecode will be free-running on each of your three recording devices: transmitter 1, transmitter 2, and your camera. This may result in your footage and audio ‘drifting’ apart by a frame or two, depending on the clock in your camera and how long you record for. Because of this, we recommend leaving your receiver paired and providing an ongoing timecode signal to your camera to maintain perfect synchronisation.
Thanks for your feedback- will pass it onto the team.
How do I sync in Kdenlive?
While we can give you the ins and outs of all things RØDE, we aren't able to do this with software we don't make like Kdenlive. A quick search online could give you some tailored guidance. There are heaps of tutorials and forums that might have just the trick you're looking for. Give it a whirl, and if you hit a snag with anything RØDE-related, we're here to help!
@@rodemic I just gave up the sync so it is OK.
Now I really need a help for deleting files in the mic. I can copy but I cannot delete or move the files in the mics. Because I have Linux OS and I do not have Mac or Windows. There is no way to delete the files inside of mics.
I have Android phone so if I can delete via Android, it may be OK.
Hi Rode, Thanks for making this video. Do you happen to know this: I want to sync the tentacle via the USB port of the Rode Wireless Pro. I think it would be useful to just keep the Tentacle connected. I have tried different adapters but I do not get an audible timecode from the USB port of the Rode. Do you happen to know if this is even possible?
Hey @mediataal, thanks for stopping by today! We can't always answer questions about third party devices such as the tentacle sync, unfortunately. However, it is quite rare for devices like this to input USB audio, it's more likely that the USB port on your device is for charging and it only uses the 3.5 input for timecode. The USB-C output on the Wireless PRO reciever is great to use with devices like phones, computers, and other devices that accept USB audio.
@@rodemic Thank you for trying to aswering my question. It’s not about the tentacle. My goal is: Record separate left+right from the audio port to my camera. And simultaneously sync the timecode to another device/camera/something. I know I can jam-sync but why should I if there is another port available which provides the timecode audio (USB). I only want to know if its possible to convert the USB audio to audible audio (with a usb to audio converter).
Love it,...... But i'm afraid......
I feel like the Rode Wireless Pro stopped just short of receiving external timecode, most specifically the ability to take External TC Auto Record that could trigger the wireless go to start recording on the transmitters at the press of an audio recorder that outputs timecode only when recording.
Rode Wireless systems have been an important part of my workflow as a location recordist and sound designer since the RodeLinks were released and I often ran all 8 channels that were available. Rode has done an excellent job of listening to communities and the Wireless range has come leaps and bounds.
However it seems the focus group has been mainly that of DSLR shooters. I totally understand that Rode loves camera people (the most common denominator, and clearly who this is built for) but us dedicated sound people need some true love too....
That being said, great product, and it could/would/should have been a 10 out of 10.
Hey there @ChaoscreativeCoUkLondon, thanks for stopping by and thanks for your feedback. As you know, an external timecode sync feature is certainly something we're interested in creating for this product, although we don't have any details or timeline to reveal around this update at this time.
Your suggestion for external timecode to start a recording on the device sounds like it would be really helpful for users of external recorders with this feature. We've passed it onto the team.
@@rodemic this would be fantastic and create a premium failsafe & backup solution for any audio professional using Ext TC Auto Record features. I’m so glad that the onboard 32bit record solution solves the risk of line-of-sight or interference based drop out problems. I honestly think Ext TC Rec is a unique solution and it will likely make a whole collection of other peripheral equipment redundant and help with media storage management & power efficiency.
I’d personally be using 8 (maybe up to 12 transmitters if there are enough channels in the design) and retire my RF radio mic collection for it.
Where can i get that Rode Hoodie from...that's what I want to know???
shop.rode.com 👀
As long as the cable is connected (in my case the blackmagic p4k) the timecode should not ever drift right?
From my understanding yes
Correct @brown2840
Can more than 2 Wireless Pro transmitters be synced to the same timecode? I plan on using only the built in recording function for all mics in any particular setup, but would like to add more synced mics/ recorders if possible.
The answer is no- the Wireless PRO cannot accept an incoming timecode to sync to, so you can't connect them together.
However, the unit's time-of-day timecode is updated when connecting the units to RØDE Central. So if you connect two WiPRO systems to the RØDE Central (desktop or phone), they won't be 100% syncronised, but they will be accurate with each other to within about a second.
You'll still need to manually sync your files, but they will roughly be in the right place on your timeline.
@@rodemicThanks for your reply! If two WiPRO systems (4 mics total, each with their respective recorders) are set to time of day timecode in RODE central right before shooting a scene, will the syncing be tight for at least a few minutes?
That’s a bummer that you still need to clap and the possibility of having to nudge clips. Isn’t the point of timecode is to avoid having to do that? I guess there are still limitations with timecode workflows because I was hoping to use these with GoPro 12 and Action 4. 😓
you better always do: there is always a delay in processing files or sending them over or any other sall mismatch: but I find this to be a constant - so if yu nudge - you nudge all the audio clips (or video clips above the audio line) to mach up.
Not sure who is to blame, but the blackmagic cameras are off by 6 frames from each other after jam syncing. Hopefully this can be addressed via firmware update on the Rode Mic Pro. PS: That was right after he synced the cameras. Imagine after a few hours.
Hey Geffa, the way timecode is displayed on a screen in a video doesn't actually definitively show a camera's internal clock, for a few reasons. The timecode display on a camera's screen may not represent its internal clock 100% accurately, and also the camera this was filmed on uses a rolling shutter. The files were ultimately in sync. You can test it out yourself! ✌ Any other questions?
@@rodemic thanks for that reply! That already gives me some more confidence. Hope to try this soon, if I manage to sell my DJI MIC :D
Does it work with GH6 and its flash sync port instead of the audio jack?
Nope I just tried it on mine. Have to do the manual timecode mode. Though all the auto syncing is so good these days I'm not quite worried about just using onboard camera as scratch to sync to clapper
Bummer! But thanks for letting me know! 🙏
Does it work with Zoom F6?
Good question, @EvgeniyBurak! If your device can accept timecode from an external device, you will be able to use it to sync timecode from the Wireless PRO.
When will these be available to buy?
Now: brandstore.rode.com/products/wireless-pro
i. like his hair
凄い。Zoom F2-BT, Ultrasync Blue, Ultrasync Oneの機能がすべて入っている? 後は、GoProのQRコードをサポートしてほしい。GoProのLTC Jam Syncはずれが大きい。
amazing! !
I wanted to synchronize timecode with 32bit float recording.
Does it have all the features of Zoom F2-BT, Ultrasync Blue, and Ultrasync One?
This is truly a complete microphone.
I would like to see support for GoPro's QR code. Officially supports Timecode from GoPro HERO12. Jam Sync with QR code is easy to use. GoPro's LTC Jam Sync has a large lag, so I would like the app to provide QR code synchronization and time code display (clapperboard) functions.
Zoom F2-BT is great. If the mobile app supported controlling multiple devices at the same time and some sort of play back option it would still be the best option.
I am extremely distracted lol. was this part of the plan
Those nails got me distracted all the time 🤔