@@evaotter3133 oh okay that sounds more natural, I was thinking more about the order of the notes, since the 11/4 is actually a 4 and the 9/2 is a 9 here. thanks!
"Audical - Headbangers" Audicals insane inward high pitch bass in action "INERTIA | RECKLESS" An older video but golden in terms of pure bass control "Tomazacre - Nuclear" Unique alien like bass 3 great videos that came to mind when you asked for recommendations in your last video
Old fart here... it took me until my late 50's for my voice to pop where folks said, "Wow... you're a great singer. Then I saw that Mongolian Blues video... throat singing... Now you come along and show me this... wish I had a personal instructor... I want to incorporate this in my music.
If I can learn subharmonics then so can you! I learned through David's older videos and now I can get a strong E1 going in the morning and I'm only 22 :)
@@jonsoles6687 I'm almost 70... the thing that sucks is that in my head, I'm still 20-something... mirrors are scary... Music is as exciting and challenging to me as it was then too... and I chase down newer music, skills, and I still perform.
I’m not sure why people call this “polyphony” or “polyphonic singing.” This is an example of MULTIphonics. Not POLYphonics. Polyphony has its own definition that requires independence and equal importance of each note in a moving texture.
@@malachiwoodard1004 A bit of a misnomer, in my opinion. An instrument that has polyphonic capabilities is described as a polyphonic instrument, not because it can play more than one note at a time, but because each one can have independence. When a monophonic instrument is manipulated to produce more than one note at a time, it is described as multiphonics. If our friend in the video were to start moving one of the pitches independently while the rest of the chord remained still, I'd call it polyphony. But just playing more than one pitch simultaneously already has name, homophony. And since homophony is, by definition, the counterpart of polyphony, why would we call it polyphony? It's arguably the opposite of polyphony. I'd call this homophonic overtone singing. I guess you could argue that when referring to the capabilities of an instrument vs musical texture, the definition can change, but why would we totally flip the definition when we have other terms whose definitions already closely match what we are hearing. I might budge on the idea that multiphonic singing has polyphonic capabilities, because some people are capable of that, so maybe calling it "polyphonic" is fine, but "polyphony"? No way, Jose. We can't assign two opposing definitions to one word.
palmomki totally fair. I’m certainly speaking from a western frame of reference, and overtone singing isn’t a western practice, so maybe western terminology doesn’t apply the same way.
As a music composer I quite agree with @JustinParish observation, but with some more specific information. In music theory and technique (I mean from classical to modern) we refer to polyphonic as something which can do more than one note indipendent in pitch (we may tell also timbre) and articulation. Monophonic is clearly opposite, as it is playing one note at a time, but contemporary music has taught us that some monophonic instruments may create more than one tone. In this case we can distinguish between paraphonic and multiphonic: technically the first term refers to an instrument capable of producing more than one note completely independent in pitch but not in the articulation (any new trigger by any voice will retrig the articulation) nor in timbre; multiphonic is slightly different and the production of the added tones is determined and limited by the construction of the instrument. In multiphonic singing - as in some wind instruments - the production of the added tones is based on overtones or subharmonics (or mechanical resonances), so determined by the choosing of a root and the filtering of the oral cavity as a resonant filter in synthesizers. In case of multiphonic the articulation (and timbre in some cases) may be indipendent for the added tones, but their presence is conditioned by the existence of the root: no root, no party.
That Ab1 is so resonant and rich in my headphones! I really would love it if you could into more detail in the future on how to practice slipping into the the 2nd subharmonic. I find that anywhere from A1 to F1 is my most natural 1st subharmonic "register" so I'm really interested in what's possible with the 2nd one
You're gonna love all the sounds a human could make with just his mouth once you slowly progress with watching previous beatboxing videos or battles and ofcourse the ones being released as we speak. But hey that subharmonic singing skill is so damn good its my new goal to achieve :)
DAMN BOI THAT CHORD THICCCC Side note: polyphony and polyphonic singing are not synonymous - polyphony means several voices singing individual lines, whereas polyphonic singing is what you're doing
Polyphony as a musical term is many musical lines, so if you say polyphony to a musician, they think multiple lines. Polyphonic is derived from polyphony, but generally refers to stuff like this.
Could you make a tutorial entirely on getting the 2nd subharmonic, please? You mentioned the notes involved here and in another video, but it doesn't seem like an easy thing to figure out on your own.
Seriously magnificent. I was blown out when I pulled off a nice 3 note chord (only 3 times), but 8 nails it. That ultra-low Eb1 ... I cant get my head around your method there. Thanks bloke, you are cool.
Just my thinking, but if you sing a fundamental note you also get some fractional harmonics generated with it. I'm thinking that by singing, or at least producing, those harmonics that the fundamental (sub-harmonic) also gets formed. He's making two notes that when sang end up reinforcing the fundamental below. Or I could be full of crap, who knows.
You're definitely comfortable with the knowledge you share and easy to listen to. I imagine you going of on an "information overload" tangent at every edit spot... whittling the final product down to just over eight minutes from like two hours, heh. Thank you so much for these videos! 👍
@@davidlarson3905 I am certainly not saying I wouldn't be the type to enjoy the director's cut 2hr version, cause I would... but I certainly appreciate the effort it takes to condense information and present it logically and coherently for others to understand. It's a skill that some of my school teachers over the years certainly did not have. Nice work! 👌
@@davidlarson3905 i believe you should know this theory is wrong in this video. controled vocal fry forces vocal chords to vibrate slower. 1st subharmonic vibrates 2 times slower, 2nd vibrates 3 times slower and so on. for example: fundamental: G3=196hz 1st subharmonic: 196hz/2=98hz(G2) 2nd: 196hz/3=65.3hz(C2) 3rd: 196hz/4=49(G1) 4th: 196hz/5=39.2(Eb1) peace :3
That's just an Eb1 with some of its harmonics. If you haven't seen it, Leonardo Fuks recorded himself going to subharmonic 4 on a spectrum analyzer (you can listen to it on that page : www.oberton.org/obertongesang/untertongesang/strohbass/ - don't mind the German), and we can clearly see that when he goes subharmonic 1, his initial fundamental becomes the second harmonic of the resulting note, and that resulting note becomes a new fundamental. As he goes down into further subharmonic registers, the heard fundamental keeps going down, while the note that is his initial fundamental keeps going higher and higher in the overtone series relatively to each new fundamental. Basically, as you go down into subharmonic registers, your fundamental goes down too, and any tone produced above that fundamental, including the note you're sustaining, is an overtone of that fundamental. That being said, this is a super cool thing to be able to do, and it sounds great, especially when you reach sub 3 and that G3 pops out. Really really neat. Congratulations on reaching sub 3 by the way, I'm still struggling a lot to reach a sub 2 that will be practically useless except for trying to reach sub 3 xD But as far as the chord goes… it's just an Eb1 =/
The chrod is Eb add9(11). With Eb as the tonic of the chrod, G is the third, Bb is the fifth and Ab is the 4J but you can see it as a tension and call it 11th (Eb G Bb A).
Oh man, im (as a Beatboxer) spitting my throat and chest bass since forever and atm youre like a god to me. I can imagin how its done and yet i cant belive that this is actually possible. Youre creazy. Youre a real Motivation for me to train my singing voice and the subharmonics. Keep it up!
The thing that Lalah does. I've done it accidentally once or twice, have never been able to intentionally do it though. If I had to describe how it felt - it felt like there was a little bit of saliva sort of half swallowed, but not completely. So it was right at the back of my tongue basically in my throat.
It didn’t really sound like a chord (still extremely impressive). Sounded more like fifths/fourths switching around. If all notes sounded at the same time the chord could be named Eb (add9)(add11), since there is no seventh in the chord it is kind of hard to name.
@@Aygeu but he says it's an eight note chord, that implies 8 discrete notes played simultaneously whereas the performance of the chord only seems to feature 2 notes played together at any one time
The chord is most likely an of the open Ab7+9+13+ family, very well defined by the low fifth ((Ab0)-Eb1-Ab1-Eb2) and the high open 2 chord g-ab-bb-eb-f. While the Eb is the base note, it doesn’t make much sense as a primitive of this chord (as some here make it out to be).
Harmonics standing out so much we perceive them as notes is one of the trickiest things I continually run into when trying to create interesting synths, using effects like tonal delays and phasers etc., it feels SOOO good when you hit that exact spot. Sometimes you can brush it off as some kind of atonal effect, kinda like a lot of percussion, but even on those sounds it is just amazing when you, for example, play a kick drum on your 1 (Or most stable note in non-functional, at the very least in respect to the stable chords), but even the harmonics just line up perfectly with other stable notes. I find the sometimes blurry line between all of these things very, very interesting, wish there were more educational resources on it, a lot of the pitch of the rappers are more like dressed up speech expressions rather than being in harmony with the surrounding notes, and yet it adds to the whole as if it's one consistent thing. A Tribe Called Quest is a good example of this, they add feelings, like tensions etc., that make it feel like a voice is missing when you listen to the instrumentals, almost as if you omitted a voice from the chords and a color is just missing. I'd love to get better at using this without it ending up sounding like noise, currently I just fiddle with my phase, FM and frequency-shifter knobs etc. until I like something, and EQ out any issues if that's a reasonable proposition, but it's a messy process, and requires tons of trial-and-error, especially if you're setting custom values over like 2-4 sets of notes that share mostly consonant ratios.
This was EPIC. Reminded me of "this will never end cause I want more. More, give me more, give me MORE" Hoping you could remaster that video. Love your vids a ton!
Actually you would probably just call this chord Abmaj13/Eb or Fm11/Eb.. We don't put 11s or 4s on major chords, unless it is voiced in weird way, so that it works :)
This proves how little we know about so many things we experience on a daily basis. Obviously he isn’t the first person to do this but the fact that this video is such a big deal proves that we don’t know shit. Who knows what’s possible. We need more people doing more weird shit.
Shout out to beat boxers and other vocalist. Me- someone who stumbled on a thing I can't wrap my head around and am on a deep dive into that thing trying to understand how far it goes.
I think something that would make good use of this in a song would be to add a part of the chord for every lyric leading up to the climax of having it all sung at once. I think the best way of implementing it would be to make all the words you are singing to have the same vowel shape to make it easier to maintain the chord over multiple words.
Yeah that’s what I wondered. He’s just accessing different undertones. I can drop to the first level and can break into the 2nd level, but I still have to learn to keep it. It’s like when I started learning subharmonics.
Just an idea: If you try sub harmonics in a higher octaves, the middle/lower notes might be more profound therefore making the notes that you can't hear more audible. Then it could be more like polyphonic singing? Idk just brainstorming.
Dude you have to see Trung Bao - 2020 bgg wildcard ....it has some insane techniques like double voice and insane inward bass ...you should also watch Two H's 2020 gbb wildcard he basically only uses poliphonic voice
I would call the chord Eb(add 9 add 11) or just Eb11(omit 7) If you could get a D or Db to sound simultaneously I would call it Ebmaj11 or Eb11 respectively.
i dont know exactly what the polyphonic thing lalah does, but ive heard is similar to a whistle note. imagine if you were trying to do subharmonics = fry + chest, but instead its chest + whistle register = polyphonic register. that being said i dont know if any of that is true and i also dont know how to do it so take everything with a grain of salt.
I can make two legit notes at the same time using the back of my throat and nasal cavity. It sounds like a train whistle and they’re always notes that clash with each other. I can “sing” them at different ranges but they’re always the same distance apart from one another on a scale.
![Bass singers subharmonic compilation [Bb1-B0]](http://i.ytimg.com/vi/-XTQJbKdfyY/mqdefault.jpg)
"You know what? I'm about to say it. *_OOOOOOOOOOOOOOOOOOOOOOO_* "
Other guy: **fear**
Legion Armatay 😂😂
This is actually how I thought the letter "ö" sounds
😂😂
That "ö" is the face u make when pronouncing it
O becomes ö when you do o and put your lips a bit more forwards
David: singing 8 notes at the same time
Beatboxers: VIBRATION BASS!!! 🤘🏼🤘🏼
Hahahaha
Madox :”coment something”
Beatboxers: ESH!!
Pretty much, lol
Man of culture
Man of culture
@7scrib you where washing Swissbeatbox for a long Time... 🤔 no Wonder, they have so clean and nice Beatboxers 👌😂
6:16 my dad can create that sound just with one burp...
Dude sings 8 notes at once over a 6 octave range and I can't accurately hit one note...
5:55 he actually starts singing timestamp
I don't know that song (if it's a song)
He knew this was coming
I was about to click out of the video. You saved it.
5:42 is for you 😂
@@santigd8973 I'm assuming you mean "timestamp" is a song? No he meant that's the timestamp of when he starts singing
I believe the chord name would be:
Ebadd4add9
Gotta love when David teaches Chem
@@evaotter3133 oh okay that sounds more natural, I was thinking more about the order of the notes, since the 11/4 is actually a 4 and the 9/2 is a 9 here. thanks!
There's both add4 and add11 you see. And also, there's no 2 coz the F6 is more than an octave from Eb1 which makes it an add9
I was going to call it Eb add9 add11
No it's called longhaired chord
6:05 ps1 flashbacks xD
I was wondering why i thaught that sound was familiar
"Audical - Headbangers" Audicals insane inward high pitch bass in action
"INERTIA | RECKLESS" An older video but golden in terms of pure bass control
"Tomazacre - Nuclear" Unique alien like bass
3 great videos that came to mind when you asked for recommendations in your last video
Don't forget MTS
@@mohmoh_1998 he has already reacted to MTS.
OOH my bad
How does Audical go high with his inward bass? It's so dope
@@b.t-bootsncats964 he vocalises his inward bass.
Old fart here... it took me until my late 50's for my voice to pop where folks said, "Wow... you're a great singer.
Then I saw that Mongolian Blues video... throat singing...
Now you come along and show me this... wish I had a personal instructor... I want to incorporate this in my music.
Thomas Walz “old fart” what the hell?
If I can learn subharmonics then so can you! I learned through David's older videos and now I can get a strong E1 going in the morning and I'm only 22 :)
jonsoles old fart is a phrase that just means someone’s old lol
@@jonsoles6687 how is it you've never heard this saying before?
@@jonsoles6687 I'm almost 70... the thing that sucks is that in my head, I'm still 20-something... mirrors are scary... Music is as exciting and challenging to me as it was then too... and I chase down newer music, skills, and I still perform.
Him: Yo I’m gonna do this thing
Also him: *says the letter “o”, “g”, and “v” at the same time*
I’m not sure why people call this “polyphony” or “polyphonic singing.” This is an example of MULTIphonics. Not POLYphonics. Polyphony has its own definition that requires independence and equal importance of each note in a moving texture.
Justin Parish Polyphonic can also mean producing different notes simultaneously :)
@@malachiwoodard1004 A bit of a misnomer, in my opinion. An instrument that has polyphonic capabilities is described as a polyphonic instrument, not because it can play more than one note at a time, but because each one can have independence. When a monophonic instrument is manipulated to produce more than one note at a time, it is described as multiphonics. If our friend in the video were to start moving one of the pitches independently while the rest of the chord remained still, I'd call it polyphony. But just playing more than one pitch simultaneously already has name, homophony. And since homophony is, by definition, the counterpart of polyphony, why would we call it polyphony? It's arguably the opposite of polyphony. I'd call this homophonic overtone singing. I guess you could argue that when referring to the capabilities of an instrument vs musical texture, the definition can change, but why would we totally flip the definition when we have other terms whose definitions already closely match what we are hearing. I might budge on the idea that multiphonic singing has polyphonic capabilities, because some people are capable of that, so maybe calling it "polyphonic" is fine, but "polyphony"? No way, Jose. We can't assign two opposing definitions to one word.
palmomki totally fair. I’m certainly speaking from a western frame of reference, and overtone singing isn’t a western practice, so maybe western terminology doesn’t apply the same way.
I am from Greece. Πολύ=poly means many phony=φωνή means voice. Many voices seems ideal
As a music composer I quite agree with @JustinParish observation, but with some more specific information. In music theory and technique (I mean from classical to modern) we refer to polyphonic as something which can do more than one note indipendent in pitch (we may tell also timbre) and articulation. Monophonic is clearly opposite, as it is playing one note at a time, but contemporary music has taught us that some monophonic instruments may create more than one tone. In this case we can distinguish between paraphonic and multiphonic: technically the first term refers to an instrument capable of producing more than one note completely independent in pitch but not in the articulation (any new trigger by any voice will retrig the articulation) nor in timbre; multiphonic is slightly different and the production of the added tones is determined and limited by the construction of the instrument. In multiphonic singing - as in some wind instruments - the production of the added tones is based on overtones or subharmonics (or mechanical resonances), so determined by the choosing of a root and the filtering of the oral cavity as a resonant filter in synthesizers. In case of multiphonic the articulation (and timbre in some cases) may be indipendent for the added tones, but their presence is conditioned by the existence of the root: no root, no party.
That Ab1 is so resonant and rich in my headphones! I really would love it if you could into more detail in the future on how to practice slipping into the the 2nd subharmonic. I find that anywhere from A1 to F1 is my most natural 1st subharmonic "register" so I'm really interested in what's possible with the 2nd one
You're gonna love all the sounds a human could make with just his mouth once you slowly progress with watching previous beatboxing videos or battles and ofcourse the ones being released as we speak. But hey that subharmonic singing skill is so damn good its my new goal to achieve :)
Anchormadness Bbx
I agree
Skip to 5:51 to deprive David of his watch minutes ;)
Edit: That's actually cool as hell.
David:"Singing 8 notes at the same time by myself!"
neighbours:CALL THE PRIEST!,THE DEMONS ARE COMING!
DAMN BOI THAT CHORD THICCCC
Side note: polyphony and polyphonic singing are not synonymous - polyphony means several voices singing individual lines, whereas polyphonic singing is what you're doing
Polyphony just means multiple sounds
@@linusorri en.m.wikipedia.org/wiki/Polyphony
Polyphony as a musical term is many musical lines, so if you say polyphony to a musician, they think multiple lines. Polyphonic is derived from polyphony, but generally refers to stuff like this.
Could you make a tutorial entirely on getting the 2nd subharmonic, please? You mentioned the notes involved here and in another video, but it doesn't seem like an easy thing to figure out on your own.
Seriously magnificent. I was blown out when I pulled off a nice 3 note chord (only 3 times), but 8 nails it. That ultra-low Eb1 ... I cant get my head around your method there. Thanks bloke, you are cool.
Just my thinking, but if you sing a fundamental note you also get some fractional harmonics generated with it. I'm thinking that by singing, or at least producing, those harmonics that the fundamental (sub-harmonic) also gets formed. He's making two notes that when sang end up reinforcing the fundamental below. Or I could be full of crap, who knows.
You're definitely comfortable with the knowledge you share and easy to listen to. I imagine you going of on an "information overload" tangent at every edit spot... whittling the final product down to just over eight minutes from like two hours, heh. Thank you so much for these videos! 👍
It's almost painful how accurate this 😬
Thanks for the support!
@@davidlarson3905 I am certainly not saying I wouldn't be the type to enjoy the director's cut 2hr version, cause I would... but I certainly appreciate the effort it takes to condense information and present it logically and coherently for others to understand. It's a skill that some of my school teachers over the years certainly did not have. Nice work! 👌
@@davidlarson3905
i believe you should know this
theory is wrong in this video.
controled vocal fry forces vocal chords to vibrate slower.
1st subharmonic vibrates 2 times slower, 2nd vibrates 3 times slower and so on.
for example:
fundamental: G3=196hz
1st subharmonic: 196hz/2=98hz(G2)
2nd: 196hz/3=65.3hz(C2)
3rd: 196hz/4=49(G1)
4th: 196hz/5=39.2(Eb1)
peace :3
I may be wrong but I’m pretty sure this chord is an Eb9add11 chord. Eb in three different octaves, the 3rd of G, fifth of Bb, 9th of F and 11th of Ab.
geoff Also gave a shout out to you on his last subharmonics video😉👍
For the name of the Chord, I really think it's a Ab chord. Not a Eb chord.
So for me it's a Ab7Msus2(13)/Eb
Easiest way to think about that yeah
I think Abmaj13sus2/Eb would be simpler to read, since the 11th isn't specified it's implied there's none. or maybe Ab6/9(no3)/Eb
What? That's way overly complicated. It's just an Eb minor 11 (no 7).
how can it be an Ebminor if you have a G in it
if you want to see it as an Eb chord, it has to be an Ebadd2add4 or add9add11
This is the greatest thing I've seen since confinement
You should make this a world record.
Please.
Hell Yeah bro
Amazed by your bass control broo 🤯
I had to pause the video at 6:07. With headphones on, this quite literally knocked all the thoughts out of my head.
It sounds so soothing when you bring about A flat 1 and 3.
Well, i thought the 2nd subharmonics were already nice and good..... I was wrong in every way because this is just ":O". (what a suprise :P)
5:56 is the timestamp for the chord
That's just an Eb1 with some of its harmonics. If you haven't seen it, Leonardo Fuks recorded himself going to subharmonic 4 on a spectrum analyzer (you can listen to it on that page : www.oberton.org/obertongesang/untertongesang/strohbass/ - don't mind the German), and we can clearly see that when he goes subharmonic 1, his initial fundamental becomes the second harmonic of the resulting note, and that resulting note becomes a new fundamental. As he goes down into further subharmonic registers, the heard fundamental keeps going down, while the note that is his initial fundamental keeps going higher and higher in the overtone series relatively to each new fundamental. Basically, as you go down into subharmonic registers, your fundamental goes down too, and any tone produced above that fundamental, including the note you're sustaining, is an overtone of that fundamental.
That being said, this is a super cool thing to be able to do, and it sounds great, especially when you reach sub 3 and that G3 pops out. Really really neat. Congratulations on reaching sub 3 by the way, I'm still struggling a lot to reach a sub 2 that will be practically useless except for trying to reach sub 3 xD
But as far as the chord goes… it's just an Eb1 =/
Bruh, says hes sung the 4th subharmonic... *Hasnt shown us yet*
Literally sing that at my funeral thank you
I literally discovered the 3rd subharmonic last night lol
The beginning of the chord sound like a Shaman chanting. By the end it sound like a deep heavy metal growl. I like it.
The chrod is Eb add9(11). With Eb as the tonic of the chrod, G is the third, Bb is the fifth and Ab is the 4J but you can see it as a tension and call it 11th (Eb G Bb A).
After hearing his 3rd subharmonic, I need to see a video of him hitting the 4th sub
The chord is an EbM with an added 2 and 4 btw
I’ve done C3 C2 and G3 all at the same time when I tried to just hit the low C
Oh man, im (as a Beatboxer) spitting my throat and chest bass since forever and atm youre like a god to me. I can imagin how its done and yet i cant belive that this is actually possible. Youre creazy.
Youre a real Motivation for me to train my singing voice and the subharmonics. Keep it up!
OMFG, THAT WAS SO DOPE!!!!!!!!!!! the vibesssss, i got goose bumps from that. that was insane
6:04 that 2nd subharmonic is insane
The thing that Lalah does. I've done it accidentally once or twice, have never been able to intentionally do it though. If I had to describe how it felt - it felt like there was a little bit of saliva sort of half swallowed, but not completely. So it was right at the back of my tongue basically in my throat.
yo WTF that was twice as gnarly as I expected
It didn’t really sound like a chord (still extremely impressive). Sounded more like fifths/fourths switching around. If all notes sounded at the same time the chord could be named Eb (add9)(add11), since there is no seventh in the chord it is kind of hard to name.
sounds like after the second one he always loses one after adding another tone. a spectrum analyser would show what is going on
Any combination of notes is technically a chord. It doesn’t have to be a regular chord as one may think C, Cm, Eb... etc
Your Mom true. Typically it’s three or more notes though
@@Aygeu After that it's just naming the chord
@@Aygeu but he says it's an eight note chord, that implies 8 discrete notes played simultaneously whereas the performance of the chord only seems to feature 2 notes played together at any one time
The chord is most likely an of the open Ab7+9+13+ family, very well defined by the low fifth ((Ab0)-Eb1-Ab1-Eb2) and the high open 2 chord g-ab-bb-eb-f. While the Eb is the base note, it doesn’t make much sense as a primitive of this chord (as some here make it out to be).
your control of your voice is amazing.
Harmonics standing out so much we perceive them as notes is one of the trickiest things I continually run into when trying to create interesting synths, using effects like tonal delays and phasers etc., it feels SOOO good when you hit that exact spot. Sometimes you can brush it off as some kind of atonal effect, kinda like a lot of percussion, but even on those sounds it is just amazing when you, for example, play a kick drum on your 1 (Or most stable note in non-functional, at the very least in respect to the stable chords), but even the harmonics just line up perfectly with other stable notes.
I find the sometimes blurry line between all of these things very, very interesting, wish there were more educational resources on it, a lot of the pitch of the rappers are more like dressed up speech expressions rather than being in harmony with the surrounding notes, and yet it adds to the whole as if it's one consistent thing. A Tribe Called Quest is a good example of this, they add feelings, like tensions etc., that make it feel like a voice is missing when you listen to the instrumentals, almost as if you omitted a voice from the chords and a color is just missing. I'd love to get better at using this without it ending up sounding like noise, currently I just fiddle with my phase, FM and frequency-shifter knobs etc. until I like something, and EQ out any issues if that's a reasonable proposition, but it's a messy process, and requires tons of trial-and-error, especially if you're setting custom values over like 2-4 sets of notes that share mostly consonant ratios.
In personal experience, kargyraa subharmonics are much easier. For beginners, it can be a bit painful, but with practice, it becomes much more natural
For anyone else having difficulty hearing the F6 through the changed vowel, I recommend slowing the playback to half or even quarter.
This was EPIC. Reminded me of "this will never end cause I want more. More, give me more, give me MORE" Hoping you could remaster that video. Love your vids a ton!
wow... i had to loop it. so amazing...
Actually you would probably just call this chord Abmaj13/Eb or Fm11/Eb.. We don't put 11s or 4s on major chords, unless it is voiced in weird way, so that it works :)
This proves how little we know about so many things we experience on a daily basis. Obviously he isn’t the first person to do this but the fact that this video is such a big deal proves that we don’t know shit. Who knows what’s possible. We need more people doing more weird shit.
that chord is an Eb add(2) add(4) chord btw
undertones don't exist in the natural world, only overtones.... THIS IS AMAZING BTW
Reaction videos on “unknown“ bass singers would be great!
Efes_art wunknown. The comeback vid on Swissbeatbox is a good one
@@jamesarkell724 I mean really a bass singer and not a beatboxer xD
@@efes_art2136 wunknown has a better bass than any other noob bass singer
ESH 😲🖕
@@chillaxer8273 unknown doesnt mean noob lol
@@efes_art2136 love your stuff btw, keep up the good work!
Hello from 2024 Who could have imagined this would blow up so much
Next video: Exhaling and inhaling at the same time
This would blow away gbb on the big stage
After I watching this video I'm inspired to learn how to do this.
That G3 sounds really nice. Like an empty chord ascending to a major chord
Shout out to beat boxers and other vocalist.
Me- someone who stumbled on a thing I can't wrap my head around and am on a deep dive into that thing trying to understand how far it goes.
The Chord is Called GOD
u need to do a vid with david kahn again
I think something that would make good use of this in a song would be to add a part of the chord for every lyric leading up to the climax of having it all sung at once. I think the best way of implementing it would be to make all the words you are singing to have the same vowel shape to make it easier to maintain the chord over multiple words.
when switching to the second subharmonic, you lose the first one (the Bb3 and the Eb2), don't you?
I've heard the octave but the fifth gets lost i think...
Yeah that’s what I wondered. He’s just accessing different undertones. I can drop to the first level and can break into the 2nd level, but I still have to learn to keep it. It’s like when I started learning subharmonics.
Wow you are amazing!
Just an idea: If you try sub harmonics in a higher octaves, the middle/lower notes might be more profound therefore making the notes that you can't hear more audible. Then it could be more like polyphonic singing? Idk just brainstorming.
Duuuude beatboxing is what brought me to this channel!!!!! That's insane haha
Chord = G# Maj 9 (With F6 as overtone)
If you add the F6 i have no idea how to call it tbh
The intro to all death metal songs or right before a superhero throws ninja death stars at his arch nemisis.
His upstairs neighbors he like, “EARTHQUAKE wait nvm it’s just him again”
Thats talent.
Dude you have to see Trung Bao - 2020 bgg wildcard ....it has some insane techniques like double voice and insane inward bass ...you should also watch Two H's 2020 gbb wildcard he basically only uses poliphonic voice
This channel was needed for beatboxers! Thanks for the content!
I think the second harmonic sounds the best
my dog after eating all the lentils from the crockpot:
6:17
I don't understand what I just heard, but my mine is completely blown
He hit the chord, I got chills through my entire body 😱🙄😅
thanks for the shoutout 🖤 love u bro
I'm such a noob, if you didn't told me I would have thought this is one note. But at least it sounded epic.
I think you should make a video on more of some tenor techniques as well
I would call the chord Eb(add 9 add 11) or just Eb11(omit 7) If you could get a D or Db to sound simultaneously I would call it Ebmaj11 or Eb11 respectively.
i dont know exactly what the polyphonic thing lalah does, but ive heard is similar to a whistle note. imagine if you were trying to do subharmonics = fry + chest, but instead its chest + whistle register = polyphonic register. that being said i dont know if any of that is true and i also dont know how to do it so take everything with a grain of salt.
That is an Abmaj7(9 13)omit3rd chord.
You cant call it a sus chord because of the 9-13 which to be used in a major 7th chord.
Rest is the 5th(Eb)
Dennis Mckenna needs to see this.
I think the name of that chord is a diminished F Scott Fitzgerald
Wow that was insane man
I can make two legit notes at the same time using the back of my throat and nasal cavity. It sounds like a train whistle and they’re always notes that clash with each other. I can “sing” them at different ranges but they’re always the same distance apart from one another on a scale.
You looks like "Licht" FROM Black Clover xD
Ayyy, I just finished Black Clover a week ago
Just read all the manga chapters last night, lets hope he doesn't try to kill humanity again..
Lol kinda true lmao :D
OMG! You are right! I've just noticed 😎
since when beatbox techniques require me to graduade music school with all that notes and chords and shit, damn
you are such an enhancement for the human beatbox scene! thank you ! great vid!
Damnnnn that bass line is soo clean
Toni Linke knows how to do the Lalah Hathaway sound, check out his video on polyphonic splitting
Thank you for this. The last note was crazy
Holy shit that was awesome
Duudee🔥 thats insane
Super! I like this kind of Tibetan voice...
I'm gonna try this, but for the moment i can make only 2 sounds at the same time -> when i fart! Haha