How to Tell if a Color is Warm or Cool

Поделиться
HTML-код
  • Опубликовано: 17 янв 2022
  • I hear lots of questions from students about warm and cool colors, and their confusion in telling them apart. In this video we look at some of the most common warm and cool primaries and why they are warm or cool.
    Here is the blog post for this video:
    davidmkessler.com/blog/2022/1...
    The Best Way to Connect with Me is thru my EMAIL LIST (and you'll get a free ebook):
    david-kessler.mykajabi.com/20...
    Online Workshops: davidmkessler.com/online-courses
    Join Me for a Live Painting Workshop:
    www.davidmkessler.com/paintin...
    "Simple Color System" Color Wheel:
    www.davidmkessler.com/color-w...
    My Studio Materials:
    Paint: GOLDEN Heavy Body Acrylic Paint
    Brushes: Natural Bristle: Blick Gesso Brushes from Dick Blick in 2", 2.5" and 3"
    My Workhorse Natural Bristle Brush: Escoda Clasico #24 (2")
    Nylon Bristle: Raphael Sepia Brushes, size 50 (2") from Jerry's Artarama
    Canvas: 1.5" deep Gallery Wrapped - various manufacturers
    Paper: Fabriano Artistico Cold Pressed Watercolor Paper 300lb
    You Can Get a List of All My Materials and Paint Colors HERE:
    david-kessler.mykajabi.com/da...
    T-Shirts & Merch: If you like the shirt I'm wearing, you can get one (and others) here:
    teespring.com/stores/david-m-...
    Website: www.davidmkessler.com
    Instagram: / davidmkesslerfineart
    Facebook: / davidmkesslerfineart
    David is a Nationally Recognized Contemporary Painter, Workshop Instructor, Author of the book "Bigger, Faster, Fresher, Looser Abstract Painting Workbook" and founder of Abstract Painting Academy.
    • How to Tell if a Color...

Комментарии • 30

  • @dianecharest8365
    @dianecharest8365 2 месяца назад

    Again, thank yooou for sharing your knowledge.

  • @sigrunasa
    @sigrunasa 3 месяца назад

    Very helpful thanks!

  • @Acoustic-Rabbit-Hole
    @Acoustic-Rabbit-Hole Год назад +3

    I've noticed that on the piano, or just in the scales from C to C on whatever instrument, C to F are warm sounding. And from F-sharp to B are cooler textures. Especially when comparing single notes individually to each other. For many years I began to simply associate C with red. D with orange, E with Yellow, etc. Then more recently it it me that the greatest love songs are in Red: C major. And songs of death and estrangement are in A-flat. Like Sting's stalker song, "Every Breath You Take." Also, if C is red, the tritone or "Devi's Interval" to that is actually in Green (F-sharp). Therefore just as Red and Green mix down to neutral gray or black, so does C and F# harmonically cancel each other out. I'm actually documenting this on my channel here, The Acoustic Rabbit Hole. // Just sharing some "parallel" info on the subject.

  • @thalaagdal2457
    @thalaagdal2457 Год назад +1

    Merci pour votre générosité. C'est très instructif.

  • @annesteel5155
    @annesteel5155 2 года назад +1

    Brilliant! Thank you. I'll get right on mixing those colors. This has been very unclear to me before your video. I appreciate your forthright manner.

  • @wubbaism
    @wubbaism 2 года назад +1

    Thanks David. Always great information and important to review and remind yourself regularly of these kind of fundamentals.

  • @rikyvandeursen4911
    @rikyvandeursen4911 2 года назад +1

    Thank you David, always love watching your videos, learn a lot even though I’m not a professional artist painter 😊🙏🏽

  • @janettepolt2815
    @janettepolt2815 5 месяцев назад

    merci pour votre aid

  • @thalaagdal2457
    @thalaagdal2457 Год назад +1

    Très intéressant !

  • @davidm.kesslerfineart1717
    @davidm.kesslerfineart1717  2 года назад

    Thank you for watching "How to Tell if a Color is Warm or Cool." I appreciate your support!

  • @wazzap500
    @wazzap500 2 года назад +1

    This warm/cool thinking seems somewhat random to me. What will happen when you limit your palette in terms of the pigments you use is youll limit your gamut and the color mixing space.
    example: ultramarine and quin. magenta will make a better purple mixture than cerulean blue and cad red.
    The goal is too choose a color space that you like and fits the subject.

    • @davidm.kesslerfineart1717
      @davidm.kesslerfineart1717  2 года назад +3

      Why is it random? It’s hundreds of years old as a concept. It’s just basic stuff knowing what’s warm and what’s cool. How can more knowledge be limiting????

  • @OyVeyLala
    @OyVeyLala 2 года назад

    Thank you and you’re right- I get the blues mixed up because I think of colors like pthalo blue as having a touch of yellow (not green). I think I was once incorrectly told to think of temperature as what’s closer to yellow is warm. Anyway what is straight TEAL? I’m thinking cool but when I mix it with quin magenta it’s violet, which is confusing. Is violet and purple in between?

    • @davidm.kesslerfineart1717
      @davidm.kesslerfineart1717  2 года назад +1

      Lauren, teal is blue green - cool. One of my favorite violet mixtures is Golden’s Teal mixed with Medium Magenta. Blue Green’s can be used to make violets, but warm reds cannot be used. It takes lots of experimentation.

  • @K-Art1
    @K-Art1 Год назад

    Hello David, I appreciate your paintings and your very didactic explanations. I would like to know if with primary magenta, primary cyan, primary yellow, white and black we can obtain all the colors of the Golden brand. Which colors to buy from the Golden brand to obtain a wide palette by mixing? Thanks a lot !

    • @davidm.kesslerfineart1717
      @davidm.kesslerfineart1717  Год назад +2

      You can typically make the colors you need from primaries and black and white. Whether you can make the specific colors of any brand is unlikely. I’m not sure why you think you need to match the colors of a brand. Make the colors that work for you.

    • @K-Art1
      @K-Art1 Год назад

      @@davidm.kesslerfineart1717 You are right, I will buy the primaries, the white and black Golden brand. Usually I work with Amsterdam acrylic but the pigment concentration is not the same as Golden. Thank you for your kindness !

  • @KirkwoodStudio
    @KirkwoodStudio 3 месяца назад

    Hi David. I understand this concept, but when I look at my Golden Cadmium Red medium and my cadmium yellow deep, it doesn’t list red or orange in the pigments list.

    • @davidm.kesslerfineart1717
      @davidm.kesslerfineart1717  3 месяца назад +1

      Janice, I have been a painter for 33 years and never once looked at a pigment list. A pigment list means nothing. These are universal truths in painting.

  • @suemauer5965
    @suemauer5965 9 месяцев назад

    Is there somewhere we could buy true primary red and yellow in watercolor - the colors that would be on your center line like cobalt blue?

  • @orandxb
    @orandxb 2 года назад

    Hi David. I started painting a year ago. following tutorials on youtube, trying to copie representative paintings. but lately, I have an extreme urge to do intuitive paintings. Do you know where this urge comes from?? regards.

    • @davidm.kesslerfineart1717
      @davidm.kesslerfineart1717  2 года назад

      It’s probably your creative self telling you to do your own thing. You should never copy someone else’s work - there are copyright laws that protect the paintings that artists do, so please stop doing that. You don’t need to because you can do your own work. Focus on that for awhile and see what happens. Forget the YT tutorials and at least sign up for a multi-day workshop with a nationally known instructor to get some real instruction. When I did that it changed my life.

    • @orandxb
      @orandxb 2 года назад +1

      @@davidm.kesslerfineart1717 Thanks for the prompt reply. I 'm not selling the paintings I'm making. It's just that as a self taught youhave to start somewhere.

    • @davidm.kesslerfineart1717
      @davidm.kesslerfineart1717  2 года назад

      @@orandxb it’s a hard to break once established.

  • @RobertJonesWightpaint
    @RobertJonesWightpaint Месяц назад

    I've just watched a video by one Dianne Mize (I may have got the name a bit wrong) which insists that Ultramarine is cooler than Prussian Blue; she takes yellow, ANY yellow, as being warm, using a version of the colour wheel which she's taking literally; but it isn't laid out in any logical way.... what effect this has on actual painting I'm not sure.... but when I suggest students take a look at RUclips for guidance, I do need to be a lot clearer about those to whom they should pay attention. Dianne is saying the exact opposite of what you're saying, and in my opinion - she's totally wrong. I wonder what effect these opinions have on actual paintings - do you think it would make a real difference, one way or the other?

    • @davidm.kesslerfineart1717
      @davidm.kesslerfineart1717  Месяц назад

      Robert, I’m not sure what effects it would ultimately have on paintings. What I have presented here are generally accepted as universal principals about color that I have gleaned from others over the last 30 plus years - these are not opinions I have made up. Some others will have different opinions, as they always do. Thanks for watching.