VFX Artist Breaks Down the Best Visual Effects Oscars Nominees | WIRED
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- Опубликовано: 5 фев 2020
- Kevin Baillie, Creative Director & Sr. VFX Supervisor for Method Studios, talks through this year's Oscar nominees for Best Visual Effects -- 1917, Avengers: Endgame, The Irishman, The Lion King, and Star Wars: The Rise of Skywalker. Baillie began his career two decades ago as an 18-year-old pre-viz artist on Star Wars: Episode I. Since then, he has worked on Harry Potter, Star Trek and Transfomers movies, among many others. He is a member of the Academy of Motion Pictures Arts and Sciences.
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"I got started at 18 on STAR WARS" BRUH
*cough * cough and it was The Phantom Menace shhhhhhh dont tell anyone lol
Out of High School, More Opportunities during College, He probably went to the state of the art in VFX college
Just like David Fincher
@@kishenkoolskills90 prolly didnt even go to college i mean why go to college if u already know how to plus getting a job would be pretty easy seing that he worked on a pioneer of a movie for its time
Purefoldnz wdym phantom menace is the best Star Wars movie!!!!!!!!!!!!!
Great job Wired. This guy seems like he knows his stuff.
I'd hope so considering he has been in the business since 18..
@@peachylady lmao what, do you expect wired putting someone who doesnt know anything on youtube?
he worked with Star Wars....
it's kinda his job
He working on Star Wars movies since the first came out.
wait a minute this isn't corridorcrew
a little better, IMO... carridor is gonna have to switch it up or something... they're getting a little bland
Corridor Crew is better as they bring content more consistently and this comes once in a blue moon and they cover Bollywood movies which has the most craziest CGI
@@mikechris2012g A little better he says. Kevin Baillie focuses on the facts, less of the puns and jokes.
For good reason too, they don't really know what they're talking about
@@mikechris2012g The problem with corridor crew is that they really too much on jokes and stuff. I love they leave the jokes to rest and Nico starts to take it seriously but it's just a glimpse, really.
We NEEED Erik Singer to do a whole episode on the accents of Knives Out. The voices were so strong in that movie, I want to learn more about them!
" I got my start at 18 working on Star Wars"...hold up WTF...how did we just gloss over that huge detail. talk about hitting the ground running
Went to a vfx talk last year where I was told how hard it is to break into the industry by a guy who got offered a job at DNEG right after finishing university. In that moment I seriously wanted to throw my notebook at him...
@@nathalie9329 Not really, if you go to the right school its easy to get into the industry. You only need the right contacts.
Not to mention all how hyper competitive the industry is
@@humanoid9787 eventually the studio will train you to make scenes that they will approve later on.
Working on The Phantom Menace isn't what I'd call a running start. I'm just glad this young man turned his life around.
Everybody talks about actors but doesn't appreciate thousands of hours put on by digital artis
And there's this narrative that CGI gets worse or makes movies worse nowadays
CGI has gotten better, studios just decided to be lazier and cheaper with them
Except for Keanu Reeves. That guy'll give the whole crew the Oscars, and then take them all out for ice cream.
there are whole channels in youtube about cgi, i follow quite a few, and their job is very appreciated
@@maxwedewferg you know that what you see on RUclips is not necessarily reflected in real world?
Wired watching Corridor Digital
“...write that down, WRITE THAT DOWN”
Sadly we won't have Clint doing the siren sound
@FilmGamer that's why they invite professionals
“Look how the pores stretch!”
@@missvness730 😂!
@FilmGamer YES! THANK YOU. Stop comparing him to RUclipsr vfx creator. Its an insult!
Who else initially thought they were clicking on a Corridor Crew video ?
Precisely!
I was thinking that myself. They've been killing it lately
me
Lol, I thought Wren would be narrating again.
Everyone is going to jump on their bandwagon.
I was really impressed by 1917, it’s the sort of movie where you can’t look away and it keeps you on the edge of your seat
Yh it's amazing best movie that's not a Comic Book movie or a Star Wars movie in VFX
@@kishenkoolskills90
Deserves to be repeated. The visual effects in Ex Machina, 1917, etc. Are much better than stsr wars and "theme park" movies.
Kev Low how though? how are they “better”?
The only part that looked off was when they jumped into the river. It just didn't look right at all, in fact it was pretty bad, but that doesn't make the movie bad.
Honestly, the VFX on Star Wars looked very generic, nothing that you have already seen on the Marvel Universe, or Jurassic World. Even Game of thrones looked more interesting. The previous SW trilogies were always groundbreaking for their times, even if some of its VFX didn’t aged well. But this one had nothing really new.
My grandma thought the animals in the Lion King were real, she said “I wonder how they got those lions to do that” 😅
The lions were clearly cats in mocap suits.
Same with my mother 😂
aww that was cute!!
well at least she asks those questions. asking questions is how you learn stuff. always be curious. my parents just take stuff for granted and do not think about how it is done at all.
I love that he's so into The Irishman vfx, i know it has some flaws but it takes the way the industry works to another level. Truly underrated.
That's tu
@Funk O'Matic No.
I don't understand why everyone praises CGI in the Irishman. Sure thing, it's incredibly time-consuming but it doesn't look good at all. These blurred-out faces were taking me out of the movie all along.
Vfx are iffy, but it's still a good movie. Definitely worth watching.
please make this guy do other videos about this topic!
Check out corridor crew channel, they do this weekly
Thank you wired, not only for putting a pro in front of camera, but also bringing all these nuances of movies I've enjoyed last year..
After watching this and realizing how many digital effects I couldn’t catch in 1917, I believe it deserved the Oscar
91% contains digital effects. It was incredibly well done.
Logically I knew they had to use a lot, but visually I couldn't catch it at all.
The best digital effects are the ones you can’t see
Well The Irishman it was so bad it was distracting. Most of it looked silly. They should have went with talented younger actors and made them look old. More believable to the eye and they would have saved a ton of money.
Ed Jackson No one can pull out an act that was merely close to those men.
^^ DeNiro and the rest of the cast are amazing, it’s hard to find actors as good as them 🥱
@@edjackson4389 No.
I feel like people say that far too often. Doctor Strange (for example) had plenty of scenes that everyone knows are mostly digital, but we can still all agree on them looking great. Similar to what was said in the video, the best digital effects are the ones that help the audience engage in the movie. There are plenty of digital and practical effects we can tell aren't "the real thing", but are still good, because they aren't distracting.
Honestly this guy made the Transformers really appealing! But he can't change the bad story line
Story writing and Michael Bay Madness
yeah but i never got to see the robots for more than half a second at a time..quick cuts ruined those films.
and starwars
yOuR a SoLdiEr NoW
Was that a JoJo reference?
Reminds me of the film "The Congress" where they only digitalize an actor once and then pay them to use their digital copy for films.
Hmm, good movie.
great film
soon...
A great movie. Watching this shows that indeed it is plausibel.
there's also the Film called "Simone" with a film star that only exists digitally
As a visual effect, working Carrie Fisher into TROS works. But every time she was onscreen, all it did was make me sad.
Same with cats. The VFX weren't bad, the art direction was.
For some reason I believed them when they said they wouldn’t have her in this movie out of respect, since they didn’t have all the footage they’d need.
IN FCKING STAR WARS AT 18 YEARS OLD.
THIS GUY HAD TO HAVE THE HIGH GROUND AND UNLIMITED POWER
@Umbrella Corporation Not a clue.
3:03 *hulk with a pout face exists*
me: i see this as an absolute win
Seeing and hearing the way they recreated Carrie Fisher got me. I lost it. Art is so powerful, man. So freaking powerful. We are all blessed just to witness.
Hope to see more of Kevin in the future. This was very engaging. Great job Wired !
you’re telling me his first job in the field was working on star wars
YES
Corridor Crew, should have this dude on the VFX Artist React
The background score when he was talking about DeNiro was perfect.
Great way to describe what goes on with the visual effects. Personally I think smart hulk was the best visual effect and captured awesomely.
Random Rangoon The close up was amazing
Random Rangoon simpleton
It is usually the simpleton that throws names and stuff around on the internet lol.
same thing with thanos but well in infinity war where he hade more closeups but he well he look just as great in endgame
Such a cool video!!! I would love to see more with him and have him explain more of the technique
“It might look too much like a video game”
Well that’s kind of what modern video game companies are aiming for nowadays, is the inability to consciously tell that it’s fiction all of the time. Video games are getting preeeetty realistic.
I think video games scripts are even getting better than movies and graphics are getting believable day by day.
Great to see one of the artists behind the epicness!
This is one of the best of these professional breakdowns I've seen. He is extremely engaging and clearly passionate and knowledgeable about his trade/art!
The posture and movement were my only issues with The Irishman. When Deniro is kicking someone on the ground, we was moving like an older man.
Kevin casually downplaying himself as a vfx artist while at the same time being the founder of one of the best vfx vendors out there :D
So much to appreciate when it comes to modern films, wow.
I'm a deep learning/ computer vision researcher in a completely different field and it's breathtaking to see how much our techniques overlap and how much software engineering goes into this craft! Amazing video, WIRED!
I absolutely loved this video! Please bring him back again
Awesome! Shows the importance of all those names at the end of movies. We appreciate you!
We need more videos with this guy
He is so informative
The de-aging for the Irishman was so good I actually thought in scenes where the actors played their real age, that they were made up to look older. The younger versions looked so realistic, I was surprised to see how old their faces are in real life.
@Funk O'Matic i've seen that but it doesn't look better since the lights don't match and the skin looks doughy.
@Funk O'Matic It is aftwards to do some polishing on such kind scenes. Here in this video you got a better idea of the real effort behind that.
@Funk O'Matic but does it run on 4k? I think not
@La Señora Tortuga Exactly, it still looks very artificial.
It looked horrific and they weren't believable to be that age.
This was one the best videos on wired so far
This video is beyond amazing !! Thank you a zillion times for bringing this to us !!!
Just amazing what they can do now. Kevin shows he really knows his stuff. Thanks for a great video, it is just fascinating to see how they do it.
Very nice touch on the caption placement to not block the words appearing
Thomas Flight's analysis on each Best Editing nominee is amazing as well
Wonderful video, I learnt so much. Very informative and well out together.
Such an immersive content , thanks :)
I love learning about these things, this is so interesting!!
i would love to see a version of The Irishman with the original faces.
Props to WIRED, they always find the best specialists working in their field.
ActuallyAwesome part was he started 3D rendering way back in early 90’s with a fellow classmate Ryan T. So awesome that they kept passion and love for conjunction of art and technology.
Great break down Kevin.
thought this was going to be a Corridor Digital video at first
The Singlenator right!
Great video, thanks Wired!
Great job on this video. Passion for the art just pours out of every aspect of this insightful examination of the top players of today. Since being taken to the theatre as a child to witness Terminator 2 for the first time, its only in the last few years I’ve seen similarities in technology assisting storyline to level I feel James Cameron nailed so well back in the early 90s.
Tutorial is fantastic ,thank you
This guy is great. Please have him on again
Loved this video, Wired
Very informative, thank you! I'm continually astounded by the leaps and bounds your profession has made in such a short ( but highly intense ) time. I was watching Galaxy Quest and remarked to my grandson how complicated it was to create the character of Sarris, the antagonist in the film. How Winston had to do this and that and he said, " Why didn't they just digitize him?" I shrugged and said, " Because that was in the future. Then, they had to do it this way." Hard for him to understand there was a world without computers!
Would like to see him talk more about working on Episode 1! Sounds like he'd have interesting stories...
Hey! You were interviewed by Mark Christiansen on the VFX for Motion podcast by School of Motion! :D I edited your voice. Great to see you here!
Great video! Loved seeing what went into making the wonderful visual effects for all of these movies! I would personally love to see Endgame or Star Wars take the Oscar, but I wouldn’t be surprised if 1917 wins because the academy loves the “invisible” VFX. And I honestly wouldn’t be to mad about that because that movie is really great!
"Invisible" VFX are also the most impressive.
Like last year how First Man beat out Infinity War.
Really interesting video, thanks.
Great video, I love corridor, but it s good to see someone different
Already knew most of these stuff cause of corridor crew’s videos ❤️❤️
Very informative video, thank you
Thanks for this Wired. Always loved TV & films. I'd been wasting my life in drink & drugs and went back to college to learn about cartoon films, I didn't have to pay, learning was for free then. I got a grant for 2 years to learn about cartoons & film. At the end I asked my teacher when I'd get my 1st good job, ''About 5 years'' he said with a smile and he was right.
Kevin was so fortunate to get that job at 18, my big break came aged 29 getting getting a job with Disney in London making Roger Rabbit and working with ILM. I got into both jobs without qualifications but could draw cartoons and copy any drawing ok.
Being in the right place at the right time, no planning and not drunk. Everybody has an ability, the trick is to do it well and to be open to almost anything.
Yoo is he one responsible for us being able to see thru Liam Neeson during that final fight with Maul?
You saw through Liam Neeson? Good for you...
@@skycat04 well I couldnt qui gon sooo ya
The spelling...yikes.
nora 노라 the grammar, yikes.
nora 노라 there is no point I’m joking
This is an awesome resource. Great job, Kevin. Totally helpful.
1:01 “I like him”
The visual effects in the lion king were just outstanding and the best since avatar and Jon Favreau did a terrific job doing it
I was not interested with 1917 being nominated but when you said something about it being seamlessly stitched together now it got my attention. A good VFX looks invisible and natural to the eye
Although I like some of the other movies more, I think the Irishman probably deserves to win, because they actually invented a new pipeline for facial capture without using markers - a custom camera rig with 2 infra red cameras attached to sense depth, and some serious coding to reverse engineer the facial expressions. No one has done that before, and it’s probably a game changer for future movies with face capture
Nice job. On making a video titled the same as the whole series as Corridor Digital!
13:41 I found this bit of performance capture totally unconvincing. I just snapped me out of the scene.
a very common say regarding special fx is "the best special effects is the ones you can't see" and it is completely true,if you don't realize that something is computer made then it is made correctly
1917 absolutely deserved that visual effects win. What a gorgeous film that was!
Great experience. thank you !
The only problem with the reverse aging tech is that it cant fix the way they move. There were parts in the Irishman where Pesci called DeNiro "kid" but he looked 45 and moved like he was 65.
Going to college for 3D animation and this is so inspiring!
Credit should go to the "Corridor Crew" as this inspiration was the spark for their channel.
1917 is not only my favourite film of the year but along with end game is in my top 10 all time favourite movies
Love this channel
my cousin worked on the vfx for the irishman.
Just saw 1917. Very intense. On the big screen I could tell the dead animals were fake and could see the overdubbing because the lips were off sync sometimes. I'll be interested to see what it's like when I view it again on Blu-ray.
Also when the actor made the jump into the river, it looked so fake and the explosions when he's doing the sprint at the end you could tell that many of them were CGI. Can't understand how this film get nominated for best VFX?
I didn’t even realize that DeNiro and the rest were younger in the movie..
Time to visit your eye doctor
I think it’s because of the usual hair and makeup we see them in that we forget that they are older than how we remember them being
It's because the digital effects just erased the wrinkles of the actors mantaining the old facials structure. On aging it's not just the wrinkles that arouses, the ears and nose get biggers, the skin becomes flatter, the lips thinner and so on, this details have been forgotten.
I thought it was all makeup, lol.
why didnt they just use younger actors?
Goes to look at the comments to see people talking about the wonderful visual effects of these movies and, oh what a surprise, the first one I see is someone hating on Star Wars for something so small and unnoticeable unless you are looking for it to find something to complain about🙄
I haven't seen 1917, but Baillie mentions at the beginning that he has worked a lot with Zemeckis... and 1917 seems like the kind of movie Zemeckis would have made or at least enjoyed watching, reminds me of similar "invisible" effects in movies like Forrest Gump, Contact, What Lies Beneath, etc.
The de-aging on Pacino and Pesci was very good. On De Niro it looked very weird.
very interesting video, gj guys
Totally loved the idea to mimic camera movements like it would be filming Lion King for real.
I just got a 20 second long ad..... Where is this going RUclips?
Great stories and insight
The advanced technology that we have today is just so amazing. Movie magic just became more magical over the years.
I could listen to this guy for hours
The way this was explained…I toddler would understand it 🤌🏽 perfection
Very nice video
16:17 LINUX!
really interesting, thanks for helping people like me understand and discover what vfx is. :)
God you're awesome. Thank you for making great visual effects on hp.
Thought this is another Corridor Crew video when I clicked it lol
Amazing! I learned so much!