FABULOUS COVER BAND, but still the same problem with the HAMMOND sound, not in the DEEP PURPLE spirit. A B3 custom for the road by BERTRAM Germany will be perfect with a real Leslie cabinet.
Well, this is one of the limitations you're facing if you're not Deep Purple. An original tube-amp driven Leslie speaker such as a 122 or 147 may have the sound but is by far not loud enough. A customized high-power Leslie, which is very expensive, is what's needed here. For a portable Hammond B3 and Leslie like this in proper working condition you'd easily pay 10000+ Euros. In addition, you'd need something like a Marshall Bluesbreaker combo and at least an 88 keys stage piano in order to handle a good deal of the setlist on the same level. Including some other stuff like proper stereo monitoring you'd have to invest the equivalent of a car. But even if you could you'd have to move all that stuff from one location to the next across Europe and carry it on/off stage without breaking your back. Good luck! For something like this you'd need proper logistics, a road crew and at least one technician (and maybe also a spare Hammond clone if the real thing won't work).
deze band speelde echt heel goed, ze mogen van mij meer komen naar nederland.
Ian Paice Ian Paice, alright!
The keyboards alone make this interesting.
Very nice :)
THX
3:51 time to do some Paul Gilbert 3 note per string excercises!
bass player has very similar hand moments as roger glover
FABULOUS COVER BAND, but still the same problem with the HAMMOND sound, not in the DEEP PURPLE spirit. A B3 custom for the road by BERTRAM Germany will be perfect with a real Leslie cabinet.
Well, this is one of the limitations you're facing if you're not Deep Purple. An original tube-amp driven Leslie speaker such as a 122 or 147 may have the sound but is by far not loud enough. A customized high-power Leslie, which is very expensive, is what's needed here. For a portable Hammond B3 and Leslie like this in proper working condition you'd easily pay 10000+ Euros. In addition, you'd need something like a Marshall Bluesbreaker combo and at least an 88 keys stage piano in order to handle a good deal of the setlist on the same level. Including some other stuff like proper stereo monitoring you'd have to invest the equivalent of a car. But even if you could you'd have to move all that stuff from one location to the next across Europe and carry it on/off stage without breaking your back. Good luck! For something like this you'd need proper logistics, a road crew and at least one technician (and maybe also a spare Hammond clone if the real thing won't work).