FABULOUS COVER BAND, but still the same problem with the HAMMOND sound, not in the DEEP PURPLE spirit. A B3 custom for the road by BERTRAM Germany will be perfect with a real Leslie cabinet.
Well, this is one of the limitations you're facing if you're not Deep Purple. An original tube-amp driven Leslie speaker such as a 122 or 147 may have the sound but is by far not loud enough. A customized high-power Leslie, which is very expensive, is what's needed here. For a portable Hammond B3 and Leslie like this in proper working condition you'd easily pay 10000+ Euros. In addition, you'd need something like a Marshall Bluesbreaker combo and at least an 88 keys stage piano in order to handle a good deal of the setlist on the same level. Including some other stuff like proper stereo monitoring you'd have to invest the equivalent of a car. But even if you could you'd have to move all that stuff from one location to the next across Europe and carry it on/off stage without breaking your back. Good luck! For something like this you'd need proper logistics, a road crew and at least one technician (and maybe also a spare Hammond clone if the real thing won't work).
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Ian Paice Ian Paice, alright!
deze band speelde echt heel goed, ze mogen van mij meer komen naar nederland.
The keyboards alone make this interesting.
THX
Very nice :)
bass player has very similar hand moments as roger glover
3:51 time to do some Paul Gilbert 3 note per string excercises!
FABULOUS COVER BAND, but still the same problem with the HAMMOND sound, not in the DEEP PURPLE spirit. A B3 custom for the road by BERTRAM Germany will be perfect with a real Leslie cabinet.
Well, this is one of the limitations you're facing if you're not Deep Purple. An original tube-amp driven Leslie speaker such as a 122 or 147 may have the sound but is by far not loud enough. A customized high-power Leslie, which is very expensive, is what's needed here. For a portable Hammond B3 and Leslie like this in proper working condition you'd easily pay 10000+ Euros. In addition, you'd need something like a Marshall Bluesbreaker combo and at least an 88 keys stage piano in order to handle a good deal of the setlist on the same level. Including some other stuff like proper stereo monitoring you'd have to invest the equivalent of a car. But even if you could you'd have to move all that stuff from one location to the next across Europe and carry it on/off stage without breaking your back. Good luck! For something like this you'd need proper logistics, a road crew and at least one technician (and maybe also a spare Hammond clone if the real thing won't work).