Is DaVinci resolve 19 available now,, when I use this film look thing.. it gives me the watermark.. I have a license for the program.. but the beta won’t let me use 19 to its full potential 🤷🏾♀️🤷🏾♀️
@@thatfilmfool when you installed the paid version,, did it let you type in your code that you have when already having the program and was it just a update ?
@@CINEMAWORX Cant exactly remember but all I did was delete the version I downloaded and went to Davinci Resolve and downloaded the Beta 19 STUDIO version and then it asked for my code and it all worked again :)
@@thatfilmfool oh ok, I’ll try that out.. now,, the code that you have, is it the same code that you got when you purchased your black magic product awhile ago? Or did you buy DaVinci resolve 19 and it gave you a new code?
Cool! This is exciting! Is this better or worse than DeHancer btw? I’d kill to try both. Also I like your other vids dude, I wanna direct someday and I love reaching out to other filmmakers. You seem like an interesting guy to keep in touch with haha
I think they both have their place I find that dehancer has more customisation but DVR Film Look - easier to get a nice picture quickly. Yes man haha lets keep in touch also looking to do more directing in the future as well! Lets keep in comms!
@@zacharyantle7940 I barely post anything on social media to be honest but you can give it a go Lyndon_Stratford_Film - I delete it in the weeks. So It may take a while to get a reply.
thanks for the video! Do you know how to save custom presets to use the same preset for different clips without having to reset all the settings every time you want to have it on a new clip?
I am not sure how to do that but if you wish to copy it across to another clip you just control +c and control+v and it pastes it. Might not understand you fully. Sorry
Great Video! I'm currently using the GH5 and looking to upgrade to a new full-frame camera. I'm torn between the S5iix and the FX3. Do you think the extra cost for the FX3 is worth it? I’ve watched several footage videos from both cameras on RUclips, especially in the music video genre, and I find Sony’s look much more modern and cinematic.
To be honest I shoot on canon but love Sony. I did have the gh4 - loved that camera but havent really kept up with panasonixs line up. My opinion is that those cameras are so close together that you may not notice a huge difference. I would rather think about which lens mount you want to have. and build up good lenses - they dont loose too much value.
Sorry should of double checked but I think it may of been set to the standard rec709 -probably should of put it in Davinci Wide Gamut. Darren Mostyn has a great video on that specifically. Cool channel by the way man!
@@thatfilmfool like that tan white color of your shirt and wall. How do you make the lighting that color. Or what’s your color grade / set up process for your face cam?
Nice post mate! a couple of questions... 🤔 1- do you know if this will be available in the free version? 2- So... we don't need to use CST any more...? We just use the FLC effect....? thanks! cheers!
Instead of CST nodes I prefer Davinci Color Mnaged workflow - using the Davinci Wide Gamut for the timeline to make sure I use all of the sensor data until output... I assume the new Film Look Creator will fit in with that workflow (I know Dehancer accepts Davinci Wide Gamut as the input space...)
Thanks man!! So I download the Davinci Resolve Free version and it didn't allow it - so I am assuming they are going to keep it to the Studio Version. 2. I think CST can still be important if you want to work in a different color space. But they havent release much info on this - as soon as I know I will let you know. Ill comment back on this. Currently I just used the FLC effect and told it my color space. Davinci wasn't in color managed at all. Hope some of this helps.
Looking forward to playing around with these Film Look Creator effects! Thanks for the insights, very helpful!
Glad you like them!
subtractive saturation increases saturation without adding brightness. As it is a subtractive method and not additive.
Amazing thank you Sir 🙏🏼 it seems to also mainly affect the red channel or am I crazy . That and richness
Is DaVinci resolve 19 available now,, when I use this film look thing.. it gives me the watermark.. I have a license for the program.. but the beta won’t let me use 19 to its full potential 🤷🏾♀️🤷🏾♀️
Ill be honest I had this exact same issue but it was because I accidentally downloaded the Free Version, Once I reinstalled the paid plan it worked!
@@thatfilmfool when you installed the paid version,, did it let you type in your code that you have when already having the program and was it just a update ?
@@CINEMAWORX Cant exactly remember but all I did was delete the version I downloaded and went to Davinci Resolve and downloaded the Beta 19 STUDIO version and then it asked for my code and it all worked again :)
@@thatfilmfool oh ok, I’ll try that out..
now,, the code that you have, is it the same code that you got when you purchased your black magic product awhile ago? Or did you buy DaVinci resolve 19 and it gave you a new code?
@@CINEMAWORX I never got a new code I just inputed the one I had before from when I bought 17
Missing like 10 steps. First how do I even get to being able to add this film look node? All I see is just to add a node.
Apologies for that. You create a node and then look in the effects page for film look creator and drop and drag it onto a node
Cool! This is exciting! Is this better or worse than DeHancer btw? I’d kill to try both. Also I like your other vids dude, I wanna direct someday and I love reaching out to other filmmakers. You seem like an interesting guy to keep in touch with haha
I think they both have their place I find that dehancer has more customisation but DVR Film Look - easier to get a nice picture quickly. Yes man haha lets keep in touch also looking to do more directing in the future as well! Lets keep in comms!
@@thatfilmfool Dope! Is there somewhere I could add you? I’m on most social media haha
@@zacharyantle7940 I barely post anything on social media to be honest but you can give it a go Lyndon_Stratford_Film - I delete it in the weeks. So It may take a while to get a reply.
@@thatfilmfool dope! Just messaged you lol
Really good DR video 👍🏻 I have the studio version but I still work mostly with EDIUS 🙈 best cinematic greetings from germany 🎥
thanks, Never heard of Edius how is it?
thanks for the video! Do you know how to save custom presets to use the same preset for different clips without having to reset all the settings every time you want to have it on a new clip?
i used it in the edit page, no chance - so i started once again in the color page.
I am not sure how to do that but if you wish to copy it across to another clip you just control +c and control+v and it pastes it. Might not understand you fully. Sorry
Lovely, cheers mate,.
Thanks Ataur!! 🙏🏼👍🏼
Great Video! I'm currently using the GH5 and looking to upgrade to a new full-frame camera. I'm torn between the S5iix and the FX3. Do you think the extra cost for the FX3 is worth it? I’ve watched several footage videos from both cameras on RUclips, especially in the music video genre, and I find Sony’s look much more modern and cinematic.
To be honest I shoot on canon but love Sony. I did have the gh4 - loved that camera but havent really kept up with panasonixs line up. My opinion is that those cameras are so close together that you may not notice a huge difference. I would rather think about which lens mount you want to have. and build up good lenses - they dont loose too much value.
Very helpful thank you
Thanks Jake - Glad you liked it!
what's ur timeline settings?
Sorry should of double checked but I think it may of been set to the standard rec709 -probably should of put it in Davinci Wide Gamut. Darren Mostyn has a great video on that specifically. Cool channel by the way man!
@@thatfilmfool thanks for the reply - appreciate you bro, excited to see ur next vid :)
Very cool!
What is your face cam up how can i get that soft grey look? Can it be done with a iPhone camera after color grading
The camera was a canon r5c not sure about the soft grey look sorry. You might be able to
@@thatfilmfool like that tan white color of your shirt and wall. How do you make the lighting that color. Or what’s your color grade / set up process for your face cam?
Sorry I missed this, a lot of it is colour grading - Davinci resolve
Film look creator
EX info. Thank you 👍
Thank you for watching 👍🏼
Is this available on free version of davinci
Unfortunately not... Hopefully they release it in the 19 update after beta? But doubt it if I am honest.
Nice post mate! a couple of questions... 🤔 1- do you know if this will be available in the free version? 2- So... we don't need to use CST any more...? We just use the FLC effect....? thanks! cheers!
Not sure but if I had to bet I would say it's probably studio version exclusive
Instead of CST nodes I prefer Davinci Color Mnaged workflow - using the Davinci Wide Gamut for the timeline to make sure I use all of the sensor data until output... I assume the new Film Look Creator will fit in with that workflow (I know Dehancer accepts Davinci Wide Gamut as the input space...)
@@GlobalShutterNY thanks!
@@ohreally3733 you probably right!
Thanks man!! So I download the Davinci Resolve Free version and it didn't allow it - so I am assuming they are going to keep it to the Studio Version. 2. I think CST can still be important if you want to work in a different color space. But they havent release much info on this - as soon as I know I will let you know. Ill comment back on this. Currently I just used the FLC effect and told it my color space. Davinci wasn't in color managed at all. Hope some of this helps.
amazing
Thank you! Cheers!
Is this on the free version ? Or only paid
Only paid unfortunately
Nice
Thank you Mohammed!
First step:buy a red camera😂
I guess I did skip that part haha. No but in all seriousness the R5c holds its own against the red but even that is not a cheap camera.