This will be the last video about the new update for now. Working on the pre-production video as well as working ahead for the coming weeks. Let me know what kind of subject you are interested in outside of color grading. 🙌
For the sake of keeping the example simple. But I often do work in color managed workflows although I usually prefer Arri LogC over DWG, like at the end of the video.
Nothing more difficult to make cinematic than green forests. Lots of films just straight desaturate the greens, even pushing them into brown. It would be nice to see this tutorial with a less difficult image, because I frankly didn't see any dramatically cinematic results from your work here. Green won this battle, and it afaik wins all of them.
Agree to disagree, many movies use the same exact tone of green since this green tone was very common in 5213 film and other Kodak and Fuji film stocks. A good example of it is the remastered version of Andre Tarkovsky's Stalker, The Tree of Life, A Hidden Life and many others. At the end of the day if you like the natural color of the forest or not is a personal preference. Grading with references can get you the perfect results for your personal preferences. If you like a brown green find a brown green movie shot etc etc.
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This will be the last video about the new update for now. Working on the pre-production video as well as working ahead for the coming weeks. Let me know what kind of subject you are interested in outside of color grading. 🙌
Nice tutorial video of how this new Davinci Resolve 19 Film Look Creator Tool works!
Appreciate it! It's a very interesting new tool for use in workflows!
Excellent competencies in a compressed format. Keep it as concise as possible!
That's what I am trying to go for in my videos! 🙌 I'll keep em coming!
HE DID IT!!!!
As promised! 🙌
waited for it, thank you Edou
Good to hear 🙌 hope it helped!
Some useful info! Cheers
Welcome!
Wow. I am impressed.
It's really great!
May I ask why you are not working colour managed with a DaVinci Wide Gamut timeline colour space?
For the sake of keeping the example simple. But I often do work in color managed workflows although I usually prefer Arri LogC over DWG, like at the end of the video.
@@edouhoekie thanks.
Nothing more difficult to make cinematic than green forests. Lots of films just straight desaturate the greens, even pushing them into brown. It would be nice to see this tutorial with a less difficult image, because I frankly didn't see any dramatically cinematic results from your work here. Green won this battle, and it afaik wins all of them.
Agree to disagree, many movies use the same exact tone of green since this green tone was very common in 5213 film and other Kodak and Fuji film stocks. A good example of it is the remastered version of Andre Tarkovsky's Stalker, The Tree of Life, A Hidden Life and many others. At the end of the day if you like the natural color of the forest or not is a personal preference.
Grading with references can get you the perfect results for your personal preferences. If you like a brown green find a brown green movie shot etc etc.