H.C. Lumbye - Champagne Galop & Helga Polka-Mazurka (1845/1864)

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  • Опубликовано: 15 май 2024
  • Hans Christian Lumbye (2 May 1810 - 20 March 1874) was a Danish composer of waltzes, polkas, mazurkas and galops, among other things. From 1843 to 1872, he served as the music director and in-house composer for Tivoli Gardens, Copenhagen. Such was his popularity in the Danish capital that many Danes revered him and considered Johann Strauss II as the "Lumbye of the South".
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    1. Champagne Galop, Op. 14 (c. 1845) (0:00)
    2. Helga Polka-Mazurka (1864) (2:20)
    Dedication: Helga Rasmussen
    Odense Symphony Orchestra conducted by Peter Guth
    The Champagne Galop (Danish: Champagnegaloppen) was written to celebrate the second anniversary of Copenhagen's Tivoli in 1845. Together with his Telegraph Galop and Copenhagen Steam Railway Galop, it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music.
    The Champagne Galop was composed for the second anniversary of Copenhagen's Tivoli Gardens on 15 August 1845. As a result of torrential rain, Lumbye - who was also Tivoli's resident conductor - was only able to present it the following week on 22 August.
    Lumbye's grandson, the conductor Tippe Lumbye (1879-1959), had a story to tell about the piece's origin: "One evening, Lumbye was invited to a formal celebration at the British Embassy in Copenhagen but, passing his regular haunt on the way, he decided to spend the evening there in more familiar company. As he arrived back at the family home late in the evening, he was forced to explain how the embassy, which he had in fact never visited, had been wallowing in champagne and festivity. To illustrate it all for his curious family, he sat down at the piano and improvised a piece that would later be known as the world-famous Champagne Galop."
    In his memoirs Mit Theaterliv, Lumbye's friend, the ballet-master August Bournonville comments on the piece. "While I by no means would ascribe the whole of Lumbye's success to the Champagne Galop, let me dwell for a moment on the impatient ferment brewing up in the first part, the cork popping off and the glasses being filled in the second part, a toast to good health, the frothy nectar downed in the third part and then a light-headed joy through the entire fourth part until a welcome "Da Capo" brings a new bottle to the table and all is swept up in a tumultuous bacchanale."
    The piece is a good example of the entertaining music Lumbye liked to compose. Known as the Strauss of the North, he was a master at integrating popular dance rhythms into the compositions he wrote for those who came to his Tivoli concerts with. With its fast beat and melodious inventions, the Champagne Galop is known throughout Denmark but it is still surprising that Lumbye was so quick to include the xylophone in his symphony orchestra. It took quite a few years before the instrument became a part of orchestras elsewhere.
    Popularity
    In recent years, the piece has gained increasing popularity on the international scene and was, for example, included in the Vienna Philharmonic's New Year's Concert in 2010 and 2015. With an average duration of 2 minutes, 23 seconds, it has been included in over 20 albums since 1993. The piece has also gained a lot of attention from the young people of Denmark, recently because of the radio show Monte Carlo, where the piece is used as a fanfare for quiz winners.
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Комментарии • 3

  • @FishMonger849
    @FishMonger849 29 дней назад +2

    !!! I performed this where a bunch of people had confetti poppers scattered around the scaffolding and auditorium. Got covered in confetti. Wish I hadn’t shook it all off before someone had a chance to take a picture. Thanks for the upload❤

  • @robert-skibelo
    @robert-skibelo 29 дней назад +2

    What a splendid piece the Champagne Polka is. Thanks for this opportunity to make its acquaintance.

  • @notaire2
    @notaire2 Месяц назад +1

    Lebhafte und wunderschöne live Aufführung dieser beiden kompakten und fein komponierten Meisterstücke mit farbenreichen doch perfekt entsprechenden Tönen aller Instrumente. Der intelligente und erfahrene Dirigent leitet das perfekt trainierte Orchester im rhythmischen Tempo und mit angenehmer Dynamik. Echt hörenswert!