Hi Mark! I purchased the ZV-E10 through your affiliate links and I do love it. It has a better overall image and focus (especially in low-light) than the Pocket 3 which I also own. But, pulling out your ZV-E10 with a gimbal reminds me of the scene with Jim Carrey in the Mask where he pulls those huge guns and calls the thugs (in this case with the Pocket 3) punks. :-) If you're mostly studio and static work, then I would go with the ZV-E10. If you're mostly vlogging and run and gun, the Pocket 3 is the way to go. The ZV-E10 has superior optics, but outdated technology in a lot of ways. The DJI has inferior optics (compared to the ZV-E10 and a good lens) but has some of the most advanced technology out there. The motion timelapses on the DJI are super easy and are absolutely stellar.
@@BoJassimFamily yes I remember it was overwhelming at the beginning , now i work as a photographer in my country with it i have tried many mirrorless cameras i am still thinking why I haven't gone with a cheaper option it would work just the same the main difference would be in the lens and I invested in a good lens , it's about what works for us , I haven't tried a lot of videography on it but it has a lot of potential in it , learn how to shoot manual and color grade your clips , you would adore the footage out of it .
Great video as usual! I recently acquired the Pocket 3 and, after thorough testing, I've observed that HLG mode yields a more visually pleasing result compared to D-Log. The key difference lies in the color spaces: HLG utilizes BT.2020, offering more flexibility in color saturation, whereas D-Log is confined to Rec.709, which limits color play and tends to deteriorate rapidly in low light conditions. Consequently, I've decided to primarily use HLG mode. Adapting to Pocket 3 has been a bit of a journey, especially after being accustomed to Sony's ecosystem for the last 15-20 years. In my comparisons between Pocket 3 and the Sony RX100VII, I noticed that the RX100VII, with its SLog3 setting, outperforms Pocket 3 in daylight, offering a superior image quality despite being 8-bit. However, in indoor or night settings, the Pocket 3 significantly surpasses the RX100VII. And one more thing. I am really disappointed that DJI does not have Aperture. Now testing with Variable ND filters and it is no fun to use them. In run-and-gun situations, I would probably should forget about Shutter priority and run it wild up to 1/8000. :)
@@ca_pilot In the realm of color grading, numerous approaches exist, and my expertise is largely shaped by trial-and-error. However, I've distilled my experience into a practical and efficient workflow, particularly within Davinci Resolve's versatile environment. Here's the refined process: 1. Project Settings - Color Management: - Color Science: Opt for 'Davinci YRGB Color Managed'. This setting lays the groundwork for consistent color handling throughout your project. - Color Processing Mode: Choose 'HDR Davinci Wide Gamut Intermediate'. This mode offers a broad color spectrum, crucial for HDR content. - Output Color Space: Set to 'Davinci WG/Intermediate', aligning with the chosen processing mode. - HDR Mastering: Configure for 1000 nits to ensure optimal luminance range. 2. Color Tab Adjustments: - Input Color Space for Clips: Either select 'Same as Timeline' by right-clicking on the clip and choosing 'Input Color Space', or opt for 'Bypass Color Management' to maintain the clip's native profile. 3. Node Configuration: - First Node: Apply noise reduction as needed, though it remains an optional step. - White Balance and Color Adjustment Nodes: Sequentially arrange these nodes post noise reduction. On one of the color adjustment nodes, set the Offset to 12. This adjustment ensures the bottom of the Parade touches the 0 level. Carefully adjust highlights to keep them below 10000, preventing overexposure. 4. Final Node - Color Space Transform: - Settings: Adjust the Input Color Space to Rec.2020 and Input Gamma to Rec.2100 HLG. Set the Output Color Space to Rec.709 and Output Gamma to Gamma 2.4. These settings are crucial for translating your color work into a standard viewing format. - Output Color Flexibility: You can modify the output color to fit specific project requirements beyond the standard Rec. 709 output. 5. Delivery Settings: - Format and Codec: Export in MKV format using the H.265 codec. This combination ensures a balance of quality and file size, with the H.265 offering efficient compression. - Encoding Profile: Choose 'Main10' for enhanced color depth, accommodating a wider color range in your final output. Please note, that first step I ussually was select Automatic Color management from HDR to SDR, but from some videos I found, some RUclipsrs suggested to use Davinci Wide Gamut and do all color tranformation in the very last node. If you want to transform D-Log footage, then Color Transformation Node would be like this: - Settings: Adjust the Input Color Space to Rec.709 and Input Gamma to DJI D-Log. Set the Output Color Space to Rec.709 and Output Gamma to Gamma 2.4.
I have been one of the people waiting for this comparison! Thank you so much! I’m a cheap sob when it comes to most everything so I do extensive RUclips research and your channel is by far the best for cameras. I’ve been dabbling with homesteading content outside and I’ve come to the conclusion the smaller and easier to use dji is the way to go for me. I especially enjoy the tracking feature so I can run around and do stuff with the animals and not have to constantly reposition. If anything the price for all of the zv e10 accessories I’d rather have 2 DJI’s set up tracking me from different perspectives! (I will admit the zv does look better though) Great video and thank you again!
I have the Sony, on your recommendation, and been looking at DJI pocket 3. This comparison was brilliant and once available again I will get the creator pack. I do a 50/50 split between office and travel blogs so combining both will be brilliant. Thanks for another great great video that really helps the viewer to consider what will work for them
Great detailed comparison as always! Hard to beat the size of the Pocket 3 but I do prefer the image of the ZV-E10 but I'm not one to carry a whole gimbal set-up especially when traveling and thus why I picked up the Pocket 3.
I also have both, and love both. Took my dji out to a very crowded convention last weekend and it was amazing. I was able to get the creators combo and it's worth every penny!
The creator package comes with dji mice 2 included but the Rode Pro sounds way btter and can aslo be used with Pocket 3. Creator package is a better deal if you do not need 2 mics nor supperor sound quality. Dji mic 2 still sounds good, just not in par with Rode. @@ahmadsenyum9754
the DJI pocket 3 is great for recording yourself in situations where you don't want a large camera drawing attention to itself. I've been able to clip it to a music stand, set it in a corner, or on a table to record myself playing gigs, and its just this little narrow candy bar sized thing. Much better than trying to use an iphone in this situation, where you can't even utilize the best cameras without guessing about the footage. Also, the built in mics sounded better than I expected them to! You can also monitor the footage on your phone, and move the camera remotely if you need to :)
Thank You for this amazing comparison! Even though Zve10 is always my favorite, I think the Versatility and Flexibility the Pocket 3 offers is hard to match, and also the IQ out of P3 is quite impressive. Dji really upped the game with this.
MEXICO!!! Yes, this mesaage is from Mexico lol... Sir don't even say no one cares, even I care... so much that thanks to you and your channel I got me a Sony zve10, a Sigma 16mm lens, a Rode video micro, and a Zhiyun crane m3s... and boy oh boy have I learned from you!!! I've learned so much that I started my own vlog, yes a 35 yeard old dude from Mexico who was inspired by your channel... So thank you!!! Besides you are hilarious my man!!!! You are the boss! You probably won't read this, but I wanted to put it out there.
This video was very helpful. Something I noticed in yours vs everyone else's is that the Pocket has a very strange, somewhat unpleasant effect with its stabilization compared to the Crane gimbal or the other software stabes. The Pocket keeps the background rock steady, but you appear to jitter around in the frame almost like you're a cardboard cutout being moved around, rather than a person walking. The other stabes had you actually moving, not suddenly jittering from place to place.
I think it’s because I showed a direct comparison so the difference is obvious. Watch the other vids closely and you will see the background is locked but the person isn’t
I've been going back and forth on which of these to buy for a bit now. I just really like that seperation you can get with the Sony, and I want the focus of my quality to be in my studio videos vs my occasional vlogs. So thank you for this!
ya, i just received my osmo pocket 3 two weeks ago. is reall handy easy to use, light weight. especially 4K 120p. slow mo. my zv-e10 with 17-70mm tamron is much heavy together with crane 4 gimbal, heavy to do vlog.
Thought both looked good @handsome alley, and if you want to walk around in rail-yards the OP3 a better choice if you don’t want to haul around a lot of other gear (gimbal etc)…making you less likely to be candidate for a mugging (there is a reason railroads have their own police force 😊). I did prefer the narrower field of view on little Dougie though. Both got a little too dark when lights lower than 50%, though its hard to beat a 1.4 lens. Great video Mark!
Thanks for the channel, I sold an A7iii and bought the creator combo and ended up with cash in my pocket. Now I'm going to sell my gimbal and my Gopro because this thing does it ALL. I'd love to see you chatting with other people on camera in that new studio.
The DJI looks so much better than it should. I consider it a much better vlogging setup. Small, lighter, smaller to hold… ZVE10 still has better image quality, but not by that much at least in well lit situations.
Thanks for the review, I do not have the E10 but the FX30, but like the DJI for its small size. Take it you just bought the camera set, not the creator one. Love the Mic2 included with that creator set, it being able to remotely trigger the camera, and wide angle lens, extended battery and table tripod included for just a few dollars more. Your experience with the DJIs night mode are odd, mine are much much better. Not sure what makes the difference. Especially using the mist filter on the DJI makes for fantastic night shots in cities. I did not expect the DJI to win over your beloved E10, but it finds its place in my gear park. Its smartphone app Mimo is also great, planning to get a smartphone holder for the DJI. Also tested livestreaming to RUclips, not a perfect workflow getting there, but fun to use. Enjoy the DJI and its active tracking with your kids.
I already ordered the creator pack myself and will send back this basic package. The low light vlog I did was in very dark conditions. A street with barely and light. Regular sixty lights would make it work much better
Hey Mark, as always I watch all your stuff it’s by far the best camera review channel. I’ve purchased a FX30 and A7iv based on your stuff. What I would love to see is a review of the DJI action 4. I have considered getting one. Would love to see how the log shooting in the action 4 works out.
Thinking about getting the OP3 to shoot automotive B roll like rollers and bringing with me to car meets. Would you recommend getting it or getting a gimbal for my A6400? Mainly just want something fast and easy
Very handsome comparison. I can see the DJI Osmo P3 would be great for travel vlogs since the location you're filming in would be the "star" of the video. With the deeper focus, the Osmo would have more of the environment in focus, which is perfect for travel videos.
i have both, i use the osmo p3 often until a month a go the screen issue which some users encountered occurs. i have to return the unit for a repair. Other than that its great as it has 10bit format. its an all around great pocket camera without bringing bulky stuff and bringing extra thing like my zv e10.
I have the original Pocket and still use it. It is great to be inconspicuous compared to Dougie on a gimbal. If a person just wants something simple DJI is a great choice.
Doug’s clone is what I still use for my talking head videos. ZVE10 is still great. I have the A7IV for photography and ZVE1 for vlogging, but ZVE10 is perfect in a small studio.
By far, the best comparison I found between these two cameras. Thank you for the comparison videos, which are so helpful. Do you know what the maximum length of a single video take is for each of them? 10 or 30 min or no limit?
Great review. Like as always. I’ve been looking at that DJI one since it came out. Right now think I’ll just use the funds to buy a lens for my ZV-E10. Iike to see your review of the Sony ZV-1 vs DJI. I have the ZV-1 and like it a lot. That would help me make up my mind.
You are really a stress buster mark..i watched all your videos and decided me to purchase zv10. But one confusion..i will be purchasing sigma 30mm f1.4 for zve10..is it required to buy with kit lense? Or sigma 30mm is enough...i will be mostly using cinematic and photoshoot..so what will be your suggestion? Shall i buy only zve10 body only?
I am a car videographer with a tight budget trying to get clients and I am leaning more towards the Pocket 3 because when I get the Sony I have to buy lens, gimbal, Sd cars and etc, so my question is can I get clients with the Pocket 3?
Can i ask you a question I have a stage show and looking for a camera that I can use to video about two hours and then reselll the video. What do you think would be best?
If I had no experience with cameras/manual settings, the Osmo Pocket 3 is a no-brainer. Would even consider getting one for my kids. The onboard audio was noticeably better. The stabilization is good, but it did have a bit of jitter (not sure if you can ever truly get rid of that). However, if you do know how to use manual settings on a camera, I feel like even starting with the zv-e10 with kit lens and a small gimbal would be a huge step up. Then buy a good mic (either wireless or on-camera). Just upgrade accordingly.
I have no experience and just bought the Sony zv e10! for Christmas. I think I’m going to trade it in for the Osmo Pocket 3 because I’m planning lots of international trips this year and will be vlogging about it. I hope I’m making the right decision for now, at least.
@@shawnpreston1639 I think for travel, that Osmo would be great. You can always save up and get a larger body camera system down the line. Enjoy your travels!
it wasn’t to show what an f2 lens on an apsc can do vs an f2 lens on a one inch sensor - that wouldn’t show anything of importance. What is important is to know each camera can do. There are affordable 1.4 and even 1.2 lenses for the zv-e10 - I can’t pretend it’s a fixed f2 lens when it is not. But also, a f2 on an apsc is still much better in lowlight than an f2 on a one inch sensor. You can buy bright lenses for the zv-e10 but it’s bigger and is less stable. the pocket 3 has f2 fixed - so that is what it’s capable of. I designed these tests to be as practical as possible for buyers.
@@MarkBennettCameraCrisis Its not practical to need 3 lenses and a gimbal so show the Zv-e10. The money and the work involved matters to most, when buying a camera.
Hi Mark. What would you think if you started recording a series of episodes on how to choose the best settings for Zve10 to take photos or record videos in various situations? 🤔
Great video Mark. Could you make a comparison between the ZV-E1 with a vlog lens, like the 11mm 1.8 and the dji pocket 3? It would be really interesting to see. Thanks mate
Both are great ... but one thing you didn't address was the vertical capabilities of the DJI. If you're interested in vertical content ... the OSMO wins. Plus, it's hard to argue the size factor. Great video Mark ... still lovin your content.
the zv-e10 does automatic vertical video as well. Goes into post in vertical and it’s full 4K and not cropped like the DJI. You do have to turn tha zv-e10, and you don’t with the OSMO though
Oh yes, it does the same thing, not really a fan of how the stabilization is working on the DJI, I see some jumping on the subject, is like if the background is lock but the subject moves a lot, is something I was not noticing but now I can't unsee. I was expecting more like the ZV-E10, more stable subject and some movement on the background is acceptable.
That video probably wouldn't be very popular - but I will tell you that the GH5 is great and a professional tool with 10-bit 4.2.2 and two card slots and great stabilization - however, it has terrible autofocus and is not good at all in lowlight. Manually focusing everything is difficult. Now if you had a bunch of micro 4/3 lenses and you liked manually focusing, the GH5 is still a great option. But If you want autofocus, better lowlight and access to Sony's amazing lens system, the ZV-E10 will be the way to go
Can you help with this multi-part question? Thanks in advance! If I wanted a ZVE10 type camera (video abilities, no overheating issues, great overall little camera) but that is more photography oriented (optical viewfinder), is that the 6700? If not, what is? Since this upgrade from a ZVE10 starts getting closer to full frame costs (new or used) is there a fullframe I should consider making the leap onto instead of staying in crop sensor area? I currently carry a Canon 5d3 for photography along with the ZVE10 for video. I’m hoping to combine this to one camera.
yes - the original A7C is the camera you are looking for. it’s not much more than the a6700, it’s full frame, it never overheats, it has gyro data, it’s a tiny camera, it’s rugged, has a viewfinder. it doesn’t have 10-bit or 4k60 or 4k120, but it sounds like you don’t need those things. I’m would get the A7C - it’s on sale right now. amzn.to/47SgIbm
@@MarkBennettCameraCrisis thank you very much! Yes, what you assumed regarding my video needs is correct (so, Mark = an omniscient comedian; scary). 😳 I appreciate the help and link!
hello. I love your youtube channel. It's thanks to your channel that I bought these 2 appliances! I have leeming lut for my sony but for the pocket 3 leeming lut is not out yet. I contacted the seller and he said it would be out in 1 month. Have you been able to get it before then? I'm asking because I love this lut.
I just used the one for the LeemingLUT for Action 4 and then colour graded from there. It takes a bit of colour grading - so I would wait until Paul (Leeming) releases the new one. I’ll be buying it too
I currently have the ZVE-10 but The pocket 3 is definitely my next gear purchase to finally retire my Osmo Action 1 it's served me well. Great video as always! The slow mo hair flick always makes me lol, love ur work Mark 😂
All of the outdoor shots in the forrest in this video here are with the Pocket 3 - it's about the best you can do for blur. ruclips.net/video/F0j2I3Jqqmo/видео.htmlsi=tAg42AjA4-rwiY3i
@@MarkBennettCameraCrisis is this true? This is from DJI support chat on website. Upon checking, Osmo Pocket 3 features a 1-inch large aperture lens, which gives a shallow depth of field (DOF). When shooting objects at different distances at close range, the bokeh effect is more pronounced.
DJI Pocket 3 is now the best camera for vlogging especially if you got Creator Combo with the Wireless Mic 2. It's not ideal ... but it's close to perfection :D. And I say Normal color profile in Pocket 3 is a way to go ... zero color grading needed ... you can upload straight from the SD card :D.
I 've seen most of you excellent and funny videos! I have zve10 for 5 months now with 4 lenses and I get very nice photos! But for handheld video? I find it a big challenge so I am ready to buy the osmo for my motorcycle traveling videos and keep the little workhorse just for photo shooting! Thank you man!!
Just a side point I have been told that iphone 15 pro max camera is much better than sony zv-e10 kit lens.I can't judge because I am not using either sony zv-e10 nor iphone 15 pro max; Therefore, I wonder if you can make a comparison and guide us which sony zv-e10 lens can outperform the iphone 15 pro max lens. I would like to know before I make a purchase whether to buy the zv-e10 or the iphone 15 pro max as i don't want to spend a fortune on sony zv-e10 lens.
Really enjoy your videos, hope you get sponsorships so you can do more comparisons =) I'm using a ZV-E10, really want a beginner proof guide to setup cinematic settings with Leeming Luts and the ZV-E10, start to finish without looking through the PDF (no clue yet on Zebras, or what to make of the different exposure settings and pic profiles)
Thanks for sharing. I have a ZVe10 with viltrox 23mm f1.4 and an Osmo Pocket 1. I spent to much money in my ZVE10 and hole bunch of accessories. I will stick to it.
Hello Mark. @6:30 in the video (DJI part): There is shakiness around your head compared to the background. Are those micro jitters? I would have expected that shakiness from an action camera but not from a gimbal based camera.
I was wondering that myself. Almost looks like digital stabilization at times. Maybe they’re throwing some in there. It’s also so small and light that maybe that causes a some micro jitters with my coffee hands 😂
@@MarkBennettCameraCrisis The micro jitters were quite noticeable to me. I do not see this in the videos that I have taken so far with the pocket 3. Just wondering what is the frame rate and shutter speed that you were shooting at? So far, I try to shoot at 4k30 at 1/60. I am not sure about this but I think following the 180 degree rule helps to reduce the jitters.
@@MarkBennettCameraCrisis I noticed that on my test videos as well and it looks like DJI lied here again and do additional digital stabilization. Their gimbal is pathetic. :)
I noticed what looked like frame drops / Choppiness for the DJI when vlogging, where the Sony remained smooth, most noticeable at the train tracks. I know that thing is not overheating in Canada at this time of year :) . is it choppy sometimes? or is it a an artifact of the gimble? excellent video as always
First of all, I care, second, I'd buy the osmo 3 all day long, the zve10 has some issues like the very slow sensor readout, that alone can make it useless with the wrong light at a closed place or at night, the convenience of having a gimbal on your pocket is amazing, I've been using my osmo 1 since it launched for weddings and it has make me good money, I'll go to the States early next year and I'll get the osmo 3, of course this taking is only for video, for photos I've a good old a7r3, I really wish dji starts making some cameras only, their quality is just amazing, osmo 3 for only $500 can record 4k 120p, Sony zv1 for $700 can only do 4k 30p
Great channel! Lots of info and test footage👍 tbh, i would not shoot at below 70% ambient light, both will suffer noise..in those cases ill pull out a full frame mirrorless and a 1.2 aperture lens
The ZV-E10 looks awesome. The DJI Pocket 3 is hard to beat for such a small camera. I can buy the DJI Pocket 3 for $519 at Best Buy or Amazon in Kingsport, Tennessee. I have used the Pocket 2 since it came out in September 2020. I will probably buy the Pocket 3.
Thanks Mark, very interesting comparison, the DJI does a great job. I now mostly use my ZV-E10 with OBS thanks to its HDMI output, it simplifies my workflow. Do you know if the Osmo Pocket 3 can be used easily this way too ? Is there a HDMI output ? Is the USB output good enough ?
Excellent video as always. By the way, I just purchased the ZV-E10 and the Sigma lens you always mention. They better be good, or I'm taking your FX30 :) Hold the emergency. I'm trying to vlog here, hahaha:P
@@MarkBennettCameraCrisis Hey Mark! Do you have any videos showing the best way to use the webcam for the ZV-E10? I'm planning to use it not just for talking head shots but also in front of a computer with a green screen. I would appreciate it if you could help, especially with a Sigma lens Or do I need any other lenses for this purpose? Also FX30 is now 1599$ should I use zv-e10 for now or should I get FX30. Talking head and webcam purpose? Thank you
This is actually pretty cool because these are actually my 2 cameras I use to make videos + a GoPro! I have a question though: do you know the best way to get the footage to match on the ZVE-10 and the Pocket 3 with minimal editing? Thanks!
Got to the part where you are comparing Low Light. I would disagree about results and would like to ask a favor to check if you have manual exposure ISO set to variable and not static, which looks like you were at ISO 800 on pocket (static). I have completely different results for low light and image is way brighter in complete darkness even without using DJI night mode.
It was on variable - but it was in a very dark environment. You see the ZV-e10 with a brighter lens and iso of 32000 wasn’t great either, the DJI only goes to iso 16,000 and it was too dark for that.
Hi Mark! I purchased the ZV-E10 through your affiliate links and I do love it. It has a better overall image and focus (especially in low-light) than the Pocket 3 which I also own. But, pulling out your ZV-E10 with a gimbal reminds me of the scene with Jim Carrey in the Mask where he pulls those huge guns and calls the thugs (in this case with the Pocket 3) punks. :-) If you're mostly studio and static work, then I would go with the ZV-E10. If you're mostly vlogging and run and gun, the Pocket 3 is the way to go. The ZV-E10 has superior optics, but outdated technology in a lot of ways. The DJI has inferior optics (compared to the ZV-E10 and a good lens) but has some of the most advanced technology out there. The motion timelapses on the DJI are super easy and are absolutely stellar.
I agree with all of this - and also the comparison to The Mask 🤣
Don't say nobody cares, I care 😒
about this channel
Mee too! 😅
Me too bruuhhh
Exactly
Let Mark know that we all Care, and Appreciate all his efforts!
I have just bought my zve10 after watching almost every single video about it love the channel and we care ❤❤
Good choice!!
I just bought this camera a two weeks ago but I find the Osmo is better for vlog
@@BoJassimFamily yes I remember it was overwhelming at the beginning , now i work as a photographer in my country with it i have tried many mirrorless cameras i am still thinking why I haven't gone with a cheaper option it would work just the same the main difference would be in the lens and I invested in a good lens , it's about what works for us , I haven't tried a lot of videography on it but it has a lot of potential in it , learn how to shoot manual and color grade your clips , you would adore the footage out of it .
@@ahmad.alwany btw check out our first vlog i was using the sony camera the colors are great but my concern is that stabilizer
Great video as usual! I recently acquired the Pocket 3 and, after thorough testing, I've observed that HLG mode yields a more visually pleasing result compared to D-Log. The key difference lies in the color spaces: HLG utilizes BT.2020, offering more flexibility in color saturation, whereas D-Log is confined to Rec.709, which limits color play and tends to deteriorate rapidly in low light conditions. Consequently, I've decided to primarily use HLG mode. Adapting to Pocket 3 has been a bit of a journey, especially after being accustomed to Sony's ecosystem for the last 15-20 years. In my comparisons between Pocket 3 and the Sony RX100VII, I noticed that the RX100VII, with its SLog3 setting, outperforms Pocket 3 in daylight, offering a superior image quality despite being 8-bit. However, in indoor or night settings, the Pocket 3 significantly surpasses the RX100VII.
And one more thing. I am really disappointed that DJI does not have Aperture. Now testing with Variable ND filters and it is no fun to use them. In run-and-gun situations, I would probably should forget about Shutter priority and run it wild up to 1/8000. :)
yes, which I could control the aperture!! and set white balance with a grey card
Do you use Resolve? If so what input colorspace/gamma do you use for the HLG clips?
@@ca_pilot In the realm of color grading, numerous approaches exist, and my expertise is largely shaped by trial-and-error. However, I've distilled my experience into a practical and efficient workflow, particularly within Davinci Resolve's versatile environment. Here's the refined process:
1. Project Settings - Color Management:
- Color Science: Opt for 'Davinci YRGB Color Managed'. This setting lays the groundwork for consistent color handling throughout your project.
- Color Processing Mode: Choose 'HDR Davinci Wide Gamut Intermediate'. This mode offers a broad color spectrum, crucial for HDR content.
- Output Color Space: Set to 'Davinci WG/Intermediate', aligning with the chosen processing mode.
- HDR Mastering: Configure for 1000 nits to ensure optimal luminance range.
2. Color Tab Adjustments:
- Input Color Space for Clips: Either select 'Same as Timeline' by right-clicking on the clip and choosing 'Input Color Space', or opt for 'Bypass Color Management' to maintain the clip's native profile.
3. Node Configuration:
- First Node: Apply noise reduction as needed, though it remains an optional step.
- White Balance and Color Adjustment Nodes: Sequentially arrange these nodes post noise reduction. On one of the color adjustment nodes, set the Offset to 12. This adjustment ensures the bottom of the Parade touches the 0 level. Carefully adjust highlights to keep them below 10000, preventing overexposure.
4. Final Node - Color Space Transform:
- Settings: Adjust the Input Color Space to Rec.2020 and Input Gamma to Rec.2100 HLG. Set the Output Color Space to Rec.709 and Output Gamma to Gamma 2.4. These settings are crucial for translating your color work into a standard viewing format.
- Output Color Flexibility: You can modify the output color to fit specific project requirements beyond the standard Rec. 709 output.
5. Delivery Settings:
- Format and Codec: Export in MKV format using the H.265 codec. This combination ensures a balance of quality and file size, with the H.265 offering efficient compression.
- Encoding Profile: Choose 'Main10' for enhanced color depth, accommodating a wider color range in your final output.
Please note, that first step I ussually was select Automatic Color management from HDR to SDR, but from some videos I found, some RUclipsrs suggested to use Davinci Wide Gamut and do all color tranformation in the very last node.
If you want to transform D-Log footage, then Color Transformation Node would be like this:
- Settings: Adjust the Input Color Space to Rec.709 and Input Gamma to DJI D-Log. Set the Output Color Space to Rec.709 and Output Gamma to Gamma 2.4.
@@olegvorkunov5400 Thay’s awesome, thanks!
Thank you! Ppl in the zve10 Facebook group been talking about this all the time. And then someone shared your video today!
That person did the right thing
I have been one of the people waiting for this comparison! Thank you so much! I’m a cheap sob when it comes to most everything so I do extensive RUclips research and your channel is by far the best for cameras. I’ve been dabbling with homesteading content outside and I’ve come to the conclusion the smaller and easier to use dji is the way to go for me. I especially enjoy the tracking feature so I can run around and do stuff with the animals and not have to constantly reposition. If anything the price for all of the zv e10 accessories I’d rather have 2 DJI’s set up tracking me from different perspectives! (I will admit the zv does look better though) Great video and thank you again!
That's a cool idea - two P3's for different angles and tracking on both or just one!
I have the Sony, on your recommendation, and been looking at DJI pocket 3. This comparison was brilliant and once available again I will get the creator pack. I do a 50/50 split between office and travel blogs so combining both will be brilliant. Thanks for another great great video that really helps the viewer to consider what will work for them
Great detailed comparison as always! Hard to beat the size of the Pocket 3 but I do prefer the image of the ZV-E10 but I'm not one to carry a whole gimbal set-up especially when traveling and thus why I picked up the Pocket 3.
I also have both, and love both. Took my dji out to a very crowded convention last weekend and it was amazing. I was able to get the creators combo and it's worth every penny!
Which best mic…?
The creator package comes with dji mice 2 included but the Rode Pro sounds way btter and can aslo be used with Pocket 3. Creator package is a better deal if you do not need 2 mics nor supperor sound quality. Dji mic 2 still sounds good, just not in par with Rode. @@ahmadsenyum9754
your comparisons are awesome and was waiting for a long time for this one ❤
the DJI pocket 3 is great for recording yourself in situations where you don't want a large camera drawing attention to itself. I've been able to clip it to a music stand, set it in a corner, or on a table to record myself playing gigs, and its just this little narrow candy bar sized thing. Much better than trying to use an iphone in this situation, where you can't even utilize the best cameras without guessing about the footage. Also, the built in mics sounded better than I expected them to! You can also monitor the footage on your phone, and move the camera remotely if you need to :)
Thank You for this amazing comparison! Even though Zve10 is always my favorite, I think the Versatility and Flexibility the Pocket 3 offers is hard to match, and also the IQ out of P3 is quite impressive. Dji really upped the game with this.
yes it’s really good
MEXICO!!! Yes, this mesaage is from Mexico lol... Sir don't even say no one cares, even I care... so much that thanks to you and your channel I got me a Sony zve10, a Sigma 16mm lens, a Rode video micro, and a Zhiyun crane m3s... and boy oh boy have I learned from you!!! I've learned so much that I started my own vlog, yes a 35 yeard old dude from Mexico who was inspired by your channel... So thank you!!! Besides you are hilarious my man!!!! You are the boss! You probably won't read this, but I wanted to put it out there.
Haha - this is great to hear. Vlog it up, my man!!
@@MarkBennettCameraCrisis Haha awesome! You just made my day Mark! Keep doing what you're doing! You are great! Thank you so much!
I bought zve10 a week ago. With tamron 17-70mm it's amazing!
This video was very helpful. Something I noticed in yours vs everyone else's is that the Pocket has a very strange, somewhat unpleasant effect with its stabilization compared to the Crane gimbal or the other software stabes. The Pocket keeps the background rock steady, but you appear to jitter around in the frame almost like you're a cardboard cutout being moved around, rather than a person walking. The other stabes had you actually moving, not suddenly jittering from place to place.
I think it’s because I showed a direct comparison so the difference is obvious. Watch the other vids closely and you will see the background is locked but the person isn’t
How refreshing it is to watch a thorough and well though-out comparison. Congratulations on the quality content, my friend 👏👏
I've been going back and forth on which of these to buy for a bit now. I just really like that seperation you can get with the Sony, and I want the focus of my quality to be in my studio videos vs my occasional vlogs. So thank you for this!
ya, i just received my osmo pocket 3 two weeks ago. is reall handy easy to use, light weight. especially 4K 120p. slow mo. my zv-e10 with 17-70mm tamron is much heavy together with crane 4 gimbal, heavy to do vlog.
Thought both looked good @handsome alley, and if you want to walk around in rail-yards the OP3 a better choice if you don’t want to haul around a lot of other gear (gimbal etc)…making you less likely to be candidate for a mugging (there is a reason railroads have their own police force 😊). I did prefer the narrower field of view on little Dougie though. Both got a little too dark when lights lower than 50%, though its hard to beat a 1.4 lens. Great video Mark!
That was the video I was waiting for. Thank you Mark Bennett.
I may buy Dji osmo pocket 3 (I have zv e10 too)
I definitely waited for your review. I had the ZV e10 and sold it and not considering getting it back but also was intrigued by the Dji
Let us know what you decide!!
Thanks for the channel, I sold an A7iii and bought the creator combo and ended up with cash in my pocket. Now I'm going to sell my gimbal and my Gopro because this thing does it ALL.
I'd love to see you chatting with other people on camera in that new studio.
no one will talk to me 🤣
The DJI looks so much better than it should. I consider it a much better vlogging setup. Small, lighter, smaller to hold…
ZVE10 still has better image quality, but not by that much at least in well lit situations.
That was way closer than I expected it to be.
yes - the dji is good
The ZV-E10 with that gimbal rocks! It looks outstanding!
Thanks for the review, I do not have the E10 but the FX30, but like the DJI for its small size. Take it you just bought the camera set, not the creator one. Love the Mic2 included with that creator set, it being able to remotely trigger the camera, and wide angle lens, extended battery and table tripod included for just a few dollars more. Your experience with the DJIs night mode are odd, mine are much much better. Not sure what makes the difference. Especially using the mist filter on the DJI makes for fantastic night shots in cities. I did not expect the DJI to win over your beloved E10, but it finds its place in my gear park. Its smartphone app Mimo is also great, planning to get a smartphone holder for the DJI. Also tested livestreaming to RUclips, not a perfect workflow getting there, but fun to use. Enjoy the DJI and its active tracking with your kids.
I already ordered the creator pack myself and will send back this basic package. The low light vlog I did was in very dark conditions. A street with barely and light. Regular sixty lights would make it work much better
Finally! The comparison I was waiting for. Now I REALLY can’t make up my mind.
Hey Mark, as always I watch all your stuff it’s by far the best camera review channel. I’ve purchased a FX30 and A7iv based on your stuff. What I would love to see is a review of the DJI action 4. I have considered getting one. Would love to see how the log shooting in the action 4 works out.
Thinking about getting the OP3 to shoot automotive B roll like rollers and bringing with me to car meets. Would you recommend getting it or getting a gimbal for my A6400? Mainly just want something fast and easy
Very handsome comparison. I can see the DJI Osmo P3 would be great for travel vlogs since the location you're filming in would be the "star" of the video. With the deeper focus, the Osmo would have more of the environment in focus, which is perfect for travel videos.
i have both, i use the osmo p3 often until a month a go the screen issue which some users encountered occurs. i have to return the unit for a repair. Other than that its great as it has 10bit format. its an all around great pocket camera without bringing bulky stuff and bringing extra thing like my zv e10.
glad they’re fixing it for you. I’m so paranoid about the screen flaw!!
I have the original Pocket and still use it. It is great to be inconspicuous compared to Dougie on a gimbal. If a person just wants something simple DJI is a great choice.
Doug’s clone is what I still use for my talking head videos. ZVE10 is still great. I have the A7IV for photography and ZVE1 for vlogging, but ZVE10 is perfect in a small studio.
you e got a good setup!!
Haven't even watched yet, but gotta give the thumbs up! I appreciate all you do to keep us informed, Mark! Cheers! 😁
See - this is a good person right here, everybody!!
By far, the best comparison I found between these two cameras. Thank you for the comparison videos, which are so helpful. Do you know what the maximum length of a single video take is for each of them? 10 or 30 min or no limit?
what a wonderful wife! :) i just got the pocket 3 and also own the zve10 and really loved seeing this comparison
Would love to see the ZV go against the Ace Pro!
The DJI is just so much smoother. And such a joy to use. Sony really dropped the ball here.
Can you drop a tutorial for cine2 instead of hlg for the zve10
Great review. Like as always. I’ve been looking at that DJI one since it came out. Right now think I’ll just use the funds to buy a lens for my ZV-E10. Iike to see your review of the Sony ZV-1 vs DJI. I have the ZV-1 and like it a lot. That would help me make up my mind.
You are really a stress buster mark..i watched all your videos and decided me to purchase zv10. But one confusion..i will be purchasing sigma 30mm f1.4 for zve10..is it required to buy with kit lense? Or sigma 30mm is enough...i will be mostly using cinematic and photoshoot..so what will be your suggestion? Shall i buy only zve10 body only?
Exact same doubt bro
I am a car videographer with a tight budget trying to get clients and I am leaning more towards the Pocket 3 because when I get the Sony I have to buy lens, gimbal, Sd cars and etc, so my question is can I get clients with the Pocket 3?
Can i ask you a question I have a stage show and looking for a camera that I can use to video about two hours and then reselll the video. What do you think would be best?
If I had no experience with cameras/manual settings, the Osmo Pocket 3 is a no-brainer. Would even consider getting one for my kids. The onboard audio was noticeably better. The stabilization is good, but it did have a bit of jitter (not sure if you can ever truly get rid of that).
However, if you do know how to use manual settings on a camera, I feel like even starting with the zv-e10 with kit lens and a small gimbal would be a huge step up. Then buy a good mic (either wireless or on-camera). Just upgrade accordingly.
I have no experience and just bought the Sony zv e10! for Christmas. I think I’m going to trade it in for the Osmo Pocket 3 because I’m planning lots of international trips this year and will be vlogging about it. I hope I’m making the right decision for now, at least.
@@shawnpreston1639 I think for travel, that Osmo would be great. You can always save up and get a larger body camera system down the line. Enjoy your travels!
which do you think is better for overall content creation . i wanna make RUclips studio vids , gyming content and use the camera as a web cam too
The ZV-E10
Which one is the best action camera for vlogging, insta360 x3, GoPro12 or Dji action 4
Sadly you chose to use F1.4 so we could not compare the quality of the footage between those two camera it says.
it wasn’t to show what an f2 lens on an apsc can do vs an f2 lens on a one inch sensor - that wouldn’t show anything of importance. What is important is to know each camera can do. There are affordable 1.4 and even 1.2 lenses for the zv-e10 - I can’t pretend it’s a fixed f2 lens when it is not. But also, a f2 on an apsc is still much better in lowlight than an f2 on a one inch sensor. You can buy bright lenses for the zv-e10 but it’s bigger and is less stable. the pocket 3 has f2 fixed - so that is what it’s capable of. I designed these tests to be as practical as possible for buyers.
@@MarkBennettCameraCrisis Its not practical to need 3 lenses and a gimbal so show the Zv-e10. The money and the work involved matters to most, when buying a camera.
Hi Mark.
What would you think if you started recording a series of episodes on how to choose the best settings for Zve10 to take photos or record videos in various situations? 🤔
I am going to do a ZV-E10 course in the next few weeks!!
@@MarkBennettCameraCrisis what a great news. How I can join?
"Nobody even cares about this channel. I bought both of these things with my wife's hard earned money."😂😂 made me laugh out loud so hard
🤣
Anyone ever told you that you sound like Dana Gould?
Great review and you turned me onto the Sony ZV. Glad I found your channel.
love Dana Gould. haven’t heard that, but I’ll take it!!
Great video Mark. Could you make a comparison between the ZV-E1 with a vlog lens, like the 11mm 1.8 and the dji pocket 3? It would be really interesting to see. Thanks mate
Primero!! Gracias por la comparativa, lo estaba esperando desde hace mucho!!!
Hi Mark, what gimbal you recommend for ZV1M2? Thx
Both are great ... but one thing you didn't address was the vertical capabilities of the DJI. If you're interested in vertical content ... the OSMO wins. Plus, it's hard to argue the size factor. Great video Mark ... still lovin your content.
the zv-e10 does automatic vertical video as well. Goes into post in vertical and it’s full 4K and not cropped like the DJI. You do have to turn tha zv-e10, and you don’t with the OSMO though
Nice comparison wish kit lens is used vs Osmo P3.
he did in the video.
I want to buy 6400 with kit lens and 18-105 mm lens for 450€ is that good or better buy zve10 new?
Thank you
Oh yes, it does the same thing, not really a fan of how the stabilization is working on the DJI, I see some jumping on the subject, is like if the background is lock but the subject moves a lot, is something I was not noticing but now I can't unsee. I was expecting more like the ZV-E10, more stable subject and some movement on the background is acceptable.
hi mark.. do you suggest the 16 mm too for fitness reels and workout videos. or any other lenses
I think the 16 would be great
Can you make review Panasonic g9 ii vs pocket 3?
Great video!! Could you do a complete review of ZV-E10 vs GH5? Thanks in advance!
That video probably wouldn't be very popular - but I will tell you that the GH5 is great and a professional tool with 10-bit 4.2.2 and two card slots and great stabilization - however, it has terrible autofocus and is not good at all in lowlight. Manually focusing everything is difficult. Now if you had a bunch of micro 4/3 lenses and you liked manually focusing, the GH5 is still a great option. But If you want autofocus, better lowlight and access to Sony's amazing lens system, the ZV-E10 will be the way to go
I have both and both are the best in different scenarios
yes!!
did you cover the slow motion capabilities, did i miss it? if i am not mistaken the DJI ca record 120 fps @ 4k(no sound,no crop)
yes - I show a sample compared to the zv-e10 1080 120. neither are great
Can you help with this multi-part question? Thanks in advance!
If I wanted a ZVE10 type camera (video abilities, no overheating issues, great overall little camera) but that is more photography oriented (optical viewfinder), is that the 6700? If not, what is?
Since this upgrade from a ZVE10 starts getting closer to full frame costs (new or used) is there a fullframe I should consider making the leap onto instead of staying in crop sensor area?
I currently carry a Canon 5d3 for photography along with the ZVE10 for video. I’m hoping to combine this to one camera.
yes - the original A7C is the camera you are looking for. it’s not much more than the a6700, it’s full frame, it never overheats, it has gyro data, it’s a tiny camera, it’s rugged, has a viewfinder. it doesn’t have 10-bit or 4k60 or 4k120, but it sounds like you don’t need those things. I’m would get the A7C - it’s on sale right now. amzn.to/47SgIbm
@@MarkBennettCameraCrisis thank you very much!
Yes, what you assumed regarding my video needs is correct (so, Mark = an omniscient comedian; scary). 😳
I appreciate the help and link!
hello. I love your youtube channel. It's thanks to your channel that I bought these 2 appliances!
I have leeming lut for my sony but for the pocket 3 leeming lut is not out yet. I contacted the seller and he said it would be out in 1 month. Have you been able to get it before then? I'm asking because I love this lut.
I just used the one for the LeemingLUT for Action 4 and then colour graded from there. It takes a bit of colour grading - so I would wait until Paul (Leeming) releases the new one. I’ll be buying it too
It is mainly a question of size and convenience…
I assume Sony will put better IBIS in a future model of ZV10? That would negate the gimbal.
Yes - it’s size and convenience that made me buy the DJI. But for better image quality I always want the Sony
I currently have the ZVE-10 but The pocket 3 is definitely my next gear purchase to finally retire my Osmo Action 1 it's served me well. Great video as always! The slow mo hair flick always makes me lol, love ur work Mark 😂
You are the best Mark, thanks for the comparison🙌🏼
Can you get a blurred background with DJI?
not a lot, but if you have enough distance behind you, then it's not bad
@@MarkBennettCameraCrisis Can you demonstrate that in another video?
All of the outdoor shots in the forrest in this video here are with the Pocket 3 - it's about the best you can do for blur. ruclips.net/video/F0j2I3Jqqmo/видео.htmlsi=tAg42AjA4-rwiY3i
@@MarkBennettCameraCrisisDJI support does not even know what Bokeh is.
@@MarkBennettCameraCrisis is this true? This is from DJI support chat on website.
Upon checking, Osmo Pocket 3 features a 1-inch large aperture lens, which gives a shallow depth of field (DOF). When shooting objects at different distances at close range, the bokeh effect is more pronounced.
My only question here is if anyone uses osmo pocket 3 for studio work/vlogging? If so, how do you like it?
1:03-1:07 cut hands and predmets, lower camera, or another focus objective range.
DJI Pocket 3 is now the best camera for vlogging especially if you got Creator Combo with the Wireless Mic 2.
It's not ideal ... but it's close to perfection :D.
And I say Normal color profile in Pocket 3 is a way to go ... zero color grading needed ... you can upload straight from the SD card :D.
Got both. Vlog is best with p3 and zv e10 for talking head. Also sigma 16 1.4 is . Also p3 gets hot after long recordings
op3 color grading is with leeming lut too?
I 've seen most of you excellent and funny videos! I have zve10 for 5 months now with 4 lenses and I get very nice photos! But for handheld video? I find it a big challenge so I am ready to buy the osmo for my motorcycle traveling videos and keep the little workhorse just for photo shooting! Thank you man!!
I think that's a great plan
Zv1f- vs Pocket 3 studio setting. What are your thoughts?
I personally prefer the zv1f because it still has all the Sony color profiles and I can use external monitors
Hi Mark! Thanks for the amazing videos. Do you have a video to explain how to configure Cine2 in the ZV E10?
I just use the LeemingLUT and follow the guide he sets. LeemingLUTpro.com
I bought the Pocket 3 for behind the scenes footage on video shoots! I love it!
That is a great use for it. I'm going to do that myself
@@MarkBennettCameraCrisis Nice! Can't wait to see future content Mark!
This video is what I waiting for thank you MARK
Just a side point I have been told that iphone 15 pro max camera is much better than sony zv-e10 kit lens.I can't judge because I am not using either sony zv-e10 nor iphone 15 pro max; Therefore, I wonder if you can make a comparison and guide us which sony zv-e10 lens can outperform the iphone 15 pro max lens. I would like to know before I make a purchase whether to buy the zv-e10 or the iphone 15 pro max as i don't want to spend a fortune on sony zv-e10 lens.
Really enjoy your videos, hope you get sponsorships so you can do more comparisons =) I'm using a ZV-E10, really want a beginner proof guide to setup cinematic settings with Leeming Luts and the ZV-E10, start to finish without looking through the PDF (no clue yet on Zebras, or what to make of the different exposure settings and pic profiles)
Hi Mark, what lens that you use in ZV-E10 ?
Sony 11mm 1.8 for vlogging. Sigma 16mm 1.4 for studio
@@MarkBennettCameraCrisisthat really isn’t fair lol but still great video
Thanks for sharing. I have a ZVe10 with viltrox 23mm f1.4 and an Osmo Pocket 1. I spent to much money in my ZVE10 and hole bunch of accessories. I will stick to it.
it’s a great choice!!
Hello Mark. @6:30 in the video (DJI part): There is shakiness around your head compared to the background. Are those micro jitters? I would have expected that shakiness from an action camera but not from a gimbal based camera.
I was wondering that myself. Almost looks like digital stabilization at times. Maybe they’re throwing some in there. It’s also so small and light that maybe that causes a some micro jitters with my coffee hands 😂
@@MarkBennettCameraCrisis The micro jitters were quite noticeable to me. I do not see this in the videos that I have taken so far with the pocket 3. Just wondering what is the frame rate and shutter speed that you were shooting at? So far, I try to shoot at 4k30 at 1/60. I am not sure about this but I think following the 180 degree rule helps to reduce the jitters.
@@MarkBennettCameraCrisis I noticed that on my test videos as well and it looks like DJI lied here again and do additional digital stabilization. Their gimbal is pathetic. :)
I noticed what looked like frame drops / Choppiness for the DJI when vlogging, where the Sony remained smooth, most noticeable at the train tracks. I know that thing is not overheating in Canada at this time of year :) . is it choppy sometimes? or is it a an artifact of the gimble? excellent video as always
It's probably the result of the higher shutter speed that was going in the DJI. So a ND filter might help - I'm going to see it it does.
one thing i learned is to not use low light mode on the pocket 3 you can get better footage by going manual in normal mode
otherwise great video
I’ll keep that in mind for the other vids I do on the pocket 👍
First of all, I care, second, I'd buy the osmo 3 all day long, the zve10 has some issues like the very slow sensor readout, that alone can make it useless with the wrong light at a closed place or at night, the convenience of having a gimbal on your pocket is amazing, I've been using my osmo 1 since it launched for weddings and it has make me good money, I'll go to the States early next year and I'll get the osmo 3, of course this taking is only for video, for photos I've a good old a7r3, I really wish dji starts making some cameras only, their quality is just amazing, osmo 3 for only $500 can record 4k 120p, Sony zv1 for $700 can only do 4k 30p
How is it compared with Sony ZV 1 Mark II? They both have the same sensor size
It would be a good comparison
Great channel! Lots of info and test footage👍 tbh, i would not shoot at below 70% ambient light, both will suffer noise..in those cases ill pull out a full frame mirrorless and a 1.2 aperture lens
Sony kills it imo. And I was really debating the pocket 3. Still going for the A7CII for Christmas I think.
There’s no beating a real deal camera
The ZV-E10 looks awesome. The DJI Pocket 3 is hard to beat for such a small camera. I can buy the DJI Pocket 3 for $519 at Best Buy or Amazon in Kingsport, Tennessee. I have used the Pocket 2 since it came out in September 2020. I will probably buy the Pocket 3.
Thanks Mark, very interesting comparison, the DJI does a great job. I now mostly use my ZV-E10 with OBS thanks to its HDMI output, it simplifies my workflow. Do you know if the Osmo Pocket 3 can be used easily this way too ? Is there a HDMI output ? Is the USB output good enough ?
No HDMI output but the DJI can be used as a webcam through usb-c, not sure if it'll work with OBS but I believe it should
Man, so good soft new picture in new studio. Great 👍👍👍
Excellent video as always. By the way, I just purchased the ZV-E10 and the Sigma lens you always mention. They better be good, or I'm taking your FX30 :) Hold the emergency. I'm trying to vlog here, hahaha:P
I regret nothing!!
@@MarkBennettCameraCrisis Hey Mark! Do you have any videos showing the best way to use the webcam for the ZV-E10? I'm planning to use it not just for talking head shots but also in front of a computer with a green screen. I would appreciate it if you could help, especially with a Sigma lens Or do I need any other lenses for this purpose? Also FX30 is now 1599$ should I use zv-e10 for now or should I get FX30. Talking head and webcam purpose? Thank you
Id the FX30 great for photography (eg optical viewfinder)?
This is actually pretty cool because these are actually my 2 cameras I use to make videos + a GoPro! I have a question though: do you know the best way to get the footage to match on the ZVE-10 and the Pocket 3 with minimal editing? Thanks!
LeemingLUT is coming out with t LUT for the pocket 3 - when that comes out in a few weeks - that will be the best way - but you could also try LUTCalc
@@MarkBennettCameraCrisis Thanks!
Underrated channel.
I love your new set. Do you have a video about it?
yes - two vids ago I did a studio tour. glad you like it - I’ve been getting mixed reviews 🤣
Using the Sigma 16mm at 1.4 is not a fair comparison.... great informative and necessary video though!
Bro, one day big brands will call
Keep going
😂 haha - you never know
Please do a review for Insta 360 ace pro…. Thanks in advance
Got to the part where you are comparing Low Light. I would disagree about results and would like to ask a favor to check if you have manual exposure ISO set to variable and not static, which looks like you were at ISO 800 on pocket (static). I have completely different results for low light and image is way brighter in complete darkness even without using DJI night mode.
It was on variable - but it was in a very dark environment. You see the ZV-e10 with a brighter lens and iso of 32000 wasn’t great either, the DJI only goes to iso 16,000 and it was too dark for that.
@@MarkBennettCameraCrisisI see. Thank you.