How to use Gyro Stabilization on BMPCC4K step by step
HTML-код
- Опубликовано: 6 сен 2024
- Want to use the gear you see me using in my videos?
Here’s links to my camera, and all my favorite accessories. This will get you up and running with a professional filmmaking kit!
Blackmagic Pocket Cinema Camera 4k: amzn.to/3LxxMK2
Lumix G 12-35 F2.8: amzn.to/3xYt19x
Smallrig Cage: amzn.to/4duQxtV
V Mount Battery: amzn.to/4fhcpL0
Diety D4 Duo Shotgun Mic: amzn.to/3LyOIjr
Rode Wireless Lav: amzn.to/3zQaOeT
High Speed SD Card: amzn.to/3yjhWzL
V Mount Battery Cable: amzn.to/3Yb0Xdt
V Mount Battery Plate: amzn.to/3WdXE2E
Neewer RGB Panel Kit: amzn.to/4fgwd0G
Smallrig Tripod: amzn.to/3zT1KWy
Tripod Arm: amzn.to/4bQ3lcN
Check me out on Instagram!
/ tommybmp
Check out my video production company for businesses on Long Island!
gimbalbranding...
Unlock the full potential of your Blackmagic Pocket Cinema Camera 4K (BMPCC4K) with this comprehensive step-by-step guide on how to use gyro stabilization! In this video, I walk you through the entire setup process, from configuring your camera settings to utilizing DaVinci Resolve for smooth and professional stabilization. Whether you're filming handheld or just want to enhance your footage, this tutorial has you covered.
In this video, you'll learn:
How to enable and record gyro data on your BMPCC4K
Step-by-step instructions for setting up and stabilizing footage in DaVinci Resolve
Troubleshooting common issues, including what to do if the gyro stabilization option doesn't appear
Tips and tricks for achieving the best stabilization results
Follow along as we dive into the BMPCC4K's gyro stabilization functionality and transform your handheld shots into cinematic masterpieces. If you've ever struggled with shaky footage or want to get the most out of your Blackmagic camera, this video is for you!
Key Topics Covered:
BMPCC4K gyro stabilization setup
DaVinci Resolve stabilization process
Troubleshooting stabilization issues
Tips for better handheld shooting
Make sure to like, comment, and subscribe for more filmmaking tips and tutorials. Happy filming!
You might want to mention the step of entering the focal length of the shot in the slate menu, so that Resolve will have accurate metadata when stabilizing.
Good point I did forget that
But what if you have a zoom lens and you are changing focal lengths when zooming?
This tip is real.
I have used it on the 4K, 6K, 6K Pro, and the 6K Full Frame and it helps a lot.
I don't love shooting on a gimbal, especially considering my rig is already pretty heavy, so I sometimes use this trick to help with monopod shots, handheld, and saddle shots.
Not sure if you already covered it but rolling shutter can be significantly improved by using the gyro stabilization set to zero.
Sony gimbal combo is a thing...My team is half BM and half Sony and we have tribal arguments. I hate the look of/wrestling match with Sony auto focus.
In my gyro use I have had mixed results with the amount of crop being pretty heavy at times.
Guess I need to work on my own stabilization.
It seems the worse of a job you do keeping still, the worse the crop will be. Best thing is to keep it simple or like you said use the mono pod, or add post movement. Plenty of ways to take advantage of it, not a perfect solution but tbh it works better and is more reliable than most cameras IBIS or Digital stabilization. Really does add a new dynamic to these pockets tho
How do you fix rolling shutter and then also stabilise the same shot?
Did you know that it will fix rolling shutter too?
@@user-dx1vh4sl1n that's an awesome bit of info! I'll be doing another video doing a full test and breakdown of gyro!
Man this is gold! Will try it during the weekend!
Dude this feature is game changing
Love your content bro im getting my. Camera next week this video was very helpful‼️‼️
Awesome, your gonna love this camera!
…”put it in the timeline, duh!” 😂😂😂😂
I'm a smartass my mom was right 🤣
@@TOMMYBMP perfect amount tbh!
@@atomicnoexcept haha I can't wait for her to see this
Look at the chair.
?
the ideal shutter speed for this scenario is at least 1/80, then you don`t get this little blurry that happens in moving objects
1/100 worked even better for me, specially in walking scenes, like following someone
and of course, if you`re shooting slomo, double that up. walking scenes in 50fps should be something like 1/200 or minimum 1/150 if you need more light
Great tip I'll check it out
how shaky was the footage to begin with?
I'll have a full demo and test video coming so you'll get the visual before and after. But trust me it was jittery definitely not something I would ever use. The raw footage was not violent or obnoxious but for sure jittery and far from smooth.
@@TOMMYBMP Great i'm looking forward for that video, im gonna subscribe