László Polgár - In diesen heil'gen Hallen
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- Опубликовано: 3 янв 2016
- Hungarian bass László Polgár sings Sarastro's second aria. Orchestra of the Drottningholm Court Theatre, conducted by Arnold Östman, 1989.
To buy the full recording of the opera on DVD, click here: www.amazon.com/Mozart-Ostman-D... 
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There is no push or forced "bassening" of his voice whatsoever. Simply beautiful.
very good point 👍
Simply the most beautiful singing. No unnecessary dynamics and no trying to impress audience with forceful volumes. Just pleasant and natural singing!!!!!
He has so much charm and charisma... And his voice is amazing 💯💖
Voice, gorgeous timbre, style, supreme elegance, diction, an acting game...Polgar was, in so many ways, so closed to perfection. So how could explain why he has been so under rated ? What a loss...Very few recordings and DVDs unfortunately...It shows how the opera world is robbed by star system...Always the same...
Yes you are right I have never heard of his voice what a loss for the opera fans
Diction? Das ist jetzt aber ein Witz.
@@RichardWagner-hi4znWhat is it with you krauts always complaining about “diction “
Christ, you should hear how some people mangle English
Laszlo Polgar was clearly one of the greatest basses in operatic history. It is such a pity that he did not appear at the Met or La Scala, since this would made him much better known. Then we would have had more of his recordings to enjoy. But thank you to the contributors to RUclips for these !
He did appear in La Scala in the Bluebeard's Castle.
I had the chance to hear him in Sarastro.. By far the best...
Josiah Roycc
I must have listened to this rendition of this aria 100+ times. It is the best I've ever listened.
The best version I have heard......by far. Brilliant.
Thats right 👍 a wonderful voice, a voice, that I never hear before this Arie of Maestro, he was absolutely brilliant ❤️ even the best goes to early 😪 R. I. P. 💕
@@rosemariehubl5043 All the great singers died early. Telvela, Bastianini, Callas etc etc etc etc. If there is a God, then he is a selfish bastard.
Agreed
agreed best sarastro ever
What a magnificent voice and beautiful performance. RIP.
Sadly he died unexpectedly aged 63,in 2010.It is a wonderful (true lyric) bass voice,I can't think why we (in the UK) didn't hear more of/about him.
Since he mentioned in his interviews that his father has also died suddenly in his earlyforties, also in a heart attack, seemingly it's an unfortunate family trait...
La migliore voce...basso stupendo, grande interprete, uomo affascinante! Non doveva lasciarci così presto.
I've been listening to different versions of "in diesen Heil'gen Halle" and this is the best.
Unglaublich ;- unglaublich aufrichtig und excellent gesungen. Meine tiefe Hochachtung vor dem Libretto, der Komposition,dem Sänger!🙏
Naja, das ist schon sehr Staatstragend gesungen... ein bisschen schneller dürfte es schon sein...
My favorit singer Polgár László.... Régi nagy "kedvencem" Ő.... Schubert Erlkönigjét énekelte, mikor megismertem.
What a glorious sound of this voice!!!!!
He had such a beautiful voice.
He's also a beautiful man!
Great Bass,love this Aria.
Großartig!
Bei leibem Gott, was für eine Stimme!
Ja, gell- unglaublich und wie geschaffen für die Arie des Sarastro!😇🙏
This performance is my favorite so far.
What an amazing voice and interpretation. Wonderful!
In diesen heil'gen Hallen Within these hallowed halls
Kennt man die Rache nicht. Vengeance is unknown;
Und ist ein Mensch gefallen, And if a man has fallen,
Führt Liebe ihn zur Pflicht. Love will call him to duty;
Dann wandelt er an Freundes Hand, Then, guided by a friendly hand,
Vergnügt und froh ins bess're Land. He contentedly enters a better land;
In diesen heil'gen Mauern, Within these hallowed walls
Wo Mensch den Menschen liebt, Where human loves human,
Kann kein Verräter lauern, No traitor can lurk
Weil man dem Feind vergibt. Because we forgive our foes;
Wen solche Lehren nicht erfreun, He who is displeased with such teachings
Verdient nicht ein Mensch zu sein. Is not worthy of being a human being.
Thank you for translating these powerful verses. Vielen Dank fuer die Uebersetzung dieser wundervollen Verse
@@expansionone My pleasure….
Beautiful basso voice and subtle performance.
I can't think of a more beautiful bass voice I have ever heard. He has a bel canto style like the most lyric tenor
wow havent heard of him until now. thats one of the best sarastros of all time!
The most beautiful male voice I've ever heard....
Niemand anderer als ER, verkörpert den Sarastro so betont wie ER!!!! Einfach brilliant 💖so schade, dass 💖ER 💖 nicht mehr bei uns ist 😪😢😭😭😭😭
Wow! That is a beautiful voice!
Fredrik Winberg
A wonderful voice and a wonderful singer though a somewhat underrated one.
Place, date, cast and conductor please!
@@eduardobraivein8496 Drottningholm Court Theatre, Stockholm 1989. Arnold Östman: conductor, Laszlo Polgar: Sarastro, Ann-Christine Biel: Tamina, Stefan Dahlberg: Tamino, Mikael Samuelsson: Papageno, Birgit Louise Frandsen: Queen of the night, Magnus Kyhle: Monostatos. Chorus and Orchestra from Drottningholm Court Theatre.
...diese Worte sind zutiefst gefüllt mit gutem Geiste.Eine zeitlose ethische Anweisung für den Menschen im Umgang mit seinen Mitmenschen.Jesus hätte seine Freude daran gehabt.
Danke an den Künstler und allen Menschen ,die es mir ermöglicht haben diesem Werk lauschen zu dürfen.
Danke 🌻❣
Rosvaenge never disappoints-simply one of the truly great 20th century voices with superb diction abd phrasing and an untiring flow of sound
Stunning voice 💕👏👏👏👏👏
What a great bass voice. Beautiful interpretation also. Ashamed to say I’m not familiar with his work so thanks to the RUclips algorithm for introducing me to this artist
Sehr schön. Diese Darbietung hat mir sehr gut gefallen.
Vivat Mozart! Vivat Laszlo Polgar!
This aria is so beautiful, reminds us of how we should always forgive our most grave enemies. The music is so beautiful too...😮😮
I think most folks commenting do not understand these powerful, wonderful words.
Polgar's brave, superb and clear baritone voice.
Kako veličanstvena scena! Izvrstan bas, šteta da je prerano preminuo.
Croat
This is so beautiful!!
Sarastro lives in this rendition!
Que de paix et de bonheur emanent de ce chanteur par la magie de Mozart .Merci pour ce merveilleux moment.
Credo che Laszlo Polgar sia stato uno dei massimi artisti di canto del secolo passato per il complesso delle sue qualità: innanzitutto una sensibilità musicale senza pari, abbinata ad una stupenda voce di basso uniforme in tutto il registro senza mai bisogno di forzature. Dotato di una eccellente tecnica è stato interprete di musica di ogni epoca con proprietà di stile. Stranamente sottovalutato dalla critica e dal pubblico, merita di essere ricordato anche per le sue straordinarie doti umane che, almeno per me, lo fanno affiancare a Kathleen Ferrier nell'olimpo dei più grandi.
Sono totalmente d'accordo ❤️
Perfettamente d'accordo. Voce unica e inconfondibile!
Interprete perfetto
Voce fuori dal comune:il più bravo e coinvolgente!
Laszo Polgar aus Ungarn war mir nicht bekannt. Er hatte den selben Jahrgang wie ich und mußte schon 2010 serben. Er sang so einmalig, wie Kim Borg aus Finnland.
Pocas veces he escuchado un bajo con un timbre de voz tan brillante aún dentro de su propio registro, ni siquiera necesitó empujar las notas muy graves.
KwangChulYoun is fabulous. He has a great voice, rich and deep. Excellent work singing this great Mozart aria.
Semplicemente favoloso
When I just heard the voice, I thought it was Kurt Moll. What a classic voice!
Yes…he and Kurt Moll are the best I’ve heard. Don’t remember who said it, but they said Sarastro was the voice of God in this aria.
He was the Greatest Bass of them All !!!!!!!!
Divino bajo.
MOOI beauifull, klasse. voor mij is dit één van de mooiste vertolkingen die ik gehoord heb.
Great voice....
Me gustaba mucho esa voz tan profunda muy hermosa.
Merci infiniment pour le partage de ce merveilleux bijou!
Absolutely superb on every level - one of the greatest bassos in my book.
Fantastic voice...
Je pleure ....tant que ce message est émouvant !
このレーザーディスクを持ってましたが、見られなくなって探してました。心より感謝します！
Basso de oro...
All too often this aria can drag - even when sung by great basses. Not here. This is superb
Mi ripeto, ma per me è il Sarastro migliore che abbia sentito: veramente "mozartiano"!
Csodás!
Teljesen
Thank you so much
😊...beautiful
Bravo
Eine sehr schöne Arie.
He is virtually unknown - wonder why, with a voice like this.
Kurt Moll is still my favorite in this aria, but DAMN this man is no slouch either!
Ottimo Sarastro
Welche Stimme!!!
Vergeving en genade! Zo mooi!
Phänomenal!
Yeah his voice is wonderful... But take notice of the acting in this scene. Like always, Polgar is playing with a lot of passion and, especially in this scene, love. I love how he is always fully taken up in his roles. And maybe it's just because is so good-looking and a very untypical Sarastro - very young and also his costume, very simple - but in this scene, I could imagine Sarastro and Pamina being a pair of lovers. Honestly, the look he gives her in the end - isn't this the look a woman wants to get from her lover?
CaelestisSapientiae Hmm, I don’t get that feeling actually - I’ve always felt that it’s very clearly interpreted as fatherly love. The way he puts his arm around her. Makes me miss my dad. Thanks for your comment :-)
The character of sarastro is supposed to be about 55-60 so definitely old enough that is more fatherly than romantic love
@@nicholasneyhart396 I don't know about that - the singer Mozart wrote the role for originally was in his late 20s at the time of the premiere, and in the libretto Sarastro is simply Pamina's father's successor. Also, earlier in the opera, Sarastro tells Pamina, "Du liebest einen andern sehr. Zur Liebe will ich dich nicht zwingen" ("You love another very much. I will not force you to love.") which seems to imply that there was, at some point, some question of him marrying her himself.
Così mi guardò l'uomo che tanto mi amò e che io amai. Le espressioni finali sono nel mio cuore perché identiche a quelle di quell'uomo stupendo.Identiche.
.
Esatto
Cosi mi guardò chi mi amo' e amai. Identiche le ultime espressioni
Toda
Geweldige tenor. Muziek van Mozart waardig.
Tenor ?! :-)
The best Sarastros Salminen, Polgar, Frick, Moll
Tem uma voz magnifica parece o Ivan Rebroff
I like this one better than Kurt Moll for some reason, it's the only interpretation where you can actually understand what he is saying
This is 720p video quality, Moll's is sadly only 240p
Da ich diesen Song auch selber singe, bin ich natürlich beeindruckt von László Polgár! Finde ich einfach nur schön!
He's great. My son is a bass opera singer
the best
me encanta esta opera especialmente esta versión, y deseo conseguirla completa en dvd, alguien me puede decir en donde comprarla, asi como don giovanni con Samuel Ramey y dirigida por Karajan? se los agradecería INFINITAMENTE
It's giving Christopher Lee in the best way
Ich friere allmählich. Aber ich glaube, dass es auch gleich Schluss ist Schön war es auf jeden Fall. Danke alle sehr ❤
allen. Jemand moppt mich 😂
@@dortejensen567 Dorte? Jensen? - Du kannst nur aus dem Norden kommen. SH eller DK? - Moppen ist doch ganz nett. Mobben weniger.
prächtiger bass
ALGUIEN SABE COMO PUEDO CONSEGUIR EL DVD DE LA OPERA LA FLAUTA MÁGICA CON ESTA ORQUESTA, ESTE DIRECTOR Y ESTE INTERPRETE, AQUÍ EN MÉXICO.
Quelle beauté. Je le préfère peut-être encore à Kurt Moll... c'est dire !
Por favor que alguien me diga como conseguir el DVD de esta extraordinaria presentación de la flauta mágica.
Esta en Amazon.com
Where can I find the complete performance?
You can still get it on Amazon, here: www.amazon.com/dp/B00006IUJ0/ref=cm_sw_r_cp_api_osnqzb46MMAA0
I hope it never goes out of print. I watched this on VHS in 1994 and I've been hooked on opera ever since. It's an imperfect performance but Laszlo is lovely.
👍
Can somebody help us that`s our Homework?
0:17
Just subliminal.
*
Definitive version
Is it just the recording or is the orchestra really playing in Eb-major instead of E-major?
Weil man dem Feind vergibt…!
B/
N
Love him but Kurt Moll is always on my mind in this aria.
I was very disappointed listening to Kurt Moll. Maybe towards the end of his career and not in the same class as Polgar who was perhaps one of the most underrated Opera stars.
I always find that Polgar's approach is by far more tender and emotional, and in my opinion a bit more musical than Moll's, however Moll has a massive voice and a very regal and powerful approach to the role.
i think half note has been lowered in this song
I noticed that also. I wonder why?
It is easier for him than an F#
It is more enjoyable.
@@nicholasneyhart396 bruh ur pfp is horrifying wtf
@izzy Why?
singe ich das tiefe E oder nicht? Die zweite Strophe war besser auch ohne ^.
Das Tempo etwas ungleichmäßig.
Er sang jeden Ton!
Kein nachlässiges Deklamieren
Warum röhren die meisten Sänger diese Arie eigentlich so? Die einzigen, die mich überzeugen, sind Thomas Quasthoff und der Sarastrodarsteller aus der Bergmannverfilmung.
Nasal tone, bland
Then lets hear you sing it
WTF??????????????