@@bryan584 Fast research. Music by Mozart. Scripted by italian: Lorenzo Da Ponte. Based on comedy by Pierre Beaumarchais. So its a featuring. Austrian, italian and french.
@@bryan584 That's the comment of an utterly ignorant person. Go, study, come back and then you'll understand the comment "italian opera is a gift to humanity."
Non più andrai, farfallone amoroso Notte e giorno d'intorno girando Delle belle turbando il riposo Narcisetto, Adoncino d'amor Delle belle turbando il riposo Narcisetto, Adoncino d'amor Non piu avrai questi bei penacchini Quel cappello leggero e galante Quella chioma, quell'aria brillante Quel vermiglio donnesco color Quel vermiglio donnes color Non più avrai quei penacchini Quel cappello Quella chioma, quell'aria brillante Non più andrai, farfallone amoroso Notte e giorno d'intorno girando Delle belle turbando il riposo Narcisetto, Adoncino d'amor Delle belle turbando il riposo Narcisetto, Adoncino d'amor Tra guerrieri, poffarbacco Gran mustacchi, stretto sacco Schioppo in spalla, sciabla al fianco Collo dritto, muso franco Un gran casco, un gran turbante Molto onor, poco contante Poco contante Poco contante Ed in vece del fandango Una marcia per il fango Per montagne, per valloni Con le nevi, e i solioni Al concerto di tromboni Di bombarde, di cannoni Che le palle in tutti i tuoni All'orecchio fan fischiar Non più avrai quei penacchini Non più avrai quel cappello Non piu avrai quella chioma Non più avrai quell'aria brillante Non più andrai, farfallone amoroso Notte e giorno d'intorno girando Delle belle turbando il riposo Narcisetto, Adoncino d'amor Delle belle turbando il riposo Narcisetto, Adoncino d'amor Cherubino, alla vittoria Alla gloria militar Cherubino, alla vittoria Alla gloria militar Alla gloria militar Alla gloria militar
Mozart, un genio della musica che rimarra eterno nel tempo! Gli artisti odierni invece, saranno per fortuna dimenticati, come se non fossero mai esisistiti.
Addictive. Not only because of his wonderful rendition of the aria, but also because of her top-notch acting. It's like a visual counterpoint to his masterful singing, making it even more enjoyable. Look at it from any standpoint, nothing can be added to - or taken from - this masterpiece to make it more charming than it is.
Fun fact: this behaviour (pushing the opponent, pulling the hat ot pieces of clothes away...) in Itay is still today an everyday way of life among italian young men when there is some altercation. I think that Raimondi did enjoy this "aria" very much :)
You are very poor about real history and, especially about relationship between Mozart and Antonio Saliery. Softly advise you to do a little dive into it.
I'm really sorry for those not speaking Italian who do not catch the beauty of this aria. The translation doesn't convey a minimum of the original text.
The main reason is that Lorenzo Da Ponte was a great, great writer, and of course, and I can speak and understand the fluent Italian language, in this incredible.!!
Mozart's music speaks more than words could ever express. Therein lies both the comic, and the tragic, as well as the poignantly heart rending. One would have to be tone deaf to rely on the "text" of the libretto to gather its intent. And similarly, to miss it. That said, Lorenzo Da Ponte was a genius in his own right. His interpretation of the second French play in Beaumarchais's "Figaro" trilogy is quite different, but it was a good call for Da Ponte and Mozart to steer away from the tragic aspects and keep it light-hearted. There was no shortage of tragic opera as it was.
I love this version of the song. Rainondi had the perfect voice to sing this aria and his acting ON POINT! Everyone actually did a great job acting here.
LYRICS ****** Non più andrai, farfallone amoroso, Notte e giorno d'intorno girando, Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Non piu avrai questi bei penacchini, Quel cappello leggero e galante, Quella chioma, quell'aria brillante, Quel vermiglio donnesco color! Quel vermiglio donnes color! Non piu avrai quei penacchini, Quel cappello Quella chioma, quell'aria brillante Non più andrai, farfallone amoroso, Notte e giorno d'intorno girando, Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Fra guerrieri, poffar Bacco! Gran mustacchi, stretto sacco, Schioppo in spalla, sciabla al fianco, Collo dritto, muso franco, Un gran casco, o un gran turbante, Molto onor, poco contante. Poco contante Poco contante Ed in vece del fandango Una marcia per il fango. Per montagne, per valloni, Con le nevi, e i solioni, Al concerto di tromboni, Di bombarde, di cannoni, Che le palle in tutti i tuoni, All'orecchio fan fischiar. Non piu avrai quei penacchini, Non piu avrai quel cappello Non piu avrai quella chioma Non piu avrai quell'aria brillante. Non più andrai, farfallone amoroso, Notte e giorno d'intorno girando, Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Cherubino, alla vittoria! Alla gloria militar! Cherubino, alla vittoria! Alla gloria militar! Alla gloria militar! Alla gloria militar! ****** English Translation of "Non piu andrai" ****** You won't go any more, amorous butterfly, Fluttering around inside night and day Disturbing the sleep of beauties, A little Narcissus and Adonis of love. You won't have those fine feathers any more, That light and jaunty hat, That hair, that shining aspect, That womanish red color [in your face]! Among soldiers, by Bacchus! A huge moustache, a little knapsack, Gun on your back, sword at your side, Your neck straight, your nose exposed, A big helmet, or a big turban, A lot of honour, very little pay. And in place of the dance A march through the mud. Over mountains, through valleys, With snow, and heat-stroke, To the music of trumpets, Of bombards, and of cannons, Which, at every boom, Will make bullets whistle past your ear. Cherubino, go to victory! To military glory! ****** (Source: www.thoughtco.com/non-piu-andrai-lyrics-724334)
@Leonardo's Truth Sometimes it's hard to remember that she is playing a young man. That is the tradition of "trouser roles", which has been done since Handel's time. Suspending belief to accept a woman playing a young man is no different than believing people fall in love in 15 seconds or sing after being stabbed and dying. But, Leonardo, thank you for being sensitive to the fact that so many women are assaulted and this should not be made light of.
I'm not an operatic sort of guy, I know nothing of the plot and I don't speak a single word of this language. But that sound though, oh that sound! The orchestral accompaniment here is quite honestly astounding.
Voce morbidissima ed estesa, gradevolissima all'ascolto,versatile e completa,capace di salire ai picchi baritonali e scendere ai ruoli più impegnativi di basso profondo.In quest'opera poi è eccezionale.Il bellissimo timbro è solo una parte, seppur importante ,del grande artista bolognese che,da ottimo attore quale è,punta anche all'espressività e all'emotività dei suoi personaggi,resi sempre con eleganza e umanità.Un fuoriclasse.
Ma la vogliamo dire una parola sull'autore dei versi Lorenzo Da Ponte. Ha creato con mirabile naturalezza uno schema sonoro ricco di allitterazioni e consonanze che danno vita a un movimento continuo e circolare sul quale s'innesta la musica di Mozart. Da Ponte trasfigura le parole di Beaumarchais con quadri lampeggianti: l'effeminato damerino frequentatore delle alcove e delle anticamere signoril (che ben conosceva il poeta)i; poi guerra faticosa, il fango,, i colpi di fucile, di cannone; finendo con la parodia della gloria militare salutata dal clamore delle trombe. Parodia perfetta del gran secolo che muore, alla vigilia della rivoluzione Figaro l'eroe del secolo futuro celebra l'epitaffio del Settecento. cannoni
Un Figaro immenso sia per la voce nonché la sua capacità di attore , da notare il cambio della preposizione nel finale che può permetterselo in quanto lui. Peccato che nel film di Losley non abbia espresso le sue capacità recitative, forse anche su imposizione del regista, ma tant'é vero che il suo don Giovanni era inespressivo troppo teso meno giocoso.
@@eugeniogentili1048 Martti Talvela era alto 2,05 metri. He was 6ft 9 in height. Jerome hines was close to 2 mt, or 6ft 7. Ma la presenza scenica non si misura solamente nelle dimensioni fisiche dell'artista, ma dalla capacità di riempire lo spazio in maniera sensata ed intelligente. Bruscantini, Tajo, Dara erano maestri in questo. Dara forse un po' troppo roboante. The size of the performance and the stage presence are not ti be measured in centimetres and kilograms, but in how the artist manages to fill both physical and acoustic space with meaningful and talented movements.
My favorite production of The Marriage of Figaro.Raimondi is superb as Figaro, especially as he dispatches the flirtatious Cherubino (Frederica Von Stade) off to war. His contempt for the Count is made plain in that last salute.
Extraordinaire et humble artiste... Une voix unique, un jeu de scène parfait, tous sont excellents et adorables envers le public. J'en ai les larmes aux yeux... 🌟🌟🌟👍🙏👏👏👏
Da Ponte just translated in Italian, almost word for word, the French piece of Beaumarchais, "Le Mariage de Figaro". He has absolutely no merit for this work.
@@fan2jnrc Almost all the operatic subjects (the plot) are not original but are inspired by literary or theatrical works. Evidently Mozart liked Beaumarcais' comedy and entrusted himself to Da Ponte for the libretto which is quite another thing. It is therefore not a translation from French at all and the credit goes entirely to Da Ponte
Impacience XD tu ci scherzi ma è proprio GTA III che me lo ha fatto conoscere ed apprezzare questo pezzo. Sapevo solo il titolo ma non lo avevo mai sentito.
Siepi Ghiaurov Neri Diaz Mardones Ghiuselev Flagello Rossi Lemeni Kipnis Tadeo Pinza Giaiotti Flagello solo x citarne alcuni di ben altro livello rispetto a Raimondi
@@eugeniogentili1048 Certamente ce sono anche altri bravi, ma Raimondi ha una grande personalità, disinvoltura, presenza scenica e abilità recitativa, che pochi hanno. Uno di questi era Tajo. Purtroppo ci sono dischi, ma pochi video per poter giudicare quelli che citi. E questa è una registrazione dal vivo, quindi niente trucchi taglia-e-cuci discografici.
Glorious! I have to admit, though, that I spent the whole time trying to remember Frederica von Stade's name. Only when they showed her in the bows did it come to me, and I cried aloud, "Flicka!" The play between Cherubino and Figaro is delightful without distracting from the voice, and racking my brain for her name didn't make me any less appreciative of Raimondi's consummate performance. Bravo!
You got it !! There's a discussion above on the importance of understanding the text. I was just thinking, how can you translate "delle belle turbando il riposo" keeping the beauty of this verse ?
Figaro depend so much on Susanna. A Cecilia Bartoli can steal any scene with her eyebrows. Bryn Tervel is good though. In that opera Rosina is the mysterious one: Why does she put up with that oaf: Almaviva?
Frederica Von Stade was a marvelous Cherubino. This particular piece, with its march tempo and Figaro's light hearted delivery gives the impression that Cherubino will be a soldier for awhile in the Count's army and eventually go back to civilian life. Mozart never even hints at the tragedy that will befall him in the sequel play, because he wanted "Figaro" to be a comic opera. Alas, Cherubino never got to enjoy civilian life again. Cherubino was about 14 in "Figaro", and had a huge crush on Contessa Rosina. In the 3rd play of Beaumarchais's trilogy, (La Mere Coupable), events take a turn for the tragic when Cherubino's passion for Rosina turned out to be way more than a crush, and his devotion and attentiveness become a comfort to the beautiful Rosina, who is continuously betrayed by her philandering, no-count, Count. 2 years later, Cherubino fathers Rosina's son, and the rotter of a count sends him off to battle again, only this time he never returns. The onetime dandy, pretty boy, and "amorous butterfly", becomes a proper soldier, but then is killed in the Count's service at the tender age of 16, and the grieving Rosina has only his son to console her in her sorrow. This scene is still comical, but it's never quite the same after reading about Cherubino's eventual fate.
questa è armonia dell' universo . Quando guardo le stelle nella notte serene vedo la loro luce tremolare con questo ritmo. Grazie Mozart, per continuare nell' universo a farti ricrdare
Todo maravilloso,pero la sinfónica,excelsa! He escuchado esta maravilla con varios cantantes,y por supuesto,con varias sinfónicas,pero esta toca bellísimo!
The magnificent Raimondi. It's hard to believe that Raimondi was so shy, stiff & deficit expression when a young man that he was rendered immobile on stage.
Gracias a RUclips he podido visualizar algunos más, y además he asistido a esta ópera hace unos días en Sevilla. Pero viendo esta, y esperando que alguien me lo rebata, me parece la mejor,sin duda.
I'm forturnate enough to own a DVD of this Met Opera production. It's the best production I've ever experienced. All the singers are at the top of their game and are perfect in the roles. There is no weak link in the cast.
Авто/Мото
italian opera is a gift to humanity.
@@bryan584 Fast research. Music by Mozart. Scripted by italian: Lorenzo Da Ponte. Based on comedy by Pierre Beaumarchais. So its a featuring. Austrian, italian and french.
@@bryan584Yes, but it’s still called Italian opera because it’s in the style of the Italian opera buffa I think
Do you know that recently italian opera was declared humanity's patrimony by UNESCO? It seems like they listened to you lol
@@bryan584 That's the comment of an utterly ignorant person. Go, study, come back and then you'll understand the comment "italian opera is a gift to humanity."
No, Mozart was a gift to humanity.
Non più andrai, farfallone amoroso
Notte e giorno d'intorno girando
Delle belle turbando il riposo
Narcisetto, Adoncino d'amor
Delle belle turbando il riposo
Narcisetto, Adoncino d'amor
Non piu avrai questi bei penacchini
Quel cappello leggero e galante
Quella chioma, quell'aria brillante
Quel vermiglio donnesco color
Quel vermiglio donnes color
Non più avrai quei penacchini
Quel cappello
Quella chioma, quell'aria brillante
Non più andrai, farfallone amoroso
Notte e giorno d'intorno girando
Delle belle turbando il riposo
Narcisetto, Adoncino d'amor
Delle belle turbando il riposo
Narcisetto, Adoncino d'amor
Tra guerrieri, poffarbacco
Gran mustacchi, stretto sacco
Schioppo in spalla, sciabla al fianco
Collo dritto, muso franco
Un gran casco, un gran turbante
Molto onor, poco contante
Poco contante
Poco contante
Ed in vece del fandango
Una marcia per il fango
Per montagne, per valloni
Con le nevi, e i solioni
Al concerto di tromboni
Di bombarde, di cannoni
Che le palle in tutti i tuoni
All'orecchio fan fischiar
Non più avrai quei penacchini
Non più avrai quel cappello
Non piu avrai quella chioma
Non più avrai quell'aria brillante
Non più andrai, farfallone amoroso
Notte e giorno d'intorno girando
Delle belle turbando il riposo
Narcisetto, Adoncino d'amor
Delle belle turbando il riposo
Narcisetto, Adoncino d'amor
Cherubino, alla vittoria
Alla gloria militar
Cherubino, alla vittoria
Alla gloria militar
Alla gloria militar
Alla gloria militar
❤❤❤❤❤ thx for the lyrics
Grazie 1000!!!
Mozart, un genio della musica che rimarra eterno nel tempo!
Gli artisti odierni invece, saranno per fortuna dimenticati, come se non fossero mai esisistiti.
Addictive. Not only because of his wonderful rendition of the aria, but also because of her top-notch acting. It's like a visual counterpoint to his masterful singing, making it even more enjoyable. Look at it from any standpoint, nothing can be added to - or taken from - this masterpiece to make it more charming than it is.
pura verdade o que vc escreveu. VICIANTE. Tudo PERFEITO. Desde o canto até ap ostura de cada ator/atriz. MARAVILHOSAMENTE Bela está cena.
Fun fact: this behaviour (pushing the opponent, pulling the hat ot pieces of clothes away...) in Itay is still today an everyday way of life among italian young men when there is some altercation. I think that Raimondi did enjoy this "aria" very much :)
Beautiful
The face is filled with pain because it is impossible not to contain a huge smile during this entire performance.❤
“The rest is just the same isn’t it?”
When the court composer did an essay buy then with master Mozart it is an extraordinary aria
You are very poor about real history and, especially about relationship between Mozart and Antonio Saliery. Softly advise you to do a little dive into it.
@@pyth2ooo was that meant for me? Or the comment above yours?
What do you mean ???
@@iTube22100 you won’t get it
You can't have enough of this music! It is pure beauty and joy! God bless your soul beloved W.A. Motzart!
God bless Mozart and even Haydn
almighty jah bless the beloved brothers wo made such great music.
I'm really sorry for those not speaking Italian who do not catch the beauty of this aria. The translation doesn't convey a minimum of the original text.
The main reason is that Lorenzo Da Ponte was a great, great writer, and of course, and I can speak and understand the fluent Italian language, in this incredible.!!
Mozart's music speaks more than words could ever express. Therein lies both the comic, and the tragic, as well as the poignantly heart rending. One would have to be tone deaf to rely on the "text" of the libretto to gather its intent. And similarly, to miss it. That said, Lorenzo Da Ponte was a genius in his own right. His interpretation of the second French play in Beaumarchais's "Figaro" trilogy is quite different, but it was a good call for Da Ponte and Mozart to steer away from the tragic aspects and keep it light-hearted. There was no shortage of tragic opera as it was.
I don't need to speak italian, I can hear. In fact...Maybe it's more beautifull when you don't see the linguistic structure.
@@d4n737 Sorry but no way
@@mariopino5707 Sorry, but yeah way.
Ruggero Raimondi is excellent! The orchestra is amazing too!
This might just be the best version ever!! He performs with so much passion. I love this!
Sem dúvida. Já vi algumas tanto teatro quanto aqui e nunca achei melhor.
yes, very fabulous. but I would have to see every version ever performed to chose at the best ever. certainyl MY favorite by fr: RAIMONDI !!
This whole performance at the MET was my introduction to opera. PBS loved replaying it in the 90s
@@TrlPrkVikingwow! you are so fortunate!!!!!! Raimondi is fabulous!
Genius Raimondi.
Greatest voice of all times volume power beauty of timbre and artistry!!!
Adorable
Splendido Raimondi Figaro!!!!!
That's exactly how I always imagined Figaro. What an interpretation, what a voice.
The absolute best performance of this opera captured on video. What an enduring classic!
sim. Concordo plenamente com vc.
I love this version of the song. Rainondi had the perfect voice to sing this aria and his acting ON POINT! Everyone actually did a great job acting here.
LYRICS
******
Non più andrai, farfallone amoroso,
Notte e giorno d'intorno girando,
Delle belle turbando il riposo,
Narcisetto, Adoncino d'amor.
Delle belle turbando il riposo,
Narcisetto, Adoncino d'amor.
Non piu avrai questi bei penacchini,
Quel cappello leggero e galante,
Quella chioma, quell'aria brillante,
Quel vermiglio donnesco color!
Quel vermiglio donnes color!
Non piu avrai quei penacchini,
Quel cappello
Quella chioma, quell'aria brillante
Non più andrai, farfallone amoroso,
Notte e giorno d'intorno girando,
Delle belle turbando il riposo,
Narcisetto, Adoncino d'amor.
Delle belle turbando il riposo,
Narcisetto, Adoncino d'amor.
Fra guerrieri, poffar Bacco!
Gran mustacchi, stretto sacco,
Schioppo in spalla, sciabla al fianco,
Collo dritto, muso franco, Un gran casco, o un gran turbante,
Molto onor, poco contante.
Poco contante
Poco contante
Ed in vece del fandango
Una marcia per il fango.
Per montagne, per valloni,
Con le nevi, e i solioni,
Al concerto di tromboni,
Di bombarde, di cannoni,
Che le palle in tutti i tuoni,
All'orecchio fan fischiar.
Non piu avrai quei penacchini,
Non piu avrai quel cappello
Non piu avrai quella chioma
Non piu avrai quell'aria brillante.
Non più andrai, farfallone amoroso,
Notte e giorno d'intorno girando,
Delle belle turbando il riposo,
Narcisetto, Adoncino d'amor.
Delle belle turbando il riposo,
Narcisetto, Adoncino d'amor.
Cherubino, alla vittoria!
Alla gloria militar!
Cherubino, alla vittoria!
Alla gloria militar!
Alla gloria militar!
Alla gloria militar!
******
English Translation of "Non piu andrai"
******
You won't go any more, amorous butterfly,
Fluttering around inside night and day
Disturbing the sleep of beauties,
A little Narcissus and Adonis of love.
You won't have those fine feathers any more,
That light and jaunty hat,
That hair, that shining aspect,
That womanish red color [in your face]!
Among soldiers, by Bacchus!
A huge moustache, a little knapsack,
Gun on your back, sword at your side,
Your neck straight, your nose exposed,
A big helmet, or a big turban,
A lot of honour, very little pay.
And in place of the dance
A march through the mud.
Over mountains, through valleys,
With snow, and heat-stroke,
To the music of trumpets,
Of bombards, and of cannons,
Which, at every boom,
Will make bullets whistle past your ear.
Cherubino, go to victory!
To military glory!
******
(Source: www.thoughtco.com/non-piu-andrai-lyrics-724334)
aditive1 Gracie mille !!!!! 👍👍👍🎶🌹
Che musica meravigliosa!! What a fantastic music!!
Leggero con la "i"?!?!
@Leonardo's Truth Sometimes it's hard to remember that she is playing a young man. That is the tradition of "trouser roles", which has been done since Handel's time. Suspending belief to accept a woman playing a young man is no different than believing people fall in love in 15 seconds or sing after being stabbed and dying. But, Leonardo, thank you for being sensitive to the fact that so many women are assaulted and this should not be made light of.
bravo.
What a wonderful baritone Ruggiero Raimondi was . One is tempted to say “they don’t make them like that any more”
Ferruccio Furlanetto Is wonderful too
Bryn Terfel is good singer in That rôle !
I'm not an operatic sort of guy, I know nothing of the plot and I don't speak a single word of this language. But that sound though, oh that sound! The orchestral accompaniment here is quite honestly astounding.
Met orchestra with James Levine...
Maybe you will become an "operatic sort of guy" after all. Listen to Cosi fan tutte by Mozart. That is just as beautiful.
Mozart is the gateway to greatness
Ruggero Raimondi mitico! Great!!!!! I love his voice.
Me to
It's my favorite tenor! :D
This is phenomenal acting and singing performance. How they played with their faces expression it is magnificent. I would like to act like them.
3:06 sends chills down my spine every single time without fail
From one hearing only?
@@j.r5159 I... think so, sire, yes.
@@P0PG03S Show us.
Voce morbidissima ed estesa, gradevolissima all'ascolto,versatile e completa,capace di salire ai picchi baritonali e scendere ai ruoli più impegnativi di basso profondo.In quest'opera poi è eccezionale.Il bellissimo timbro è solo una parte, seppur importante ,del grande artista bolognese che,da ottimo attore quale è,punta anche all'espressività e all'emotività dei suoi personaggi,resi sempre con eleganza e umanità.Un fuoriclasse.
Esatto, uno che sa cantare, perchè non tutte "le belle voci" sanno cantare bene, e sa tenere la scena con grande disinvoltura e personalità.
Ma la vogliamo dire una parola sull'autore dei versi Lorenzo Da Ponte. Ha creato con mirabile naturalezza uno schema sonoro ricco di allitterazioni e consonanze che danno vita a un movimento continuo e circolare sul quale s'innesta la musica di Mozart. Da Ponte trasfigura le parole di Beaumarchais con quadri lampeggianti: l'effeminato damerino frequentatore delle alcove e delle anticamere signoril (che ben conosceva il poeta)i; poi guerra faticosa, il fango,, i colpi di fucile, di cannone; finendo con la parodia della gloria militare salutata dal clamore delle trombe. Parodia perfetta del gran secolo che muore, alla vigilia della rivoluzione Figaro l'eroe del secolo futuro celebra l'epitaffio del Settecento.
cannoni
Un Figaro immenso sia per la voce nonché la sua capacità di attore , da notare il cambio della preposizione nel finale che può permetterselo in quanto lui. Peccato che nel film di Losley non abbia espresso le sue capacità recitative, forse anche su imposizione del regista, ma tant'é vero che il suo don Giovanni era inespressivo troppo teso meno giocoso.
I love this aria.
A chi non piace la Musica lirica e sinfonica, perchè non sa co'è la vera musica!!!
Andrea Sebastiano Germanò parole sante
Non potrei essere più d'accordo
Colla musica alla bellezza.
Bad bunny baby
@@javierrozasgomez2060 bad bunny è un tenore invidiabile
VOCE STRAODINARIA PER TIMBRO E TECNICA.
TROPPO FORTE
Unico
Non solo voce ma Raimondi aveva anche una presenza scenica fantastica e credibile. Eccezionale.
Quanto a presenza scenica Sherrill Milnes non era secondo a nessuno, e' alto 1,90 ruclips.net/video/u8npJS0wGPg/видео.html
@@eugeniogentili1048 Martti Talvela era alto 2,05 metri. He was 6ft 9 in height. Jerome hines was close to 2 mt, or 6ft 7. Ma la presenza scenica non si misura solamente nelle dimensioni fisiche dell'artista, ma dalla capacità di riempire lo spazio in maniera sensata ed intelligente. Bruscantini, Tajo, Dara erano maestri in questo. Dara forse un po' troppo roboante.
The size of the performance and the stage presence are not ti be measured in centimetres and kilograms, but in how the artist manages to fill both physical and acoustic space with meaningful and talented movements.
Glorious blending of orchestra, acting, and vocal. One of my top five recorded performances.
My favorite production of The Marriage of Figaro.Raimondi is superb as Figaro, especially as he dispatches the flirtatious Cherubino (Frederica Von Stade) off to war. His contempt for the Count is made plain in that last salute.
Ganz meine Meinung
alfi: Thank you very much.
Thank you dear heart and Le Hunt. My very favorite production.
Lord K, thank you.
primala: Thanks. I adore whole producrion.
2:45 Oooooh, sweet heavens..... God, what a voice ❤
Sublime Ruggiero Raimondi !
Meraviglioso, viva l'opera!
Extraordinaire et humble artiste... Une voix unique, un jeu de scène parfait, tous sont excellents et adorables envers le public.
J'en ai les larmes aux yeux... 🌟🌟🌟👍🙏👏👏👏
2020, and this is still my favorite version
Sublime, bellísima, wonderful, bell'aria.... Mozart, an inmortal giant.
I love this version, Raimondi's voice, acting and in particular the authoritative way he manhandles the Cherubino actor (or rather actress).
A truly great Baritone at his peak. Wonderful.
La più bella romanza di sempre!
Un meraviglia mozartiana
📚🎶🎨👍!!!
A parte lo splendore musicale il libretto di Da Ponte è di un'ironia e di una modernità incredibile !
ma l'interpretazione non è per nulla ironica...tutt'altro...
Da Ponte just translated in Italian, almost word for word, the French piece of Beaumarchais, "Le Mariage de Figaro". He has absolutely no merit for this work.
@@fan2jnrc Almost all the operatic subjects (the plot) are not original but are inspired by literary or theatrical works. Evidently Mozart liked Beaumarcais' comedy and entrusted himself to Da Ponte for the libretto which is quite another thing. It is therefore not a translation from French at all and the credit goes entirely to Da Ponte
CHE MERAVIGLIA RAIMONDI!
Anche lui giocaava a GTA III ?
Impacience XD tu ci scherzi ma è proprio GTA III che me lo ha fatto conoscere ed apprezzare questo pezzo. Sapevo solo il titolo ma non lo avevo mai sentito.
Siepi Ghiaurov Neri Diaz Mardones Ghiuselev Flagello Rossi Lemeni Kipnis Tadeo Pinza Giaiotti Flagello solo x citarne alcuni di ben altro livello rispetto a Raimondi
@@eugeniogentili1048 Certamente ce sono anche altri bravi, ma Raimondi ha una grande personalità, disinvoltura, presenza scenica e abilità recitativa, che pochi hanno. Uno di questi era Tajo. Purtroppo ci sono dischi, ma pochi video per poter giudicare quelli che citi. E questa è una registrazione dal vivo, quindi niente trucchi taglia-e-cuci discografici.
Gloria italiana! Grande musicista e interprete indimenticabile
Glorious! I have to admit, though, that I spent the whole time trying to remember Frederica von Stade's name. Only when they showed her in the bows did it come to me, and I cried aloud, "Flicka!" The play between Cherubino and Figaro is delightful without distracting from the voice, and racking my brain for her name didn't make me any less appreciative of
Raimondi's consummate performance. Bravo!
I've watched a few performances of this on RUclips. Raimondi is by far the best.
I think the same.
So do I❤
Quelle voix que ce Monsieur Raimondi !
What a great freaking baritone!
I hear Mozarts laugh 😁
Dit speelt ook in Amadeus 1984
Grazie Signore
Immer wieder ein Genuss Mozart anzuhören mit so einem schönen Bühnenbild
Wow, what an amazing Baritone! I love that full and rich sound.
Straordinario, semplicemente straordinario.
Bravo Maestro Raimondi! Frederica von Stade as Cherubino! Thomas Allen as the Count!
Doesn't really work does it? have you tried...
Amadeus the movie
LOL a reference
Excellent. What a Masterpiece !!!
Philistine
A ha ha ha ha ha! Ha..ha..ha..
Thanks God I was born at the time when the great Opera singers really exit. Grande Raimondi, not even consider among the greatest at this time.
Grazie a Ruggero Raimondi.. Bravissimo!
Thank you! Ruggiero Raimondi is definitively the best!
As figaro or Don basilio or don giovanni you are the best
Amen.
hm kemmoun And his Scarpia!
Not to mention Escamillo!
This aria from The Marriage of Figaro was kinda the #1 hit of the day 😅 people just couldn’t get enough of it..
I could watch this a million times. I think I'm about halfway there already.
wow, i was blowed away with "delle belle turbando il riposo"
Blown
You got it !! There's a discussion above on the importance of understanding the text. I was just thinking, how can you translate "delle belle turbando il riposo" keeping the beauty of this verse ?
Frederica Von Stade my favorite Cherubino and Ruggero Raimondi the best Figaro. Thx
Figaro depend so much on Susanna. A Cecilia Bartoli can steal any scene with her eyebrows. Bryn Tervel is good though. In that opera Rosina is the mysterious one: Why does she put up with that oaf: Almaviva?
Frederica Von Stade was a marvelous Cherubino. This particular piece, with its march tempo and Figaro's light hearted delivery gives the impression that Cherubino will be a soldier for awhile in the Count's army and eventually go back to civilian life. Mozart never even hints at the tragedy that will befall him in the sequel play, because he wanted "Figaro" to be a comic opera. Alas, Cherubino never got to enjoy civilian life again. Cherubino was about 14 in "Figaro", and had a huge crush on Contessa Rosina. In the 3rd play of Beaumarchais's trilogy, (La Mere Coupable), events take a turn for the tragic when Cherubino's passion for Rosina turned out to be way more than a crush, and his devotion and attentiveness become a comfort to the beautiful Rosina, who is continuously betrayed by her philandering, no-count, Count. 2 years later, Cherubino fathers Rosina's son, and the rotter of a count sends him off to battle again, only this time he never returns. The onetime dandy, pretty boy, and "amorous butterfly", becomes a proper soldier, but then is killed in the Count's service at the tender age of 16, and the grieving Rosina has only his son to console her in her sorrow.
This scene is still comical, but it's never quite the same after reading about Cherubino's eventual fate.
MARAVILHOSO. Não me canso de aplaudir. Cantores interpretando perfeitamente o papel de forma marcante.
Thanks very much for sharing this rare gem of Opera!
Musica divina, dopo secoli è perfetta.
questa è armonia dell' universo . Quando guardo le stelle nella notte serene vedo la loro luce tremolare con questo ritmo. Grazie Mozart, per continuare nell' universo a farti ricrdare
Ed invece del fandango, una marcia per il fango.
MELHORES ATORES E CANTORES COM CERTEZA .,SEM DUVIDA.
Simmmmmm….
La interpretación es tan divertida como la pieza. Genial Mozart,sublime Ruggiero
Raimondo e grandiso
What a Masterpiece !!! EXCELLENT.
Todo maravilloso,pero la sinfónica,excelsa! He escuchado esta maravilla con varios cantantes,y por supuesto,con varias sinfónicas,pero esta toca bellísimo!
Caspita!, che bravo, che voce!!!!
What a superb performance! Me too, Mr. Seb G; it's a very powerful aria and everything wrapped in an unmistakable Mozartian aura! Magnificent!
La actuación insuperable en voz, en interpretación..
Who remembers this from GTA 3, getting 5 stars causing all sorts of chaos while listening to this. Classic! Just simply classic! ;)
Where is this in gta 3?
The best! Bravo, bravo! Bravissimo!
Raimondi insuperabile per voce e presenza scenica. Forse la migliore esecuzione.
He’s fantastic, but I’m so used to hearing this aria sung by bass-baritones. Raimondi is much more purely baritone.
Es maravilloso, magnífica obra.
Wow Ruggero!!! Fantastic
Rugiero je pjevački div, drama i pjevanje mu ide s lakoćom. Bravo !!
Perfect text and a benchmark for operatic singing.
The magnificent Raimondi. It's hard to believe that Raimondi was so shy, stiff & deficit expression when a young man that he was rendered immobile on stage.
Impressive voice! :D
Grazie, Seniore
Stupendo 🤩 grazie!!!
Magnifique !!!
Α masterpiece!
This is phenomenal ⭐️
Raimondi è bravissimo!
Gracias a RUclips he podido visualizar algunos más, y además he asistido a esta ópera hace unos días en Sevilla. Pero viendo esta, y esperando que alguien me lo rebata, me parece la mejor,sin duda.
Bravíssimo mio Patrono Mozart!! Grazzie!!
Sempre bello risentirla❤️
Merci, Masterpiece.
great performance!!
This really helps me in my future endeavors.
I'm forturnate enough to own a DVD of this Met Opera production. It's the best production I've ever experienced. All the singers are at the top of their game and are perfect in the roles. There is no weak link in the cast.
I love the song and its impresive
Grandissimo!
Magnificent! Bravo!
Magnifique !
*Grazie* *signore*
Magnifico !!
@Roberto ??? "questa" è di Mozart
Mozart e Raimondi: cosa si vuole di più? NULLA....puro godimento musicale!
2:44 instant goosebumps
Bravo, braaavoooooii.............I love Mozart