Hey Bros! Don’t forget I am discounting my DJ Tools & Merch this entire weekend! Use Promo Code "NEWYEAR21" to save 20% on my DJ Crates, Sound Effects, Planning Forms, TV Visuals and T-Shirts. Promo code ends on tomorow at midnight. DJ Tools Store: sellfy.com/djbarrstore/ DJ Merch Store: teespring.com/stores/djbarr/ Save 20% w/ Promo Code: NEWYEAR21
I bought the Alto Professional Stealth Wireless system for £400... I've never used this system at an event without one of the channels cutting out every now and then. And the quality of the cables included are atrocious!
Watching this made me realize that YOU are the reason I bought those Chauvet Wash lights in the first place but also, that I value your opinions and appreciate what you do.
Well, first off, you bought the absolute cheapest AKG mic you could possibly find. I've been using AKG Perceptions for almost 13 years, and only now are they beginning to have issues.
I still have, and use my GLXD4 Shure microphone regularly for weddings. It has never dropped out on me yet. Coupled with a good RCF 10 mixer, it sounds good too. Your comments made me feel lucky. I do agree with you however, that you need to spend more to get more. I am going to replace this unit for the new Sennheiser EW-D.
I'm with you David, love my GLXD4's - its my mic / system of choice for guests & students. I bring 2 to gigs, one being a backup to my higher end QLXD system (only for me. I dont share mics). The GLXDs only failed me twice- once playing on the top floor of a big hotel (right below their satellite dishes etc and no wireless mic would work there, so it was hardwire time) and the 2nd was when the receiver was quite far away from the mic and not in line of sight, shall we say - that was the only time i experienced "drop outs". I was alsoglad for my glxd4 when i was singing at a festival with an inexperienced sound team - they just could not handle the more sensitive (better higher end) system, but they could manage the glxd. Go figure.
Hey man as a sound engineer I’ll have to say if you plan on moving the glxd series around from venue to venue you should definitely invest on the rack mountable ones and buy the frequency manager. I’ve had better experiences with the glxd series without the manager at a fixed venue when they’re the house mics because you set them up and find the right channels and don’t have to worry about it
Many DJ's do not have an extensive audio background, so they do not know to do a frequency search in each location that they set-up in. DJ's also need to set the receiver to what State/Zip Code they are using the wireless mic in, if they have a higher end wireless system. Also make sure your antennas are not obstructed by a rack or any other equipment. Always point your antennas up, not to the sides.
Hi there! We're so sorry to hear you had a bad experience with one of our rack cases. It sounds like you got a manufactured defect if the holes weren't aligned. And because these cases are rotationally molded, the lids are molded with the case and therefore correspond to a specific side. Our customer service team is always ready and willing to help customers troubleshoot or resolve any issues with our products. We also have a lifetime warranty on all of our hard cases!
Yep, I have an SKB 4U for two amps. It's plastic but not roto molded. Really tired of having to put cables back into it because the butterflies wont stay closed. They'll vibrate open just riding on a dolly and the cover just falls off. I've worked with people that have the same Anvil cases for 40 years and the butterflies are fine. Cant wait to replace it.
Only thing I disagree with is the SKB I've had 3 over the years all still in good shape functioning as they should. One held a QSC 3002 2sp the second was for a system console from Colorado Sound and light I think it was 14sp with a sliding rack at the bottom the third held a laptop, mixer and mics for Karaoke
I'm not a DJ but a musician and I've learnt my lesson the hard way buying cheap arse speaker stands and mic stands. I also regretted buying an SKB rack case for my mixer and EQs that nearly gave me a hernia when lifting it! My K&M speaker stands cost me a lot of money but they are very secure and don't stress about my PA squeakers falling over.
For me, it’s the ADJ Stinger, a solid wood carpeted DJ Facade, and the Chauvet DJ GigBar Move 5-in-1. The first one is ok if you disable strobe, because that’s terrible for anyone who may have epilepsy. After being in an accident, strobe lights cause me bad migraines. That being said, even before that, strobe effects were the first thing I’d disable. This means that at that point, it’s just an expensive light that shoots out red and green laser effects at an equal, or less than level of a cheap 35 dollar wireless effects light on Amazon. The carpeted facade is impossible to clean, it’s insanely heavy, it can’t be backlit, and it looks awful. I only used it once and it cost more than my current 4-6 panel facade that gets a great deal of compliments for its clean and crisp appearance. The Chauvet (Being Haitian, French and Creole are my first languages, is pronounced Show Vay) GigBar Move 5 in 1 is a hot mess. It can’t be used for weddings or sweet 16s because it ruins photos, and having all those messy effects, even set up via DMX, loses its appeal after the patterns have repeated over and over again, plus, most of the built in light shows contain strobing effects, which, once again, hurt most peoples eyes. As a result you get loud looking red and green bursts of color, a ton of laser effects, then moving lights that go off in between, where none of the individual parts are actually as good as fully dedicated versions of any of them. On top of that, despite being in a bar, the actual wiring into each light is clearly visible, making any initially classy presentation look messy. Having clean moving head lights that light the dance floor smoothly and look clean in photos, with wires that are hidden by totem stands, and totem stands that have wireless par uplighting looks clean and classic for weddings and events, photographers also don’t mind them. The one place where the laser effects look nice is hidden behind the dj booth, facing up at the ceiling. It’s a nice effect at that point, but a large stinger light isn’t needed to get that effect. Now, that being said, I love cold spark machines, since they add great value to any event, but the dust can be a little rough near white scrims and wedding dresses, so I keep them off to the sides. The only other downside there is that most venues in many cities see them as indoor pyrotechnics, and as such, they’re banned from many venues. I also love the Nimbus, but it requires a good sweep of the dance floor after the couples dance as the dry ice and scent free fog solution can leave the dance floor feeling slightly slick. The upside to both of those is the amount that can be charged by adding them to a wedding, or special event package, as long as the possible downsides are taken into consideration.
Nowadays everybody and their mom are Djs and in the process sadly the craft has lost respect as an Art form I've seen and heard talented people with the minimal of equipment do amazing things, we blame the car but not the driver! back in the day even a bunch of candles would of suffice no subwoofers or laptops now we complicate our lives with looking good rather than sounding good! To all new guys spend your money wisely in the best tool you have; your brain! Study music and for goodness sake at least learn how to set your levels right!
Well said! I've been doing this job 27 years and I'm still learning! Alas I've never slagged a company off on RUclips for the world to see cause I wasn't happy with the effect of the lights!
I haven't met a DJ that didn't like the effect that lights have in any setting but most new DJ's never been or worked with Disco era set ups, fuse popping 1200 watts bright! Heavy monsters Lol! Find it funny new DJ's complain about new led lights! Or carrying a 10 Terabyte external memory! I used to use a dolly just for the music! 😏🔊🎼🎵🎶🕺💃🎶📢🔊🔊
@@josesegura2090 , Been DJing since 1979. I couldn’t agree with you more. I loved introducing new music, reading the crowds, knowing all the genres, and really connecting with the people. When I saw my first event with a laptop and the DJ just staring into the monitor I thought, so this is the next phase of DJing. You might as well play a Spotify list. I only do one or two gigs a year now, mostly for friends and family that I’ve known for years who are getting married or want some type of party. It’s still fun and I really enjoy it but I sure miss the old days. Oh, and I do have the newest equipment these days. I gave all my old gear to my dear departed partners daughter who is now carrying on the DJ trade.
@@josesegura2090 it's not about the dj. It's about making the venue look good for the client.... if you're not into the decorating swallow your pride stick to the music and leave the rest to the professionals.
I bought a behringer c200 portable array. Thought it would maybe compare to LD system. DO NOT BUY ANY SPEAKER THAT LIGHTS UP LOL. This thing is beyond shit. Flush 300$ down the toilet before you buy this product.
1000 dollars for a good microphone, bro wtf! More expensive doesn't make products better. Do proper research, investigate what is a right setup for you. Don't buy shit just because it costs a lot so you expect it to be good quality
Hey Barr, I also must suggest you get speaker stand bags. ON-Stage makes pretty good ones that are padded and hold two stands each. That way you won't ruin you're stands. The only thing is I don't use Frankenstands. I use aluminum light weight crank stands.
I’ve seen your review on amazon of the SKB case and purchased the 6U one anyway from AMS - No problems at all with it. You must have received a defective unit, but I also purchased a Gator just in case per your review lol
Yes, the SKB case sucks. I bought it before I saw this. Barr is 💯 correct. The lids pop off so easily. Thankfully, I was able to return it for a refund.
I bought different wireless mics for weddings and they all got all weird interceptions, I got so frustrated that I went back to wire mics and never had a problem afterwards.
I agree with most on here but the mics and skb case. did you try changing the channels and scan the room for the best signal on them? If you don't scan the room looking for the best channel to use then you are going to get drop outs and other noise on them. As for the skb case, I have a similar one and it has served me well. my covers stay on and I have my expensive mics in there. No issues here brother, user issue on both items maybe?
I do agree that he probably hasn't spent enough time figuring out how to run wireless microphones. You have to scan them number one. Number two you should have the antennas higher so they're not going through all the bodies. The arch enemy to wireless signals is metal and water and we are made of water. Also I have invested in directional paddle antennas and they make something that was nearly bulletproof exactly bulletproof. I use them for my outdoor ceremonies with my Sennheiser EW100 lav microphones.
I had the same problem with AKG microphones. I sent them back and they said they looked at them and there was nothing wrong. Still had the problems, cutting out, banging etc. I gave them away in the end.
I work for guitar center and on Black Friday 6 years back I was setting up a PA system using gator frameworks hydraulic speaker stands. The hydraulic failed on one of the stands, and the QC speaker landed on my foot, breaking my toe. From there I’ve never sold one again.!!
I have those Shure mics they aren’t that bad have used them for about 4 years & yes it drops out once or twice out of 12 parties I do but no big deal. Just switch the channels.
All of the MIC issues sound like frequency management. Was this around the time the FCC did their freq changes and made certain ranges illegal to support first responders?
First round was first responders, most recent round was lost due to an auction to cellular companies. We are basically stuck with a very narrow spectrum and the need to own gear to find out what is safe.. then, once rolling, does not protect you from the next Joe hopping on. Where I work we have 7 performance venues in a square block and a big football stadium down the road, Saturdays get ugly fast.
@@cdw4255 look into the audio technica system 10 pro, they actively scan the frequencies and move to any open frequency to keep that from happening. Not to mention almost unlimited wireless range with the help of data cables
I have also AKG wireless mic, but it gave me a lot of problem. Then I go to Sennheiser EW100 845 g4. 100 meter range and rock solid performance without signal dropout.
That’s crazy. I guess I’ve never messed with the shallow racks, but I have 2 of the 6 rackmount roto molded skb cases. I have beat them to hell and back. My only complaint is the lids are always in the way when not in use 😂
Hey Barr, you're bang on about 99 percent of the bad gear but I find the pin spots are fine. I've used 2 of them for 2 years as accent lights in various ways. You're right about the pin spots are not great in every situation but I found uses like at Halloween for uplight applications and spotlighting props or as accent lights at Xmas, St. Patty's Day and Halloween parties. I love that they are inexpensive, small, bright, battery powered, easy to setup, magnetic and remote controlled. So its the best product out of the ones you mentioned. However, I only bought two.
Totally agree that you get what you pay for with microphones!! My DJ booth has Shure SM58 wired. LOL Most of my gigs select less mic work on my questionnaire anyway. Ceremonies I use Shure ENG100 series of belt packs. Bought the kit with the extra plug on transmitter to use on a Shure SM57 with Shure flattop foam cover when the reception asks for a wireless mic to pass around. Looks just like the president podium mics. lol I have that standing up next to my DJ controller if needed. That kit was $1500. 2 transmitters, two receivers, two lavs and the plug on transmitter. NEVER EVER had any issues. They can also be used for a wireless remote speaker. Fresh alkaline batteries and never use rechargeable batteries. They search for the best channel bank to use in that area and with the input and receive signal bar readouts you cant go wrong during setup. I have beach wedding coordinators in my area use me just because my mics work! lol I keep them in a Pelican case with foam inserts. It's the beach! lol I also sold my ADJ Stinger twos for multiple reasons. Also shout out to DJ Rick Webb with his video on hiding the lav mic and not have wind noise. I used his tips for windy beach ceremonies.
I had an AKG mic, thankfully I switched it out before it gave me problems but then I got the Samsons that were absolute trash. I too fell for the Chauvet EZ-Gobo and realized after one gig that I would never be able to use it.
Barr you gotta do research on gear not rely on review wether RUclips or from in-person. With that said I’ve been using the GLXD and GLXD ADVANCED for years. You just need someone to show how and where to use them. The GLXD is best outside, if being used inside you have to be at least 10 feet away from any other WiFi router and must be the last thing to turn on. The advanced units can be used anywhere but works best with distro unit when you have 2 or more.
This is useful. I love this video! A hint at buying shure microphones, at least get the beta A’s or higher. They have a narrower cone and better dynamics both very useful for lessening feedback. And a richer tone. Shure SM58 at $70-99 were once the industry standard - decades ago. They are still decent Mics but the next level up is so much better. The betas or better are usually $50-$100 more. For the lifetime of a microphone that’s worth it. Also guitar center has a good deal with Shure mics for cost and warranty. And one reason why you wanna have shure microphones - for the people that drop and hit the mic’s. Believe me they handle so much damage of years and years from karaoke singers.
I know this video is no longer new, but imagine my surprise to be entertained while running this all the way to the end only to discover the top piece of trash kit is the same rack I've been using for my ceremony rig since 2016. Based on what you lost, the rant is deserved. Either I'm lucky or you got a lemon. But I did carefully examine my butterfly hinges just now.
Hey Brah. Keep up and be safe out there.. Can you recommend any wireless handheld mic that is between $300-600 price range. That has rack mount capable. I was looking between AT, Line 6 and Shure. Should I get the 2.4 ghz or go with UHF band witdh.. I kive in Eastcoast just incase for the freq. range. Thanks
I had a Swarm Wash for a little while. I think I would’ve liked it more if I had a second one to master/slave them. I am by no means a DJ, but I like to have a few lights around for the occasional party, wedding, or dance I get to do.
AKG hahaha i bought 1 wireless and the following wedding season i bought another one ! Ok now i own the Shure BLX24R/SM58 Wireless System .. I have had the Shure for about 5 years NO PROBLEM at all. Never go cheap on a wireless mic they always seem to screw up at the most crucial moment!
Yeah I got the EZ Gobo a few years ago too, only used it a handful of times. The transparency paper gobos looked decent, you just can't get insane detail. You do need to be pretty close to project it. Just got a new laser projector to do monograms, way easier and better!
I've made similar mistakes over my 16+ years. I bought the original chauvet gobo led lights. You could use transparent film to print your own gobos. And I invested in up lighting. Most venues both these ideas they were completely uses for. I also bought a screen to set up behind me for lighting effects. The extra time it took to set up was painful. Plus most venues didn't have the room to be set up.... Complete waste of money
I got a cheap two mic system. One year and it is still working. Sometimes You strike gold. Lol good looking on the gator stands. I was going to get them
I had a Maid of Honor do a mic drop with my expensive mic......never again, cheap wires for the party, and corded mic for me. I’ve had a dual $150.00 mic and it’s been great everywhere.
Man I bought the swarm5(lasers suck), the gator stands because I thought it would help in lifting tops and the pin spots. My fault for listening to the GC salesman. Good video.
im guessing you really liked the skb flight case? :P joking love your vids dude but cant understand the issue you had with the shure microphone i use that but beta87a in the uk and never had one drop out
Thanks. Really helpful. I was thinking of getting those exact pinspots but I think I'll give them a miss now. I was also tossing up between a dedicated gobo projector where you can print your own or a projector (which we already have). Might just stick with the projector. We have some of those Gator Frameworks & quite like them. Our speakers tend to be further apart so you can't tell if they're not quite level. We also have one of those SKB cases. We haven't had any problems but not any better than a standard ABS case that you can buy for a lot less.
Great video brother. I bought the Gator frames tripods. I only use them for ceremonies or sometimes for gobos. That’s the only reason they have lasted me 4 years.
The moral of the story here is to not mention gear until you’ve thoroughly used it in the field. I also think you should focus on hear that you appreciate. Better to point DJs to gear that works vs away from gear that doesn’t. Keep it positive!
Funny video man...I saw all those videos of products you recommended and went meh. lol Sennheiser mics have been so good after having entry level Shure ones for sure! Some Chinese $30 Guitar Center ones were much better. I have the spin pots but use them on a gravity stand to highlight candy tables, cakes or chandeliers when needed. Same for the EZ Gobo, never used it as a gobo at all, just a spot. Also, never mounted them on a ceiling for all the reasons you gave. Looking for new tripods and sub poles, Frankenstand take my money!
hope you feel better bro... thanks for you video I was bout to but those share gdlx yeah the battery option is very atractive, my friend has one he never complain about drop outs, I too bought the chauvet fx swarm use them for my back yard gigs, I use ultimate crank tripods... not so heavy but strong I had load them with 4 5R 38 lbs fixtures and 4 jbl VRS 45lbs cabs. plus cables and trust weight... I do have a plastic rack case done remember if is SKB gator. it's a 8 space With wheel use it for my amps and mic recivers. so far works. great 👍👌👍
I bought dual Gem sound wireless mics from GC and they were pure crap. Then I bought a dual Samson cheap wireless mics that were crap too. I brought their high end dual wireless mics that worked nicely. I lost part of the setup. I now use Shure 288 Concert Series and I'm happy. I bought a $500 plexy glass facade that was super heavy and loading them it into my van was a major problem. I now use a Pro X facade that I LOVE! It is easy to setup and has 2 shelfs that you can use with it. It comes with a bag for the facade and 2 bags for both White and Black scrims. I got it from Musically Yours for $400 plus tax and I couldn't be happier!!!!!!!!!!!
Let me add I bought a pair of Yamaha DSR 115 speakers around 10 years ago and have never regretted the purchase. Sad to find out they discontinued them. They are a GREAT sounding speaker and are very well built. When I bought mine they cost me for the pair $1,500. Not the cheapest active speakers you can buy yet worth every damn penny I paid for them.
WHOA. I have much love on those pin spots invaluable tool especially if you hire & need to set up a mirror ball no cable no problem everything has a magnetic surface everywhere. I also live in a Cyclone area so ceilings not that high so for me they are well worth the cash but i get where your coming from.
yo barr, i have some recommendations for stands and mics. really expensive but for stands i would recommend the ultimate support air powered series. i have TS-110BL which has a height of 9‘2“ and a leveling leg. it can raise speakers on it‘s own with max height of 55lbs. but it can hold up to 165lbs. it‘s heavy duty, durable, and has a better system. there also isn‘t as much tilt on your speakers. and for mics i would recommend the audio technical system 10 pro atw-1322. they are actually wifi enabled mics. so each mic has a cartridge that is removable from the receiver and you can use ethernet to connect the cartridge to the Receiver and then still connect your receiver to your mixer. the wifi mode is able to stay connected to your mic up to 200ft which is a lot. i‘ve used these mics quite a few times and they sound amazing. they are super clean. both of these products are pricey but i highly recommended
Biggest waste of money for me was the Mackie HD speakers. I purchased 2 of the 15' 2 way tops and 1 sub, they all went out in the first year and needed service. I trashed them and started purchasing QSC speakers which have served me well.
I almost bought that EZ GOBO light multiple times, but never pulled the trigger. The thing that kept me from buying it is that I knew the output was low. Secondly, Hardly any of my brides are interested in monograms. I have only sold one monogram in my 20 years of Deejaying. Other brides have inquired, but none of them wanted to pay me enough money for the option to be profitable for me to bother with. If anyone asks, I quote $350 for a Gobo, and rent the equipment, and get the gobo made if I ever sell it. At $350, none of my brides bother with it.
He really are not going to sell monograms unless you've got some designs to show them. I would recommend having them displayed nicely in the room. People generally won't buy what they can't see. Also to if you really don't like doing it for whatever reason you're probably not pitching it very much. I've noticed this throughout the years with our service if I didn't enjoy it for whatever reason maybe the setup was too labor-intensive and I wasn't interested in it I didn't really pitch it unless it came up. But if you were to pitch it at every sales meeting and have pictures to show and they could see your enthusiasm I bet you would have tons of monograms and your weddings.
I tred the GLX Mic System Rack Mount, I took it back the next day I tried it out.. I got the same thing, a lot of dropouts tried everything to get it to work. And not only that, it only comes with 1 battery to buy another battery was more the $40. Not sure why they world come out with a mic like that. so I moved to the RackMount BLX24/58 And The QLX-D With The Bata87A Mic And Added Shure UA844+SWB/LC Five-way Active Antenna Splitter As Long As the Ant Are High Not Very Low I'll Had No Problem, Clean And Clear Sound, I'm A Singer / DJ And so far. It all works good.
The only one I would disagree with you on is the pin spots, there are so many different applications for those lights, and especially if you still use a mirrorball for some gigs. It helps to accent your uplighting as well, and you can place one or more on a very lightweight photography stand, and light a cake, or any accented piece for a wedding. I agree about the ceilings, but if you think outside the box, you can really have some great applications for those. Microphones 100% agree never cheap out on your microphones. After being in the audiovisual business for 17 years, you learn these things only through experience. Great video.
I have to disagree with you on the gators tripod, as with any tripod (utlimate stands included and i have a pair) their not hydraulic (fluid) they are pneumatic (air) and they are supposed to help you assist the raise and lowering of the speaker not fully lift automatically. they are rated for a specific speaker weight and them JBL you use are pretty heavy and big. Depending on the weight its either gonna held assist in lifting aising it fast or slow ......I have used the same ones on a few occassion and yes they are pricey and sleek but they did work for me pretty good i did like the extention leg for the unbalanced surfaces i thought is was pretty unique although i didnt have to use it. good video and good critique on the product, personally i dont think any of the products are bad perse, they were just good for the time that you used them and they worked, well some more than others LOL but then you had to learn and graduate to what is super useful and what is not. you sell and you move on....
well being more of a house party dj I regret buting the mackie 8inch subwoofer that thing farted out like ass and I was so angry till I got the cr10sxbt sunwoofer and I still got that thing jammin along and it pays off at all my friends parties I DJed at. had it for 4+years now going strong. the metalic strip on the front came off though but it still kicks ass.
Unlike all other Shure wireless mics, the GLXD system uses 2.4 GHz transceivers. All such systems are subject to interference from cell phones and wifi routers. If you care about reliability, avoid all Bluetooth and 2.4 GHz wireless mics.
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
Hey Bros! Don’t forget I am discounting my DJ Tools & Merch this entire weekend! Use Promo Code "NEWYEAR21" to save 20% on my DJ Crates, Sound Effects, Planning Forms, TV Visuals and T-Shirts. Promo code ends on tomorow at midnight.
DJ Tools Store: sellfy.com/djbarrstore/
DJ Merch Store: teespring.com/stores/djbarr/
Save 20% w/ Promo Code: NEWYEAR21
Hey hey man
I bought the Alto Professional Stealth Wireless system for £400... I've never used this system at an event without one of the channels cutting out every now and then. And the quality of the cables included are atrocious!
CAN YOU PLEASE DO A VIDEO ON THE YORKVILLE EXM MOBILE SUB BECAUSE IT'S OUT IN THE MARKET
AND PLEASE GIVE ME A SHOUTOUT
I lost it at number one😅, I don't know the product but I know the rage
When you own products on this list and you realize your not the only one with issues 😭😭
Dj barr: the gordon ramsay of djing
😀😀😀😀
I agree
I read this comment while watching Master chef
Word. True that!
Except he doesn't bring his trauma to work
Turning this video into a drinking game! Every time he says "20$ tripod" you gotta take a shot! ROFL My liver is gonna croak! 😆
Be even funnier if it was just the word "tripod" 🤣🤣🤣
Watching this made me realize that YOU are the reason I bought those Chauvet Wash lights in the first place but also, that I value your opinions and appreciate what you do.
By far one of the funniest videos i seen from Barr🤣 3:06 am and im here cracking up. Great job ! Definitely worthy of a like
Well, first off, you bought the absolute cheapest AKG mic you could possibly find. I've been using AKG Perceptions for almost 13 years, and only now are they beginning to have issues.
I still have, and use my GLXD4 Shure microphone regularly for weddings. It has never dropped out on me yet. Coupled with a good RCF 10 mixer, it sounds good too. Your comments made me feel lucky. I do agree with you however, that you need to spend more to get more. I am going to replace this unit for the new Sennheiser EW-D.
I am with you on the Sennheisers. I love their quality.
I'm with you David, love my GLXD4's - its my mic / system of choice for guests & students. I bring 2 to gigs, one being a backup to my higher end QLXD system (only for me. I dont share mics). The GLXDs only failed me twice- once playing on the top floor of a big hotel (right below their satellite dishes etc and no wireless mic would work there, so it was hardwire time) and the 2nd was when the receiver was quite far away from the mic and not in line of sight, shall we say - that was the only time i experienced "drop outs". I was alsoglad for my glxd4 when i was singing at a festival with an inexperienced sound team - they just could not handle the more sensitive (better higher end) system, but they could manage the glxd. Go figure.
Hey man as a sound engineer I’ll have to say if you plan on moving the glxd series around from venue to venue you should definitely invest on the rack mountable ones and buy the frequency manager. I’ve had better experiences with the glxd series without the manager at a fixed venue when they’re the house mics because you set them up and find the right channels and don’t have to worry about it
Many DJ's do not have an extensive audio background, so they do not know to do a frequency search in each location that they set-up in. DJ's also need to set the receiver to what State/Zip Code they are using the wireless mic in, if they have a higher end wireless system. Also make sure your antennas are not obstructed by a rack or any other equipment. Always point your antennas up, not to the sides.
Had and sold 4 racked GLXDs w/ Frequency manager and paddles, worked better but not great. Went to the QLXDs, never going back.
Hi there! We're so sorry to hear you had a bad experience with one of our rack cases. It sounds like you got a manufactured defect if the holes weren't aligned. And because these cases are rotationally molded, the lids are molded with the case and therefore correspond to a specific side. Our customer service team is always ready and willing to help customers troubleshoot or resolve any issues with our products. We also have a lifetime warranty on all of our hard cases!
Ive had great experience with SKB.
So glad I bought the Gator shallow case. I saw your SKB rig video and almost make the same mistake. Sweetwater talked me into Gator.
Yep, I have an SKB 4U for two amps. It's plastic but not roto molded. Really tired of having to put cables back into it because the butterflies wont stay closed. They'll vibrate open just riding on a dolly and the cover just falls off. I've worked with people that have the same Anvil cases for 40 years and the butterflies are fine. Cant wait to replace it.
Only thing I disagree with is the SKB I've had 3 over the years all still in good shape functioning as they should. One held a QSC 3002 2sp the second was for a system console from Colorado Sound and light I think it was 14sp with a sliding rack at the bottom the third held a laptop, mixer and mics for Karaoke
But did you have the plastic molded version that he's referencing?
I'm not a DJ but a musician and I've learnt my lesson the hard way buying cheap arse speaker stands and mic stands. I also regretted buying an SKB rack case for my mixer and EQs that nearly gave me a hernia when lifting it! My K&M speaker stands cost me a lot of money but they are very secure and don't stress about my PA squeakers falling over.
so which wireless mic do you use now? Looking for a good one, not tooo expensive
For me, it’s the ADJ Stinger, a solid wood carpeted DJ Facade, and the Chauvet DJ GigBar Move 5-in-1. The first one is ok if you disable strobe, because that’s terrible for anyone who may have epilepsy. After being in an accident, strobe lights cause me bad migraines. That being said, even before that, strobe effects were the first thing I’d disable. This means that at that point, it’s just an expensive light that shoots out red and green laser effects at an equal, or less than level of a cheap 35 dollar wireless effects light on Amazon. The carpeted facade is impossible to clean, it’s insanely heavy, it can’t be backlit, and it looks awful. I only used it once and it cost more than my current 4-6 panel facade that gets a great deal of compliments for its clean and crisp appearance. The Chauvet (Being Haitian, French and Creole are my first languages, is pronounced Show Vay) GigBar Move 5 in 1 is a hot mess. It can’t be used for weddings or sweet 16s because it ruins photos, and having all those messy effects, even set up via DMX, loses its appeal after the patterns have repeated over and over again, plus, most of the built in light shows contain strobing effects, which, once again, hurt most peoples eyes. As a result you get loud looking red and green bursts of color, a ton of laser effects, then moving lights that go off in between, where none of the individual parts are actually as good as fully dedicated versions of any of them. On top of that, despite being in a bar, the actual wiring into each light is clearly visible, making any initially classy presentation look messy.
Having clean moving head lights that light the dance floor smoothly and look clean in photos, with wires that are hidden by totem stands, and totem stands that have wireless par uplighting looks clean and classic for weddings and events, photographers also don’t mind them. The one place where the laser effects look nice is hidden behind the dj booth, facing up at the ceiling. It’s a nice effect at that point, but a large stinger light isn’t needed to get that effect.
Now, that being said, I love cold spark machines, since they add great value to any event, but the dust can be a little rough near white scrims and wedding dresses, so I keep them off to the sides. The only other downside there is that most venues in many cities see them as indoor pyrotechnics, and as such, they’re banned from many venues. I also love the Nimbus, but it requires a good sweep of the dance floor after the couples dance as the dry ice and scent free fog solution can leave the dance floor feeling slightly slick. The upside to both of those is the amount that can be charged by adding them to a wedding, or special event package, as long as the possible downsides are taken into consideration.
Nowadays everybody and their mom are Djs and in the process sadly the craft has lost respect as an Art form I've seen and heard talented people with the minimal of equipment do amazing things, we blame the car but not the driver! back in the day even a bunch of candles would of suffice no subwoofers or laptops now we complicate our lives with looking good rather than sounding good! To all new guys spend your money wisely in the best tool you have; your brain! Study music and for goodness sake at least learn how to set your levels right!
Well said ..
Well said! I've been doing this job 27 years and I'm still learning! Alas I've never slagged a company off on RUclips for the world to see cause I wasn't happy with the effect of the lights!
I haven't met a DJ that didn't like the effect that lights have in any setting but most new DJ's never been or worked with Disco era set ups, fuse popping 1200 watts bright! Heavy monsters Lol! Find it funny new DJ's complain about new led lights! Or carrying a 10 Terabyte external memory! I used to use a dolly just for the music! 😏🔊🎼🎵🎶🕺💃🎶📢🔊🔊
@@josesegura2090 , Been DJing since 1979.
I couldn’t agree with you more. I loved introducing new music, reading the crowds, knowing all the genres, and really connecting with the people.
When I saw my first event with a laptop and the DJ just staring into the monitor I thought, so this is the next phase of DJing.
You might as well play a Spotify list.
I only do one or two gigs a year now, mostly for friends and family that I’ve known for years who are getting married or want some type of party. It’s still fun and I really enjoy it but I sure miss the old days. Oh, and I do have the newest equipment these days. I gave all my old gear to my dear departed partners daughter who is now carrying on the DJ trade.
@@josesegura2090 it's not about the dj. It's about making the venue look good for the client.... if you're not into the decorating swallow your pride stick to the music and leave the rest to the professionals.
I bought a behringer c200 portable array. Thought it would maybe compare to LD system. DO NOT BUY ANY SPEAKER THAT LIGHTS UP LOL. This thing is beyond shit. Flush 300$ down the toilet before you buy this product.
1000 dollars for a good microphone, bro wtf! More expensive doesn't make products better. Do proper research, investigate what is a right setup for you. Don't buy shit just because it costs a lot so you expect it to be good quality
Hey Barr, I also must suggest you get speaker stand bags. ON-Stage makes pretty good ones that are padded and hold two stands each. That way you won't ruin you're stands. The only thing is I don't use Frankenstands. I use aluminum light weight crank stands.
I have the onstage stands with the bags going on 10 years. Best money spent.👍🏾
I still think the original is the best. My Ultimate Stands have never let me down.
New djs need to taking there equipment serious. You buy cheap you buy twice
I’ve seen your review on amazon of the SKB case and purchased the 6U one anyway from AMS - No problems at all with it. You must have received a defective unit, but I also purchased a Gator just in case per your review lol
Yes, the SKB case sucks. I bought it before I saw this. Barr is 💯 correct. The lids pop off so easily. Thankfully, I was able to return it for a refund.
I bought different wireless mics for weddings and they all got all weird interceptions, I got so frustrated that I went back to wire mics and never had a problem afterwards.
Just rewatched this and damn Barr was going in on SKB lmaooooooo
Great video
I love my EZ GOBO, I make my own gobos have them put on 35mm slides,
Can u do a video on solar back up power
I agree with most on here but the mics and skb case. did you try changing the channels and scan the room for the best signal on them? If you don't scan the room looking for the best channel to use then you are going to get drop outs and other noise on them.
As for the skb case, I have a similar one and it has served me well. my covers stay on and I have my expensive mics in there. No issues here brother, user issue on both items maybe?
I do agree that he probably hasn't spent enough time figuring out how to run wireless microphones. You have to scan them number one. Number two you should have the antennas higher so they're not going through all the bodies. The arch enemy to wireless signals is metal and water and we are made of water. Also I have invested in directional paddle antennas and they make something that was nearly bulletproof exactly bulletproof. I use them for my outdoor ceremonies with my Sennheiser EW100 lav microphones.
Hi! I got a £11 tripod from a dj store and i put the speaker on it and it broke and snapped instantly! Big Fan Man! keep up the good work!
£11 sounds a bit cheap for a speaker…where was this at? Just curious.
I had the same problem with AKG microphones. I sent them back and they said they looked at them and there was nothing wrong.
Still had the problems, cutting out, banging etc.
I gave them away in the end.
I don’t think I’ve heard Barr throw an F Bomb without censoring it with the duck sound so you know this case sucks ass lmaoo
Yeah Barr was pissed! lol
everyone forgets he’s from Jersey.
@@MrCalebgrayson actually he immigrated I’m pretty sure
Thanks for your advises 🤗🙏
I work for guitar center and on Black Friday 6 years back I was setting up a PA system using gator frameworks hydraulic speaker stands. The hydraulic failed on one of the stands, and the QC speaker landed on my foot, breaking my toe. From there I’ve never sold one again.!!
I have those Shure mics they aren’t that bad have used them for about 4 years & yes it drops out once or twice out of 12 parties I do but no big deal. Just switch the channels.
What websites are good to download dj music? I had used bpm but they dont have alot of variety.. especially en español
Agreed about the GLXD...we had a show where we started having major issues during soundcheck, so we finally bit the bullet and went with the QLXD
All of the MIC issues sound like frequency management. Was this around the time the FCC did their freq changes and made certain ranges illegal to support first responders?
I still use my Shure with no problems. I run it through a RCF mixer that sounds great.
First round was first responders, most recent round was lost due to an auction to cellular companies.
We are basically stuck with a very narrow spectrum and the need to own gear to find out what is safe.. then, once rolling, does not protect you from the next Joe hopping on.
Where I work we have 7 performance venues in a square block and a big football stadium down the road, Saturdays get ugly fast.
@@cdw4255 look into the audio technica system 10 pro, they actively scan the frequencies and move to any open frequency to keep that from happening. Not to mention almost unlimited wireless range with the help of data cables
Love your video bro, I'll not make these mistakes :) but just be careful at 16:50 I almost spit on my phone laughing hard lmao
What wireless microphone would you recommend for DJs?
😂😂😂😂 I got 2 of the 10.... Gator stands and the Shure mics.... Stands have been good.... Mics have too.... but I feel you bro!
I have also AKG wireless mic, but it gave me a lot of problem. Then I go to Sennheiser EW100 845 g4. 100 meter range and rock solid performance without signal dropout.
Great video. I bought a Chauvet light that is like a disco ball that others said wasn't good but I love it
That’s crazy. I guess I’ve never messed with the shallow racks, but I have 2 of the 6 rackmount roto molded skb cases. I have beat them to hell and back. My only complaint is the lids are always in the way when not in use 😂
Hey Barr, you're bang on about 99 percent of the bad gear but I find the pin spots are fine. I've used 2 of them for 2 years as accent lights in various ways. You're right about the pin spots are not great in every situation but I found uses like at Halloween for uplight applications and spotlighting props or as accent lights at Xmas, St. Patty's Day and Halloween parties. I love that they are inexpensive, small, bright, battery powered, easy to setup, magnetic and remote controlled. So its the best product out of the ones you mentioned. However, I only bought two.
Barr is far nicer than Gordon just sayin' by a mile lol
Totally agree that you get what you pay for with microphones!! My DJ booth has Shure SM58 wired. LOL Most of my gigs select less mic work on my questionnaire anyway. Ceremonies I use Shure ENG100 series of belt packs. Bought the kit with the extra plug on transmitter to use on a Shure SM57 with Shure flattop foam cover when the reception asks for a wireless mic to pass around. Looks just like the president podium mics. lol I have that standing up next to my DJ controller if needed. That kit was $1500. 2 transmitters, two receivers, two lavs and the plug on transmitter. NEVER EVER had any issues. They can also be used for a wireless remote speaker. Fresh alkaline batteries and never use rechargeable batteries. They search for the best channel bank to use in that area and with the input and receive signal bar readouts you cant go wrong during setup. I have beach wedding coordinators in my area use me just because my mics work! lol I keep them in a Pelican case with foam inserts. It's the beach! lol I also sold my ADJ Stinger twos for multiple reasons.
Also shout out to DJ Rick Webb with his video on hiding the lav mic and not have wind noise. I used his tips for windy beach ceremonies.
I had an AKG mic, thankfully I switched it out before it gave me problems but then I got the Samsons that were absolute trash. I too fell for the Chauvet EZ-Gobo and realized after one gig that I would never be able to use it.
Any thoughts on phenyx microphones. I keep seeing so many promos on Facebook
What totems are you using in this video?
Barr you gotta do research on gear not rely on review wether RUclips or from in-person. With that said I’ve been using the GLXD and GLXD ADVANCED for years. You just need someone to show how and where to use them.
The GLXD is best outside, if being used inside you have to be at least 10 feet away from any other WiFi router and must be the last thing to turn on. The advanced units can be used anywhere but works best with distro unit when you have 2 or more.
X2
Damn you went in about that SKB case! Lmao! Gator all the way bro.
I’ve never had problems with SKB cases. I must have 20 of their rack cases, 2U to 10u and slant 10/6 and 8/4s.
This is useful. I love this video!
A hint at buying shure microphones, at least get the beta A’s or higher. They have a narrower cone and better dynamics both very useful for lessening feedback. And a richer tone. Shure SM58 at $70-99 were once the industry standard - decades ago. They are still decent Mics but the next level up is so much better. The betas or better are usually $50-$100 more. For the lifetime of a microphone that’s worth it. Also guitar center has a good deal with Shure mics for cost and warranty. And one reason why you wanna have shure microphones - for the people that drop and hit the mic’s. Believe me they handle so much damage of years and years from karaoke singers.
If you are looking for a really good wireless mic for the cost the numark ws100 all the way. No interference, no drop outs, under £80, reliable
I know this video is no longer new, but imagine my surprise to be entertained while running this all the way to the end only to discover the top piece of trash kit is the same rack I've been using for my ceremony rig since 2016. Based on what you lost, the rant is deserved. Either I'm lucky or you got a lemon. But I did carefully examine my butterfly hinges just now.
Have you ever tried HERCULES
Speaker /lighting /mic stands
Amazing products
Still using same ones after 20 years ..Highly recommend
Old video but in terms of microphone stuff, I've found great success with the Sennheiser XSW 835. Around 320 for a single microphone, 650 for 2.
Now we need a Video on which best gear you'd recommend 👍😁
Hey DJ Barr. Thank you. I had the same embarrassing experience with the Shure GLXD4. I eventually gave it away!!!
Hey Brah. Keep up and be safe out there.. Can you recommend any wireless handheld mic that is between $300-600 price range. That has rack mount capable. I was looking between AT, Line 6 and Shure. Should I get the 2.4 ghz or go with UHF band witdh.. I kive in Eastcoast just incase for the freq. range. Thanks
I had a Swarm Wash for a little while. I think I would’ve liked it more if I had a second one to master/slave them. I am by no means a DJ, but I like to have a few lights around for the occasional party, wedding, or dance I get to do.
AKG hahaha i bought 1 wireless and the following wedding season i bought another one ! Ok now i own the Shure BLX24R/SM58 Wireless System .. I have had the Shure for about 5 years NO PROBLEM at all. Never go cheap on a wireless mic they always seem to screw up at the most crucial moment!
We've just upgraded to all sennheiser G4 wireless mics and possibly soon the ew-d. Not the cheapest, but well worth the investment
Gator Frameworks stands... what stands do you recommend to replace those? (shitty bag, absolutely!)
Any Mackie analog mixer 8,12 & 24
Yeah I got the EZ Gobo a few years ago too, only used it a handful of times. The transparency paper gobos looked decent, you just can't get insane detail. You do need to be pretty close to project it. Just got a new laser projector to do monograms, way easier and better!
That's crazy, I've had zero issues with that exact SKB case with my wireless mic kits. You definitely got a bad apple.
I've made similar mistakes over my 16+ years. I bought the original chauvet gobo led lights. You could use transparent film to print your own gobos. And I invested in up lighting. Most venues both these ideas they were completely uses for.
I also bought a screen to set up behind me for lighting effects. The extra time it took to set up was painful. Plus most venues didn't have the room to be set up.... Complete waste of money
I got a cheap two mic system. One year and it is still working. Sometimes You strike gold. Lol good looking on the gator stands. I was going to get them
I had a Maid of Honor do a mic drop with my expensive mic......never again, cheap wires for the party, and corded mic for me. I’ve had a dual $150.00 mic and it’s been great everywhere.
DJ N8 my mic sounds really good for 150 mics. Did not drop yet. Knock on wood but it perfect for me
Man I bought the swarm5(lasers suck), the gator stands because I thought it would help in lifting tops and the pin spots. My fault for listening to the GC salesman. Good video.
im guessing you really liked the skb flight case? :P joking love your vids dude but cant understand the issue you had with the shure microphone i use that but beta87a in the uk and never had one drop out
This was a great breakdown!
Thanks. Really helpful. I was thinking of getting those exact pinspots but I think I'll give them a miss now. I was also tossing up between a dedicated gobo projector where you can print your own or a projector (which we already have). Might just stick with the projector. We have some of those Gator Frameworks & quite like them. Our speakers tend to be further apart so you can't tell if they're not quite level. We also have one of those SKB cases. We haven't had any problems but not any better than a standard ABS case that you can buy for a lot less.
Great video brother. I bought the Gator frames tripods. I only use them for ceremonies or sometimes for gobos. That’s the only reason they have lasted me 4 years.
how is that chauvet product? it looks like ADJ Stinger. More less these are made as wash lights
The moral of the story here is to not mention gear until you’ve thoroughly used it in the field. I also think you should focus on hear that you appreciate. Better to point DJs to gear that works vs away from gear that doesn’t.
Keep it positive!
Does he not do this in like all his other videos?
Funny video man...I saw all those videos of products you recommended and went meh. lol Sennheiser mics have been so good after having entry level Shure ones for sure! Some Chinese $30 Guitar Center ones were much better. I have the spin pots but use them on a gravity stand to highlight candy tables, cakes or chandeliers when needed. Same for the EZ Gobo, never used it as a gobo at all, just a spot. Also, never mounted them on a ceiling for all the reasons you gave. Looking for new tripods and sub poles, Frankenstand take my money!
I use the shure BLX4R SM58, and they had work like a charm for me, never had any issue
Same the range is crazy and the auto scan works great
As long as you buy the most compatible frequency range for your area you shouldn’t have any issues.
@Andres D I got the same Shure Mic and works fine , I use my for 🎤 karaokes and Facelive performance, no problems yet!!
👍
Rookie, Keep at it,only way to learn,Goodluck
Excellent information.
Expletives excepted, an enjoyable and informative video, thank you. Made me glad I chose Gator over SKB for shallow cases way back!
hope you feel better bro...
thanks for you video I was bout to but those share gdlx yeah the battery option is very atractive, my friend has one he never complain about drop outs, I too bought the chauvet fx swarm use them for my back yard gigs, I use ultimate crank tripods... not so heavy but strong I had load them with 4 5R 38 lbs fixtures and 4 jbl VRS 45lbs cabs. plus cables and trust weight...
I do have a plastic rack case done remember if is SKB gator. it's a 8 space With wheel use it for my amps and mic recivers. so far works. great 👍👌👍
I use the glx mic and never had an issue with it.
I bought dual Gem sound wireless mics from GC and they were pure crap. Then I bought a dual Samson cheap wireless mics that were crap too. I brought their high end dual wireless mics that worked nicely. I lost part of the setup. I now use Shure 288 Concert Series and I'm happy. I bought a $500 plexy glass facade that was super heavy and loading them it into my van was a major problem. I now use a Pro X facade that I LOVE! It is easy to setup and has 2 shelfs that you can use with it. It comes with a bag for the facade and 2 bags for both White and Black scrims. I got it from Musically Yours for $400 plus tax and I couldn't be happier!!!!!!!!!!!
Let me add I bought a pair of Yamaha DSR 115 speakers around 10 years ago and have never regretted the purchase. Sad to find out they discontinued them. They are a GREAT sounding speaker and are very well built. When I bought mine they cost me for the pair $1,500. Not the cheapest active speakers you can buy yet worth every damn penny I paid for them.
WHOA. I have much love on those pin spots invaluable tool especially if you hire & need to set up a mirror ball no cable no problem everything has a magnetic surface everywhere. I also live in a Cyclone area so ceilings not that high so for me they are well worth the cash but i get where your coming from.
yo barr, i have some recommendations for stands and mics. really expensive but for stands i would recommend the ultimate support air powered series. i have TS-110BL which has a height of 9‘2“ and a leveling leg. it can raise speakers on it‘s own with max height of 55lbs. but it can hold up to 165lbs. it‘s heavy duty, durable, and has a better system. there also isn‘t as much tilt on your speakers. and for mics i would recommend the audio technical system 10 pro atw-1322. they are actually wifi enabled mics. so each mic has a cartridge that is removable from the receiver and you can use ethernet to connect the cartridge to the Receiver and then still connect your receiver to your mixer. the wifi mode is able to stay connected to your mic up to 200ft which is a lot. i‘ve used these mics quite a few times and they sound amazing. they are super clean. both of these products are pricey but i highly recommended
Love this video, man the sickness continues to bite me. I am learning.
Biggest waste of money for me was the Mackie HD speakers. I purchased 2 of the 15' 2 way tops and 1 sub, they all went out in the first year and needed service. I trashed them and started purchasing QSC speakers which have served me well.
I almost bought that EZ GOBO light multiple times, but never pulled the trigger. The thing that kept me from buying it is that I knew the output was low. Secondly, Hardly any of my brides are interested in monograms. I have only sold one monogram in my 20 years of Deejaying. Other brides have inquired, but none of them wanted to pay me enough money for the option to be profitable for me to bother with. If anyone asks, I quote $350 for a Gobo, and rent the equipment, and get the gobo made if I ever sell it. At $350, none of my brides bother with it.
He really are not going to sell monograms unless you've got some designs to show them. I would recommend having them displayed nicely in the room. People generally won't buy what they can't see. Also to if you really don't like doing it for whatever reason you're probably not pitching it very much. I've noticed this throughout the years with our service if I didn't enjoy it for whatever reason maybe the setup was too labor-intensive and I wasn't interested in it I didn't really pitch it unless it came up. But if you were to pitch it at every sales meeting and have pictures to show and they could see your enthusiasm I bet you would have tons of monograms and your weddings.
Hey Barr would you be able to make a video of how you put together your gator case?
A lot of helpful info. Thank you!
I tred the GLX Mic System Rack Mount, I took it back the next day I tried it out.. I got the same thing, a lot of dropouts tried everything to get it to work. And not only that, it only comes with 1 battery to buy another battery was more the $40. Not sure why they world come out with a mic like that. so I moved to the RackMount BLX24/58 And The QLX-D With The Bata87A Mic And Added Shure UA844+SWB/LC Five-way Active Antenna Splitter As Long As the Ant Are High Not Very Low I'll Had No Problem, Clean And Clear Sound, I'm A Singer / DJ And so far. It all works good.
The only one I would disagree with you on is the pin spots, there are so many different applications for those lights, and especially if you still use a mirrorball for some gigs. It helps to accent your uplighting as well, and you can place one or more on a very lightweight photography stand, and light a cake, or any accented piece for a wedding. I agree about the ceilings, but if you think outside the box, you can really have some great applications for those. Microphones 100% agree never cheap out on your microphones. After being in the audiovisual business for 17 years, you learn these things only through experience. Great video.
I have to disagree with you on the gators tripod, as with any tripod (utlimate stands included and i have a pair) their not hydraulic (fluid) they are pneumatic (air) and they are supposed to help you assist the raise and lowering of the speaker not fully lift automatically. they are rated for a specific speaker weight and them JBL you use are pretty heavy and big. Depending on the weight its either gonna held assist in lifting
aising it fast or slow ......I have used the same ones on a few occassion and yes they are pricey and sleek but they did work for me pretty good i did like the extention leg for the unbalanced surfaces i thought is was pretty unique although i didnt have to use it. good video and good critique on the product, personally i dont think any of the products are bad perse, they were just good for the time that you used them and they worked, well some more than others LOL but then you had to learn and graduate to what is super useful and what is not. you sell and you move on....
I almost bought a pair of those gator framework tripod speakers stands. Until I started reading the reviews.
Barr u do all brother bless up💯
Lol i so agree with you ,had swarms gone, ez gobo gone, akg mics gone. Tripods early on gone,i use Ultimate stands.
Good points made
Enjoyed the reviews and refreshing to see we all going through the same stuff across the globe.
the swarm has a mode to turn off the lazer. sound mode 3
I’ve never heard you cus so much as on #1. Love it.
well being more of a house party dj I regret buting the mackie 8inch subwoofer that thing farted out like ass and I was so angry till I got the cr10sxbt sunwoofer and I still got that thing jammin along and it pays off at all my friends parties I DJed at.
had it for 4+years now going strong.
the metalic strip on the front came off though but it still kicks ass.
Unlike all other Shure wireless mics, the GLXD system uses 2.4 GHz transceivers. All such systems are subject to interference from cell phones and wifi routers. If you care about reliability, avoid all Bluetooth and 2.4 GHz wireless mics.