Watching this on a low dose of LSD. Everything about this seems perfect. Every note is being played at the exact right time. Music is so fascinating. It's not about playing as fast as you can or getting to the end of a song quicker than others. It's just about being there in the moment, enjoying every sound at the time it is played. Really enjoying it, feeling like a zen monk!
I've always loved to hear Sly play drums ever since the early 80's. This is phenomenal, he holds it together as the groove develpos and stops it disintegrating as it builds in intensity AWESOME feel on that kick and snare
01. Solid Ether (Molvaer) 02. Hot You Hot (Dunbar) 03. Red Hot 04. Kakonita (Molvaer) 05. Dark Moisture (Aarset) 06. Platonic Years (Molvaer) 07. Land Far Away (The Paragons) 08. Another Brick In The Wall (Pink Floyd) 09. Ligotage (Molvaer) 10. Baby Can I Hod You (Tracy Chapman) 11. No, No, No /Dawn Penn)
I've been fascinated by this album since it came out. Bliss is right! I've long loved S&R, and more recently have been hooked on norther Europe jazz and classical. This merger is brilliant. But, maybe too subtle to have gained the audience it deserves?
Wow this is epic, a phenomenal blend of different musician styles at its best. Sly is still on another level and being a bass player gotta give Robbie nuff respect still the best overall rhythm bassist in the game and one of my favorite.
I only heard about Nils this weekend just gone, and this has been my first foray into his music. WOW... What a fantastic groove, jazz at its best. Can't wait to discover more.
Superb. It reminded me of Sly & Robbie Dub Experience (1985) which I've just bought- because my vinyl's gone walkabout! It still sounds fine & revives good vibes that were buried. Thank You....I'm happily regressing & progressing, he he.
Guten Abend liebe Evi! Mit diesem Schmankerl hast du bei mir ins Schwarze getroffen. Tolle Klänge. Hab in dieser Richtung lange nichts gehört, war immer anderweitig abgelenkt. Danke für dieses Geschenk. Ich wünsch dir einen wundervollen Abend. LG Peter
+Evelyn Balschun Ging mir genauso! Das präzise Spiel von Sly Dunbar und Robbie Shakespears´ stoischer Bass ergänzen ganz hervorragend die sphärischen Klänge von Nils Petter Molvaer und Eivind Aarset. Und Vladislaw Delay setzt dem ganzen noch die Krone auf. Ganz große Musik!!
What a find! I've loved Molvaer since the early 2000s and Sly and Rob since the 80's. Just Perfect! - Really wish I had a track list though - the song at 57 minutes...Wow.
01. Solid Ether (Molvaer) 02. Hot You Hot (Dunbar) 03. Red Hot 04. Kakonita (Molvaer) 05. Dark Moisture (Aarset) 06. Platonic Years (Molvaer) 07. Land Far Away (The Paragons) 08. Another Brick In The Wall (Pink Floyd) 09. Ligotage (Molvaer) 10. Baby Can I Hod You (Tracy Chapman) 11. No, No, No /Dawn Penn)
:-):-) 11 miesięcy temu...coś sobie postanowiłam. ..hmm..otóż jadę tam w tym roku!!!!cieszę się bardzooooo....hmm...muszę zapamiętać ten moment. .. pozdrawiam serdecznie wszystkich .....dobranoc. ..
Jah Wobble, Bill Laswell, Jaki Liebezeit. Deep Space. Excellent. I was a big fan of Sly and Robbie in the early 80's. Also Dub Syndicate and any original Drum N Bass from that era. Not the drum n bass we know today. But dub from Jamaica.
00:00 Opening 14:08 Second Song 23:57 Ten Minutes 34:02 Silent Trumpet 39:21 Untitled 48:00 Sixth Track 56:53 Vocal 1:03:49 Superthruster/Another Brick In The Wall 1:12:27 Nine 1:19:08 Robbie Shakespeare Solo 1:24:08 Closing
I'd downloaded this to my HD and love to cut this to separate tracks. Let's try to do that :) Second Song = Hot You Hot (org. Jerry Reed) Closing = No, No, No (org. Dawn Penn) Someone with better ear than me, might connect some of those with "Nordub" album maybe... PS: I was there! One of my top 5 shows ever.
Fantastic find! Thank you for posting, Dev Art. The song at 23:57 is the drum and bass riddim from 1977 reggae classic, Armagideon Time by Willie Williams. The vocal song at 56:53 is an old time reggae spiritual standard first recorded in 1977 by The Abyssinians called Satta Massagana and covered by many Jamaican artists. I'm sure most everyone in Jamaica can sing along. The words are from the ancient Amharic language and meaning to give praise. Robbie just sings the opening line, "There's a land far, far away..." Robbie's bass solo is another recognizable riddim from a '70's era reggae song but unfortunately I can't remember the name of it at the moment. And the last song is indeed called No, No, No by Dawn Penn. At 1:26:51 and again at 1:28:31 Robbie uses his bass to recreate the bridge passage from Dawn Penn's 1994 version. Sometimes horns are used for this fill and sometimes piano. The song was originally written and released in 1960 by a blues harmonica player named Willie Cobbs. Dawn Penn originally released the song in 1967 and it didn't do all that much outside Jamaica but under the tutelage of Jamaican producing team Steely & Clevie, her 1994 re-release of the song became a world-wide hit. Now as to the bass line, Coxsone Dodd's Studio One house band called Sound Dimension supplied the backing track for the 1967 version so it was either Boris Gardiner or Leroy Sibbles that wrote the bass part, which on this version was so far back in the mix that you almost need headphones to hear it. It's here on youtube if you want to hear it. In 1994 Steely & Clevie made an album based on old Studio One singles but instead of a house band, used a drum machine and digital bass (it was cheaper and by this time the electro sounds of what's called dancehall style had become the latest thing) on the recording so we have them to thank for placing the ever so simple but ever so catchy bass line forward in the mix, but fact is, nobody actually played bass on the version that became the big hit. In the early years of reggae, the studios owned the compositions, not the actual composers (house bands) who got paid a day rate. (Yeah, that sucked.) What this allowed the studios to do is find out which riddims proved to be most popular at the weekly sound systems (Live DJs with giant speakers that set up and played on street corners around Kinston) and then use the same riddims over and over with different singers and different lyrics, thereby making even more money off the backs of the musicians who wrote it. Again, you will find many versions of No No No if you search. Here is the basic riddim track. ruclips.net/video/OPWvwbRUG6E/видео.html Another market for profiting from the same popular riddims was to add a "rap" vocal and release it again or put it on the "b" side of the vocal single. I put the word rap in quotes because rap technically didn't exist as a world recognized genre in the 70's... but rhythmically rhyming over popular riddims in Jamaica did, and it was called "toasting the tracks." and the popular people who made careers of it were called toasters or DeeJays. Big Youth, U-Roy, I-Roy, Lone Ranger, Tony Tuff, Prince Fari, Dr. Alimantodo, Michigan and Smiley, Mikeey Dread, these were some of the biggest earning toasters in the seminal period. Later came Yellowman, Shaggy Shabba Ranks, Shinehead, Eek-a-Mouse, Tappa Zukie, Bounty Killer, Beenie Man, Lady Saw. There are whole new crop out today of course but I am not as familiar with their names or their music, Chronix, Mikey Shamaya are the only two that come to mind. Guess I'd better bone up. But my point is that what we call rap music today got its start in Jamaica in 1970 when the deejays who manned the sound systems would turn the vocal side of the 45 record over where what was called the "dub version" (or simply "version" ) which was the same riddim as the vocal but without the vocal, and often goosed up by the recording engineers with echo, dropouts, sound effects, etc. The dee jays would then live toast over the version side, creating the first rap music. When records from Jamaica were brought to New York and played in Caribbean neighborhoods it caught the attention of hip hop creators like Cool Herc who saw the potential for this storytelling format that wasn't singing but used music as its backdrop. To cop a line from The Daily Show's Trevor Noah, "So if you didn't know, now you do." :-) Check it out: ruclips.net/video/gYaIUsHg4sQ/видео.html
I would never understand how we can sit on a seat at this concert ... I had the pleasure of living this meeting at the end of 2018 in Lille, north of France ... no seating. .. just fun and real fusion with them all
WOW! Music for music lovers! I mark that in my favorites on the net. Will listen in 5.1 if i could... The rythm is important to create a bridge between improvisation and sound research. So Sly for a background and solos sometimes but everybodies in creative way! Yessir! I will buy the last NPM recording: Nordub. Somebody had listen to that? Nils is the actual epitome in music for me.
Molvær was born and raised on the island of Sula, Møre og Romsdal, Norway, and left at age nineteen to study on the Jazz program at Trondheim Musikkonservatorium (1980-82).[6] He joined the bands Jazzpunkensemblet with Jon Eberson and Masqualero, alongside Arild Andersen, Jon Christensen and Tore Brunborg. Masqualero (named after a Wayne Shorter composition originally recorded by Miles Davis) recorded several albums for ECM Records, and Molvær recorded with other ECM artists before his 1997 debut solo album, Khmer. The record was a fusion of jazz, rock, electronic soundscapes, and hip-hop beats - and quite unlike the delicate "chamber jazz" typically associated with ECM.[7] Molvær's muted trumpet sound, sometimes electronically processed, had an obvious debt to Miles Davis's work of the 1970s and 1980s, but without being a slavish copy. For the first time, ECM released singles - "Song of Sand", backed with three remixes, and "Ligotage". In 2000, a second album followed, Solid Ether, after which Molvær left ECM. He has recorded several albums since, and has also produced film and theater music.[3][4] He often works with guitarist Eivind Aarset. He has also played with Tabla Beat Science created by Zakir Hussain and Bill Laswell.[5]
@@markkeogh18 I always thought Jon Hassell was the most analoguous analogue. I generally like Molvaer's stuff better (it's more lively), but those two are really the only prominent people pushing the trumpet in the direction.
Holy Shit! This is amazing! BIG UP THE VOLUME (got mine at 80%) & THE GANJA! One part Frippertronics! One part Dark Ambient Electronica! One part 70s Miles Davis Fusion! And a whole lot of Sly & Fucking Robbie! #NorwegianJazzFusionSpaceDub
Das ist GÖTTLICHE MUSIK . Tausendmillionenmal DANK. Diese Musik inspiriert mich für meine eigenen Sachen, also in der Malerei und der Musik. Wie wäre es, wenn ihr mal im Burghauser KNOXOLEUM spielen würdet. ?
That there is a land, far, far away That there is a land, far, far away The King of Kings and the Lord of Lords Sits upon his throne and He rules us all Look into the book of life and you will see That He.. rules us all That He.. He rules us all
Nils Petter Molvær (Norwegian pronunciation: [ˈmol.væɾ][1]) also known as NPM (born September 18, 1960) is a Norwegian jazz trumpeter, composer, and producer. Molvær is considered a pioneer of "future jazz", a genre that fusing jazz and electronic music, showcased on his most commercially successful album, Khmer,[2] on the ECM label in October 1997 in Europe and early 1998 in North America.[3][4][5]
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
RIP Robbie Shakespeare. A true legend is gone
RIP Robbie Shakespeare, just heard the news. I always link this show when I tell folks about Sly & Robbie, also about Nils
one of the best great moments in fusion-jazz! What a team: Jamaica and Norway, ice and sun. Better than all I saw lately.
Vi var der, liksom vi OG hørte på Collosseum i Njårdhallen, Mvh Dag
check ernest ranglin, monty alexander Jamaican Jazz
Watching this on a low dose of LSD. Everything about this seems perfect. Every note is being played at the exact right time. Music is so fascinating. It's not about playing as fast as you can or getting to the end of a song quicker than others. It's just about being there in the moment, enjoying every sound at the time it is played. Really enjoying it, feeling like a zen monk!
But still you need drugs...
substances are for pussies.
Yes! So few things in life offer equally mysterious and fascinating experiences. Music is unmatched! This set is amazing.
I've always loved to hear Sly play drums ever since the early 80's. This is phenomenal, he holds it together as the groove develpos and stops it disintegrating as it builds in intensity AWESOME feel on that kick and snare
01. Solid Ether (Molvaer)
02. Hot You Hot (Dunbar)
03. Red Hot
04. Kakonita (Molvaer)
05. Dark Moisture (Aarset)
06. Platonic Years (Molvaer)
07. Land Far Away (The Paragons)
08. Another Brick In The Wall (Pink Floyd)
09. Ligotage (Molvaer)
10. Baby Can I Hod You (Tracy Chapman)
11. No, No, No /Dawn Penn)
No.7 is Satta Massagana - The Abyssinians
The production on this performance is insane, not to mention the sheer musical bliss that also arrives with it
I've been fascinated by this album since it came out. Bliss is right! I've long loved S&R, and more recently have been hooked on norther Europe jazz and classical. This merger is brilliant. But, maybe too subtle to have gained the audience it deserves?
@@joelmaharry3697 Are you saying that the release was too subtle? or the combination of artists?
@@daylightstrobe not for me. I love this ensemble. But it is subtle, gorgeous music, perhaps to subtle and original to attract a wider following.
This was incredible, wish I was there!!!! Whew….
Thanks for upload this great concert!!!
Warsaw born and and bred. Love this futuristic music.
pure moment de magie ou moi malade, je revis; c'est tout le parfait de l-homme qui donne dans ce monde qui se détuit
Great concert, thanks for uploading. Good thing Sly had that hard hat to protect his head from all the falling debris!
Wow this is epic, a phenomenal blend of different musician styles at its best. Sly is still on another level and being a bass player gotta give Robbie nuff respect still the best overall rhythm bassist in the game and one of my favorite.
1:00:44 - I love how eivind arrest anticipates the moment. - It's just great.
I only heard about Nils this weekend just gone, and this has been my first foray into his music. WOW... What a fantastic groove, jazz at its best. Can't wait to discover more.
Wow, sly metronome drumming on the hi hat!
Superb. It reminded me of Sly & Robbie Dub Experience (1985) which I've just bought- because my vinyl's gone walkabout! It still sounds fine & revives good vibes that were buried. Thank You....I'm happily regressing & progressing, he he.
+joannah Vaughan Wyx Try Sly & Robbie's new album "Dubrising" if you enjoyed Dub experience
Joannah Wyx oooo
The Reggae Twins..... Lowell "Sly" Dunbar & Robert "Robbie" Shakespeare... Legends.
"Riddim Twins!" :)
Hey so gute Musik!!
Sly and Robbie, welche ich bisher nur aus der Reggaescene kenne, auf einmal beim Summer Jazz Days 2015 !! Super!!
Guten Abend liebe Evi!
Mit diesem Schmankerl hast du bei mir ins Schwarze getroffen. Tolle Klänge. Hab in dieser Richtung lange nichts gehört, war immer anderweitig abgelenkt. Danke für dieses Geschenk. Ich wünsch dir einen wundervollen Abend. LG Peter
zoppo zeisig
Hey Peter, hat mich selber gerade so erwischt das Schmankerl.....nur großartig....freu mich mit Dir, genieß den Abend! LG Evi
+Evelyn Balschun Ging mir genauso! Das präzise Spiel von Sly Dunbar und Robbie Shakespears´ stoischer Bass ergänzen ganz hervorragend die sphärischen Klänge von Nils Petter Molvaer und Eivind Aarset. Und Vladislaw Delay setzt dem ganzen noch die Krone auf. Ganz große Musik!!
What a find! I've loved Molvaer since the early 2000s and Sly and Rob since the 80's. Just Perfect! - Really wish I had a track list though - the song at 57 minutes...Wow.
01. Solid Ether (Molvaer)
02. Hot You Hot (Dunbar)
03. Red Hot
04. Kakonita (Molvaer)
05. Dark Moisture (Aarset)
06. Platonic Years (Molvaer)
07. Land Far Away (The Paragons)
08. Another Brick In The Wall (Pink Floyd)
09. Ligotage (Molvaer)
10. Baby Can I Hod You (Tracy Chapman)
11. No, No, No /Dawn Penn)
:-):-) 11 miesięcy temu...coś sobie postanowiłam. ..hmm..otóż jadę tam w tym roku!!!!cieszę się bardzooooo....hmm...muszę zapamiętać ten moment. .. pozdrawiam serdecznie wszystkich .....dobranoc. ..
Jah Wobble, Bill Laswell, Jaki Liebezeit. Deep Space. Excellent. I was a big fan of Sly and Robbie in the early 80's. Also Dub Syndicate and any original Drum N Bass from that era. Not the drum n bass we know today. But dub from Jamaica.
Love to all highest, Always Living, forever and ever, Eternal Spirit. Thanks and Love to you 🫶🏾❤🙏😇
Got the Nordub CD a couple of weeks ago, it blew my mind. I wish they'd do another one. Sly n Robbie rock.
magical,groovy and healing 🌠
Big Respect Sly & Robbie ... The Big Machine ... Super Live ...
неймовірне відчуття ритму та гармонії... дякую!
WOW, Wow, wow!!! Beautiful, entertaining and delightful!!!
I love this style of music, thank you for adding this video.....would love to see them live.......
DAMN! TOP CONCERT AND A LEGENDARY PERFORMANCE. R.I.P MR. SHAKESPEARE.
Just got turned on to Nils and CO. DAMN!!! Great stuff here. Been listening to this all weekend.
Rewelacyjny koncert! Za rok tam jestem....małe postanowienie
+Magda Skoczylas Było też w Gdańsku, ale zabrakło biletów. Tragedia - odżałować nie mogę! :(
Sly and Robbie... the masters at work
thank you, my fav musicans! together !!!amazing! makes me happy :-)
I would loved to have been there. Awsome.
00:00 Opening
14:08 Second Song
23:57 Ten Minutes
34:02 Silent Trumpet
39:21 Untitled
48:00 Sixth Track
56:53 Vocal
1:03:49 Superthruster/Another Brick In The Wall
1:12:27 Nine
1:19:08 Robbie Shakespeare Solo
1:24:08 Closing
Thanks 😉👍
I'd downloaded this to my HD and love to cut this to separate tracks. Let's try to do that :)
Second Song = Hot You Hot (org. Jerry Reed)
Closing = No, No, No (org. Dawn Penn)
Someone with better ear than me, might connect some of those with "Nordub" album maybe...
PS: I was there! One of my top 5 shows ever.
@@roody102 musicadegradata.blogspot.com/2015/10/sly-robbie-meets-nils-petter-molvaer.html
@@darbyadvert THANK YOU!
Fantastic find! Thank you for posting, Dev Art.
The song at 23:57 is the drum and bass riddim from 1977 reggae classic, Armagideon Time by Willie Williams.
The vocal song at 56:53 is an old time reggae spiritual standard first recorded in 1977 by The Abyssinians called Satta Massagana and covered by many Jamaican artists. I'm sure most everyone in Jamaica can sing along. The words are from the ancient Amharic language and meaning to give praise. Robbie just sings the opening line, "There's a land far, far away..."
Robbie's bass solo is another recognizable riddim from a '70's era reggae song but unfortunately I can't remember the name of it at the moment.
And the last song is indeed called No, No, No by Dawn Penn. At 1:26:51 and again at 1:28:31 Robbie uses his bass to recreate the bridge passage from Dawn Penn's 1994 version. Sometimes horns are used for this fill and sometimes piano.
The song was originally written and released in 1960 by a blues harmonica player named Willie Cobbs. Dawn Penn originally released the song in 1967 and it didn't do all that much outside Jamaica but under the tutelage of Jamaican producing team Steely & Clevie, her 1994 re-release of the song became a world-wide hit.
Now as to the bass line, Coxsone Dodd's Studio One house band called Sound Dimension supplied the backing track for the 1967 version so it was either Boris Gardiner or Leroy Sibbles that wrote the bass part, which on this version was so far back in the mix that you almost need headphones to hear it. It's here on youtube if you want to hear it.
In 1994 Steely & Clevie made an album based on old Studio One singles but instead of a house band, used a drum machine and digital bass (it was cheaper and by this time the electro sounds of what's called dancehall style had become the latest thing) on the recording so we have them to thank for placing the ever so simple but ever so catchy bass line forward in the mix, but fact is, nobody actually played bass on the version that became the big hit.
In the early years of reggae, the studios owned the compositions, not the actual composers (house bands) who got paid a day rate. (Yeah, that sucked.) What this allowed the studios to do is find out which riddims proved to be most popular at the weekly sound systems (Live DJs with giant speakers that set up and played on street corners around Kinston) and then use the same riddims over and over with different singers and different lyrics, thereby making even more money off the backs of the musicians who wrote it.
Again, you will find many versions of No No No if you search. Here is the basic riddim track. ruclips.net/video/OPWvwbRUG6E/видео.html
Another market for profiting from the same popular riddims was to add a "rap" vocal and release it again or put it on the "b" side of the vocal single. I put the word rap in quotes because rap technically didn't exist as a world recognized genre in the 70's... but rhythmically rhyming over popular riddims in Jamaica did, and it was called "toasting the tracks." and the popular people who made careers of it were called toasters or DeeJays.
Big Youth, U-Roy, I-Roy, Lone Ranger, Tony Tuff, Prince Fari, Dr. Alimantodo, Michigan and Smiley, Mikeey Dread, these were some of the biggest earning toasters in the seminal period. Later came Yellowman, Shaggy Shabba Ranks, Shinehead, Eek-a-Mouse, Tappa Zukie, Bounty Killer, Beenie Man, Lady Saw.
There are whole new crop out today of course but I am not as familiar with their names or their music, Chronix, Mikey Shamaya are the only two that come to mind. Guess I'd better bone up.
But my point is that what we call rap music today got its start in Jamaica in 1970 when the deejays who manned the sound systems would turn the vocal side of the 45 record over where what was called the "dub version" (or simply "version" ) which was the same riddim as the vocal but without the vocal, and often goosed up by the recording engineers with echo, dropouts, sound effects, etc. The dee jays would then live toast over the version side, creating the first rap music.
When records from Jamaica were brought to New York and played in Caribbean neighborhoods it caught the attention of hip hop creators like Cool Herc who saw the potential for this storytelling format that wasn't singing but used music as its backdrop.
To cop a line from The Daily Show's Trevor Noah, "So if you didn't know, now you do." :-)
Check it out: ruclips.net/video/gYaIUsHg4sQ/видео.html
This was an amazing peformance with steller musicians!!!Respect everytime!!
I would never understand how we can sit on a seat at this concert ... I had the pleasure of living this meeting at the end of 2018 in Lille, north of France ... no seating. .. just fun and real fusion with them all
Loved them at Pori Jazz. Pure awesomeness.
Unfassbar großartig. Legends, all of them!!
Thank You All. Awesome Show At Hedon Last Night!
THIS. Is wonderful...
WOW! Music for music lovers! I mark that in my favorites on the net. Will listen in 5.1 if i could...
The rythm is important to create a bridge between improvisation and sound research. So Sly for a background and solos sometimes but everybodies in creative way! Yessir!
I will buy the last NPM recording: Nordub. Somebody had listen to that?
Nils is the actual epitome in music for me.
Merci pour cette belle musique. Julien
Магия звука! Музыканты, Волшебники!
just ... this i just ..wow .
Molvær was born and raised on the island of Sula, Møre og Romsdal, Norway, and left at age nineteen to study on the Jazz program at Trondheim Musikkonservatorium (1980-82).[6] He joined the bands Jazzpunkensemblet with Jon Eberson and Masqualero, alongside Arild Andersen, Jon Christensen and Tore Brunborg. Masqualero (named after a Wayne Shorter composition originally recorded by Miles Davis) recorded several albums for ECM Records, and Molvær recorded with other ECM artists before his 1997 debut solo album, Khmer. The record was a fusion of jazz, rock, electronic soundscapes, and hip-hop beats - and quite unlike the delicate "chamber jazz" typically associated with ECM.[7] Molvær's muted trumpet sound, sometimes electronically processed, had an obvious debt to Miles Davis's work of the 1970s and 1980s, but without being a slavish copy. For the first time, ECM released singles - "Song of Sand", backed with three remixes, and "Ligotage". In 2000, a second album followed, Solid Ether, after which Molvær left ECM. He has recorded several albums since, and has also produced film and theater music.[3][4]
He often works with guitarist Eivind Aarset. He has also played with Tabla Beat Science created by Zakir Hussain and Bill Laswell.[5]
***** thank you for the interesting bio notes,
welcome Duane Anderson
Nice introduction to Molvaer. Alongside Miles Davis, we must mention Jon Hassell as a point of reference to his tone and phrasing.
@@markkeogh18 I always thought Jon Hassell was the most analoguous analogue. I generally like Molvaer's stuff better (it's more lively), but those two are really the only prominent people pushing the trumpet in the direction.
I hear more Jon Hassell than Miles in this music..
Sly Dunbar can STILL out rydim the drum machine!!
Still waiting for the orchestra & stadion.
Sieraków - Sport, Morena.
Que subidón, son muy buenos. Ojalá vengan por aquí pronto, no me los pierdo. Exquisito..!!!!
Excellent!
The groove is ridiculously deep. Miles would love it!
Gorgeous. Thank you.
Ohhh fuck, what a show, and 'you don't love me' was pure voodoo
MINDBLOWING, A SONIC BLAST, GROUNDBREAKING MEETING BETWEEN REGGAE DUB MASTERS AND SCANDINAVIAN JAZZ HEROES.
Yay Space Reggae !! This is great !
Superbe réalisation, merci à l'équipe !
Magic.
Overwhelming! Really really nice!
Ich hab sie in Berlin Prenzelberg live erleben dürfen, aber das ist ( fast ) fast noch dreimal besser. Genial !
Thankyou for uploading this. ☺✌🏽✌👌
I MUST see a show from him and his band, man!
best of both world.
30:53 a new favorite!! DAMN!!
OK... I gave it a thumbs-up - CAN I LEAVE NOW?
really inspiring, Nordub is on my list for sure!
A DEEP Laswell vibe here. Super groovy
I enjoyed the Music
Thank you love respect and lots of cuddles lol spliff time
09:08 - Miles lick from ,,He Loved Him Madly" :D
Holy Shit! This is amazing! BIG UP THE VOLUME (got mine at 80%) & THE GANJA!
One part Frippertronics!
One part Dark Ambient Electronica!
One part 70s Miles Davis Fusion!
And a whole lot of Sly & Fucking Robbie!
#NorwegianJazzFusionSpaceDub
good show......................blessup sly and robbie
Beyond legend
Danke!
That Fender bass looks like I'd like to have one too.
And he's playing rounds! 32:20
Rip Robbie
Begandet!DANKE!!
Wonderful!
So good.
fabulous creative👏🤌
Das ist GÖTTLICHE MUSIK . Tausendmillionenmal DANK. Diese Musik inspiriert mich für meine eigenen Sachen, also in der Malerei und der Musik. Wie wäre es, wenn ihr mal im Burghauser KNOXOLEUM spielen würdet. ?
superb sound
That there is a land, far, far away
That there is a land, far, far away
The King of Kings and the Lord of Lords
Sits upon his throne and He rules us all
Look into the book of life and you will see
That He.. rules us all
That He.. He rules us all
raskain Satta!
Nils Petter Molvær (Norwegian pronunciation: [ˈmol.væɾ][1]) also known as NPM (born September 18, 1960) is a Norwegian jazz trumpeter, composer, and producer. Molvær is considered a pioneer of "future jazz", a genre that fusing jazz and electronic music, showcased on his most commercially successful album, Khmer,[2] on the ECM label in October 1997 in Europe and early 1998 in North America.[3][4][5]
jaa,da wäre ich sehr gerne dabei gewesen,hammergig! r
que genial con lo que me vengo a encontrar !
love danke
Waowww !! Thanks !
unbelievable
i love it...
Brilliant.
Magical !
The CD is out, any moment now :-)
Sly needs a safety helmet due to the heavy ridmns
This is how music works!
Oh my god oh my god oh my god.
give thanks
GREAT
Sau gudd
Vladislav, baby don't hurt me, no more!
Fuse it all like a welder boys! Yeah baby...