I love how everyone in the audience give Erik a Standing Ovation and completely ignores the man on stage. That had to have pissed him off. Way to steal the spotlight!
It made me cry. He deserved that applause and probably assumed he'd never have that sort of acknowledgement or acclaim from anybody, let alone a packed house of 1100 people.
I like this scene. It sounds like Christine proves her love for Erik thru song, and the smile he gives her shows that he acknowledges her love. And I think that this scene is their triumph over those who oppressed them. Just a thought.
Margarita Ah! C'est la voix du bien-aimé! A son appel mon coeur s'est ranimeé! Au milieu de vos éclats de rire, démons qui m'entourez j'ai reconnu sa voix! Sa man, sa douce main m'attiré! Je suis libre! Il est là! Je l'entends! je le vois! Oui, c'est toi! je t'aime! Les fers, la mort même ne me font plus peut. Tu m'as retrouvée! Me voilà sauvée! C'est toi! Je suis sur ton coeur! Faust Oui, c'est moi! je t'aime! Malgré l'effort même du démon moqueur, je t'ai retrouvée, te voilà sauvée, C'est moi, viens, viens sur mon coeur! .......... Devil Alerte! alerte! ou vous êtes perdus! Si vous tardez encor, je ne m'en mêle plus! Marguerite: Mon Dieu, protegez-moi! Faust: Viens! Marguerite: Mon Dieu, je vous implore! Faust: Fuyons! peutêtre il en est temps encore! Marguerite: Anges! Anges radieux! portez mon âme au sein des cieux! Dieu juste, à toi je m'abandonne! Dieu bon, je suis à toi! Pardonne! Anges purs, anges radieux! Faust: Viens! suis-moi! suis-moi, viens, je le veux! Viens! viens! quittons ces lieux, déjà le jour envahit les cieux! Viens! viens! c'est moi qui te l'ordonne! Viens! viens! quittons ces lieux!
I loved this entire TV movie/series, pretty much everything about it but this was by far my favorite part. From the part when Erik starts to sing and everyone is shocked at where the amazing voice is coming from, to the well-deserved standing ovation just for Erik!! And, I know it wasn't Charles Dance singing and therefore it was sung by a well-trained opera singer, but the way he hits that last high note is incredible!
this is so cool how they weave the story of Marguerite into the drama of Christine & the phantom..both personas singing for deliverance from the dark forces...
This scene is so beautiful...as are the words Christine and Erik are singing to each other. I personally really dislike the ending and can't stand Phillipe, but this is one of my most favourite adaptations/interpretations of Phantom of the Opera... (:
the first time i watched this it brought tears to my eyes WAY better than 2004 version the power in this scene is phenomenal! and just saying she's the only Marguerite iv'e ever seen
Yes, thank you! I've been telling people I love this version more than the 2004 version and they look at me weirdly and say the newest ones are always better. I love this!!
+Melissa Allen I agree this was so much better than the 2004 version, I originally saw this when I was just 15 and found it again now, I so love this version.
Well, if you are talking about the version with Emmy and Gerard Butler, that had original music. They are basically doing a cover of a different opera here, and the voices are much more developed and operatic than the 2004 version because they are dubbed by people either older or with more professional experience than the characters, whereas the actors in the 2004 have the voices of the actual characters.
If we are thinking of the same 2004 version, then the music from th e 2004 version is different than here. This has more tacted onto it and might sound better as far as a lot of content goes, but that's because the song they sing here is from a completely different opera, not 'Phantom'. But I do love this!! I feel like the Phantom is a bit of a fanboy for operas (no socker ;).
Audio credits, from the physical album itself: PHANTOM/(SECOND) FAUST: Gérard Garino CHRISTINE/MARGUERITE: Michèle LaGrange (FIRST) FAUST: Jean Dupouy MEPHISTOPHELES: Jacques Mars
I can tell you having been in production with him at the end of his career Jacques Mars was one of the kindest, sweetest and most generous artists you could ever meet . I have great memories of Michele in Spontini's La Vestale and Jean Dupouy is so wonderful in this.
My dad taped this when it came on TV when I was little, and I never watched it until I became a Phan. There were some things that I thought were sort of silly, but this scene just blows me away. There's the true power of music for you! Wow.
The ascension scene is my favorite because Margarette finds redemption and is saved. Ever since I saw this sung by Jeanette McDonald in the movie “San Francisco” I have wanted it sung at my funeral. Brings tears to my eyes everytime
This scene is really beautiful, I love how the song fits the plot and the moment and gives a great scene. This is my favorite version of the story and Eric. Also I have to point that, without any context, seeing a man creeping around in shadows, with darkened eyes with the "he's here" ringing in the back... it's kind of scary.
I saw this for the first time back in 2016, and something clicked. I'd heard opera before, but not like this; in a form that I loved because of my previous love for the characters. Years of training later, and I'll be going to school for opera performance next year, and I have this very scene to thank for the beginning of my journey.
@darkprose But my favorite interpretation is the book "Phantom" by Susan Kay. It tells the story of Erik's birth all the way to his death. Kay did tons of research based on the few clues that Leroux gave about Erik's past. It's a phenomenal book.
People are wondering about the song's name, and while there is no specific title, you can usually find it by searching the first few lines of the trio - "Anges purs, anges radieux," or "Oui, c'est moi, je t'aime,"
Erin F it's opera - no. It is almost always the first line of the text. Most arias are indexed that way and not named individually because it's basically an excerpt from a greater composition. This particular piece is a part of Faust's fourth act. You can usually find it as "Faust final trio" or "Faust final scene".
She's in jail for drowning her baby and would be executed tomorrow. Faust comes to rescue her at night but she refuses to go because she already accepted her crime and also notices that the devil is with him, prefers to die and go to heaven to being saved by the devil and go to hell later. If the scene wasn't interrupted the character would die and go to heaven (some productions make it more religious as she goes to heaven in a beautiful way while some make dramatic executions). Either way Faust is dragged to hell in the last scene.
lt's the most true Margarette I've seen yet)) the other ones l found were rather... solid, big or old, or "new" (in contemporary productions, you know). I would like to watch full 'Faust' with her, ahhh)))
They skip around a lot for the POTO movie, but it's still a really touching scene. My favorite part of the movie. I guess it would be awkward to talk about "The demon! God protect me, forgive me" etc when she's really singing to Erik, so they skip the "le demon!" part.
I fell in love with this opera because of this movie - and it's still one of my favourites! And especially the scenes from here - but the Phantom is sung originally by Gérard Garino, from whom I unfortunately only found one other recording. He's wonderful!
Perfect!!! I love you!!! Beautifull!! Sou fascinada por ópera e tudo começou por este filme. Fausto é lindo e Charles Dance o melhor fantasma da ópera de todos os tempos.
Everytime I play this part the hair stands up on my arms, it's simply wonderful, I got this on DVD so I could be sure I could watch this whenever I needed goosebumps;) But thanks for posting this it's gives me easy access!
+Black Widow 200 she does. Especially in this scene, where instead of looking at Raoul she looks at the Phantom, she was singing in French, I love you. And the phantom then sings the same. The love she had for Erik was stronger then that of Raoul. The feels ❤️
Black Widow 200 it depends on what version you're watching. In this miniseries yes, she absolutely loved the Phantom. But this version also deviates from the original cannon in which its way up for debate. Did she love him in the original? Maybe. Raoul thinks so. She denies it but she still returns to him again and again. Does she love him? No one really knows. But she was definitely compassionate toward him, and at the very least she pitied him heavily. Which isn't really THAT different from love at its core.
Jean Dupouy is the tenor singing the Faust at first the voice double for the phantom is Gerard Garino. Very nice performance, would love to see the whole opera with them haha 👏🏼👏🏼👏🏼👏🏼
You neglected to mention that the voice of Marguerite was French soprano, Michele Lagrange and the voice of the Phantom was French tenor, Gérard Garino.
I wish this song (at least the part with Erik and Christine singing) could be translated in English... I know it has something to do with showing love toward the end.
phanofmusic626 Marguerite: His hand, his sweet hand attracts me! I am free! He is here! I am free! He is here! Yes, it's you, I love you, yes, it's you, I love you! The irons, death itself no longer make me afraid. You have found me; you have found me! See, I am saved; see, I am saved! It's you, I am next to your heart! Faust: yes, it's me, I love you! Yes, it's me, I love you! Despite the effort of even the demon mocker I have found you again, I have found you again! See, you are saved, you are saved! Come, come, next to my heart! The end, after Alerte! Alerte! From Méphistophélès is: "My God, protect me! My God, I implore you! Pure Angels, radiant Angels, carry my soul to the bosom of Heaven! Just God, to you I abandon myself! Pure Angels, radiant Angels, carry my soul to the bosom of Heaven!"
So, basically the song is Margueritte rejecting Faust-an evil man, ostensibly-and finding god as she’s dying. She talks about love and Faust thinks that she’s talking to him, but then she cries out “You have found me again, I no longer fear death” and the angels bring her to heaven-“Angels pure, angels radiant”. She was referring to god the entire time, and denouncing Faust and his wicked ways. Erik is her Angel of Music and he has returned to her, much like the angels come for Margueritte and save her soul. It’s not EXACTLY about love, but it’s absolutely spiritual and moving! And it’s how she shows her love to him, because the technical demands of the song are pretty high and this is her crowning moment, performing as Margueritte, for him.
I really Love the Phantom of the opera, and Faust by charles gounod is my favourite opera. So this is perfekt! But i think my favourite Phantom Movie Version is the 1943 or the 1964 Version. But this is really good, too ! But in this Movie i dont like that " Don juan" ( his composition) dosnt play a big Part
piano.feurich.luca My favorite is the one from 1925. It was sooooo accurate to the book (except for the end lol) But I adore this one as well. This scene is every phangirl's dream!
At 2:50 she skips part of the great trio - Mephistophèles sings: "Alerte, Alerte, ou vous êtes perdus - si vous tardez ancore, je ne m'enmele plus - Marguerite should sing here: "le démon, le démon, le vois-tu dans la sombre ..... - then Mephisto: quittons ce lieu sombre -le jour est lévé - de leus pieds sonores j'entends mes chevaux frapper le pravé-. and then she goes to the famour "Anges purs, anges radieux, portez mon âme au sein des cieux
@LollirockStar7 yes, Charles Dane was lip sincing to the lyrics that were modifyied from the original libretto of faust just for the occasion of this soundtrack. They couldn't have chosen a more hansome and lovlier man to support the voice and interpretation of Garino...two very talented men!
I wonder what 2 fools disliked this video... probably Andrew L. Webber. lol I love his opera... but this aria is far more beautiful than anything in Phantom of the Opera.
@LollirockStar7 AFAIK you're right, the singer is Gerard Garino. I remember that I saw the movie and ran to the next classical music store to find SOMETHING with him singing in. Back then, there was only one CD available... but I got one :)
@genmaximus110 Thank you for these book recommendations -- they do sound very interesting. And I'm glad you clarified that you did like the movie. Some people believe that writing is a "purer" form, and that movies only end up distorting it. Which isn't completely wrong -- all movies adapted from books change their source material -- but that doesn't mean the movie is inherently inferior because of all that. All art is transformation, anyway.
@genmaximus110 And for uniqueness, I like "Angel of the Opera" by Sam Siciliano. It's a book that tells the same contents of Leroux's story, but throws in Sherlock Holmes trying to investigate the case. It sounds strange, but it's very true to the original book and it's just fun.
@darkprose Writing isn't always so pure, especially when they write a book after a movie comes out. Those are some of the worst books ever! And movies help you visualize so much better, at least for me. I have an active imagination, but I do like to see visuals to help boost my experience. Yes, if you're a big Phantom fan, a fan of all the media out there, you must read those two books, especially the one by Susan Kay. It's priceless.
@darkprose Don't get me wrong, I do love this movie. It's just not accurate to the book, which I thought was what you meant. I liked the character that Dance added to Erik. He's so likeable and mysterious. And I love how he plays flute in the movie as well. It was so cool. And of course the Faust scene, which is important, because Christine should be singing Faust. That's how it is in the original book. And I love the pranks Erik plays on Carlotta, especially the itchy wig!
@Camalot777 Well in some versions, he does go to Hell with Satan. In others, while Marguerite is praying, her interceding prayer saves him as well and they both go to Heaven. But in the original story, no.
@genmaximus110 I didn't say it was the most accurate or literal adaptation. If you don't like "adaptation," how about interpretation? For me, it's the best interpretation, though the silent version you refer to is right up there. It isn't often you can literally represent the novel or story on screen. There is always transformation involved, and I think this one captures something more than the others.
i think that this adaptation is better than some others eventhough it is far from the book is because we see alot of character development and have perspective on all of the characters and not just thephantom and the story i think is one of the more touching ones and Erik is till my fav character. This scene is my favorite too I just feel so many emotions in the notes and in the inflection of the actiong and I prefer this tempo though it is just as good when its faster but I like this way better
Love how the police chief is a total bro, and is like, "No, don't arrest him yet, let him finish his song."
"Maybe, just saying, we should-"
"Nah sir, let him finish his part"
It’s very nice that Erik gets the spotlight with Christine
I love how everyone in the audience give Erik a Standing Ovation and completely ignores the man on stage. That had to have pissed him off. Way to steal the spotlight!
It made me cry. He deserved that applause and probably assumed he'd never have that sort of acknowledgement or acclaim from anybody, let alone a packed house of 1100 people.
O Erick merece . Ele cantou bem melhor q o carinha né! Sem contar q ele passou paixão. Que de veraz sente .
You can feel the love between Erik and Christine.
I like this scene. It sounds like Christine proves her love for Erik thru song, and the smile he gives her shows that he acknowledges her love. And I think that this scene is their triumph over those who oppressed them. Just a thought.
Margarita
Ah! C'est la voix du bien-aimé!
A son appel mon coeur s'est ranimeé!
Au milieu de vos éclats de rire,
démons qui m'entourez
j'ai reconnu sa voix!
Sa man, sa douce main m'attiré!
Je suis libre! Il est là!
Je l'entends! je le vois!
Oui, c'est toi! je t'aime!
Les fers, la mort même
ne me font plus peut.
Tu m'as retrouvée!
Me voilà sauvée!
C'est toi!
Je suis sur ton coeur!
Faust
Oui, c'est moi! je t'aime!
Malgré l'effort même
du démon moqueur,
je t'ai retrouvée,
te voilà sauvée,
C'est moi, viens, viens sur mon coeur!
..........
Devil
Alerte! alerte! ou vous êtes perdus!
Si vous tardez encor, je ne m'en mêle plus!
Marguerite:
Mon Dieu, protegez-moi!
Faust:
Viens!
Marguerite:
Mon Dieu, je vous implore!
Faust:
Fuyons! peutêtre il en est temps encore!
Marguerite:
Anges! Anges radieux!
portez mon âme au sein des cieux!
Dieu juste, à toi je m'abandonne!
Dieu bon, je suis à toi! Pardonne!
Anges purs, anges radieux!
Faust:
Viens! suis-moi!
suis-moi, viens, je le veux!
Viens! viens! quittons ces lieux,
déjà le jour envahit les cieux!
Viens! viens! c'est moi qui te l'ordonne!
Viens! viens! quittons ces lieux!
Vc sabe o nome dessa música?
@@auroradlara4632Most people call it the Final Trio, but I think it can also be called "Alerte! Alerte!"
Final de la opera Fausto. La película es preciosa. Esta en RUclips
Best version of Phantom of the Opera ever!!!!
I loved this entire TV movie/series, pretty much everything about it but this was by far my favorite part. From the part when Erik starts to sing and everyone is shocked at where the amazing voice is coming from, to the well-deserved standing ovation just for Erik!!
And, I know it wasn't Charles Dance singing and therefore it was sung by a well-trained opera singer, but the way he hits that last high note is incredible!
this is so cool how they weave the story of Marguerite into the drama of Christine & the phantom..both personas singing for deliverance from the dark forces...
and Faust applies to both Gerard and Erik, though Erik was able to give his "Marguerite" a decidedly better ending
What a combination... Teri's beautiful face and Michele Lagrange's lovely voice. The dubbing is faultless. Credit where credit is due.
This scene is so beautiful...as are the words Christine and Erik are singing to each other. I personally really dislike the ending and can't stand Phillipe, but this is one of my most favourite adaptations/interpretations of Phantom of the Opera... (:
Same
100% agree one of the best parts of this movie
the first time i watched this it brought tears to my eyes WAY better than 2004 version the power in this scene is phenomenal! and just saying she's the only Marguerite iv'e ever seen
Yes, thank you! I've been telling people I love this version more than the 2004 version and they look at me weirdly and say the newest ones are always better. I love this!!
+Melissa Allen I agree this was so much better than the 2004 version, I originally saw this when I was just 15 and found it again now, I so love this version.
Well, if you are talking about the version with Emmy and Gerard Butler, that had original music. They are basically doing a cover of a different opera here, and the voices are much more developed and operatic than the 2004 version because they are dubbed by people either older or with more professional experience than the characters, whereas the actors in the 2004 have the voices of the actual characters.
If we are thinking of the same 2004 version, then the music from th e 2004 version is different than here. This has more tacted onto it and might sound better as far as a lot of content goes, but that's because the song they sing here is from a completely different opera, not 'Phantom'. But I do love this!! I feel like the Phantom is a bit of a fanboy for operas (no socker ;).
Actually, the song they sing here, is the exact song that is sung in this part of the story in the original Phantom (the book).
Audio credits, from the physical album itself:
PHANTOM/(SECOND) FAUST: Gérard Garino
CHRISTINE/MARGUERITE: Michèle LaGrange
(FIRST) FAUST: Jean Dupouy
MEPHISTOPHELES: Jacques Mars
Probably my favorite part of this film and everyone sings so beautifully because it incorporates actual Opera.
I can tell you having been in production with him at the end of his career Jacques Mars was one of the kindest, sweetest and most generous artists you could ever meet . I have great memories of Michele in Spontini's La Vestale and Jean Dupouy is so wonderful in this.
My dad taped this when it came on TV when I was little, and I never watched it until I became a Phan. There were some things that I thought were sort of silly, but this scene just blows me away. There's the true power of music for you! Wow.
The ascension scene is my favorite because Margarette finds redemption and is saved. Ever since I saw this sung by Jeanette McDonald in the movie “San Francisco” I have wanted it sung at my funeral. Brings tears to my eyes everytime
Ditto. Drying my eyes now.
I love this scene. The perfect triumphant moment for their love.
I always loved that shot of Raoul crying.Admitting defeat there
+Dalek Supreme In the Koppit version it's actually Philippe, Raoul's elder brother, that is in this series.
Similar concept. Attractive yet unlikeable fop.
Daslid ist T0l
My favorite part, I watch this video once daily for that shot.
Michele Lagrange and her amazing heavenly voice. Amazing singer.
This scene is really beautiful, I love how the song fits the plot and the moment and gives a great scene. This is my favorite version of the story and Eric.
Also I have to point that, without any context, seeing a man creeping around in shadows, with darkened eyes with the "he's here" ringing in the back... it's kind of scary.
I saw this for the first time back in 2016, and something clicked. I'd heard opera before, but not like this; in a form that I loved because of my previous love for the characters. Years of training later, and I'll be going to school for opera performance next year, and I have this very scene to thank for the beginning of my journey.
I saw Faust a few days ago and during the prison scene this scene from the phantom of the opera kept coming to my mind.
I finally found out what this song is about, and it makes it so much more special that she's singing it to Erik.
What is about?
@@unknown56558 “You found me again. Death does not scare me any more.”
@@Filiomena você sabe o nome da música ou o ano do filme ?
Cette scène est tout simplement magnifique, je ne me lasse pas de la revoir.... aucun morceau ne m'a autant bouleversée jusqu'aux larmes
I can't help it. Every time Meph appears, I laugh here. "I don't know what's going on here, but it's going to stop RIGHT NOW!"
I like that in a sense, her fellow actors were also trying to warn her.
@darkprose But my favorite interpretation is the book "Phantom" by Susan Kay. It tells the story of Erik's birth all the way to his death. Kay did tons of research based on the few clues that Leroux gave about Erik's past. It's a phenomenal book.
This scene is so wonderful!! I love it
Best version of "Phantom" EVER.
People are wondering about the song's name, and while there is no specific title, you can usually find it by searching the first few lines of the trio - "Anges purs, anges radieux," or "Oui, c'est moi, je t'aime,"
There's no official name?
Erin F it's opera - no. It is almost always the first line of the text. Most arias are indexed that way and not named individually because it's basically an excerpt from a greater composition. This particular piece is a part of Faust's fourth act. You can usually find it as "Faust final trio" or "Faust final scene".
Audience participation at the opera is usually frowned upon, but I think it works in this case. ;)
I wish this scene came with subtitles because you KNOW they're confessing their love to each other!
She's in jail for drowning her baby and would be executed tomorrow. Faust comes to rescue her at night but she refuses to go because she already accepted her crime and also notices that the devil is with him, prefers to die and go to heaven to being saved by the devil and go to hell later.
If the scene wasn't interrupted the character would die and go to heaven (some productions make it more religious as she goes to heaven in a beautiful way while some make dramatic executions).
Either way Faust is dragged to hell in the last scene.
learn French
@@fanaticaH oh...
French, English or even German, whoever understands the language of music doesn't need any subsections of the real language, the music.
@@timothychisholm2674 That is certainly your answer, but not the answer to the real, serious question.
lt's the most true Margarette I've seen yet)) the other ones l found were rather... solid, big or old, or "new" (in contemporary productions, you know). I would like to watch full 'Faust' with her, ahhh)))
Даниэлла Aquarius you're so right!!
this is my favourite part of the whole movie
Goosebumps every time!! 😍😍😍😍
What is this movie called
@@emilyhess2469 Phantom of the Opera 1990 miniseries
They skip around a lot for the POTO movie, but it's still a really touching scene. My favorite part of the movie. I guess it would be awkward to talk about "The demon! God protect me, forgive me" etc when she's really singing to Erik, so they skip the "le demon!" part.
i could watch this scene forever
I fell in love with this opera because of this movie - and it's still one of my favourites! And especially the scenes from here - but the Phantom is sung originally by Gérard Garino, from whom I unfortunately only found one other recording. He's wonderful!
Always makes me cry
Perfect!!! I love you!!! Beautifull!! Sou fascinada por ópera e tudo começou por este filme. Fausto é lindo e Charles Dance o melhor fantasma da ópera de todos os tempos.
This is the best version of this song!
Everytime I play this part the hair stands up on my arms, it's simply wonderful, I got this on DVD so I could be sure I could watch this whenever I needed goosebumps;) But thanks for posting this it's gives me easy access!
2:09 I absolutely adore how he sings this 😍
How could 3 people NOT like this?!?!? Ridiculous....
So sad that this isn't on Spotify.
That’s exactly why I’m here
This has got to be one of the most beautiful things I have ever heard/seen
I cannot figure out why Gerard Garino did not have a more glittering career. His voice is amazing.
I always thought the same!
The tenor singing for Erik is Gerard Garino. :)
So this is what Tywin Lannister does in his spare time.
Lmao 😂
What a wonderful moment!
I love Charles Dance as Erik!
I am also a huge fan of Gounod's Faust and It always cracks me up how Mephisto just runs into this scene and tries to get Faust out.
My favorite scene! OMG OMG! Erik! ♥
The sad part is that Christine loved Erik.
Does she really? They do have a connection but does she love him like he loves her?
+Black Widow 200 she does. Especially in this scene, where instead of looking at Raoul she looks at the Phantom, she was singing in French, I love you. And the phantom then sings the same. The love she had for Erik was stronger then that of Raoul. The feels ❤️
Black Widow 200 it depends on what version you're watching.
In this miniseries yes, she absolutely loved the Phantom. But this version also deviates from the original cannon in which its way up for debate.
Did she love him in the original? Maybe. Raoul thinks so. She denies it but she still returns to him again and again. Does she love him? No one really knows. But she was definitely compassionate toward him, and at the very least she pitied him heavily. Which isn't really THAT different from love at its core.
Every times that I listen it, I cry like a child
Jean Dupouy is the tenor singing the Faust at first the voice double for the phantom is Gerard Garino. Very nice performance, would love to see the whole opera with them haha 👏🏼👏🏼👏🏼👏🏼
Yes, I love you too Erik.
This scene always make my tears fall... 💞💞💞
gives me goosebumps every time
GREAT! I love this movie, saw it when I was about 10 (or so) for the first time and since this time it's one of my favorite movies :-)
Una de las más bellas películas del fantasma de la opera
You neglected to mention that the voice of Marguerite was French soprano, Michele Lagrange and the voice of the Phantom was French tenor, Gérard Garino.
even though i can understand what they're singing, when i watch this part of the movie, it relaxes me. Their voices are just so soothing.
LOVE this movie, my favorite part!!!!
I bought this movie after watching it once. Thank you. =)
I'm all smiles with this recording... Good find! :))
esta parte hace que suspire me encanta
@nathiecutie Erik's voice is dubbed by Gerard Garino and Christine's is dubbed by Michele Lagrange. Those were on the credits ;)
The film composer John Addison, plays the conductor in the orchestra pit.
I wish this song (at least the part with Erik and Christine singing) could be translated in English... I know it has something to do with showing love toward the end.
phanofmusic626 Marguerite: His hand, his sweet hand attracts me! I am free! He is here! I am free! He is here! Yes, it's you, I love you, yes, it's you, I love you! The irons, death itself no longer make me afraid. You have found me; you have found me! See, I am saved; see, I am saved! It's you, I am next to your heart!
Faust: yes, it's me, I love you! Yes, it's me, I love you! Despite the effort of even the demon mocker I have found you again, I have found you again! See, you are saved, you are saved! Come, come, next to my heart!
The end, after Alerte! Alerte! From Méphistophélès is:
"My God, protect me! My God, I implore you! Pure Angels, radiant Angels, carry my soul to the bosom of Heaven! Just God, to you I abandon myself! Pure Angels, radiant Angels, carry my soul to the bosom of Heaven!"
So, basically the song is Margueritte rejecting Faust-an evil man, ostensibly-and finding god as she’s dying. She talks about love and Faust thinks that she’s talking to him, but then she cries out “You have found me again, I no longer fear death” and the angels bring her to heaven-“Angels pure, angels radiant”. She was referring to god the entire time, and denouncing Faust and his wicked ways.
Erik is her Angel of Music and he has returned to her, much like the angels come for Margueritte and save her soul. It’s not EXACTLY about love, but it’s absolutely spiritual and moving! And it’s how she shows her love to him, because the technical demands of the song are pretty high and this is her crowning moment, performing as Margueritte, for him.
I really Love the Phantom of the opera, and Faust by charles gounod is my favourite opera. So this is perfekt! But i think my favourite Phantom Movie Version is the 1943 or the 1964 Version. But this is really good, too !
But in this Movie i dont like that " Don juan" ( his composition) dosnt play a big Part
piano.feurich.luca My favorite is the one from 1925. It was sooooo accurate to the book (except for the end lol) But I adore this one as well. This scene is every phangirl's dream!
LittleLotteWanders the end is hilariously tragic lmao
At 2:50 she skips part of the great trio - Mephistophèles sings: "Alerte, Alerte, ou vous êtes perdus - si vous tardez ancore, je ne m'enmele plus - Marguerite should sing here: "le démon, le démon, le vois-tu dans la sombre ..... - then Mephisto: quittons ce lieu sombre -le jour est lévé - de leus pieds sonores j'entends mes chevaux frapper le pravé-. and then she goes to the famour "Anges purs, anges radieux, portez mon âme au sein des cieux
Jose B. Caceres that's correct. Faust is My favourite operá because the jewelaria and of course the final Trio! A Masterpiece i think!
I wish this was on Apple Music 😭
So romantic! I listened to this scene at least 20 times❤❤❤❤ . I've watched this movie another 20 times. I recomend the real opera with Jonas Kaufmann
@LollirockStar7 yes, Charles Dane was lip sincing to the lyrics that were modifyied from the original libretto of faust just for the occasion of this soundtrack. They couldn't have chosen a more hansome and lovlier man to support the voice and interpretation of Garino...two very talented men!
Nothing like the book, but a captivating scene nonetheless
I wasn't aware that Faust was a book.
Sedgewick I meant Leroux's Phantom of the Opera novel. Several literary incarnations of Faust do predate Gonoud's faust opera though.
Actually, it's a lot more like the book than any other version, down to the exact part of Faust where she disappears.
@pat7893 The singer double for Christine is Michele Lagrange :)
I wonder what 2 fools disliked this video... probably Andrew L. Webber. lol I love his opera... but this aria is far more beautiful than anything in Phantom of the Opera.
THATS WHAT IVE SEEN HER IN!! Thanks I kept thinking I saw her in something else!
Meet The Parents. :)
I wish I could be Erik
@LollirockStar7
AFAIK you're right, the singer is Gerard Garino. I remember that I saw the movie and ran to the next classical music store to find SOMETHING with him singing in. Back then, there was only one CD available... but I got one :)
@genmaximus110 Thank you for these book recommendations -- they do sound very interesting. And I'm glad you clarified that you did like the movie. Some people believe that writing is a "purer" form, and that movies only end up distorting it. Which isn't completely wrong -- all movies adapted from books change their source material -- but that doesn't mean the movie is inherently inferior because of all that. All art is transformation, anyway.
Superbly sung absolutely perfect but the "bravo" voices *in japanese makes me smile a bit....this must be updated from the NHK broadcast.
10/10
Maravillosa escena.
VERSION COMPLETE EN FRANCAIS SVP SVP SVP SVP MERCI
Magnifique ! qui peut rester insensible à ces chants si prenants ?
Did you know that Erik/the Phantom is Charles Dance, aka Tywin in Game of Thrones?
@genmaximus110 And for uniqueness, I like "Angel of the Opera" by Sam Siciliano. It's a book that tells the same contents of Leroux's story, but throws in Sherlock Holmes trying to investigate the case. It sounds strange, but it's very true to the original book and it's just fun.
Fler skulle lyssna till detta. Many more should listnen to this. This actually opera by Gounod.
So beautyful
@darkprose Writing isn't always so pure, especially when they write a book after a movie comes out. Those are some of the worst books ever! And movies help you visualize so much better, at least for me. I have an active imagination, but I do like to see visuals to help boost my experience. Yes, if you're a big Phantom fan, a fan of all the media out there, you must read those two books, especially the one by Susan Kay. It's priceless.
@darkprose Don't get me wrong, I do love this movie. It's just not accurate to the book, which I thought was what you meant. I liked the character that Dance added to Erik. He's so likeable and mysterious. And I love how he plays flute in the movie as well. It was so cool. And of course the Faust scene, which is important, because Christine should be singing Faust. That's how it is in the original book. And I love the pranks Erik plays on Carlotta, especially the itchy wig!
@Camalot777 Well in some versions, he does go to Hell with Satan. In others, while Marguerite is praying, her interceding prayer saves him as well and they both go to Heaven. But in the original story, no.
Bravi
It's also combined with "Anges purs, anges radieux"
@genmaximus110 I didn't say it was the most accurate or literal adaptation. If you don't like "adaptation," how about interpretation? For me, it's the best interpretation, though the silent version you refer to is right up there. It isn't often you can literally represent the novel or story on screen. There is always transformation involved, and I think this one captures something more than the others.
Cool
@Scar2401 Completely agreed my friend...completely agreed.
i think that this adaptation is better than some others eventhough it is far from the book is because we see alot of character development and have perspective on all of the characters and not just thephantom and the story i think is one of the more touching ones and Erik is till my fav character. This scene is my favorite too I just feel so many emotions in the notes and in the inflection of the actiong and I prefer this tempo though it is just as good when its faster but I like this way better
no, it is Michèle Lagrange
wow dat last part was epic