As much as I think youtube is great and does a good job of promoting quality content the sheer fact that scope isn't on 10m+ views is criminal! Thank you so much for putting these films out for us to watch, they're fantastic, professionally made and one of the few rare trustworthy sources of niche film making information online
I agree but it's an educational video. Our society is programmed for entertainment. It says a lot about what's important to people. Personal pleasure is what folks want most while learning is secondary. Sad.
Media Division is a masterclass in cine lenses. Taught me so much, thank you! Amazing gear to drool at as well. I genuinely think this is the best channel on RUclips.
Found y'all recently. Been learning 3D for a number of years for various reasons. Recently got into photography/film with a solid second hand camera. Absolutely incredible presentation, and super informative at the same time. Not sure if I can fully appreciate how much effort y'all must put in but it definitely shows
I'm not sure why anyone would actually hate zoom lenses. They're a tool, just like any other lens. All have their compromises and it's all down to preference.
I think the move away from their use in film-making has a lot to do with the prevalence of cameras that have rolling shutter. A rapid zoom in/out, or even a really fast pan get ruined by the jellyness/lean of rolling shutter.
Love this topic. I recently found him by chance in a filmmakers subreddit after I’ve already been following this channel for over a year and he responded to me. Great guy, great channel, super funny, entertaining and informative. One of my favorite channels on YT.
Thanks man... that is kind of you to say. Of course I answer... having a great community with like minded filmmakers is what the whole channel is really about. Appreciate you hanging around with us.
These videos offer great in depth knowledge, ultra high quality, great atmosphere and the length is also a perfect compromise between too long and too short. Thank you for the effort and time you spent on creating these videos 👍🏻
Thank´s once more for your outstanding work! Even as a humble hobby photographer I´m always excited to see a new video from you. In my opinion this is THE cinematic channel on RUclips that hardly can´t be bet. Wish you all the best!
Another extremely intriguing video from you guys. I rewatch the Anamorphic episodes just like I do my favorite TV episodes. I always learn something new and look forward to the next video! Cheers.
Thats exactly like we hope it would be... darn, I wish more would feel this way and we could do this full time all thee time. It is very rewarding for us on an emotional level, but you can't feed children with that. Very happy you enjoy
The zollies used in Severance are a great example too; with just white behind the actor it gives a different effect. Also, great job explaining the complexities of zoom lenses. We going to see more of your Angie 28-70mm in action?
interesting... havn't seen that, yet. Thank you. We already did a test of the Angie in SCOPE Chapter Three. As a spherical lens itself it can't hold a candle to the ACEs of course. The very short focus through makes it a pain to work with. I rather use my Contax zoom
That is more that we could ever hope for. I really hope he would have a little nod for us in store... that would have made my day, month, year, life ;-) Thanks a lot man!
not jsut a lens review... you're lecturing filmmaking universe with single product! Media Division is way to underrated. Deserves soooooooooo much more!! Thanks for sharing :)
We where hoping for something like that… how boring would a lens test alone be?! Yeah… I wish we would get a bit more attention… spread the word please and thanks for sharing.
Media Division!!!! You're back. I was worried you'd lose inspiration after the absolute masterpiece that was anamorphic 1 and 2 and for some reason you don't have a million subs. I was just showing my whole family those two videos. I can't tell you how awesome your creations are.
Thanks a lot man… don't worry. That was not my expectations with that subject. Still, we surely could use way more subs and views. Say sorry to your family from me.
Thanks....see it this way: We couldn't have just bought or rented a cine zoom for the episode. Input and help from manufacturers is essential to give you everything around it... and for that, the deserve a test and some love from us
Thanks man... during research I was surprised how much info I was missing thinking I knew enough about zooms. Hope we where able to take others along on the journey
While a borderline 33 minute commercial...I don't mind in the slightest. I forget the previous episode (anamorphic?) where the big guns wouldn't loan MD a set of lenses for testing, for shame...a manufacturer making a decent product providing said product for review/education is splendid in this case. One day when I need a cine lens set...I'm gonna be reaching for a DZO.
Exactly… we couldn't have done this episode without a manufacturer offering their lenses… and they deserve a little love back for that. Thanks for hanging Frollard
@@MediaDivision likewise, thank you for passionately sharing what you do. This is a look into a world at such a granular scale that most people never even approach... Even just glossing over it.
@@MediaDivision You can tell from the compression of space in the opening close up, there would be a lot more distortion if the focal length stayed the same. Also this is from Malcom McDowell: We shot in the Korova Milkbar, the opening shot of the film, and the young lad on the end Mike Tarn, was sitting there. Warren and I were friends, Warren Clarke who plays Dim, and we were kind of bored sitting there waiting for the lighting - it was endless. So we said to this Mike guy, "Is there anything that you can do that is going to get you noticed?" We're winding this guy up really being very wicked. He goes, "I don't know. I can flutter my eyelids like this." I went, "That is so cool! What do you think Warren?" "Yeah! Yeah!" Stanley's ready - OK action! Big shot here (on his face), zoom lens and a pull back on a dolly. Suddenly, "Michael!! What the hell are you doing?!" "Well, he told me to!" "Don't look at me! I didn't tell him." Ruined the shot. Goofing around - Stanley didn't like that. We teased him a lot.
@@MediaDivision there’s an ASC interview with John Alcott about Clockwork Orange with a brief mention of it: “One outstanding use of this lens system is Clockwork’s signature opening shot, which begins as a tight close-up on Alex’s sneering face and then slowly zooms out as the camera dollies back, revealing his trio of thuggish companions and the bizarre interior of their favorite haunt, the Korova Milkbar.” The article and another one online talk about the lens being a modified Angenieux 16mm 20:1 zoom with a 1.6x extender on it to cover 35m. I can’t seem to post the links in the comments section, but feel free to PM me for them.
Zooms rock! For anyone with a crop sensor e-mount camera, the Fujinon MK zooms are still amazing, parfocal, and can be found used for a good price compared to new. FX-30, a1, a7iv, a7Rv are all great matches!
What an episode. I will be honest, I had an irrational fear of zoom lenses. I always found them cumbersome, inconsistent and 'slow'. But as most fears, it roots from lack of knowledge. I have been enlightened! Thank you for making this; The incredible production quality makes it a pleasure to watch, as always.
The sound of that motorized precision @22:29 is just absolutely phenomenal... I can't thank you enough for being the inspiration I needed to start my own film making journey. Du und dein Team, Ihr seid einfach der absolute HAMMER!
Wow, very impressive episode! Are you guys still planning on making a video on vintage Leica R lenses? I really enjoyed the videos on vintage Canon FD lenses and Contax Zeiss lenses.
Thank you. Actually no... we don't owe a set and the Leica R (while good lenses) lack a good cinematic story to tell. Unlike the Super speed or K35 relations, there is nothing of that kind with the Leica R.
I really missed your videos, jumped in this one the second the notification popped up, fantastic video and in depth presentation, keep up your amazing work.
@@christianmajeres9772 Why the hassle…? software emulation looks and works great, doesn't it?! … or are you planning to guid a whole cabinet with CRT… that would be so…… Sonic Boooom !!
Your dolly zoom out and back in made me wonder if it can be used for a partial transition, where the far out shot hides half a scene transition happening out of the frame which then gets seen on the wide part again. Also like the slight change from side to side. Combined with an orbiting track there is some lovely ideas. Sadly a little bit difficult to experiement with without the equipment
Of course… that is a great idea… a guy sitting “alone” at a table and a dolly zoom revealing he is in a crowded restaurant to emphasize his disconnect… pretty smart but complex shot. Definitely on the harder side of things…. But, where there is a will, there is a way
Great as always guys, I constantly record but would like to make a 'very amateur' short one day. Only have a T7i or Dji pocket 2 haha but Heck gotta start somewhere :D
Thank you - as always - for yet again an impeccable and truly stellar produced episode. Perfection really does exist! Above all, intrigued to find out what the intro/outro song used is? Assuming a royalty-free production? Keep on doing what you are doing, we all appreciate your time and effort put into this like nothing else!
Awwww... we are never gone Alex. Already working on the next one that will be a real milestone... and soon to be released. Thank you so much for your kindness and lasting support.
I'm so happy your back , THANKS ☆☆☆☆☆ And to Santa Claus : " i want a DZO bundle case , pleaaasssseee ...can i ?" 😉😄 Grtz from the netherlands Johny geerts
we are never gone... always working on something new and cool for you guys to enjoy. Hope Santa will hear you and you are not on the naughty list... otherwise the Krampus has a GoPro for you ;-)
Thank you for this incredible quality video. I have found little good examples of dzo Catta-I in particular would like to use them on fx3 and am interested in the upcoming three zoom set for e mount. Do you know if the Catta (non ace) zooms are of identical visual quality?
Thanks mark... well, I never tried the e mount version, but it would be very odd, if the IQ would be different. I expect these to only differ in the rear group BUT I can't be sure of course
Another fantastically done video. Just the amount of work that had to go into showing the image through all the lens elements, that detail is very impressive!
Thanks Sam… it is based on the Same simulation we used for our SCOPE series and that made it much easier to pull off… took us "only" a days work. A long day that is.
Nothing wrong with photo zooms, but you can't rally use them to zoom in a shot. Generally, there is so much to be desired from a filmmakers perspective
@@MediaDivision yes I know. My Sigma is parfocal so I can zoom in a Shot :) still with no focus gears but since I am not a big Hollywood production company it works very good for my one man show
The 24-70 is not a parfocal lens… not even the Sigma Cine Zooms based on the 18-35 and 50-100 are. It might be, that in your use case it is just not that obvious, but if you test it properly, you'll find out that it is not. It is a hard to design and complicated to include parfocal abilities into a lens. No manufacturer hands that our for "free" (aka, not advertising that)
Great work. Do you consider to take a look at some legendary old cine zooms, like Cooke Varotal 20-100 or Angenieux 20-120? May I ask what kind of lights were used on set? Thank you. Jan
Hey Jan... thank you so much for your support. Very much appreciated. And thank you for your kindness. Right now, we don't, simply as we don't have access to those, plus we like the idea, that people can get access to stuff we test. DZO was just nice enough to supply the gear. Lights: There are two Arri 4K HMIs (in the frame) and two Arri 4K HMIs lighting the "outside" behind the window. I am light by a massive beauty dish on a 1.5K HMI (not sure what the brand is).. looks like this instagram.com/p/CjV-oIdKvfE/ That is a lot of Ks, would have worked with a fraction of the output, but you can't really dim HMIs
Hi, thank you for your answer, I really appreciate your work (and your team) to deliver full scale of the facts regarding cinematic stuff in such a interesting way. Hope to get a new episodes soon. Jan
Amazing Video, as always! I'm fan of the Fujinon MK zooms myself! But for the same price, DZO offers FF and also a great built quality... what's not to like?
As much as I think youtube is great and does a good job of promoting quality content the sheer fact that scope isn't on 10m+ views is criminal! Thank you so much for putting these films out for us to watch, they're fantastic, professionally made and one of the few rare trustworthy sources of niche film making information online
I think you are right and this is a scandal ;-) Well, we cater to a very small audience. Thank you for your kindness and… spread the word
I agree but it's an educational video. Our society is programmed for entertainment. It says a lot about what's important to people. Personal pleasure is what folks want most while learning is secondary. Sad.
@@MediaDivision you don't. they just don't know you exist yet. you are amazing
The quality of your videos are just astounding! Thank you for all your hard work!
Very happy you feel that way. It is our mission and pleasure. Spread the word!!
Media Division is a masterclass in cine lenses. Taught me so much, thank you! Amazing gear to drool at as well. I genuinely think this is the best channel on RUclips.
So glad you feel that way Sully… spread the word, we could use some more people that think like you
Found y'all recently. Been learning 3D for a number of years for various reasons. Recently got into photography/film with a solid second hand camera.
Absolutely incredible presentation, and super informative at the same time. Not sure if I can fully appreciate how much effort y'all must put in but it definitely shows
Thanks for your kindness Aners… it is a ton of work, but it is also rewarding if it is enjoyed by people like you.
Another beautifully made, hugely informative, and wonderfully entertaining video. You put all other video/photography reviewers to shame.
happy you feel that way about our videos… I surely wish the algorithm would share your opinion. Thanks for hanging around kellhound
A new MediaDivison vid, today is a good day!!! 👍👍🎉
Better than watching the news today... or any day lately :-( glad you enjoy
Greatest RUclips channel
Thats the spirit ;-) Thanks man!!!!
What a shock. Already the most in-depth and thorough deep dive into zooms anywhere on here. BRAVO
Very glad it is to your taste man… thanks a lot again!
Fantastically-shot and informative as always. DZOfilm definitely partnered with the right person to showcase their lenses.
Thanks a lot … I hope DZO gets some love for partnering up. We can't do this without support from all sides
I'm not sure why anyone would actually hate zoom lenses. They're a tool, just like any other lens. All have their compromises and it's all down to preference.
Because they are a compromise… not more not less. Most movies don't contain any zoom shots because… well, we just made a video about that
I think the move away from their use in film-making has a lot to do with the prevalence of cameras that have rolling shutter. A rapid zoom in/out, or even a really fast pan get ruined by the jellyness/lean of rolling shutter.
Love this topic. I recently found him by chance in a filmmakers subreddit after I’ve already been following this channel for over a year and he responded to me. Great guy, great channel, super funny, entertaining and informative. One of my favorite channels on YT.
Thanks man... that is kind of you to say. Of course I answer... having a great community with like minded filmmakers is what the whole channel is really about. Appreciate you hanging around with us.
Wow....after watching this i want to own a cinema lens....that parfocal property is awesome. Great work as always !
Totally.. but it does come at a price. If you can use one.. go for it.
Thank you for your dedication in the creating this kind of a educational videos.
It is absolutely out pleasure. Enjoy and spread the word please
Funny enough, I just rented a Catta Zoom for my FX3 for the weekend. Excited to see the tests you guys do!
We like it… I hope you will as well.
As always great episode
Thanks a lot Timofej!!!
These videos offer great in depth knowledge, ultra high quality, great atmosphere and the length is also a perfect compromise between too long and too short. Thank you for the effort and time you spent on creating these videos 👍🏻
Glad you agree with our production style. Totally our pleasure man. Thanks for hanging & engaging!
Thank´s once more for your outstanding work! Even as a humble hobby photographer I´m always excited to see a new video from you. In my opinion this is THE cinematic channel on RUclips that hardly can´t be bet. Wish you all the best!
Thanks a lot... very happy we are that in your eyes. Wish we had more people like you around.
I don't dedicate to filming, but this video blows my mind. It just mesmerizes what can be done with zooms.
Glad you enjoy Pablo… Zooms give indeed pretty awesome options for filmmaking
Another extremely intriguing video from you guys. I rewatch the Anamorphic episodes just like I do my favorite TV episodes. I always learn something new and look forward to the next video! Cheers.
Haha same man. I love the canon fd episode
Thats exactly like we hope it would be... darn, I wish more would feel this way and we could do this full time all thee time. It is very rewarding for us on an emotional level, but you can't feed children with that. Very happy you enjoy
@@mavillejones5908 so glad man... still one of my favourites, too
@@MediaDivision It always makes me want to go out and spend stupid money on those even tho I have no use for them...
The zollies used in Severance are a great example too; with just white behind the actor it gives a different effect. Also, great job explaining the complexities of zoom lenses. We going to see more of your Angie 28-70mm in action?
interesting... havn't seen that, yet. Thank you. We already did a test of the Angie in SCOPE Chapter Three. As a spherical lens itself it can't hold a candle to the ACEs of course. The very short focus through makes it a pain to work with. I rather use my Contax zoom
Jaw dropping quality as always 👏🏼
🙌 Thanks a lot Geek… appreciated!
The quality of your lessons is unmatched. Kubrick would be proud of you!
That is more that we could ever hope for. I really hope he would have a little nod for us in store... that would have made my day, month, year, life ;-) Thanks a lot man!
Wow one of the most incrdible reviews, in quality and detail. Thank you dearly for your service to our community.
My pleasure Nick... trying to make everything worth your time.
Each of your videos is a real masterpiece❤❤❤
ThNks a lot man… appreciated. Always trying
not jsut a lens review... you're lecturing filmmaking universe with single product! Media Division is way to underrated. Deserves soooooooooo much more!! Thanks for sharing :)
We where hoping for something like that… how boring would a lens test alone be?! Yeah… I wish we would get a bit more attention… spread the word please and thanks for sharing.
As always impressive
Thanks a lot Roberto!!!
I love your channel. The content for aspiring film makers is inspirational
Thanks Jason… very happy you do. We couldn't ask for more. Thhanks for beeing around
22:25 This could win an Oscar✨
… I wouldn't go THAT far… but OK… I thank the academy ;-)
Love the channel no egoes just plain art
Happy you see our work in that way man.... Thank you!
Media Division!!!! You're back. I was worried you'd lose inspiration after the absolute masterpiece that was anamorphic 1 and 2 and for some reason you don't have a million subs.
I was just showing my whole family those two videos. I can't tell you how awesome your creations are.
Thanks a lot man… don't worry. That was not my expectations with that subject. Still, we surely could use way more subs and views. Say sorry to your family from me.
LOVE the music in the 10:36 section
Enjoy.
Great meterial, solid performence, and a sence of humor. This is what I like about you guys, keep going !
Thanks man, always trying.... and.... where are you??? Well hidden, especially for a bear ;-)
Solid info even though it was a paid sponsor product, great presentation.
Thanks....see it this way: We couldn't have just bought or rented a cine zoom for the episode. Input and help from manufacturers is essential to give you everything around it... and for that, the deserve a test and some love from us
Awesome, this clip describes so many aspects of zoom lenses in such an easy to absorb way, impressive work!
Thanks man... during research I was surprised how much info I was missing thinking I knew enough about zooms. Hope we where able to take others along on the journey
Your videos are just love letter to cinema and to cinema technology
I hope they are.... Thanks Torronto
While a borderline 33 minute commercial...I don't mind in the slightest. I forget the previous episode (anamorphic?) where the big guns wouldn't loan MD a set of lenses for testing, for shame...a manufacturer making a decent product providing said product for review/education is splendid in this case. One day when I need a cine lens set...I'm gonna be reaching for a DZO.
Exactly… we couldn't have done this episode without a manufacturer offering their lenses… and they deserve a little love back for that. Thanks for hanging Frollard
@@MediaDivision likewise, thank you for passionately sharing what you do. This is a look into a world at such a granular scale that most people never even approach... Even just glossing over it.
That Clockwork Orange milkbar shot is a combination zoom out and dolly back, a great example of subtly hiding a zoom.
I wasn't aware that there was a zoom in there at all… and it is really not visible. Do you have a source that confirms that?
@@MediaDivision You can tell from the compression of space in the opening close up, there would be a lot more distortion if the focal length stayed the same.
Also this is from Malcom McDowell:
We shot in the Korova Milkbar, the opening shot of the film, and the young lad on the end Mike Tarn, was sitting there. Warren and I were friends, Warren Clarke who plays Dim, and we were kind of bored sitting there waiting for the lighting - it was endless. So we said to this Mike guy, "Is there anything that you can do that is going to get you noticed?" We're winding this guy up really being very wicked. He goes, "I don't know. I can flutter my eyelids like this." I went, "That is so cool! What do you think Warren?" "Yeah! Yeah!" Stanley's ready - OK action! Big shot here (on his face), zoom lens and a pull back on a dolly. Suddenly, "Michael!! What the hell are you doing?!" "Well, he told me to!" "Don't look at me! I didn't tell him." Ruined the shot. Goofing around - Stanley didn't like that. We teased him a lot.
Thank you... where do you got that text from?
@@MediaDivision there’s an ASC interview with John Alcott about Clockwork Orange with a brief mention of it:
“One outstanding use of this lens system is Clockwork’s signature opening shot, which begins as a tight close-up on Alex’s sneering face and then slowly zooms out as the camera dollies back, revealing his trio of thuggish companions and the bizarre interior of their favorite haunt, the Korova Milkbar.”
The article and another one online talk about the lens being a modified Angenieux 16mm 20:1 zoom with a 1.6x extender on it to cover 35m.
I can’t seem to post the links in the comments section, but feel free to PM me for them.
Wait...What? This channel always blow my mind!
Thanks man… always trying to improve
Words cannot describe how much I love this channel, Thank you for another amazing video.
Aw… thanks man… very much appreciated. Our pleasure
Zooms rock!
For anyone with a crop sensor e-mount camera, the Fujinon MK zooms are still amazing, parfocal, and can be found used for a good price compared to new. FX-30, a1, a7iv, a7Rv are all great matches!
I had the Fujinon MK in my hands recently... really light, but also a bit flimsy. The ACEE are really different beasts with PL FF and metal build
I really appreciate your great productions! love from China🇨🇳
Thanks Roland… appreciate the appreciation ;-)
Amazingggg Loved it bro. The Quality of Video is Perfect and to be honest you deserve millions of subscribers . Love from Pakistan
Thanks man.... we wouldn't mind, so, tell RUclips.
I love you, guys! Asalways - perfect! Best wishes from Latvia 🇱🇻🖐🏻🙂
Thanks a lot... glad you like it... and the channel. Thanks for being around.
As always perfect storytelling. 👍
Thank you Tevik!
This is still the best produced content on RUclips.
Thanks man... appreciated
Damn I've waited a long time to see a new Media Division production. It was worth the wait, thank you all for the work.
Cheers mate… glad you enjoy. Next one is already in the making and to be released soon... and that one will be truly epic
@@MediaDivision Thank you, I just did a jig while wetting my pants seeing that news. 😂🤣😅
Beautiful …I have the same effect on my kids
What an episode.
I will be honest, I had an irrational fear of zoom lenses. I always found them cumbersome, inconsistent and 'slow'. But as most fears, it roots from lack of knowledge.
I have been enlightened! Thank you for making this; The incredible production quality makes it a pleasure to watch, as always.
Thanks… well, Zooms will always be a bit of a compromise… but the possibilities are worth it if you need/want zooms.
The sound of that motorized precision @22:29 is just absolutely phenomenal... I can't thank you enough for being the inspiration I needed to start my own film making journey. Du und dein Team, Ihr seid einfach der absolute HAMMER!
Vielen Dank für Deine Unterstützung Max... und Dein netten Worte. Bin sehr froh einen Unterschied für Dich gemacht zu haben!
Wow that dolly zoom intro hits hard.
Glad you think so! Thanks
Quality of this channel content is above of all the others
Thanks a lot… very happy you think so
Fantastic! Cant wait for more to come.
Kindest regards
Phillip Schimek
Thanks… working on the next one already. Soon to be released
Wow, very impressive episode! Are you guys still planning on making a video on vintage Leica R lenses? I really enjoyed the videos on vintage Canon FD lenses and Contax Zeiss lenses.
Thank you. Actually no... we don't owe a set and the Leica R (while good lenses) lack a good cinematic story to tell. Unlike the Super speed or K35 relations, there is nothing of that kind with the Leica R.
Incredible as always, perfect. thanks
Thanks a lot Devi
Here comes another banger from the best technical camera show
Thanks Slim Bim… appreciated!
Amazing video! I have the pleasure of working with two FUJINON 24-180MM T2.6 lenses in a studio setting and they are simply incredible!
Thanks… that is ONE expensive lens there! Just a tin bit out of my legue ;-)
It's always a pleasure when you upload, Nicholas! Thanks again for a wonderful episode.
Thanks Aron… appreciated. Thanks for hanging
Ahhhhhhhhh .... new Media Division .... (kicks back ... unfolds chair ... pops popcorn ... )
Thats the Spirit! Thank you for your support A51. Can't do it without our members
my favorite part of the video is from 0:00 - 33:35. 10/10 content as always. :)👍
😂good one... I love it! Thanks a lot and thanks for hanging.
Always exciting to watch your videos.
Glad you like them! Thanks for hanging
27 seconds in, and i KNOW this video is going to slap!
Thanks Jack.... very glad it is for you!
I really missed your videos, jumped in this one the second the notification popped up, fantastic video and in depth presentation, keep up your amazing work.
Thanks man... don't. worry, next one is in the works already
THE KING HAS RETURNED.....
Where are the rose petals?!?!??! 😂 Thanks man… appreciated!
@@MediaDivision Your level of quality is unmatched and always worth the wait. Nice job Nicholas! "Are we not entertained???"
Thanks again man… we filmmakers are Shadows And Dust
You guys are top notch. Pleasing to watch, can’t wait for new episodes!
Thanks a lot... already working on the next one
Thanks for your incredible content! I get super excited every time you upload and I always learn new things with your videos.
Happy to hear that! That is all we are working and hoping for. Thanks for beeing around
Wonderful video. Much appreciated!
Appreciate your kindness HipHop… thanks for hanging!
This is exactly the video i was looking for. Thanks for Share with us all your talent and effort!
Glad it is to your taste Luis… thank you so much for your support. Strike two to follow soon
As always amazing video! The lenses look great, but much nicer is the light from the para :D
Thanks a lot. Big lights sources for the win ;-)
Feels like a movie, looks like one. Congrats
Thanks a lot man… appreciated. Hopefully we grow with each of our projects.
Great video sharing!!! Thank you
With pleasure man… thanks for hanging
This level of joyful and informative review is what I look up to. Would I reach such a steep peak one day? Doubt it, but gonna try.😅👍
Thanks… absolutely do… always remember that I only started 10 years ago from basically nothing and without any formal education
@@MediaDivision It is an honour to get this great motivative reply from you.🙏 I will try my best!🤗
Great video as usual!
Thanks JD
Brilliant as usually thanks
Thanks man... totally our pleasure
Only watched this now, awesome as always! had to snort tho when i heard Guile's Sonic Boom attack from street fighter at 29:50! lovely touch!
Thanks Christian! You are the first to notice… guess that makes us "old" ;-)
@@MediaDivision thanks, aged in a good way! i just got my Mister FPGA setup for street fighter 2 going, a lot of fun. nearly as much as anamorphics :D
@@christianmajeres9772 Why the hassle…? software emulation looks and works great, doesn't it?! … or are you planning to guid a whole cabinet with CRT… that would be so…… Sonic Boooom !!
@@MediaDivision you figured it out quickly! i am running an old cabinet with an original Arcade CRT :D and street fighter looks lovely!
@@christianmajeres9772 NICE!!!
I can't describe how much i appreciate the work you guys put in making such a content with such results
keep it up
🙌
We will certainly. try, but RUclips is playing against us as you see. Thank You for hanging around
Great stuff as usual Nik
Thanks Nick… wait for the next one… that will be the big one ;-)
As always you are fabulous 👌🏻
Well, thank you Sir!
Excellent. Thank you!
Totally our pleasure Fuzzy
Your dolly zoom out and back in made me wonder if it can be used for a partial transition, where the far out shot hides half a scene transition happening out of the frame which then gets seen on the wide part again.
Also like the slight change from side to side. Combined with an orbiting track there is some lovely ideas.
Sadly a little bit difficult to experiement with without the equipment
Of course… that is a great idea… a guy sitting “alone” at a table and a dolly zoom revealing he is in a crowded restaurant to emphasize his disconnect… pretty smart but complex shot.
Definitely on the harder side of things…. But, where there is a will, there is a way
Stunning, inspiring and nonetheless densly educational video. Couldn't leave without praising your work man
Always appreciated Burhan… thanks for your kindness and for hanging
Great as always guys, I constantly record but would like to make a 'very amateur' short one day. Only have a T7i or Dji pocket 2 haha but Heck gotta start somewhere :D
Thanks for your support Lindopski… very much appreciated. Sure… go for it. Old DoP wisdom, it is never the camera that holds you back.
Thank you for another amazing episode and content!
Thanks a lot Marcel.... and thanks a lot for your support ;-)
My favorite voice is back ! Lets watch the paint dry !
sorry for underperforming. covid and a subsequent Pneumonia made my voice brittle.
@@MediaDivision sorry to hear that. Stay healthy !
Ein neues Video 😍
Genau… viel Spaß
Thank you - as always - for yet again an impeccable and truly stellar produced episode. Perfection really does exist!
Above all, intrigued to find out what the intro/outro song used is? Assuming a royalty-free production?
Keep on doing what you are doing, we all appreciate your time and effort put into this like nothing else!
Thank you for your kindness and for hanging around .... indeed, the song is "saving tides" and it is available on Artlist.
Totally love your episodes, have been learning so much before purchasing lenses ❤
Glad we could do that for you. Thanks Ameba
Most impressive is your studio 😄! James Cameron would be jealous !
Boy, I wish it was mine... its the Marmaldes studio/lights/robot as we say in the thank you part
@@MediaDivision maybe one day... 😂
But most important is that you can use it, not everyone has this privilege!
@@stephanes. Absolutely... and I am very grateful for that
Thanks for the video. This was excellent. I love your stuff.
Totally our pleasure man... it is rewarding that you enjoy so much
This video is so cinematic by itself
Thanks man… really hope it is
Missed you, Nicholas!
Awwww... we are never gone Alex. Already working on the next one that will be a real milestone... and soon to be released. Thank you so much for your kindness and lasting support.
thanks very high quality
With pleasure man!
I'm so happy your back , THANKS ☆☆☆☆☆
And to Santa Claus : " i want a DZO bundle case , pleaaasssseee ...can i ?" 😉😄
Grtz from the netherlands Johny geerts
we are never gone... always working on something new and cool for you guys to enjoy. Hope Santa will hear you and you are not on the naughty list... otherwise the Krampus has a GoPro for you ;-)
another great one!
Thanks a lot man…always trying!
teaching* not trying haha @@MediaDivision
Finally a new episode! Missed you💖
And the next one is soon to come, too. Already deep in it.
The best content! As always!
Thanks Viktor… I wish more would feel that way
@@MediaDivision Me too! They will soon enough.
…unlikely … unfortunately
Thank you for this incredible quality video. I have found little good examples of dzo Catta-I in particular would like to use them on fx3 and am interested in the upcoming three zoom set for e mount. Do you know if the Catta (non ace) zooms are of identical visual quality?
Thanks mark... well, I never tried the e mount version, but it would be very odd, if the IQ would be different. I expect these to only differ in the rear group BUT I can't be sure of course
I like your videos, very quality product!
Thanks Ian… we do our best and try to improve with every episode
@@MediaDivision improve?) u are on highest level)$
The best position to improve from ;-)
Another fantastically done video. Just the amount of work that had to go into showing the image through all the lens elements, that detail is very impressive!
Thanks Sam… it is based on the Same simulation we used for our SCOPE series and that made it much easier to pull off… took us "only" a days work. A long day that is.
@@MediaDivision Ah, even then it took a long day. Most people don't know how much work 3D visuals require.
My 24-70mm F2.8 L Art Lens is my work horse and I am a Fulltime Filmmaker from Germany. IA slo have a 35mm prime
Nothing wrong with photo zooms, but you can't rally use them to zoom in a shot. Generally, there is so much to be desired from a filmmakers perspective
@@MediaDivision yes I know. My Sigma is parfocal so I can zoom in a Shot :) still with no focus gears but since I am not a big Hollywood production company it works very good for my one man show
The 24-70 is not a parfocal lens… not even the Sigma Cine Zooms based on the 18-35 and 50-100 are. It might be, that in your use case it is just not that obvious, but if you test it properly, you'll find out that it is not. It is a hard to design and complicated to include parfocal abilities into a lens. No manufacturer hands that our for "free" (aka, not advertising that)
Great work. Do you consider to take a look at some legendary old cine zooms, like Cooke Varotal 20-100 or Angenieux 20-120? May I ask what kind of lights were used on set? Thank you. Jan
Hey Jan... thank you so much for your support. Very much appreciated. And thank you for your kindness. Right now, we don't, simply as we don't have access to those, plus we like the idea, that people can get access to stuff we test. DZO was just nice enough to supply the gear. Lights: There are two Arri 4K HMIs (in the frame) and two Arri 4K HMIs lighting the "outside" behind the window. I am light by a massive beauty dish on a 1.5K HMI (not sure what the brand is).. looks like this instagram.com/p/CjV-oIdKvfE/
That is a lot of Ks, would have worked with a fraction of the output, but you can't really dim HMIs
Hi, thank you for your answer, I really appreciate your work (and your team) to deliver full scale of the facts regarding cinematic stuff in such a interesting way. Hope to get a new episodes soon. Jan
Absolutely… already deep in the works
Amazing Video, as always! I'm fan of the Fujinon MK zooms myself! But for the same price, DZO offers FF and also a great built quality... what's not to like?
Thanks....I had the Fujinon MK in my hands recently... really light, but also a bit flimsy.