You've Got To Hide Your Love Away - The Beatles - Full Instrumental Recreation (4K)
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- Опубликовано: 25 авг 2024
- Major thanks again to Perry Stanley for providing his incredible vintage 1964 Framus Hootenanny! Subscribe to his channel, you won't regret it!
What a perfect acoustic mood for a quiet October evening! I put this together as a nice little contrast to "Help!" Nothing fancy with this video, just a simple presentation of a lovely Lennon ballad.
And what a ballad! Is this not a top 5 Lennon song? It's hard to imagine a better song about unrequited / forbidden love. Perfectly captures the feeling of longing after someone who just doesn't love ya back. It's almost like John Lennon, Bob Dylan and Brian Wilson collaborated on this. Feels like something all 3 could have written.
Lots of goodies on the instrumention:
- Paul is playing bass chords! I had no idea, but it's been staring us in the face this whole time! Watch "Help!" and you can see Paul fingering chords. It's all there. I couldn't manage plucking chords with no pick, so I assume Paul just forgot a pick during filming of the movie, or just used his fingers as a stylistic choice for filming. I think he's using a pick on the album. Sounds right to me!
- George is actually playing a nylon string classical guitar, doubling John on the Hootenanny. Almost certainly the same Ramirez classical guitar he used on "And I Love Her," and sporadically here and there. He's also playing the Hootenanny in Drop-D on those overdubs. You can clearly hear George on the nylon string on the Anthology outtake - • You've Got To Hide You... .
- Ringo is playing 3 percussion parts here, probably a record! We have brushes on the snare, maracas, and that striking tambourine part. I never realized how central the tambourine is to the mix. I really had to subdue almost everything else to bring out that sparking ching-ching sound. But it doesn't sound like the same song without it!
- I tried recruiting my sister to play that flute solo, given that she's the best flutist I know, but ended up going with Cinematic Studio Woodwinds. Not a bad sound for fake flutes!
Trivia:
- Recorded in 9 takes on Thursday, February 18, 1965. Isolated tracks: • Deconstructing You've ... .
- That flute part is played by Johnnie Scott, who was quoted as saying "They told me roughly what they wanted, 3/4 time, and the best way of fulfilling their needs was to play both tenor flute and alto flute, the second as an overdub." So he's actually playing two flutes!
- Do yourself a favor and listen to the arrangement created by "1964 The Tribute" that precedes their performance of this song. I had the pleasure of hearing this played at Carnegie Hall, I believe for the first time, way back in the early 2000's. Mark Benson's vocal is stupendously good. • 1964 the Tribute perfo... .
- Personal trivia: the only time I've ever "performed" with a Beatles tribute band was on this song, with "1964: The Tribute." I was at soundcheck at Keswick Theatre in Glenside, PA, circa 2011, and Mark Benson asked me to play his Framus on stage, so he could hear how the sound carried in the auditorium (but really because I think he knew I was itching to play during soundcheck). It was surreal, especially because the orchestra was on stage for the soundcheck AND BEGAN PLAYING ALONG WITH ME. It was probably as close to a magical moment and I've experienced. Major thanks to Mark Johnson for making that happen, and to Mark Benson for briefly surrendering his Framus to a total stranger.
Enjoy!
Instruments:
- 1964 Framus Hootenanny (courtesy of Perry Stanley)
- Hofner CT Series bass
- 60's Ludwig No. 980 Super Classic Outfit 9x13 / 16x16 / 14x22 kit (Black Oyster Pearl)
- Lucero Classical Guitar
- Maracas
- Tambourine
Recording Equipment & Miscellaneous:
- Beatles Drop-T #4 drumhead courtesy of Russ Lease (beatlesuits.com)
- PreSonus Studio 1824C Interface (6 microphones used)
- Cad Audio Stage7 7-Piece Drum Microphones (toms, snare & bass drum)
- MXL V250 Condenser Mic: drum overhead mic & acoustic guitar
- Drums recorded and mixed with PreSonus Studio One
- Shure SM57
Waves Abbey Road Plugins used on this track:
- Abbey Road RS124 Compressor Stereo
- REDD37-51 Stereo
- Abbey Road Vinyl Stereo
- Abbey Road Plates Stereo
- J37 Tape Stereo
- RS56 Passive EQ Stereo
Video Equipment:
- Camera: Canon M50
- Edited with Adobe Premiere Pro on HP Envy 32'' All in One
Feel free to leave comments, I'll respond to as many as I can.
Sounds so close to the original it's scary. Good job man!
"Paul's broken a glass, broken a glass. Paul's broken a glass. A glass, a glass he's broke today!" lol as heard on the Anthology 2 version of the song (as well as John's "1,2,3. 1,2,3." count ins).
CRINGE
@@fascistalien you are "CrInGe"
Oh you're ready? Okay.
I remember hearing that.
“ Are you ready? Macca!
The Beatles Irish heritage never gets enough credit. Nicely done.
What is Irish about this song?
Happy Birthday to the greatest rhythm guitarist of all time, John Lennon. Also fantastic song to post on his 81st birthday.
Here I stand head in hand
Turn my face to the wall
If she's gone I can't go on
Feelin' two-foot small
Everywhere people stare
Each and every day
I can see them laugh at me
And I hear them say
Hey, you've got to hide your love away
Hey, you've got to hide your love away
How can I even try
I can never win
Hearing them, seeing them
In the state I'm in
How could she say to me
Love will find a way
Gather 'round all you clowns
Let me hear you say
Hey, you've got to hide your love away
Hey, you've got to hide your love away
Happy Birthday John Lennon ✌🏻☮️❤️🌈
Thank you. indeed Happy Birthday John
Beautiful. Absolutely beautiful. The Help LP is so underrated. I love it.
nailed that rustic, folk-ish sound!
Amazing. I can somehow hear John's voice through the instruments. Such a beautiful song, I even dreamt of it after the first time I heard it. My dad loves this as well.
Without doubt one of my favourite Beatles songs. Your cover is great, that framus sounds exactly like the record!
over fifty years later this song still holds up so well, such a work of musical magic
Great track. Thanks John for all you song, and happy birthday wherever you are ..
This video introduced me to your channel. Love all of your videos. ❤
Yes so amazing thanks!
Also, I wasn't aware Paul was playing bass 'chords' on this track, which probably explains why this song sounds so sumptuous and full despite the sparse instrumentation.
Happy birthday John.
Fabulous 👌
And that’s how masterpiece is made
Beautiful, Michael!
All thanks to you, sir! 🙏🏻
Many thanks to Mr. Stanley for his generosity.
Just brilliant! Perfect in every way! Thank you for sharing your incredible talent.
Peace and love for John Lennon
Nicely done reconstruction; your Framus sounds pretty good the way you've got it miked.
June 2024; John's Framus just raked in just under 3 million bucks at auction! Suddenly they're sounding a bit better! ;)
It was in time for John birthday. Love the sound, I also have a old Framus
Yes that Framus 12 string. Sounds just like the recording. Thank you Michael.
Amazing! I love this song. It's actually the first song that ever made me want to learn the flute. "I like to observe the correct procedure, you'll thank me for it in the end"
Holy crap :O Well, that ought to hush up the Hootenanny purists!
Brilliant as ever, Michael!!
wow i would love one of the 12-string hootenanny
Beautiful
Unexpected but welcome surprise! Love the bass. Never knew it was so punchy and “chord-y”!
Good job señor.
i like how you can hear the pick scraping on the pickgaurd
Good job..and I just enjoy adding a vocal to your playing when listening
I think my favorite part are the Vimeo extras…demonstrates just how near perfect your recreations are! Thank you as always for sharing! Fantastic as always! PS…Happy birthday to John and Sean!
fantastic job Michael incredible
My muscle memory got triggered by your precise cover, rendering unto my brain, the lyrics as originally written. I was singing right along, out loud even!
Spooky how that just came to me!
First, excellent job. Of all the really good tribute bands, 1964 is my favorite. Have seen them many times.
We are nearing the time when George had less of an influence on Beatle songs that were not his. Up until now, his choice of guitar played a large part in the final sound and feel of the song, but going forward his was more of a supporting role. Some glorious exceptions, of course, but the days of his choice of guitar determining the overall sound are coming to an end. So much fun to watch you recreate history.
Such a rich sound and very true to the record. Great cover.
Great sound! You rule, Mike.
These vids are absolutely terrific!!
Super sound and playing ! Thank for Sharing this song! Big thumb up my friend 👍👍👍!
great job!
Dude. This is spot on
Amazing work
Super intrumental cover. Great to sing. Bravo!
Paul played and I love her the same way! He used that quite a bit
Very good lost for words.
Great job ! Tones are spot on!!
Beautiful!
Amazing job, as always! Each video you make is something I always look forward to, Michael.
With love,
Mick from Children of Minerva
It's sounds so good
That was excellent!
お見事です！フラマスの12弦でちゃんとやってるのはレアですね。こだわりが感じられます。
perfect ! i actually tried to mix john's voice in it and listen to it more than the original bass heavy version..
Excellent performance AND .... very interesting TEXT. It is a pity that too many of the RUclips audience NEVER read Texts which quite often explain a lot why a cover was made ....
Beautiful and cool multi performance!! Enjoyed your nice cover version and put Like and Subed your channel! Have a nice day! :D
Great Cover
Hell yea
Lembrei de quando a minha irmã emprestava o LP Help de uma amiga dela, e eu escutava na vitrola da sala de casa.
Chills! This is simple entertainment for me You have massive audiences! Smooth, entertaining! Uploads Cool! Very well. see you again
Great
Thanks Mr Sokil! I was listening to this song while driving my car today. Brilliant song and brilliantly performed by you.
Did you ever hear of the Dutch band The Analogues?
0:
What a great way to finish my day! Is Yesterday coming next?
Yesterday is last! Finishing with a bang.
I do what I want :)
Hey man, great cover as always! However, I would like to point out that I hear a hammer-on on the 2nd fret of the D string in the intro on the studio recording that I don't hear in your cover. Maybe you might have missed it or my ears are playing tricks on me but otherwise this is excellent.
The "flute" seems to have more depth than on the original but otherwise another perfect recreation. This just keeps getting better. John's birthday, my mother's birthday and my friend Joe's birthday. Could you MP3 me again please?
Extraordinary! Although those flutes...
what's wrong with the flutes? thanks for the kind words!
That 12 string sounds great! Was that model 12 string 1964 Framus Hootenanny considered a high quality acoustic guitar in 1964? Compared to Gibson and Martin acoustic guitars etc?
Loving all your recreation videos 👏🏻
I was wondering what kind of strings were used on that framus guitar? If you don’t mind me asking 🙂
Sweet Jesus where did you get the Hootenanny? Outstanding.
I was just trying to learn this one on guitar! Have you ever considered posting tutorials for the individual parts?
Is there any chance you could release the isolated tracks? I'm really interested to see how the 12 string acoustic, and the bass sound like on their own.
Great video! Was the flute part played on a keyboard? Just wondering
Yes it was! Cinematic Studio Woodwinds!
Ends on D ? I believe
nope
it ends on D
nope
HEY!!!
Who wrote this song? I'm guessing the original group must be pretty good.
Along with the Frudua vocal harmonies and isolations, these videos are the coolest thing on the internet. What is producing the little melody B-C ... B at 0:56? It also happens at similar places but it's loudest at 0:56. Also, that interview with Perry Stanley (ruclips.net/video/nP_zSHiaEkg/видео.html) was fantastic. Can we get a continuation of that?
Totally agree!
The sound is exactly the same!!!
Is there a certain tuning for this song?
During the chorus, one of the guitars is in DADGBE?
yup!
We Can Work it Out please
Could you please take separate videos of each isolated instrument to understand what you play? Because from soundcloud it is difficult to tell from the sound what chords or riffs you make.
Knockout, nuf said.
have we got anymore songs with the framus or tenny?
Just finished my second round of filming with Perry. Tennessean will be seen on Act Naturally and Dizzy Miss Lizzy, plus the Pianet on “Tell Me What You See,” a 1965 Epiphone Casino on “Another Girl,” and a 1964 Epiphone Texan on “Yesterday.”
Do you know what strings are on the framus? Are they flats?
Where is the E note in the intro
you provided it with your username
@@MichaelSokil *mic drop
@@MichaelSokil did you hammer the e note in the intro?
I hear this Michael and I can see them on the couch wooing Eva Braun
Framus 5/024 Hootenanny 12
😲😲😲😲😲🎸
beautiful sound🎸✨✨✨
bat
Not available in Japan
😣😖😣😖😣😖😣😖
欲しいです✨
0:47 is Ringo making ice cream rolls?
Stunning. Can you maybe do the Fool on the Hill next?
Wrong album.
Framus 5/024 Hootenanny 12
😆😆😆😆😆😆😆👍👍
Even the tonality is the original ☝️☝️!
A Is not 442.
Great sound. The Lennon rhythm is very rigid. This is smoother. Slightly too fast maybe. Wonderful effort though.
I definitely held back a little, since this is an incredibly valuable guitar (and, mostly importantly, isn't mine!). But yeah I agree, Lennon was a little more aggressive on the actual track.
Never heard brushes on the original record
I hear brushes
@@dorkle9085 Even when I made my own remix from isolated tracks online, I never heard brushes.
They're there. It's more obvious on the Anthology outtake. You can even hear Ringo messing around on the snare between the takes. ruclips.net/video/QS4WmUVq51o/видео.html
@@MichaelSokil I probably just couldn't hear it in the final recording
1 unhappy sad person, so it is.
love this guitar
Happy 81st Birthday, John. We miss you. vimeo.com/627037135.
Woohoo!
Този ,който не оценява това, което са създали в музикално отношение Beatles ,e профан и няма право на мнение Beatles forever !
Hey Michael, I was wondering how you isolate the vocals so perfectly without any background sound or anything! Thanks