Deconstructing Birthday (Isolated Tracks)
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- Опубликовано: 2 авг 2024
- What to think about Paul McCartney? The man who has his birthday today, but we know it will be infinite, thank the gods today we have him and we can thank him for continuing to give a more than heavenly show, I can honestly say with pride that he was always my inspiration and that he surely was for a long time more people. Happy birthday to Sir James Paul McCartney and another year of great immortality that created his legacy.
With a little (Big) help from ILoveMusic
Link to Channel: / @ilovemusic7748
White Album 1968
00:00 Drum
02:47 Bass
05:32 High Guitar
08:14 Low Guitar
10:52 Vocals and Handclaps
13:15 Tambourine, Extra Tambourine, Drum overdubs, Piano, Maracas
Personnel
Drums (1964 Ludwig Super Classic Black Oyster Pearl) or (1968 Ludwig Hollywood Maple with Double Bassdrum): Ringo Starr
Handclaps: Ringo Starr and Mal Evans
Tambourine (‘with a gloved hand to avoid getting more blisters’): George Harrison
Maracas: Unknown
Bass (1968 Fender VI Bass): George Harrison
Electric Guitar (1965 Epiphone 230TD Casino): John Lennon
Electric Guitar (1962 Epiphone ES-230TD Casino): Paul McCartney
Piano (1964 Challen upright 861834): Paul McCartney
Lead Vocal: John Lennon and Paul McCartney
Harmony Vocal: George Harrison, John Lennon and Paul McCartney
Backing Vocal: Pattie Harrison and Yoko Ono
The unusual effect on the piano was made by
putting its sound through a Vox Conqueror guitar amplifier and speaker
cabinet. The amp has a mid-range boost (MRB) function, which jumps
between the frequencies. Having suggested switching between the settings
to warp the piano’s sound
Track 1: John (Low Guitar)
Track 2: Ringo (Drums)
Track 3: George (Bass)
Track 4: Paul (High Guitar)
Track 5: Extra Tambourine, Drum Overdubs, Piano, Maracas
Track 6: Tambourine
Track 7: Vocals
Track 8: Handclaps
Tracks for the video
Drums
Bass
Low Guitar
High Guitar
Tambourine, Extra Tambourine, Drum Overdubs, Piano, Maracas?
Vocals and Handclaps
_______________________________________________________________________
Patreon: / dld2music
Instagram: / dld2.music
Paypal: www.paypal.com/paypalme/DLD2M... 
Видеоклипы
With a little (Big) help from ILoveMusic
Link to Channel: ruclips.net/channel/UCwiMTF0Ojcw57CV773ulMeg
White Album 1968
00:00 Drum
02:47 Bass
05:32 High Guitar
08:14 Low Guitar
10:52 Vocals and Handclaps
13:15 Tambourine, Extra Tambourine, Drum overdubs, Piano, Maracas
Personnel
Drums (1964 Ludwig Super Classic Black Oyster Pearl) or (1968 Ludwig Hollywood Maple with Double Bassdrum): Ringo Starr
Handclaps: Ringo Starr and Mal Evans
Tambourine (‘with a gloved hand to avoid getting more blisters’): George Harrison
Maracas: Unknown
Bass (1968 Fender VI Bass): George Harrison
Electric Guitar (1965 Epiphone 230TD Casino): John Lennon
Electric Guitar (1962 Epiphone ES-230TD Casino): Paul McCartney
Piano (1964 Challen upright 861834): Paul McCartney
Lead Vocal: John Lennon and Paul McCartney
Harmony Vocal: George Harrison, John Lennon and Paul McCartney
Backing Vocal: Pattie Harrison and Yoko Ono
The unusual effect on the piano was made by
putting its sound through a Vox Conqueror guitar amplifier and speaker
cabinet. The amp has a mid-range boost (MRB) function, which jumps
between the frequencies. Having suggested switching between the settings
to warp the piano’s sound
Track 1: John (Low Guitar)
Track 2: Ringo (Drums)
Track 3: George (Bass)
Track 4: Paul (High Guitar)
Track 5: Extra Tambourine, Drum Overdubs, Piano, Maracas
Track 6: Tambourine
Track 7: Vocals
Track 8: Handclaps
Tracks for the video
Drums
Bass
Low Guitar
High Guitar
Tambourine, Extra Tambourine, Drum Overdubs, Piano, Maracas?
Vocals and Handclaps
_______________________________________________________________________
Patreon: www.patreon.com/dld2music
Instagram: instagram.com/dld2.music/
Paypal: www.paypal.com/paypalme/DLD2Music
Happy 80th Birthday Sir Paul McCartney!! :)
they way you edited the photos for the vocals is amazing
Haha thanks
ringo drumming is so solid. it’s incredible.
Paul just belting it out with his incredible vocal range and strength - who knows, this may have given him inspiration for the killer vocals on Oh Darling? Regardless, Happy Birthday Paul and may you have many, many more!
Paul never sang “Oh Darling” again so I think they really were killer vocals, lol.
love the editing on the vocals haha
Me too 😂
😂
You can really sense the exuberance in the recording. What a kick ass track!
How could John hate this song, it’s so bloody fantastic!!
John just liked pissing on the Beatles´ material that he felt wasn't up to his pseudo-intellectual, and enlightened image and standards.
It was a song they sort of constructed on the spot (which was quite different than how they normally worked). I don’t think John hated it as he was dismissive of it. I think there is a lot of excitement in the playing and it rocks. It’s not a brilliant tune but it’s fun and it’s was long used by radio DJ’s to signify someone’s birthday.
there was a period where john just trashed anything that wasn't all his. plus he tended to rate songs on lyrics only. this song is reall just an instrumental
@@victorarena23 yea and probably insecurity, of course he was great also, but as an overall musician , he was starting to realize how Paul was more well rounded, and even if consciously he says he prefers the lyricism of songs and a good melody, there's gotta be some envy or insecurity there
John could be an arsehole at times
EL DESCOMPONER ESTAS GRANDIOSAS CANCIONES ES COMO DESCUBRIRLAS DE NUEVO.....!!!!! GRACIAS........
I find these videos exquisitely badass
Wdym?
@@DLD2Music haha basscially I love your videos dude. I wanted to sounds fancy lol. ☮️❤️
Up to now, I wasn't aware of George still being together with Pattie Boyd when John already knew Yoko Ono! Let alone of Pattie being present at recording sessions.
Patti was married to George until the mid 1970’s when she left George for E.C. Patti can be glimpsed very briefly whispering in George’s ear at Savile Row during the ‘Get Back’ filming January 1969.
Well,the word together is misleading, as she was really with Clapton,cheating and then cuckold.....sad,really
It was spur of the moment. That's why the partners were there.
This track is such a great example of their combined musical genius. Paul just made up the riff in the studio around 5 PM, and within a few hours they had gotten the backing tracks, and they finished it and mixed it by 5 AM. This is according to Barry Miles. So fantastic! One of my favorite Beatles songs.
Paul’s last note @5:21 😂😂 “Bloody hell if I’m doing it all over again!!”
Idk why some sources and people thought it was John playing the high guitar and Paul the lower. The Low Guitar has many characteristics of John’s style.
read the white album reissue liner notes
@@victorarena23 what do they say?
@@iPro3million they say traditional line up George on the high register lead. John on the low register lead and paul on bass
You say it's your birthday
It's my birthday too, yeah
They say it's your birthday
We're gonna have a good time
I'm glad it's your birthday
Happy birthday to you!!!
Feliz cumpleaños Sir James Paul McCartney 🎇🎂🎉🎸
The piano fed thru the guitar amp between frequencies is so freaky...with weird almost synthy sound. Love it.
The standard piano is miked up with a Neumann U47 to a Vox Conqueror amplifier, with Mal Evans (sometimes Chris Thomas) using the three point MRB (Mid Range Boost) switch, moving it between all three positions, especially noticeable at the end. Not all Vox amps had the MRB switch.
Genial! Melhor desconstrução de "Birthday" do RUclips. E Feliz Aniversário Paul!
Nice Isolated Song, Of Course For 80th Birthday Sir Paul
According to the book accompanying the 2018 box set The Beatles: Super Deluxe Version, the annotation on the tape box from the session lists Paul on bass. It sounds like Paul with the foam stuck under the strings on his Rick like he often did.
If Paul is playing Bass he’s using a Jazz not a Rick
@@ilovemusic7748 the bass VERY muted, I don't believe he did something to his Jazz bass to sound like this. I think it's either the Rick or the Bass VI
It is Paul playing bass. If you listen to the outtake, Paul is heard counting off the song in the centre and the bass is dead centre and the guitars panned left
Some Fender basses at the time had felt mutes mounted under the bridge cover. Paul's Jazz had them intact at the time. His Rickenbacker 4001 had a dial-in mute system above the bridge.
@@elirosen1330 Fender Precision and Jazz Basses came stock with chrome covers, foam mute and Fender flatwound strings until around 1980, so that's likely the case.
Those handclaps sound almost like a clock ticking!
Great job!
Thanks!
really helps me out.
Happy Birthday To You Paul “80!”
Your Channel is a Blessing
the white album liner notes for the re issue say george on high lead, john on low lead and paul on bass
What a joy!:)
Génial !!!!!!
Good one!
Outstanding deconstruction!
This is appropriate
Do you plan to do it soon?
@@elirosen1391 not the top of the list but yeah. Depends too if george played bass vi on it. Then I’d do full band
I never even heard John sing on this song, always thought it was just Paul!
🌟
Paul played the Jazz Bass and George played Lucy according the White Album book
Way too sloppy to be Paul
tempo errors in the bass, it is not Paul in any way, the book is rubbish it has horrible errors
@@DLD2Music How are there errors?
@@DLD2Music You yourself said that Paul plays the bass in a video with the bass and drums.
@@beatlesfan2884 social experiments
Paul on bass.
that is 100% paul on bass
If you own a Rickenbacker, a jazz bass with the mute installed, and a Fender VI. I think you’d agree it’s the jazz bass.
Also, also, Paul played this typical note sequence of Root 3rd, 5th all the time for I IV V songs.
Also, other evidence would be listening to Dear Prudence.
Of course I could be wrong, but I currently agree with the guy at the Bulivard recording studio channel.
Yes it’s Paul on Jazz
Ese agudo del minuto 11:52 es envidiable!
To get that piano sound, they mic’d the piano into a Vox Conqueror’s ‘Brilliant’ channel and then played around with the ‘MRB Effects’ switch to create that effect.
At the very end of the song you can actually hear the click of the MRB Effects switch
Pretty amazing concoction of sounds go to make this track up. I see no mention of an organ - so I assume the organ in the last third of the track IS the odd sounding piano referred to. I am hearing a very middy-sounding piano but also what I've always assumed was probably that Lowrey organ used on some Sgt Pepper songs the previous year. It's the one that does a call and response thing with the octave piano part at 14:42 on the last bit.
the white album book does not credit any organ for the song, but I don't rule out your theory
@@DLD2Music It was the studio piano miked up to an American Vox Super Beatle amp. The strange 'middy' tones you hear are Mal Evans using the MRB (Mid Range Boost) switch on the back of the amp head, which is marked MRB and 1-2-3...he switches it on cue between the different settings as Paul plays the piano...it's also how they get that strange sound at the end of the track which otherwise it is simply a held piano chord.
That must be George on bass because the timing isn't as precise as it would be if Paul played it.
george is the more precise player Paul usual more elaborate
thats an absurd thing to say. bass , guitar or what ever george was known to be precise. he wasn't very fast but he was precise
george would likely have better timing and be MORE precise than Paul. he was a more careful player that relied on precision and intonation rather than speed. this is all speed. it's paul
I think I agree that this is Paul on the bass.
I always thought Paul played the drums on this song.
Lol, its like a error that the people think, bucause he plays the drums on songs like Back in the urrs or Dear Prudence...
But in the case is 100% Richard
Ringo plays drums.
@@DLD2Music I think the slight drop in tempo in the solo might make people think it's not Rigno too, as it's so u characteristic for him
I knew it was Ringo but it is very much the kind of drums that Paul would play, hammering away without much swing and very few fills.
@@shetookthekids5637 What solo are you referring to? Also, Ringo wasn’t a human metronome…he was a drummer with great time and super creative. No recordings in the 60’s had perfect tempo. Records back then would breath because the musicians played as bands.
Anyone know the synth sounding filter effect going on with the piano? Can really hear it at 15:50 TTape played back through a wah perhaps?
look at the description
@@DLD2Music Amazing. Thank you.
Por qué aparece Paul tocando la guitarra en la mesa de control?
Estará ensayando o componiendo arreglos mientras mezclaba
Do you guys think George sings the third B4 “Yes Were going to a party party”
Considering his face shows up at that moment, probably.
Interviewer: Hello John. What did you think of Birthday?
John: "It's a piece of garbage. A throw away".
Interviewer: You mean your contribution or the song as a whole?'.....John? Are you there John? Hello John?
Interviewer: And there you have it. Happy Birthday Mr. McCartney
What a great isolation!! Got the 2 guitars separated! Are you sure it’s the bass vi though? i’m not that familiar with its sound but this sounds a lot like the rick
This is Paul playing Fender Jazz. Fender Bass VI sounds different, check out Oh! Darling bass for example, that one has George playing VI.
@@gilassp No, this is George on the Bass VI. Paul is playing lead guitar on this.
@@RingoStarr39 This is based on what?
@@gilassp Well first of all, the bass is officially credited to George, despite what it says in the White Album deluxe book. I also have the Recording the Beatles book and although they don't explicitly say George played the bass, they do say that Paul came up with the main riff and played the lead part.
@@RingoStarr39 Officially credited to George where? The backing track (there's an outtake on the anniversary set) has drums, two guitars and bass. And it's take 2, it makes no sense to put George on Fender VI in this case.
Given the wailing tone of the high guitar in some of the louder parts, is it safe to assume that whoever played it was doing so through the Conqueror?
probably, a lot of white album stuff was run through that
@@curtis11214 The way I hear, the fuzz has that grinding sound that's consistent with the tone bender (whose circuitry was built into the Conqueror's distortion channel), as opposed to the warm break of a tube amp.
I've always thought the piano sounds like it's going through a Wah Wah pedal.
mal the greatest
Buena deconstrucción bro. Que gran colaboración hiciste.
PD: hagamos una colaboración tu y yo
Saludos
Cual hacemos?
@@DLD2Music Tengo varias ideas. Pero te hablo por correo
Sounds like Paul playing bass to me.
13:15 king of tambourine
King George, Sir Paul, Prince Ringo, Jester John!
Can you try Wait?
The song?
@@DLD2Music yep
You seem pretty positive, almost as if you were there lol,
Comparing both bass sounds birthday & helter skelter (which is Lennon playing the vi bass) this sounds more to my ears like the fender jazz bass, same exact sound and tone as glass onion... As for who played, who knows, I've heard way more solid playing from George on honey pie... It could've easily been Paul too..
You make a good case here as far as maybe George playing bass, but which bass is the question and the jazz bass was lefty so I'm going to go with the carefully researched WA box set book..
Tone wise the bass track sounds more jazz bass( deeper tone) than fender vi(more mid range)
maybe you're right about the sound, George had a right-handed jazz bass but he got this one in '69, although I don't think that it was Paul on bass here, dont saying that george was a bad bass player but that paul had more experience is a true and here Harri has tempo problems and other things
@@DLD2Music Yes sir
Paul plays Jazz bass on Helter Skelter, John is on guitar. John played the one note bass (through the whole song) on the original slow version of Helter Skelter, but swapped back to his usual guitarist's position for the fast version. John is a mediocre bass player, only delegated to play it as the last choice , as testified in Get Back, the movie. Paul plays the bass on Birthday.
@@DLD2Music George is a good bass player but it's Paul here. Not the Fender IV on this.
@@marcusphelan57 that is assuredly NOT Paul playing bass on Skelter - -
If only, i couyhave heard this back in 68-69 , i might could have got the guitar 🎸 down.
paul was my inspiration to play bass & to play it lefthanded , which i aint
Happy Birthday, Sir Paul, from an American fan from the beginning……….
I had no idea George played bass on this.
Maybe it was Paul, but for me sounds like George
The 2018 White Album book claims it was Paul, but it was mostly likely George given the simplicity of the bass line, and the guitar work has the hallmarks of Paul's style.
@@elirosen1391 yep, for me the books is wrong
@@elirosen1391 also the tape box supposedly shows them playing their usually instruments…. ‘At approximately 6 pm, the first of 20 takes of the rhythm track began to be recorded onto a four-track tape, the tape box indicating the instrumentation as John on electric guitar (track one), Ringo on drums (track two), Paul on bass (track three) and George on electric guitar (track four). In the verses, John played the lower octave guitar riff while George played a similar riff in a higher octave’
@@elirosen1391 Simplicity has nothing to do with it, Fender VI sounds different. And Paul has many simple bass lines in other songs, too.
7:19 Paul's and John's Guitar Solo
george and John
I didnt know that George can play bass….
But Im pretty sure that he’s using the top 3 strings of his guitar…
He's using a fender bass VI, which is essentially a guitar with it's 6 strings tuned an octave lower, it made it easier for him as he was used to playing guitar
@@shetookthekids5637 No it's Paul on Fender Jazz
@@marcusphelan57 Pretty sure it's not Paul, the playing is just too sloppy to be him
@@shetookthekids5637 Yeah it is a bit rough, though even some of Paul's iconic bass lines have clams (I did a video for Dear Prudence last week and was surprised how many rough bass bits there were.) But yeah I thought a casual (but good) bassplayer like George might struggle with having to play the riff all through the song, but with the Fender IV it would be a lot easier, and seeing that Paul wrote the riff it's logical he played guitar.
Then you gonna go crazy ... he plays the fantastic bass line in Old Brown shoe
playing the drums is stressful
You can't say that Paul isn't the one who plays bass just because you don't like the way he sounds or plays. I know you're a big McCartney fan and ignore all the information in the book, but the truth is that Paul played bass as usual, John and George played guitars. You can't change that
Can you isolate John’s vocals? I can barely hear him on the verses
@ 5:36 it kinda sounds backwards 😂
One of best Faul's songs
Clapton actually plays the high guitar on this.
Nah.
No he doesn't.
he doesn't
$how , Like 596 On
This video would have been perfect if you would have edited Yoko Ono’s hideous shrill out of it!
In agreement with John this song is a piece of garbage. The components particularly Harrison's guitar work is laughable
Gracias dld2 . Un suculento manjar para todo los beatlemaniacos.💖adoro esta música..cuando haces unos de ccr.¿?
@@DLD2Music( vino de el cielo), (y campos de algodón). Gracias .
como sienpre como era la composicion de paul la guitarra lider la hace el señor paul maccarney.y la voz lider y el bajo le toco hacerlo george harrison john ritmica y canto yoko y patty coros hay otros intrumentos como piano y pandereta y tanborin