Fantastic work! I realize that you posted only tracks related and overdubs made to Take 27 (aka 27A) from January 31st, but I'd also love to hear George's guitar from take 28 (aka 27B) from the same day. John's bass, Billy's organ and the harmony vocals from this take are out of this world.
This is so cool. What I would not have given as a 13-y.o. drummer in 1970 to have this to learn from. Job well done! My God, those vocal harmonies brought me to near tears.
That must be the result of a beautiful mistake, where Paul attempts to play A minor but went to play B diminished (the exact position of A minor but one key position to the right)
Naked does have the same backing vocals as the album version. I did isolate the naked solo in this video here: ruclips.net/video/IEGepEZ_-8M/видео.htmlsi=IuIkLnMkrm2rLGoj
When we listen to something like this, it becomes clear that commercially available transcribed scores are not accurate. There are many incorrect transcriptions of the piano due to the sound of Blüthner's aliquots. Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer. Whenever the hammer strikes the three conventional strings, the aliquot string vibrates sympathetically. Aliquot stringing broadens the vibrational energy throughout the instrument, and creates an unusually complex and colorful tone.
Yeah, I’ve noticed that all the time I’ve tried to learn and transcribe the piano part (more than 40 years!). The C above middle C seems to be played far more often than it is.
All George Martin's contributions and the vocals were the Beatles plus Linda McCartney. Spector only added things to Across the Universe, I Me Mine, and The Long and Winding Road.
For the album version Spector looped one chorus to get three at the end. It's still shares all the same tracks with the single version. For these isolations I kept it at the original length.
Unpopular opinion: I actually really enjoy both Paul and John's bass tracks, Paul's for technicality, and john's for the raw untethered rhythm. John always bought a feeling of controlled chaos that made the Beatles who they were.
Yeah. They recorded the basic track back on January 31, 1969 and didn't do any major overdubs till January 1970. By that time Lennon had quietly left the group. Paul overdubbed a new bass guitar part which replaced Lennon's. So Lennon wasn't on the final track.
I never got that narrative it's really dumb. Is this the greatest bass playing in the world? Definitely not, but it's decent. John wasn't a bassist he was a great guitarist but not a great bassist. During the Get Back documentary we see Paul wanted a simple bassline for the song and that's John played. Nothing extraordinary, but far from being a sabotage.
@isolatedstems totally disagree on this one, it's sub par, sloppy playing by any measure. Lennon openly derided this song, even saying Paul should have saved it for Wings.
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The cleanest piano isolation I’ve heard. Great job. 🎉
I never realized how heavenly those harmonies are
damn seriously
That’s Paul, George, and Linda
Those Harmony vocals are .......
✨✨✨✨✨✨✨✨✨✨🤯🤯🤯🤯🤯🤯🤯🤯
20:14 Paradise part 2. The 1970 guitar solo is George’s guitar singing to me.
This is the first time in my life I heard the ghost solo this clear! That's amazing!!
Great work :)
No wayy
Fantastic work! I realize that you posted only tracks related and overdubs made to Take 27 (aka 27A) from January 31st, but I'd also love to hear George's guitar from take 28 (aka 27B) from the same day. John's bass, Billy's organ and the harmony vocals from this take are out of this world.
17:10 paradise.
genuinely, it’s heavenly
Who is singng...is that all Paul? Or all of them? 😭✨😭✨😭
@@AGETheGawdYTit‘s Paul, George and Linda (on the high harmony)
This is so cool. What I would not have given as a 13-y.o. drummer in 1970 to have this to learn from. Job well done! My God, those vocal harmonies brought me to near tears.
The harmony vocals and Billy Preston’s organ make me cry
3:17 that piano moment!!
Did not see your comment.....agreed. I've always heard that....
That must be the result of a beautiful mistake, where Paul attempts to play A minor but went to play B diminished (the exact position of A minor but one key position to the right)
These photos are incredible, I've never seen them before. Literally the final Beatles sessions.
No one can sing this song like Paul did in 1969
The organ Billy Preston used was a Hammond M102. The Lowrey only stayed in Studio 3 at EMI.
That's true looking at the footage it does look like a m102 rather than a Lowery
@@isolatedstems yeah someone showed me a linked to a video where the organ line was played on the M102 which has since been taken down.
I wish there was the naked version solo and harmonies but great job for the isolation
Naked does have the same backing vocals as the album version. I did isolate the naked solo in this video here: ruclips.net/video/IEGepEZ_-8M/видео.htmlsi=IuIkLnMkrm2rLGoj
George solo, masterpiece ❤
The threetles really brought the track to another level with the overdubs
23:52 wtf chills there
22:22 favorite part
I love how Lennon's original bassline and McCartney's later bass overdub are represented.
La voz de Paul... ¡una hermosura!...
👍👍👍👌👌👌👏👏👏🌻🌻🌻🌹🌹🌹🌷🌷🌷💐💐💐
When we listen to something like this, it becomes clear that commercially available transcribed scores are not accurate.
There are many incorrect transcriptions of the piano due to the sound of Blüthner's aliquots.
Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer. Whenever the hammer strikes the three conventional strings, the aliquot string vibrates sympathetically. Aliquot stringing broadens the vibrational energy throughout the instrument, and creates an unusually complex and colorful tone.
Yeah, I’ve noticed that all the time I’ve tried to learn and transcribe the piano part (more than 40 years!). The C above middle C seems to be played far more often than it is.
2:05 you can hear the piano without the electric piano playing over it.
El Acompañamiento de Orquesta Le Da Fuerza y Empuje A LET IT BE. Por Supuesto Me Refiero a La Versión del Álbum Del Mismo Nombre 🌟🌟🌟🌟
The choir was amazing.. I love the Spector production.
All George Martin's contributions and the vocals were the Beatles plus Linda McCartney. Spector only added things to Across the Universe, I Me Mine, and The Long and Winding Road.
@@isolatedstems yes, thank you... What I meant was I prefer the original album than the "naked". Sorry for my short comment.
@@donkqdonkq1747 Gotcha
Paul was pissed at Specter for f...king with his own version !
Is john picking bass ?
Also the electric piano is actually a Wurlitzer.
Yes, look at the solo isolated guitar. The photo shows clearly a Wurlitzer
Great job!!!
Where is John and George’s original backing vocals
Couldn't get a good enough isolation of them so left them out.
@@isolatedstems make a seperate video of an attempt
Killer drums 🥁 per usual
Damn right🎉
Great!
Time will tell. Let it be‼
It’s Paul’s album. The others had already left the party.
wonderfull
I have a question, is there any way this can be on the blue album version of let it be?
What about the "album" version with 3 choruses at the end?
For the album version Spector looped one chorus to get three at the end. It's still shares all the same tracks with the single version. For these isolations I kept it at the original length.
Wow loved those songs and Paul knew the band was about over. Paul wrote songs on the sad ending he never wanted.
Well not quite since they did record Abbey Road after.
@@isolatedstems yeah, Let It Be sessions were basically also semi-abbey road sessions.
@@isolatedstems There were some final sessions in January 1970 minus John. E.g I Me Mine and also vocal overdubs with Linda helping out.
For God Sake! Let it Be 🗣️🗣️🗣️
Man, that Hammond is righteous!
Paul is an underrated bassist
harmonies are precursor to Wings with George H. Did George Martin sing in background?
Just George, Linda, and Paul. George Martin was probably just there to give them feedback.
17:10
22:22
Amazing gospel
Yes!
Unpopular opinion: I actually really enjoy both Paul and John's bass tracks, Paul's for technicality, and john's for the raw untethered rhythm. John always bought a feeling of controlled chaos that made the Beatles who they were.
Interesting opinion for me Paul's track is objectively better, but I can see your argument.
¡El bajo de John!...😅😅😅
¡¿Cómo no se le iba a ocurrir hacer una genialidad con ese instrumento, digo yo?!...
How did you isolate the piano?
Paul`s vocal is different and not complete,Because not saying " There will be no sorrow"
that Paul sung like this in my opinion in Let It Be.
Looks like John Lennon’s work didn’t put in
Yeah. They recorded the basic track back on January 31, 1969 and didn't do any major overdubs till January 1970. By that time Lennon had quietly left the group. Paul overdubbed a new bass guitar part which replaced Lennon's. So Lennon wasn't on the final track.
@@isolatedstems oh, ty
This guy gets it
Nice pictures of yoko in the estudio.. Oh, is linda, sorry..
Sounds like Paul on drums
Billy Preston, The 5th Beatle. ❤
Phill Spector F.....ed up that album.
For the 3 versions of the let it be song, for me the best is the single version, and now this version is remastered
La mejor versión es la del álbum con el solo de Harrison
Phil Spector didn’t actually add anything to this song
🕊️🏴♥️🇬🇧🕊️
Ian MacDonald was so right: John's 'phoning it in' with the bass is tantamount to sabotage.
I never got that narrative it's really dumb. Is this the greatest bass playing in the world? Definitely not, but it's decent. John wasn't a bassist he was a great guitarist but not a great bassist. During the Get Back documentary we see Paul wanted a simple bassline for the song and that's John played. Nothing extraordinary, but far from being a sabotage.
@isolatedstems totally disagree on this one, it's sub par, sloppy playing by any measure. Lennon openly derided this song, even saying Paul should have saved it for Wings.
Phil Spector... i know you're dead, but I hate you. You screwed up a Beatles album
Phil did even worse in his lifetime.
@@TC-tl8iebooooooo
Keep up the good work guys😂
Got to be one of the worst McCartney’s 😆for God sakes, let it be.