Bei 9. hat sich wohl ein Fehler eingeschleicht :o Des Müller Blumen findet man bei 21:33 Der Anfang von Tränenregen (10.) ist somit bei 24:52 zu finden.
I sing this, and I've listened to so many versions of this cycle, but this one is really good, and I love the way both singer and pianist change their interpretation from verse to verse on the strophic songs, really following the meaning of the text. It's a very romantic interpretation, with more rubato than I'm used to - but its very moving and Scarlata's singing is both beautiful and expressive. Kudos to Jeremy Denk too, excellent all around.
1. Das Wandern/ В путь 0:05 2. Wohin/ Куда? 2:43 6. Der Neugierige/ Любопытство 11:05 7. Ungeduld/Нетерпение 14:59 8.Morgengrub/ Утренний привет 17:38 11. Mein/Моя! 28:38 14. Der Jäger/ Охотник 36:53 15. Eifersucht und Stolz/ Ревность и гордость 38:02 16. Die Liebe Farbe/Любимый цвет 39:25 19. Der Muller und Der Bach/Мельник и ручей 49:44 20. Des Baches Wiegenlied/ Колыбельная ручья 53:24
La ópera me impresiona mucha, es fantástica, porque tienen que aprenderse muchas cosas, y la ópera no es fácil de cantar así como su musicalidad no del todo es fácil, en general estuvieron increíbles estas canciones
This performance is a very unique one, as Mr Scarlata employs many ornaments unlike almost every famous singers do not. It is rather curious and interesting to see on what theoretical base Mr. Scarlata put ornaments. I do not know whether he ever studied editions including such as Diabelli-Ausgabe von 1830 which seems to show Michael Vogl's alterations. Some places Mr Scalata's execution similar to this edition and it means he must have studied seriously. The Schoenemuellerin is a song cycle of lyric poetries, in other words, a lyric drama. From this sense I like he tries to tell a story in a rather dramatic way, but I think his way of addressing is sometimes too light to express this kind of tragedy and sometimes too powerful for fortissimo. To conclude word accentuation is good, but sometimes less discipline(such as putting inferior appoggiatura in case of strong male ending). Singing style sounds like Viennese operetta style of old Austrian singers, such as Richard Tauber. Although there are many things to criticize, but I must say I am very impressed. One last thing to note, listeners may think he used Peter Edition. But less connection to the edition.
apparently youre not a professional singer if you dont force the pianist to learn the piece in another key a week before performance :D nah just kidding but for the ideal sound, the song has to be in the exact vocal range of the singer I guess
The music can be transposed to any key to accommodate the singer's range. Or to bring out a different tone colour in the singers voice. However, I think the relationship between the keys of the different songs in the same cycle should stay the same. I guess the composer may use the keys as a structural framework and an expressive tool like raising the key to indicate heightening tension between songs or a brigther mood.
It's important to notice that schubert was the first to transcribe many songs, including this cycle, so he probably didn't attach all that meaning to single tonalities
@@gersten1008I think he did a good job overall, but I believe this user only paid attention to the mistakes he made. Personally, I think Das Wandern and Des Müllers Blumen were his least well done, based on tuning alone. However, I still appreciate his effort in performing the entire cycle.
![Megan Thee Stallion - Neva Play (feat. RM) [Official Video]](http://i.ytimg.com/vi/TpYTyAaTRts/mqdefault.jpg)
1. Das Wandern (0:00)
2. Wohin? (2:39)
3. Halt! (4:43)
4. Danksagung an den Bach (6:16)
5. Am Feierabend (8:39)
6. Der Neugierige (11:02)
7. Ungeduld (14:54)
8. Morgengruß (17:33)
9. Des Müllers Blumen (24:52)
10. Tränenregen (26:56)
11. Mein! (28:38)
12. Pause (30:49)
13. Mit dem grünen Lautenbande (35:02)
14. Der Jäger (36:52)
15. Eifersucht und Stolz (37:56)
16. Die liebe Farbe (39:24)
17. Die böse Farbe (44:00)
18. Trockne Blumen (46:07)
19. Der Müller und der Bach (49:44)
20. Des Baches Wiegenlied (53:19)
Danke!
@@nderer Herzlich willkommen
Bei 9. hat sich wohl ein Fehler eingeschleicht :o
Des Müller Blumen findet man bei 21:33
Der Anfang von Tränenregen (10.) ist somit bei 24:52 zu finden.
Thank you!
Thank you dude!
I sing this, and I've listened to so many versions of this cycle, but this one is really good, and I love the way both singer and pianist change their interpretation from verse to verse on the strophic songs, really following the meaning of the text. It's a very romantic interpretation, with more rubato than I'm used to - but its very moving and Scarlata's singing is both beautiful and expressive. Kudos to Jeremy Denk too, excellent all around.
Fantastisch, ich habe den Zyklus bisher noch nie ganz gehört, sondern nur einzelne Stücke - ich bin überwältigt💐🌊
1. Das Wandern/ В путь 0:05
2. Wohin/ Куда? 2:43
6. Der Neugierige/ Любопытство 11:05
7. Ungeduld/Нетерпение 14:59
8.Morgengrub/ Утренний привет 17:38
11. Mein/Моя! 28:38
14. Der Jäger/ Охотник 36:53
15. Eifersucht und Stolz/ Ревность и гордость 38:02
16. Die Liebe Farbe/Любимый цвет 39:25
19. Der Muller und Der Bach/Мельник и ручей 49:44
20. Des Baches Wiegenlied/ Колыбельная ручья 53:24
Спасибо
Це просто неймовірна музика, дякую автору за повну збірку цих пречудових творів!!
"9. Des Müllers Blumen " is at 21:32; and "10. Tränenregen" is at 24:52.
yeah I noticed that too
Now with an updated song list in the description
Thank you!
In 2004 I performed much of the cycle to a very kind audience
Trockne Blumen~
Wunderbar!
Son piezas increíbles. Es una fortuna poder apreciarlas hasta el día de hoy gracias a su preservación.
Please correct the song list: "9. Des Müllers Blumen " is at 21:32; and "10. Tränenregen" is at 24:52.
Thank You!
i guess it's kinda randomly asking but do anyone know of a good website to watch newly released movies online?
La ópera me impresiona mucha, es fantástica, porque tienen que aprenderse muchas cosas, y la ópera no es fácil de cantar así como su musicalidad no del todo es fácil, en general estuvieron increíbles estas canciones
Nice to see the new page before the down beat, thanks for putting this together :)
Very nice to listen to and also very interesting to read the text. Thank you very much.
00:00 В путь, Си бемоль мажор 1
02:39 Куда?, Соль мажор 2
11:02 Любопытство, Си мажор 6
28:38 Моя, Ре мажор 11
36:52 Охотник, до минор 14
49:44 Мельник и ручей, соль минор 19
53:19 Колыбельная ручья, Ми бемоль мажор
Well done, both of these wonderful artists.
Impresionante!!
Impresionantes piezas musicales, es increíble la forma en que ejecutan cada una de ellas, sientes la energía y los sentimientos.
Amazing👍😍🤩
Impresionantes piezas musicales, son muy hermosas y más la ejecución de las mismas
Eine wunderschone buch mit der stille :)
Danke, Wien, für uns in Flandern unsere Hauptstadt bis Ende des 18. Jahrhunderts.
This performance is a very unique one, as Mr Scarlata employs many ornaments unlike almost every famous singers do not. It is rather curious and interesting to see on what theoretical base Mr. Scarlata put ornaments. I do not know whether he ever studied editions including such as Diabelli-Ausgabe von 1830 which seems to show Michael Vogl's alterations. Some places Mr Scalata's execution similar to this edition and it means he must have studied seriously. The Schoenemuellerin is a song cycle of lyric poetries, in other words, a lyric drama. From this sense I like he tries to tell a story in a rather dramatic way, but I think his way of addressing is sometimes too light to express this kind of tragedy and sometimes too powerful for fortissimo. To conclude word accentuation is good, but sometimes less discipline(such as putting inferior appoggiatura in case of strong male ending). Singing style sounds like Viennese operetta style of old Austrian singers, such as Richard Tauber. Although there are many things to criticize, but I must say I am very impressed. One last thing to note, listeners may think he used Peter Edition. But less connection to the edition.
11:15 A part
12:09 B part
13:00 C part
Muy bella música
12:09 알고 싶은 마음(Der Neugierige) 슈베르트 아름다운 물레방앗간의 아가씨 중 제6곡
19c음악 - [독일 리트]
[＃연가곡]
슈베르트 - [1.아름다운 물방앗간의 아가씨]
[연가곡] = [연관성]이 있는 [주제]를 가진 [여러 개의 가곡]을 [한 묶음]으로 모아놓은 형식
슈베르트 연가곡
1) 아름다운 물방앗간의 아가씨
2) 겨울 나그네
3) 백조의 노래 (사후 출판)
1. strauts (0:00)
2. mans (28:51)
3. mednieks (36:53)
4. dzirnavnieks un strauts (49:45)
Thanks for the video
아름다운 물 방앗간의 아가씨
¡Asombrosa presentación!
Why is the olla-vogala upload "for kids?" Ugh, RUclips...
Molt bé,... m'encanta !
Who is singer
Randall Scarlata
i'm pretty sure i heard "der Ruh" at 52:30, whereas in text it's "die Ruh". How come?
Just mistakes. This is a live performance and there are many mistakes, it's normal, good performance nevertheless.
24:54
53:19
09:03 und 09:08
37:34 Неntaй
It is not the right tone.
Not everyone’s voice sounds best in the original keys, so they need to be changed.
why bother changing the keys, might as well sing everything in c major and a minor
apparently youre not a professional singer if you dont force the pianist to learn the piece in another key a week before performance :D nah just kidding but for the ideal sound, the song has to be in the exact vocal range of the singer I guess
The music can be transposed to any key to accommodate the singer's range. Or to bring out a different tone colour in the singers voice. However, I think the relationship between the keys of the different songs in the same cycle should stay the same. I guess the composer may use the keys as a structural framework and an expressive tool like raising the key to indicate heightening tension between songs or a brigther mood.
Is this just a general question about music? Or does it have something to do with this song cycle specifically?
@@rodionzaytsev5625 ur comment is really what i want to hear today
It's important to notice that schubert was the first to transcribe many songs, including this cycle, so he probably didn't attach all that meaning to single tonalities
eine schreckliche gesangliche Interpretation
Kannschd du mir erklären warum?
Mythregtlohjygjtfjygjyf
@@gersten1008I think he did a good job overall, but I believe this user only paid attention to the mistakes he made. Personally, I think Das Wandern and Des Müllers Blumen were his least well done, based on tuning alone. However, I still appreciate his effort in performing the entire cycle.
28:38 - Adolf must look great, Stalin is coming on a date... :D