You can now click on CC (closed caption) Subtitles for the original German and English translation. Please like and share and comment. Thanks for the support.
Listening carefully to this famous cycle of lieder shows that it prefigures Schumann rather that Schubert, and indeed Schumann used it even in its instrumental music - the great piano Fantasy in C major. 💛🧡❤❤❤🧡💛
베토벤 6곡 연가곡의 시초 조성이 순환하는방식 첫 곡의 선율 동기를 끝 곡에서 사용하여 작품 전체의 유기성을 강화 Eb-G-Ab-Ab-C-Eb 작품 내의 유기적 관계를 강화하기위해 첫 곡과 끝곡에 공통으로 쓰인 선율동기는 회상과 정리의 느낌을 형성해 낸다 사랑을 다루는 노래지만 전반적으로 깊은 사색을 요구하는 분위기가 지배적임.
This was great and well put together, not to mention the amazing performance of Wunderlich and Schmidt. Wow! And thanks for the translations. I may be performing this soon. At the very least, I would love to perform it sometime.
Please let us know how it went? if you perhaps have a recording, I'd be so excited to hear it. I'm currently preparing to sing it for my Honours recital.
The composition indulges one in the emotion Beethoven must of felt when he gives up on love which he always desired. This performance makes it real. I love the beginning of the 6th song - beauty.
Beethoven composed this song cycle for an Austrian prince, who lost his beloved wife. The prince was terribly sad and asked Beethoven to write something for him. Soon after Beethoven published it, the prince died, too.
The original text was written by Aloys Isidor Jeitteles, but it was never published in printing. He was an acquaintance of Beethoven and most likely gave the hand-written text to him personally, quite possibly wrote it on his request. Beethoven made a few changes in the lyrics and even added a verse to suit his own feelings towards Josephine even more. Moreover, the theme under the added verse resembles the favourite Andante piece of Beethoven (Woo 57), which essentially sings "Jo-se-phi-ne". Source: Beethoven's biography by Jan Caeyers
Thank you for this wonderful performance! Anyhow, in the ending song, I think, the singer should avoid dramatizing. He should only make, peacefully, a cool delivery of conclusions. Not diminuendo, not crescendo, but andante tranquillo.
At 12:31, Beethoven gives directions to accelerate, arriving in the five bars at Allegro molto e con brio. The dynamics then vary widely, but generally rising to the ff at 13:30. I don't see now this can be performed andante tranquillo with calm dynamics without violating Beethoven's directions.
0:00 - I
2:52 - II
4:36 - III
6:20 - IV
7:11 - V
9:42 - VI
bravo
Der süße Schmerz - wer konnte den lebendiger als Lebenselement singen als Fritz Wunderlich.
Einmalig. Einfach unübertroffen. Schade, dass es solche Tenöre es in dieser Perfektion nicht mehr gibt.
You can now click on CC (closed caption) Subtitles for the original German and English translation. Please like and share and comment. Thanks for the support.
Awesome feature! Thank you.
Great singing of Wunderlich always. He was a master of style and beauty. I am learning this cycle to sing.for recitals
This is the finest version of the cycle I have ever heard.
The voice is ideal, and the artistry sublime.
Wunderschön!
Monat mai
@@az-dofus5688 Als alle Knospen sprangen
Listening carefully to this famous cycle of lieder shows that it prefigures Schumann rather that Schubert, and indeed Schumann used it even in its instrumental music - the great piano Fantasy in C major. 💛🧡❤❤❤🧡💛
Wunderlich! Grandioso. Danke für dieses Video.
Vielen Dank! Wunderbar und unerreicht...
When the 6th movement starts it always gives me goosebumps
Thank you for uploading this recording with the translation!
2:50 4:34 6:20 7:10 9:40
Wunderlich, una voz extraordinaria con una interpretación maravillosa. ¡¡¡ bellísimo !!!!
베토벤 6곡
연가곡의 시초
조성이 순환하는방식
첫 곡의 선율 동기를 끝 곡에서 사용하여 작품 전체의 유기성을 강화
Eb-G-Ab-Ab-C-Eb
작품 내의 유기적 관계를 강화하기위해 첫 곡과 끝곡에 공통으로 쓰인 선율동기는 회상과 정리의 느낌을 형성해 낸다
사랑을 다루는 노래지만 전반적으로 깊은 사색을 요구하는 분위기가 지배적임.
Hopefully doing this cycle for my senior recital coming soon!! It's a beautiful set.
This was great and well put together, not to mention the amazing performance of Wunderlich and Schmidt. Wow! And thanks for the translations. I may be performing this soon. At the very least, I would love to perform it sometime.
Michael McLain hi Mike ! And so you did it today!
@@Lidia26877 ..............and me toooooooooooooo
I will be singing this within my Master’s recital!
Please let us know how it went? if you perhaps have a recording, I'd be so excited to hear it. I'm currently preparing to sing it for my Honours recital.
Wunderlich was a Gods gift
베토벤 - [먼 곳의 연인에게]
[연가곡의 시초]로 여겨지는 작품으로 [조성이 순환하는 방식]을 사용
[첫 곡의 선율 동기]를 [끝 곡에서 사용]하여 [작품 전체의 유기성]을 강화하였다.
고전주의 - [가곡]
Herrlich
Lo encontre casual y es muy maravilloso, amo a Beethoven y no puedo dejar sin disfrutar lo màs bello.
I did not know that Lied. Thanks for your video.
Just started working on this, such a helpful video, thanks!
12:10 끝곡 공통선율
ㅋㅋ감사합니다 ㅠㅠ
Merci! ❤
A wonderful performance!
Wow, everybody can sing in the comments. Although I am not here because I am singing it soon, I'm here for Music History. RCM anyone?
Fantastico
Great singing!
2:53 4:35 6:22 7:11
Wonderfull
The composition indulges one in the emotion Beethoven must of felt when he gives up on love which he always desired. This performance makes it real. I love the beginning of the 6th song - beauty.
Beethoven composed this song cycle for an Austrian prince, who lost his beloved wife. The prince was terribly sad and asked Beethoven to write something for him. Soon after Beethoven published it, the prince died, too.
Whenever I listen to Wundelich, I feel like seeing clear blue sky without a particle of dust.
We knew and admired him and expected so much from him. Alas he disappeared so young.
I love it!
Grandioso!
4:35
7:10
12:25
最近几天就得练下来❤
Hi! I have a question, the lyrics are so beautiful, is it Beethoven who also wrote the lyrics for the song? Thanks!
Sophia Andrade The text was written by Alois Jeitteles :)
Thanks for your answer!
The original text was written by Aloys Isidor Jeitteles, but it was never published in printing. He was an acquaintance of Beethoven and most likely gave the hand-written text to him personally, quite possibly wrote it on his request. Beethoven made a few changes in the lyrics and even added a verse to suit his own feelings towards Josephine even more. Moreover, the theme under the added verse resembles the favourite Andante piece of Beethoven (Woo 57), which essentially sings "Jo-se-phi-ne". Source: Beethoven's biography by Jan Caeyers
04:36
02:52 (02:58) - 03:24
0:00
12:10
Ist das Fischer Diskau?
10:12
Thank you for this wonderful performance!
Anyhow, in the ending song, I think, the singer should avoid dramatizing. He should only make, peacefully, a cool delivery of conclusions. Not diminuendo, not crescendo, but andante tranquillo.
At 12:31, Beethoven gives directions to accelerate, arriving in the five bars at Allegro molto e con brio. The dynamics then vary widely, but generally rising to the ff at 13:30. I don't see now this can be performed andante tranquillo with calm dynamics without violating Beethoven's directions.
Quizá sea la mejor de tenor para oratorio y lied que ha existido. Y en el año 1965 D.F.Diskau no era mejor que él
ayo this shit 🔥
Beautifully sung, but too many unmarked and unnecessary tempo changes.
Eine Jahrhundertstimme. Viel zu früh verklungen. Welch ein Verlust.
Why doesn't those people keep the theme sign ?
If so, why do you show the music.
It is vulgar.
10:10
2:51
4:36
12:20
2:51
12:15
12:26
12:20
12:12