This is from an interview with Michael: "I didn't have an ending for the song; there was a few options to end a nice song like that. Either you end on a high note with a nice chord or a fade out or something. But I just came up with the idea that we should end it in a freaky way and I'm just basically playing this ending lick on the nylon string guitar and I told Fredrik to de-tune the guitar in real time as I was playing. So obviously it sounds very ugly but that was the whole purpose. We didn't know if it would work or not but it did."
It amazes me how twenty to thirty years ago, metal music, and rock music in general, were actively persecuted and picketed by religious types, and here we are today watching this gentleman listening to it in a church with a wonderfully positive attitude towards it. Progress.
I was lucky enough that this was the first Opeth song I've ever heard back in 2013 I remember the moment Mikael said the first line (I once upon a time carried a burden inside) I instantly burst into tears
The interplay between Mikael Åkerfeldt and Fredrik Åkesson's solos is absolutely magnificent. Not taking anything away from Peter Lindgren as a musician, but Opeth could not pull something like that off when he was in the band.
I love everything about this reaction! from the intense listening to figure out the chord progressions, to the lovely riffing with the guitars, the (expected) utter bafflement of the detuning part to the rage-quit of the piano. that was awesome, sir!
Opeth has many just gorgeous songs in their catalogue, and Burden is definitely one of the most sumptuous in that group. Such an emotive, moody, journey. And that discordant outro that just breaks it all up and leads into the next song is such a boomerang of sonic experience
So much music appreciation here, the analysis on these prog rock bands...this is what keeps me coming back. This reinforced what I always suspected about their songwriting and chords....Opeth are masters.
For the outro, it really helps with the album's feeling of anxiety. It's a feeling from listening to the album but not the songs individually. The intro song Coil has a low rumbling that builds into the intro of heir apparent where you get a real oppressive hit from the guitars, at the end of heir apparent there is a high pitched tone that carries tension into lotus eater, which starts with bizarre humming and a bizzare intro to the song, the jazzy instrumental in lotus eater has a tense feeling and definitely keeps the listener on their toes, lotus eater ends with a load of voices talking (I don't know if they're swedish sorry) that for me came off as indistinguishable and kind of scary, like a schizophrenic nightmare, which then transitions to burden with a light sigh. Burden ends with the detuning to really catch the listener off guard, considering that burden is very light song in comparison, which then immediately transitions to the hard hitting intro to Porcelain Heart. Porcelain heart then ends with the distorted guitar fading away into the relatively chill first half of hessian peel, again like burden luring the listener into a false sense of security, which then explodes into proper death metal like heir apparent and lotus eater. The last bit of tension (and therefore anxiety) is between hessian peel and hex omega, with a repetitive tone playing which then explodes into hex omega's intro.
The chord progression during the organ solo is the same chord progression around minute 5:30 in Dogs by Pink Floyd!!! Amazing you said it reminded you of Floyd!!!
Omg your expression during the ending made me laugh so much and it was so fitting, like that was probably Mike's intention and he would be laughing at the end too
God dammit Doug you could have been in the rock world yourself. You rock with inherent talent being able to dissect the music so easily and gleefully. Wish we could hear more of your works.
@@3601-c3k I didn't say it was death metal (Opeth has really never been death metal aside from the growls). It's their last good album. The songs on the albums after this just aren't memorable. Mikael is making what he wants to make, and it's an unoriginal rehash of what Camel did 45 years ago.
@@Spivonious Opeth have a whole lot of death metal heavier than any brutal death, Heir Apparent from Watershed even comes close to pure technical death metal. It’s funny to hear that modern Opeth is “unoriginal rehash of Camel” while Benighted from Still Life is based on Camel’s riff and there is a literal ABBA rip-off in The Moor. New Opeth is not less original or memorable than old Opeth. It’s the same band, the same Mikael with his unique style.
After listening Opeth for the first time. Me: Wtf just happened? Doug: Jamming with the band on the piano😅 Great stuff, can’t wait for more songs and bands.
If you are here for the Pink Floyd style Opeth, definitely react to "Lovelorn Crime". The guitar solo is pure soaring majesty (often compared to Comfortably Numb), and the rest of the whole song I'm sure will deeply fascinate you with its chord progressions.
Great song, love Universal Truth as well, and to get jazzy some Garroter. That album is gold and I hated at first, but like Opeth always does it marinades.
I love that song! I think the most Pink Floyd sounding song by Opeth is Epilogue: if someone told me that song came from a PF album I wouldn't have blinked an eye.
i think the ending was very tongue-in-cheek because of the laugh, Mikael is a very light-hearted and humorous fellow despite the heavy subject matter of the songs
modal interchange on a whole another level, i've actually been listening to music differently after i discovered this topic and also writing stuff differntly
This whole album is a work of beauty. The ending song, Hex/Omega is magnificent. Listening to an isolated track like that takes it out of the context of the things that precede and follow.
Absolutely loved watching your reaction to the detuning at the end! I've said it once and I'll say it again... Opeth - Moon Above, Sun Below is up your alley.
Burden always evokes such a strong visceral feeling of longing in me, every time I hear it. Fredrik Akesson joined the band with this album, and I love his contribution to Porcelain Heart, another one of my favorite singles from Opeth. The solo in Allting Tar Slut always reminds me of the solo in Burden. Opeth has helped me get through some of the worst days of my life. May I suggest you tackle La Villa Strangiato by Rush at some point?
Always a treat to see people who know what they're talking about break down an opeth song, the mixture of confusion and pleasure and appreciation that follows I'll never get tired of. Mikael is an insane songwriter and I'm excited to watch you go down the rabbit hole that is Opeth. Cheers
I love Opeth but i miss those beautiful counterpoint sections they used to do on Morningrise and Orchid. They were the only metal band doing contrepoint like that. I would love to see a classical composer react to them... Cheers!
Doug, I thought me and my buddies were the only people to listen to Opeth in church...... Your'e awesome. My love for this band has gotten stronger thanks to your videos!
OMG, I was just waiting for the look on your face at the end and you did not disappoint! 😂😂 This was so fun to watch. This happens to be one of my favorite Opeth songs so this was a treat to see anyone react to it. It’s such a beautiful and sorrowful song all at once. Enjoy the killer shirt. The only Opeth T-shirt I have is the Watershed album cover shirt. You have to react to Face of Melinda from the Still Life album. It’s another mellow song but has some nice things going on you might enjoy. Cheers!
I recommend Storm Corrosion by Storm Corrosion. It’s a project including Mikael Åkerfeldt of Opeth and Steven Wilson. Very beautiful song and would love to hear you thoughts on it.
Dude, i wish i know that much of music theory and stuff, to identify just like that all the chords and progressions, specially of such a band like opeth, you are cool man, keep on, on your reactions!!!
I knew your reaction to the ending will be hilarious lmao I always thought it as dark and freaky.. always felt that part as the depression and collapse of the song.
Opeth is great and i must say watershed is the perfect album to react to. It's their best material ever, not a single less-than-perfect song in that album.
Among the funniest genuine reaction to the ending i have ever seen. Closing the lid! 😀 I can also recommend He Is by Ghost. A modern Abba-song if there ever was one.
God I wish I could hear that organ solo for the first time all over again! I'm so envious of you that you could do that And to really get the ending you need to listen to the next track
3 года назад+7
The detuning guitars lead into arguably the most evil riff on the album - 'Porcelain Heart' Loved your tinkling over the whole band outro !
By far one of the most interesting reaction channels in my opinion. Love the concept where you half and half play along with the song. If you like this style of Opeth, please do check out their version of Soldier of fortune, and any song off Damnation.
I always interpreted the final part as two friends or family members living/going along with each other in perfect harmony. But then one of the two passes/goes away and the other one perishes of this loss. It's one of the most haunting song endings I have ever heard.
I was at that Radio City show too. In fact, I haven't missed an Opeth tour since they started touring the US in 2001, I've seen all the Evolution tours which is really special. What really made the Radio City show truly great for me is that I was only a few rows back in the Orchestra which is where I sat a million times as a kid...my grandfather was the lead violinist at Radio City Music Hall for decades and I got to see it all - the bowels of the place to the highest balcony. Feels like a lifetime ago now, but it was a wonderful experience.
Oh my goodness, we were at the same Opeth show! There was a fun little moment where Mikael forgot some of the lyrics to Death Whispered a Lullaby, which they'd never played live before
I almost feel like Burden isn't actually over until the next song, Porcelain Heart, has blasted you in the stomach. The detuning outro bit leads well into that.
its nuts cause every time i listen to the song i get super emotional. i don't know why. the melody the ambience is just perfect. to me at least. this is my first time watching this channel. i like your commentary.
I think it would be very cool Doug if you were to devote an entire episode or more of you improvising to some of your favourite reaction tracks. Would be cool to hear you playing from the heart.
I just found your channel and these reactions to opeth songs are so freaking cool when you sometimes play some chords with them. I feel like im also learning alot from here as i enjoy this great music and comments also.
Great analysis as usual, keeps me coming back for more, even greater 'what's going on' face at the end lol Also i can't stress enough how few piano notes thrown in there give so much depth to the part it pkays along with. Doug should applt at Opeth yall
I love when they use a sustainer on the electric guitar that they've used throughout their career to create those high soaring notes that add so much atmosphere. That ending is quite gnarly (setting up the mood for the next song).
This is from an interview with Michael:
"I didn't have an ending for the song; there was a few options to end a nice song like that. Either you end on a high note with a nice chord or a fade out or something. But I just came up with the idea that we should end it in a freaky way and I'm just basically playing this ending lick on the nylon string guitar and I told Fredrik to de-tune the guitar in real time as I was playing. So obviously it sounds very ugly but that was the whole purpose. We didn't know if it would work or not but it did."
Yes, and it really sets up the next song’s creepy intensity (Porcelain Heart)!
@@jpgelinas446 agreed!
@@jpgelinas446 +100
Mikael’s laugh at the end , LOL.
@@HPKazan ...turning into a metronomic rythm...
I love how Doug can emulate what's being played in milliseconds.
all musicians do this I dont see why people are so surprised
@@naturalianossnot all do man. The level of musical understanding should be much higher than the benchmark that defines a musician
yea this guy has a deep understanding of music for sure real good ear too
@@naturalianoss false
It amazes me how twenty to thirty years ago, metal music, and rock music in general, were actively persecuted and picketed by religious types, and here we are today watching this gentleman listening to it in a church with a wonderfully positive attitude towards it. Progress.
The funniest part is how sacrilege Opeth actually is lyrically lol.
@@palibakufun Opeth has some sacrilegious stuff, (Devils Orchard) but most of it has a deeper meaning that is separated from religious belief.
Because he is a musician, not a cultie from the 80s ;)
That's why they call it progressive metal lol
@@thebigbadbone7238man, I laughed!!! 😂
I am so envious of this man right now, I would give anything to hear Burden as if it were the first time.
I was lucky enough that this was the first Opeth song I've ever heard back in 2013
I remember the moment Mikael said the first line (I once upon a time carried a burden inside) I instantly burst into tears
watershed is the most underrated and my favorite album of theirs.
It is a great, great album
I think the most underrated album is either Heritage or Sorceress, both amazing albums. I wouldn't say Watershed is underrated.
It's a masterpiece, if Blackwater Park is their master of Puppets, then Watershed is their black album
@@dezmilad all opeth albums are something else
It's highly rated.....so I don't know why you're saying "underrated"
I love the detuning part. It adds some tension right at the end but I actually enjoy it a lot lol
And it’s an awesome reconnection to the rest of the album’s evilness
Same here. It brings in a tension and sets the mood for the next song in the album.
The 1st time i heard it i thought there was some problem with my ear. Then i realised what was going on.
And the rhythm is still on point, still groovin', slapping those strings hahaha
exactly... it's all falling apart... and leads into....
I was just waiting to the end of the song to see you freaking out hahahah.
Hahahaha dude same 🤣
7:05 Absolutely beautiful accompaniment by you playing along. Just wonderful.
The interplay between Mikael Åkerfeldt and Fredrik Åkesson's solos is absolutely magnificent. Not taking anything away from Peter Lindgren as a musician, but Opeth could not pull something like that off when he was in the band.
They could play this for an hour and I would not complain. The most succinct appreciation for that four-chord progression around 6:00. Well said!
I love everything about this reaction! from the intense listening to figure out the chord progressions, to the lovely riffing with the guitars, the (expected) utter bafflement of the detuning part to the rage-quit of the piano. that was awesome, sir!
Opeth has many just gorgeous songs in their catalogue, and Burden is definitely one of the most sumptuous in that group. Such an emotive, moody, journey. And that discordant outro that just breaks it all up and leads into the next song is such a boomerang of sonic experience
4:28 'Keyboard starts to solo'
Jon Lord: Well done, my kids
easily my pick for the most underrated and emotional opeth song. this one hits me deep. always makes me tear up.
Opeth - "Windowpane" is magnificent if you like this version of Opeth. I prefer the non-death metal version of Opeth as well.
Blah….
So much music appreciation here, the analysis on these prog rock bands...this is what keeps me coming back. This reinforced what I always suspected about their songwriting and chords....Opeth are masters.
"I can't really tell what key they're in. They're using functional chords in non functional ways"
Welcome to Prog Doug 😂
For the outro, it really helps with the album's feeling of anxiety. It's a feeling from listening to the album but not the songs individually. The intro song Coil has a low rumbling that builds into the intro of heir apparent where you get a real oppressive hit from the guitars, at the end of heir apparent there is a high pitched tone that carries tension into lotus eater, which starts with bizarre humming and a bizzare intro to the song, the jazzy instrumental in lotus eater has a tense feeling and definitely keeps the listener on their toes, lotus eater ends with a load of voices talking (I don't know if they're swedish sorry) that for me came off as indistinguishable and kind of scary, like a schizophrenic nightmare, which then transitions to burden with a light sigh. Burden ends with the detuning to really catch the listener off guard, considering that burden is very light song in comparison, which then immediately transitions to the hard hitting intro to Porcelain Heart. Porcelain heart then ends with the distorted guitar fading away into the relatively chill first half of hessian peel, again like burden luring the listener into a false sense of security, which then explodes into proper death metal like heir apparent and lotus eater. The last bit of tension (and therefore anxiety) is between hessian peel and hex omega, with a repetitive tone playing which then explodes into hex omega's intro.
Very well put! This album is a true masterpiece and imo Opeth's best album
The chord progression during the organ solo is the same chord progression around minute 5:30 in Dogs by Pink Floyd!!! Amazing you said it reminded you of Floyd!!!
Omg your expression during the ending made me laugh so much and it was so fitting, like that was probably Mike's intention and he would be laughing at the end too
Doug your piano overlay at 7:04 was beautiful
I always see a pretty painting at the end and as the guitar gets detuned the paint starts running down or something... so cool!!
Never clicked so fast on a video in my life.
It's amazing how your face lights up with pure joy when the next chord surprises you LOL so wholesome. love it
God dammit Doug you could have been in the rock world yourself. You rock with inherent talent being able to dissect the music so easily and gleefully. Wish we could hear more of your works.
Great choice - I was addicted to this song growing up. Would love to get your reaction to a song from their newest album - All Things Will Pass.
I love this one. I recommend this to all of my favorite reactors. So far only 1 has done it. He did love it too though.
Ha, you make me feel old. I was out of college when this album came out. Some of the last good Opeth before Mikael went off on his 70s prog rock trip.
@@Spivonious this album is literally their most 70-s sounding except 3 songs that contain death metal
@@3601-c3k I didn't say it was death metal (Opeth has really never been death metal aside from the growls). It's their last good album. The songs on the albums after this just aren't memorable. Mikael is making what he wants to make, and it's an unoriginal rehash of what Camel did 45 years ago.
@@Spivonious Opeth have a whole lot of death metal heavier than any brutal death, Heir Apparent from Watershed even comes close to pure technical death metal. It’s funny to hear that modern Opeth is “unoriginal rehash of Camel” while Benighted from Still Life is based on Camel’s riff and there is a literal ABBA rip-off in The Moor. New Opeth is not less original or memorable than old Opeth. It’s the same band, the same Mikael with his unique style.
After listening Opeth for the first time.
Me: Wtf just happened?
Doug: Jamming with the band on the piano😅
Great stuff, can’t wait for more songs and bands.
If you are here for the Pink Floyd style Opeth, definitely react to "Lovelorn Crime". The guitar solo is pure soaring majesty (often compared to Comfortably Numb), and the rest of the whole song I'm sure will deeply fascinate you with its chord progressions.
Great song, love Universal Truth as well, and to get jazzy some Garroter. That album is gold and I hated at first, but like Opeth always does it marinades.
I love that song! I think the most Pink Floyd sounding song by Opeth is Epilogue: if someone told me that song came from a PF album I wouldn't have blinked an eye.
I would have never compared the two but now that you say it I see the likeness
Don't forget Heart in Hands too
As a musician you know when you have discovered a great piece when you have to play along with it.
I was waiting for your reaction to the ending part, and it was priceless :D :D :D
i think the ending was very tongue-in-cheek because of the laugh, Mikael is a very light-hearted and humorous fellow despite the heavy subject matter of the songs
7:55 i cant unhear this part when i listen to this song lmao, it was just sooo perfect!
modal interchange on a whole another level, i've actually been listening to music differently after i discovered this topic and also writing stuff differntly
Thanks for the laugh at the end. I needed that!
It's like the song sort of... melts, at the end. It feels like a sudden emotional bottoming-out. Like a drug comedown.
Like suicide. It's about an ex of Mikael's.
"They can play this for an hour, and I'd not complain."
On 7:56 when you added your piano solo on it🤘🏽love it🔥made it sound like a really sad story ending!👏🏽💔
I’ve been watching your channel for quite sometime Doug. This might be my favorite video you’ve recorded yet.
This whole album is a work of beauty. The ending song, Hex/Omega is magnificent. Listening to an isolated track like that takes it out of the context of the things that precede and follow.
Absolutely loved watching your reaction to the detuning at the end!
I've said it once and I'll say it again... Opeth - Moon Above, Sun Below is up your alley.
Yes!! One of my favorite songs from the Watershed album and Opeth in general :)
Burden always evokes such a strong visceral feeling of longing in me, every time I hear it. Fredrik Akesson joined the band with this album, and I love his contribution to Porcelain Heart, another one of my favorite singles from Opeth.
The solo in Allting Tar Slut always reminds me of the solo in Burden.
Opeth has helped me get through some of the worst days of my life.
May I suggest you tackle La Villa Strangiato by Rush at some point?
Always a treat to see people who know what they're talking about break down an opeth song, the mixture of confusion and pleasure and appreciation that follows I'll never get tired of. Mikael is an insane songwriter and I'm excited to watch you go down the rabbit hole that is Opeth.
Cheers
Any Opeth song could go on and on and I would never get tired of it.
I love Opeth but i miss those beautiful counterpoint sections they used to do on Morningrise and Orchid. They were the only metal band doing contrepoint like that. I would love to see a classical composer react to them... Cheers!
Doug, I thought me and my buddies were the only people to listen to Opeth in church...... Your'e awesome. My love for this band has gotten stronger thanks to your videos!
Love watching you love on Opeth...lol. Amazing band ❤
OMG such a funny ending great reaction closing the piano
This song is what I call “Painfully Beautiful”
OMG, I was just waiting for the look on your face at the end and you did not disappoint! 😂😂
This was so fun to watch. This happens to be one of my favorite Opeth songs so this was a treat to see anyone react to it. It’s such a beautiful and sorrowful song all at once. Enjoy the killer shirt. The only Opeth T-shirt I have is the Watershed album cover shirt. You have to react to Face of Melinda from the Still Life album. It’s another mellow song but has some nice things going on you might enjoy. Cheers!
OMG! Your reaction when the guitar started de-tuning! LMAO! That was great.
The imperfection of de-tuning makes this song perfect
I recommend Storm Corrosion by Storm Corrosion. It’s a project including Mikael Åkerfeldt of Opeth and Steven Wilson. Very beautiful song and would love to hear you thoughts on it.
Dude that was great. I knew that ending was coming and couldn’t wait see your reaction. Funny stuff. I was cracking up.
Dude, i wish i know that much of music theory and stuff, to identify just like that all the chords and progressions, specially of such a band like opeth, you are cool man, keep on, on your reactions!!!
Haha, the roadnoice was really funny! Was watching with my hifi stereo system and started looking out the window! Great vid, good sound!
Great insight into a fantastic song by one of my favorite bands! I'm all about chords and melody, and Mikael and co. really deliver on this one!!
I knew your reaction to the ending will be hilarious lmao I always thought it as dark and freaky.. always felt that part as the depression and collapse of the song.
Love watching your fresh perspective of Opeth music. Please keep this up. Subscribed!
Opeth is great and i must say watershed is the perfect album to react to. It's their best material ever, not a single less-than-perfect song in that album.
Your Opeth reactions/reviews are the best. Love the play alongs
I love your analysis and your playing. This was an amazing video. I'm happy to have chanced upon it. Subscribed.
I keep coming back to this reaction video. I just love seeing you play along ! Thank you very much for you bring :)
Love your videos! You are working your way to become an official member of the band dude ;-)
Man, I enjoyed how much you enjoyed that! Awesome analysis as always. Nice having you in front of a piano!
Among the funniest genuine reaction to the ending i have ever seen. Closing the lid! 😀 I can also recommend He Is by Ghost. A modern Abba-song if there ever was one.
God I wish I could hear that organ solo for the first time all over again! I'm so envious of you that you could do that
And to really get the ending you need to listen to the next track
The detuning guitars lead into arguably the most evil riff on the album - 'Porcelain Heart'
Loved your tinkling over the whole band outro !
So happy to see you break down some more of my favorite band! Awesome stuff man!
hey Doug, great video and channel thanks
By far one of the most interesting reaction channels in my opinion. Love the concept where you half and half play along with the song. If you like this style of Opeth, please do check out their version of Soldier of fortune, and any song off Damnation.
I always interpreted the final part as two friends or family members living/going along with each other in perfect harmony. But then one of the two passes/goes away and the other one perishes of this loss. It's one of the most haunting song endings I have ever heard.
I was at this show too and got the same shirt. It’s my favorite Opera tour shirt. Great show!
I was at that Radio City show too. In fact, I haven't missed an Opeth tour since they started touring the US in 2001, I've seen all the Evolution tours which is really special. What really made the Radio City show truly great for me is that I was only a few rows back in the Orchestra which is where I sat a million times as a kid...my grandfather was the lead violinist at Radio City Music Hall for decades and I got to see it all - the bowels of the place to the highest balcony. Feels like a lifetime ago now, but it was a wonderful experience.
By far my favorite reaction. So good!! Please keep it up.
my favorite song by them, love your improvised parts near end.
Loved your reaction to the outro hahaha I was waiting for that!! Another great video 👍
Oh my goodness, we were at the same Opeth show! There was a fun little moment where Mikael forgot some of the lyrics to Death Whispered a Lullaby, which they'd never played live before
Your reaction during the detuning part was priceless! LOL at the slow piano lid close!
I’m really learning a lot from your breakdown of the song. I wish I could identify these patterns so easily. Thank you
the reaction to the end looked like a perfect mix of 'does not compute' and 'do not want' x)
I appreciate you and your brothers relationship. And your channel is great!
Opeth :
Ghost of Perdition;
Moonlapse Vertigo;
Bleak
let's say Morningrise and Still Life
I almost feel like Burden isn't actually over until the next song, Porcelain Heart, has blasted you in the stomach. The detuning outro bit leads well into that.
Can never do enough Opeth!!
I enjoyed this so muchh!! Thanks, please play along more often next times
Doug Helvering, you are competence personified.
One of my favorite Opeth songs along with Porcelain Heart, which follows Burden in the album.
The guitar solos make me tear up every time, despite having heard them so, so many times.
You are such a nice guy Doug ! Congratulations for your chanel, acreciate it !
I interpreted the outro as a transition into the next song on the album: Porcelain heart, which is darker.
its nuts cause every time i listen to the song i get super emotional. i don't know why. the melody the ambience is just perfect. to me at least.
this is my first time watching this channel. i like your commentary.
I think it would be very cool Doug if you were to devote an entire episode or more of you improvising to some of your favourite reaction tracks. Would be cool to hear you playing from the heart.
You're brother is awesome! You're both lucky :)
I just found your channel and these reactions to opeth songs are so freaking cool when you sometimes play some chords with them. I feel like im also learning alot from here as i enjoy this great music and comments also.
I love it, I love it !!! One of the most beautiful songs from Opeth! And I have memories attached to it too! Burden ... forever!
Great analysis as usual, keeps me coming back for more, even greater 'what's going on' face at the end lol
Also i can't stress enough how few piano notes thrown in there give so much depth to the part it pkays along with.
Doug should applt at Opeth yall
I love when they use a sustainer on the electric guitar that they've used throughout their career to create those high soaring notes that add so much atmosphere. That ending is quite gnarly (setting up the mood for the next song).
The outro in acoustic guitar of this beautiful song reminds me the one in Heaven & Hell (studio version) of Black Sabbath.
Wow beautiful take on the song and beautiful play along. I dig this.